Supercontext: an autopsy of media

Hellbender's 1997 album was the final and little-known release by a group of young men who would go on to do plenty more than punk rock. So why did it get a remastered re-release 25 years later, and why is it still Chris's favorite record? We talk about the band, the recording, and what emo themes live in the literary, haunted lyrics. Sources https://deadbrokerekerds.bandcamp.com/album/con-lim-n https://www.tinymixtapes.com/delorean/hellbender-con-lim%C3%B3n https://razorcake.org/hellbender-con-limon-lp/ https://www.maximumrocknroll.com/band/hellbender/ https://twisted-tracks.blogspot.com/2015/09/hellbender.html https://en.wikipedia.org/wiki/Wells_Tower https://www.opb.org/news/article/tin-house-wells-tower-still-processing-jenna-wortham-wesley-morris/?outputType=amp https://en.wikipedia.org/wiki/Burn_Collector https://www.harrisonhaynes.com/ https://en.wikipedia.org/wiki/Alap_Momin https://www.discogs.com/label/40091-Reservoir https://www.noecho.net/features/reservoir-records-andrew-orlando https://saffmastering.com/ https://therumpus.net/2010/02/17/punk-rock-literati-wells-tower-and-hellbender/ https://ink19.com/1998/04/magazine/music-reviews/v3w6br-hellbender https://cvltnation.com/journey-to-the-new-heavy-cvlt-nation-interviews-dj-oktopus/#google_vignette  

This 2023 Netflix movie directed by David Fincher was either a stunning technical tour-de-force or a slick bit of over-processed product. (Maybe it was both.) We talk about how the filmmakers paid attention to every detail of this visceral revenge thriller, and why that didn't connect with as big an audience as you might think. Sources: https://www.screendaily.com/features/david-fincher-and-andrew-kevin-walker-on-creating-hitman-thriller-the-killer/5188929.article https://filmmakermagazine.com/124199-interview-cinematographer-erik-messerschmidt-david-fincher-the-killer-handheld/ 'The Killer' Q&A Fincher & Fassbender & Rian Johnson 15th Nov 2023 https://mubi.com/en/notebook/posts/hardly-working-david-fincher-s-the-killer https://www.pastemagazine.com/movies/david-fincher/the-killer-review https://www.indiewire.com/features/craft/the-killer-editing-michael-fassbender-david-fincher-netflix-1234922058/ https://www.dazeddigital.com/film-tv/article/61273/1/david-fincher-on-filmmaking-fassbender-the-smiths-twisted-comedy-the-killer https://variety.com/2026/film/news/netflix-dan-lin-wont-work-with-directors-who-want-theatrical-1236768048/ https://www.nytimes.com/2021/01/01/movies/david-fincher.html?eafs_enabled=false https://www.theguardian.com/film/2023/sep/03/the-killer-review-terrific-david-fincher-thriller-about-a-philosophising-hitman https://variety.com/2023/tv/news/netflix-top-10-ratings-12-1235806179/ https://www.nytimes.com/2023/11/09/movies/the-killer-review-fincher.html?eafs_enabled=false

This horror anthology launched in 2018 and has been lauded for its storytelling, genre experimentation, and charming nostalgia, while dealing with violence, sadness, and the constant human struggle between good and evil. We talk about the creative team's intentional and personal process, and why we get a good vibe from those fellas. Sources: https://www.comicsbeat.com/interview-w-maxwell-prince-ice-cream-man/ https://www.hollywoodreporter.com/movies/movie-news/ice-cream-man-movie-wednesday-1235992798/ https://comicsxf.com/2020/07/02/writer-w-maxwell-prince-on-dropping-cameron-stewart-his-ice-cream-man-plans-and-remaking-the-world/ https://chachor1.medium.com/an-interview-with-w-maxwell-prince-8dde9486df27 https://strangehorizons.com/wordpress/non-fiction/ice-cream-man-by-w-maxwell-prince-martin-morazzo-and-chris-ohalloran/ https://imagecomics.com/features/ice-cream-man-you-scream-monsters-feature https://www.nytimes.com/2022/10/24/arts/halloween-comics.html Staff. (2018, April 30). Comics Reviews. Publisher's Weekly Review. Seamas O'Reilly. (2019, September 14). The best graphic novels so far of 2019; Ice cream horror, hardboiled crime, LA dreams and the best film never made. The Irish Times. https://slowburnhorror.com/2022/12/15/what-is-anthology-horror-and-why-i-love-it/ https://www.thepopverse.com/the-massice-ice-cream-man-interview-with-w-maxwell-prince-and-martin-morazzo-youve-always-wanted  

This revisionist Western is a mix of fictional and historical narratives about how law, society, and America came to South Dakota in the late 1800s. We talk about how the show's creator, David Milch, got from Ancient Rome to the Dakota gold rush, and all the lines he crossed to get there. Sources Deadwood, Generic Transformation, and Televisual History by Allison Perlman THE WAY OUT WEST: DAVID MILCH & IAN MCSHANE ON DEADWOOD by Damien Love Singer, Mark (February 14, 2005). "The Misfit". The New Yorker.  Andreeva, N. (2003, January 7). HBO, Milch mine "Deadwood" for Western series. (News). The Hollywood Reporter, 376(39), 5. https://www.goodmorningamerica.com/Entertainment-115937&page=1 Brian McCuskey. (2013). Last Words in Deadwood. In N. S. Witschi & M. Graulich (Eds.), Dirty Words in Deadwood (p. 18). UNP - Nebraska Paperback. https://doi.org/10.2307/j.ctt1ddr701.9 Witschi, N. S., & Graulich, M. (2013). Who Put the Gun into the Whore's Hand? In Dirty Words in Deadwood. University of Nebraska Press. https://www.hollywoodreporter.com/tv/tv-news/deadwood-review-season-one-hbo-2004-1235857267/ https://variety.com/2004/tv/reviews/deadwood-4-1200534541/ https://www.looper.com/153803/we-finally-understand-why-deadwood-was-canceled/ https://www.cinemantics.org/p/the-meaning-behind-deadwoods-opening http://www.hpten.com/all-content/2021/9/30/theme-character-and-language-in-deadwood Peacock, S. (2010). Borders and boundaries in Deadwood. In C. CORNEA (Ed.), Genre and performance: film and television (pp. 96–112). Manchester University Press. https://doi.org/10.2307/j.ctt1vwmg3w.11 Johnson, M. K. (2013). Queer Spaces and Emotional Couplings in Deadwood. In M. GRAULICH & N. S. WITSCHI (Eds.), Dirty Words in Deadwood: Literature and the Postwestern (pp. 208–235). University of Nebraska Press. https://doi.org/10.2307/j.ctt1ddr701.17 https://www.avclub.com/keith-carradine-on-deadwood-fargo-and-madonna-1798250077 https://collider.com/walter-hill-interview-reassignment-deadwood/ David Milch at Yale: An Interview by Nathaniel Lewis  

In 1993, our late, lamented hero Steve Albini wrote this gross and profane takedown of the music industry, and we've been thinking about it ever since. We try to follow the evolution of Albini's attitude about how music is distributed while also checking in on David Byrne, Marxist theory, and Tik Tok. Sources https://thebaffler.com/salvos/the-problem-with-music https://qz.com/202194/steve-albini-the-problem-with-music-has-been-solved-by-the-internet https://boingboing.net/2024/05/10/read-steve-albinis-famous-essay-on-the-music-industrys-problems.html https://www.irishtimes.com/culture/music/the-new-problem-with-music-steve-albini-revisits-one-of-his-favourite-themes-1.2013006 https://stereogum.com/1678835/steve-albini-thinks-the-internet-solved-the-problem-with-music/news https://reason.com/2014/04/30/legendary-punk-producer-steve-albini-say/ https://www.ajournalofmusicalthings.com/revisiting-steve-albinis-problem-music-essay-problem-solved-internet/ https://rocknerd.co.uk/2015/01/11/steve-albini-how-the-internet-solved-the-problem-with-music/ https://www.spinmagazine.com/2014/04/steve-albini-internet-problem-with-music-streaming-debate/ https://www.simplemusiccontracts.com/the-problem-with-music https://louderthanwar.com/steve-albini-streaming/ 2014 Face the Music Video: https://youtu.be/Lz_CPzuwSk4?si=PDHcZV4kKZErnI7R 2014 Face the Music transcript: https://genius.com/Steve-albini-keynote-address-at-melbourne-australias-face-the-music-conference-2014-annotated https://www.theguardian.com/music/2013/oct/11/david-byrne-internet-content-world https://www.theguardian.com/commentisfree/2013/oct/16/why-david-byrne-wrong-spotify-thom-yorke https://freepresshouston.com/the-steve-albini-interview/