An Art To It

If you could pick the ideal medium to create your art work what would it be? Oil paint, charcoal, … or chocolate? Although painting had been a part of her life for as long as she could remember, it was as a chocolatier that Ashleigh Anne first found creative professional success.  In our lovely chat, Aisleigh shares her love of creating in all its guises and how following in her family's footsteps into the restaurant and catering world didn't mean she turned her back on her artistic skills. Encouraged by her grandmother, she excelled at cakes and confectionery and before long was opening a chocolate shop and cafe where her elaborate wedding cakes were much in demand. Aisleigh reveals that working in the somewhat relentless pressure of the hospitality industry took its toll on her mental health.  A decision to reprise her love of painting and to go to art college to pursue that sadly added to the stress rather than relieving it. But moving away from the chocolate business and finding solace in new jobs in gardening and fitness helped; and then finally a move from Devon over the border to Cornwall made Aisleigh determined to follow her artistic dreams. We chat about Aisleigh's work, her inspirations and desires for her practice and how having run her cafe has given her insights into the skills she needed to bring to her creative business.  Aisleigh also shares that having had her own issues with anxiety has inspired to create art especially for those in need of a tranquil and calming focus. You can see Aisleigh's art on her website https://www.aisleighanneart.com/ and on instagram she is @aisleighannecornwallart  Aisleigh also talked about taking part in the course I offer to artists and makers - An Insider's Guide to Gallery Success. It's back this April with a bit of a makeover and some exciting new content, to join the waitlist so you'll be the first to hear, and get a 10% discount on any course purchased, please visit https://thebyregallery.co.uk/pages/courses-and-coaching  

Word play and the serenity of printing are under discussion in this episode of An Art to It, when I'm joined by artist and maker Megan Fatharly.  An exciting talent, Meg has won a deserved reputation  - and fan base - for her witty and distinctive embossed metal work.  In a lively and honest chat we talk about Meg's relationship with place (Scottish beginnings, Cornwall now), her diagnosis of ADHD in her late twenties, and how art-making became both a way to process the world and a "capsule of process" she could return to when things felt too much. Meg shares the behind-the-scenes truth of building a creative business: the push-pull between play and commercial demand, the exhaustion of systems and delegation, the emotional reality of visibility, and why success can feel strangely rigid when your work becomes known for "one thing". We also discuss taking part in the trade show Top Drawer, the difference between that and a market, how audiences connect with the person behind the work, and a line that Meg wrote in her blog about showing her work at Top Drawer that stood out for me: "paying attention to where the work naturally wants to go, rather than where I think it should go to be more easily understood." I asked how that fits in with being an entrepreneur We chat about: The pull of geography and "sense of place" in creative identity ADHD, hyper-fixation, and the relief of processes that slow the mind down Meg's love of printmaking Poetry, collage and using words to anchor ambiguity When your art becomes a business: contracts, VAT, systems and structure The tension between exploring new work and "will it sell?" mentality Visibility and boundaries: when people want to meet the maker   You can see Meg's work at https://meganfatharly.com/ and @printcessmeg   Meg very much admires: The Fabled Thread Website: https://www.thefabledthread.com Instagram: https://www.instagram.com/thefabledthread   Meg worked alongside the Institute of Imagination facilitating workshops.  Website: https://www.instituteofimagination.org Instagram: https://www.instagram.com/instituteofimagination   Meg took part in Top Drawer with Cornwall Shop Small and Creative Kernow Associates Website: https://www.cornwallshopsmall.co.uk Instagram: https://www.instagram.com/cornwallshopsmall   Website: https://associates.creativekernow.org.uk Instagram: https://www.instagram.com/creativekernowassociates   John was one of Meg's tutors during foundation and degree, and his open-access print studio remains an invaluable creative space in Cornwall. Website: https://www.johnhowardprintstudios.com Instagram: https://www.instagram.com/johnhowardprint  

Celebrating 20 years as a beacon of creative excellence in jewellery, I'm delighted to be joined this week by Vicky Sewart, founder of Victoria Sewart Contemporary Jewellery Gallery in Plymouth, Devon.  In a lovely chat with Vicky we talk about what's changed in the jewellery world, and why, with a very clear vision of what she wanted her gallery to be, she "stuck to her guns" through recessions and retail shifts.  Vicky also shares how teaching has become a huge part of her creative life, the reality of navigating breast cancer just two years into opening the gallery, and why she's now embracing a fresh "next chapter" with mentoring and renewed energy. What we cover: How the contemporary jewellery landscape has changed over 20 years Why Vicky chose "gallery" over "shop" -  and what that means in practice Sticking to a clear vision (even when the market pushes you mainstream) The joy of teaching design-led jewellery Whether you need university to become a jeweller today The role galleries still play in a world of Instagram selling What Vicky wants next: lifestyle business, career business… or something she can eventually sell? You can see the gallery at https://victoriasewart.com/ and on instagram @victoria_sewart_gallery  Vicky talked about the work of one of her gallery team, Rachel Darbourne whose work you can see @racheldarbourne, also part of the amazing team at the Gallery is @valmuddymanjewellery @kathleen.ashcroft.jewellery and @donna.burns.jewellery  If you enjoy An Art to It podcasts, please, please do follow us on Apple and help more people find us.  It's really easy, open the Apple podcast app, go to An Art to It; the top three little dots on the upper right hand corner, touch that and it will offer you 'Go to Show' select that, you're on the home page, and then back to the three dots, select that and tap FOLLOW. Thank you v much! 

In this episode of An Art to It, I'm joined by ceramic artist Carolyn Tripp for a very enterianting and thoughtful conversation about finding your voice, building confidence, and taking the long view in a creative career.   Carolyn shares her journey from advertising to ceramics, how loss shaped a deeply personal body of work, and why success in the art world often comes slowly - through consistency, clarity, and community rather than quick wins.   In this episode we talk about: Finding your true creative voice later in life How personal experience can become universal in your work Why Carolyn describes her work as a "visual diary" of things she notices The value of getting help with words, storytelling, and communication Imposter syndrome - even when showing your work at a prestigious event like Collect How previous careers can quietly support a creative business Selling work through galleries and how collectors engage with ceramics Why evolution in your work needs to be careful and considered What success looks like when you play the long game     Carolyn also shared businesses that she loves for their brands and their authenticity: her local bakers @august.bakery_ and skincare specialist @drsambunting   You can find Carolyn's work at https://www.carolyntceramics.co.uk/ and on instagram she's @carolyntceramics   Carolyn is showing her work with the Cynthia Corbett Gallery https://www.thecynthiacorbettgallery.com/ at the Craft's Council https://www.craftscouncil.org.uk/ international event, Collect at London's Somerset House https://www.somersethouse.org.uk/ from 26th Feb   If you enjoy An Art to It podcasts, please, please do follow us on Apple and help more people find us. It's really easy, open the Apple podcast app, go to An Art to It; the top three little dots on the upper right hand corner, touch that and it will offer you 'Go to Show' select that, your on the home page, and then back to the three dots, select that and tap FOLLOW. Thank you v much! 

In this episode, I'm joined by ceramic artist Sonya Wilkins, whose vessels are inspired by the natural world  - particularly trees, woodland textures, and the quiet power of time spent outdoors. Sonya shares how creativity has been woven through her life since childhood, from early painting lessons with her father to discovering clay at school, and why ceramics became both a practice and a refuge. Sonya also talks candidly about her "two pulls": a creative identity alongside an entrepreneurial streak, and how her earlier career in people development eventually found its way back into her work. A turning-point moment brought her full circle to teaching ceramics, and reignited her own studio practice. We chat about the tension many artists face between commercial demand and soul-led making, how Sonya uses variety (and a range of price points) to support both creativity and sustainability, and why she sees Instagram as a visual portfolio rather than a creative prison. We also touch on other subjects close to Sonya's heart: Reiki, wellbeing, and Ikigai, and how she believes that all of these frameworks can help artists build a business that doesn't flatten their joy. We chat about: How Sonya's father taught her observation - and why that shaped everything Fossil hunting, earth materials, and the "magic" of what's hidden inside rock Why clay became a companion, and why Sonya always needs to go 3D A "pre-art" career, and the confidence rebuild that brought her back to making The commercial temptation: growth vs. conveyor-belt creativity Trees as muse, symbol, and subject  Her MA at Bath Spa University https://www.bathspa.ac.uk/ Client stories, significant trees, and creating vessels that hold memory You can see Sonya's work at https://ceramicsinspiredbynature.com/ and on instagram @sonyawilkinsceramics

2026 - and series five - kicks off with An Art to It's first ever transatlantic episode: this week I'm joined by gallerist Liz Lidgett of Liz Lidgett Gallery + Design in Des Moines, Iowa. https://www.lizlidgett.com/ Liz shares how growing up with a free local museum - and a grandmother who bought her art lessons every Christmas - shaped her belief that art should be for everyone. After studying art history and working as an in-house curator for a major corporate collection, she left the corporate world after exactly one year to become a freelance art advisor before opening her own gallery in 2019… just months before the pandemic. In our lively chat we talk about how being based in the midwest - rather than LA or New York City - gave Liz the space to experiment with selling art, and how Instagram and lockdown turned a her local gallery into a global business.  and why Liz treats her gallery as her biggest artwork – built on joy, ethics, and a strict "no jerks" rule. Inspired by her belief that art really IS for everyone, 2026 sees the launch of Liz's book, Art for Everyone where she demystifies buying, hanging and living with art for people who "love art but don't know where to start." It can be pre-ordered now on Amazon.  In this episode, we chat about: Why being in the "overlooked" Midwest gave Liz freedom to play, make mistakes and experiment Moving from art history and corporate curation into art advising - and what she learned from seeing behind the scenes of galleries. How her Midwest gallery now ships to all 50 US states and 11+ countries, and why location matters less when your voice and eye are strong The values at the heart of her business: accessibility, kindness, paying artists on time, "no jerks", and approachable (never snooty) language Building a community for artists: annual surveys, honest questions, and a legendary 5-year party that brought 35–40 artists together in person The emotional and as Liz says, "slightly woo-woo" side of gallery work: believing that each artwork has a person it's "meant" for – and her job is to connect them What galleries can still offer artists in an age of direct sales and social media Treating the gallery itself as her biggest artwork, and why joy is non-negotiable in how she runs her business. @lizlidgettgallery @lizlidgett  @elaine_dye_ @thebyregallery  

Ever wanted to eavesdrop of gallery owners in conversation? Now is your chance . In this Christmas Special edition of An Art to It, I'm joined by two fellow gallerists: Sharon Harvey (Sanctuary Gallery, Gloucestershire, and landscape artist) and Sara McKee (Life Full Colour gallery and music venue, North Wales). Together we unwrap what 2025 has really been like for independent galleries: the tough months, the surprising highs, the "Dunkirk Spirit" of a Private View in a rainstorm and flood, and why layering income streams and experiences has become essential. We also answer questions posed by artists and makers on: How galleries choose new artists Whether being a "Northern" artist limits your gallery chances Following up when a gallery goes quiet The reality of pricing for galleries vs. art fairs Whether galleries worry about "missing the next Van Gogh"… It's a cosy, honest, very real conversation about art, money, risk, resilience - and why your relationship with a gallery matters as much as your work. You can visit each of our galleries here: https://thebyregallery.co.uk/  https://www.thesanctuarygallery.com/ https://www.lifefullcolour.com/ And find out more about me https://elainedye.com/ An Art to It will be back in mid January 2026  

In this week's episode, I chat to visual artist Gabriella Buckingham, whose creative path has taken her from illustration, to product design, to online teaching, and finally to the richly expressive painting practice she runs today. Gabriella reflects on her childhood desire to be an artist and how finally reaching her destination "was just what I wanted. So I'm very grateful." And how her time spent in the business side of a greetings card business left her with invaluable knowledge of trends, sales analysis and creative stamina which she could ultimately apply to her own creative business.  "I really feel that to run art as a business, you've got to be an optimist. You've got to be able to pick yourself up when you fail." We discuss: • Our shared Lithuanian heritage - and the mystery at the centre of Gabriella's family history • Growing up obsessed with the paintings in her family home - as well as colour and ballet Why she realised graphic design wasn't for her as she cared far more about the painting than the type. The  commercial years that gave her strong business foundations Life as a kitchen-table business owner on Not On The High Street, https://www.notonthehighstreet.com/ and the moment she realised success was costing her more than it gave back Creating and teaching her own online painting course, and why seven-month "live experiences" are as intense as they sound Entering work for the Royal Academy Summer Exhibition - and the electric moment she learned she'd been selected Brand inspiration, colour psychology, and why she thinks she's a "Spring business with an Autumn edge" inspired by Fiona Humberstone @thebrand_stylist https://www.thebrand-stylist.com/ Brands she loves: Boden https://www.boden.com/, Toast https://www.toa.st/, and Kemi Telford https://kemitelford.com/ Success, according to Gabriella: "the life I have now… just with a little more space, more painting, and more galleries."   You can enjoy Gabriella's work at - https://www.gabriellabuckingham.com/ and on instagram @gabriellabuckingham  

In this episode of An Art to It,  I'm joined by applied artist Amy Stringer, who has just celebrated ten years of running her creative business. Amy's practice moves between jewellery and ceramics – think structural, architectural, process-led work that blurs the boundaries between wearable pieces and sculptural objects. Starting with body adornment and bold cement forms, she's now known for both her chain-led silver jewellery and her carved Kurinuki vessels, where jewellery sometimes lives inside the ceramic object. Together, Elaine and Amy talk about what has changed over the last decade for makers, and what it really takes to sustain a creative career over the long term. They discuss: How the landscape for makers has shifted pre- and post-Covid, from material costs and gallery closures to the boom in workshops Why Amy's teaching practice has become a vital pillar in her business, and what she loves about passing on traditional skills Her transition from "fashion-minded" body adornment to process-led jewellery and ceramics, and the tension she's felt around the word "artist" Working with Kurinuki - an ancient Japanese technique of carving clay- and why her ceramic pieces can take months before they even reach the kiln Pricing, value and how ceramic audiences respond to labour-intensive work The differences between jewellery shows and ceramics shows, and why ceramics seems to invite more play The realities of self-employment as a maker: admin, tax, tools, rejection and the business skills that are rarely taught at art school How Amy approaches teaching second-career makers who are thinking about going professional The role galleries have played in her journey, and why having the confidence to approach them early on made such a difference What success looks like for her next ten years - from multidisciplinary exhibitions to sustaining a comfortable, creatively fulfilling life And, as always, I ask Amy the podcast's central question: Is there an art to running a successful creative business? Amy's answer is honest, encouraging and very recognisable to anyone trying to make their creative work pay the bills: it takes a particular personality, a lot of internal drive, and a willingness to keep going through self-doubt and imposter syndrome. You can see Amy's work @amystringerdesign and at https://www.amystringer.co.uk/  

What happens when the art you're known for no longer brings you joy? In this episode, mixed media artist Jane Wilson shares her journey from fashion buying to creative commercial success, and how a door closing lead to her finding her true voice as a playful, joy-filled artist. Jane opens up about early experiences of imposter syndrome, the emotional fallout from a tough gallery break-up, and how lockdown gave her space to rediscover creativity on her own terms. We talk about the art of starting over - more than once - and why success looks different at different stages of life and career. Jane also reflects on professional ambition, the importance of artist identity, and how she's channelling her experience into launching her first online workshop.  We talk about: Jane's shift from fashion buyer to professional artist Why gallery representation isn't always the dream Imposter syndrome and reclaiming the title of 'artist' Playing your way into a more joyful practice The power of beginner's mind Success, validation, and new directions after 50 Creative professionalism (and why every artist needs a delivery note!) You can see Jane's work online at https://www.janewilsonartist.co.uk/ and on instagram @janewilsonartist   

In this week's episode of An Art to It, I chat to artist I talk to the multi-talented Franca Westaway - an artist, designer, educator and all-round creative force. Franca's work spans textiles, ceramics, teaching, painting, mural commissions - and a deep commitment to following her creative instincts wherever they lead. We talked about her early love of fashion and textiles, and how she pivoted from working in the London fashion industry to teaching art and then building her own surface pattern business. She shares how creating bold work helped her resist the "invisibility cloak" that can come with middle age, and why she's not interested in following a conventional business model if it means compromising her values. Franca opens up about the ethical challenges of mass production, the environmental questions that surface in her creative decisions, and how she's now moving into small-batch ceramics that are unapologetically personal and hand-painted — even if they aren't "convenient" to scale. We also talk about the many hats a creative has to wear — from bookkeeper to social media manager — and how being open to possibility and saying yes has shaped her journey. As ever, it's a rich, honest, and inspiring conversation about finding your own rhythm and way of doing business in a creative life. Franca references some fellow creatives whose work and ethos inspires her:  https://idknitthatco.com/ https://www.rachaeltaylordesigns.com/ https://annahaymandesigns.com/ You can see Franca's work on Instagram @Francawestaway23 and her website is francawestaway.com   

Artist and mentor Lisa Henshall joins me from her Norfolk studio to talk about the creative spiral that underpins her practice. From a wild and free Cornish childhood to painting at the kitchen table with three small children, Lisa shares how she's built a full-time art career rooted in self-trust, sharing, and expansion. We talk about the business of being an artist, what real gallery support looks like, and how each phase of making and mentoring loops back into the next. Lisa also reflects on the early days of balancing single parent-hood with painting, her teaching experiences, and why she's now finally returning to study to undertake a Masters at Arts University Bournemouth aub.ac.uk  We discuss: Lisa's concept of the creative spiral Growing up on Cornish coast with a love of painting - and being allowed to do it!  From jewellery to large-scale work and international shows How mentoring and teaching feed into her creative practice Showing vs selling—and why both are part of the process What great artist-gallery relationships really look like Building a business that feels like you You can see Lisa's work at lisahenshall.com and on instagram @lisahenshallartwork  Lisa shows her work at Art Dog https://www.artdoglondon.co.uk/ and also now in Ireland at the Doorway Gallery in Dublin  https://www.thedoorwaygallery.com/ If you're interested in my course for artists and makers: An Insider's Guide to Gallery Success you can find out more here: https://elainedye.com/an-insiders-guide-to-gallery-success/  

In this episode of An Art to It, I chat to artist Susan Kinley, whose striking glasswork blends a fine art sensibility with applied material techniques. We talk about her journey from fine art textiles at Goldsmiths in London https://www.gold.ac.uk/  and mixed media work at the Royal College of Art, https://www.rca.ac.uk/ to her layered, landscape-inspired glass practice rooted in Cornwall. Sue shares how place, light, and materiality have always guided her creative path, from working with Japanese papers to developing glass installations inspired by ancient field patterns and standing stones. She reflects on her time as a teacher and her early years in London, and how a fellowship at Falmouth University https://www.falmouth.ac.uk/ led her to make Cornwall her home. We also explore the practical and professional side of working in glass: from navigating galleries and site-specific commissions to pricing, installing, and selling work that sits between sculpture and painting. Sue offers thoughtful insights into what success looks like at different stages of a creative career, and how recognising your limits - and asking for help - is sometimes the most creative act of all. You can see Sue's work at https://www.susankinley.co.uk/ and @susan.kinley  

This week, I'm joined by ceramicist Liz O'Dwyer in an entertaining - and very honest - chat about building a creative practice from the ground up.   We talk about Liz's early love for making, her years in both art education and Forest School, and how she reconnected with clay later in life, thanks to encouragement from her family, eventually finding her material in porcelain and her voice in form, line, and inlay. Liz shares her experience of teaching as a way to build skill and confidence, her journey through imposter syndrome, and how support from events like the Contemporary Craft Festival https://www.craftfestival.co.uk/ and becoming a selected member at the prestigious Craft Potters Association https://www.craftpotters.com/ helped her feel like she truly belonged. We also talk about building a creative business at your own pace, saying no, finding the right galleries, and the quiet joy of seeing your work in someone else's hands. We cover: Making peace with not having a ceramics degree How teaching shaped her practice - Liz works at The Ceramic Studio in Kent https://www.theceramicstudio.co.uk/ The importance of the ceramic community  Balancing family, part-time work, and growing a business Letting the work evolve naturally You can see Liz's work on her website https://www.lizodwyerceramics.com/ and at instagram on @lizodwyer  

Artist, Gallery Owner, Creative Force This week, I'm joined by Sharon Harvey: a painter, gallery owner, and passionate creative, to explore what it really takes to run a commercial gallery while maintaining an active artistic practice. Sharon shares her winding journey from a successful corporate career into the art world, what led her to study fine art in her 40s, and how a chance conversation changed everything. Now the founder of Sanctuary Gallery in Gloucestershire, she offers a unique dual perspective on gallery-artist relationships, creative confidence, and the realities of selling art today. We discuss: - The courage it takes to pivot careers and pursue art later in life - How becoming a gallery owner reshaped Sharon's view of working with galleries - The practicalities and pressures of running a gallery solo - The power of relationships in both making and selling art - Why artists need to approach galleries like partners—not just platforms - And the art of holding your nerve when things don't sell Sharon talks about Daphne Vaughn http://daphnevaughan.com who inspired her to apply for the foundation course, and Mercedes Smith Director of Fine Art Communications https://www.fineartcommunications.co.uk/people  This episode is packed with honest reflections, useful insights, and quiet encouragement for anyone trying to build a creative career on their own terms. Find Sharon and the Sanctuary Gallery Instagram: @sharon_harvey_art Gallery: sanctuarygallery.com  

This week, I'm joined by painter, and Byre Gallery regular, Jill Hudson, whose creative life has been shaped by travel, resilience, and an enduring love of the sea. Jill shares her journey from studying at Falmouth art school to achieving an enviable life/work balance, and how experiences like teaching in Uganda and studying in Venice helped shape both her perspective and her practice. We chat about the realities of running a professional art business - from the challenges of self-promotion and gallery relationships to the delicate balance between commercial work and creative freedom. Jill reflects honestly on what success means to her, the ongoing struggle with admin and marketing, and why she's finally ready to explore a long-held dream of working in fresco. We also discuss Jill's early determination to become an artist (despite her careers advisor's doubts) Her formative experience teaching in Uganda Studying art in Venice and its lasting influence (not just the coffee!) The gentle build of her creative career and gallery representation Making art that sells vs making the art you love How she manages gallery relationships and adapts work to suit different audiences The tension between creative flow and business tasks like websites and self-promotion Her plans to explore fresco painting in 2025 As Jill says: "Success for me is making a living from this — a creative career with inspiration and opportunity. But you have to keep carving it out every day." You can see Jill's work @jillhudsonart and jillhudson.art Jill talked about https://eu.patagonia.com/gb/en/home/ and paints by michaelharding.co.uk  She learned about fresco painting a artchoolboas.com with Carey Mortimer.

This week, I'm joined by the brilliant and irrepressible Sara McKee - art historian, copywriter, branding expert, and founder of Life Full Colour, https://www.lifefullcolour.com/ a vibrant gallery and cultural hub in North Wales. Sara shares the rich tapestry of her creative and corporate life: from being mentored by legendary art historians at Warwick University https://warwick.ac.uk/ and discovering a love of fresco in Venice, to carving out a second career in advertising and strategy. But it was her decision to turn passion into purpose that took centre stage: Sara explains how her plans to share her thoughts on art exhibitions, took her to selling work online and then deciding to open a gallery in March 2020, just before the UK went into lockdown. In a candid, entertaining, and inspiring conversation, Sara and I chat about: What studying art history taught Sara about looking, not just seeing The unexpected influence of theatre, ancient history, and marketing on her gallery work Building a creative business rooted in community, joy, and personal connection Why good galleries are about people as much as they are about paintings Her dream to bring together art, live music, and storytelling under one roof With a plan to write her memoir and a gallery bar that's part local pub and part inspired by Manet's A Bar at the Folies-Bergère, Sara is living proof that creative vision and strategic instinct can make for a full and colourful life.

In this episode, I chat with London-based painter Melody Reynolds, whose luminous swimming pool and beach scenes have brought a welcome breeze to the gallery walls this summer. Melody reflects on studying at St. Martin's in the 1990s, why she's always felt like an outsider in the art world, and the ways her painting process balances instinct with experimentation. She talks about what it takes to stay bold in the studio, the realities of contacting galleries, and why even seasoned artists need mentoring. Topics include: Painting as a subconscious process—and learning to break your own rules How childhood experiences (and clown paintings!) shape our creative paths Finding joy in chatting to collectors—and the power of in-person connection Why promoting your work is necessary, not vulgar Email lists, postcards, art fairs, and other practical marketing strategies Learning how to approach galleries with professionalism and personality Her hopes for new collaborations—with restaurants, designers, and public art spaces Whether you're navigating galleries or rediscovering your creative confidence, Melody's openness, warmth, and honesty make this episode a must-listen for artists at any stage. You can see Melody's work at: https://www.melodyreynoldsart.com/ and @melodyreynoldsart  

In this episode, I chat with award-winning silversmith Alex O'Connor about the winding path that led her from sculpture to silver—and from the Isle of Wight to the far west of Cornwall and the rugged landscape of West Penwith. In a hugely engaging and very honest chat, Alex shares how her autistic thinking and aphantasia (inability to voluntarily visualise mental images) shape her highly tactile, refined work, and why she describes her creative process as an act of distillation. She discusses forging a new direction later in life, the evolving definition of success in a creative business, and the importance of taking a punt—even when things don't go to plan. Topics include: Finding home in Cornwall and inspiration in the landscape Studying fine art at Kingston and discovering a love for materials Reframing failure and redefining success after a difficult debut at Goldsmiths Fair How aphantasia influences her process—and why she calls herself an "editor" of ideas Her upcoming Quest Scholarship https://www.qest.org.uk/apply/scholarships/  and what she hopes to learn in Shetland with Rod Kelly https://www.rodkellysilver.co.uk/ The art (and strategy) of running a creative business and other silversmiths and creatives she admires, including: David Clarke https://mister-clarke.com/; Grant McCaig https://www.instagram.com/grantsmccaig/ ; Ndidi Ekubia https://www.adriansassoon.com/artists/66-ndidi-ekubia/; Rauni Higson https://www.raunihigson.co.uk/; Jessica Jue https://www.jessicajue.com/; Ute Decker https://www.utedecker.com/ You can see Alex's work at: https://www.alexoconnorsilver.co.uk/ and @movingmetal  

What does it mean to make art that's truly yours—even when it doesn't fit the mould and you have to face potential resistance in the market place? In this honest and uplifting episode, I chat with Cornish artist Siobhan Purdy, whose dreamlike, deeply personal paintings have earned her a cult following. From navigating childhood as a selective mute to building thriving artist communities in Cornwall, Siobhan shares how creativity became her lifeline. We explore: The origins of her distinctive, magical visual style How she channels childhood memories and neurodivergence into powerful imagery The tension between staying true to your vision vs. the pressure to "go commercial" Why being in her studio is her definition of success The part she played in turning the Cornish town of Redruth - and Krowji https://www.krowji.org.uk/ in particular - into the buzzing creative hub it is today. Siobhan's distinctive work might be not be for everyone —but to many, it's unforgettable and I've been privileged to exhibit it for several years, and witness the magic of seeing clients fall in love with it. This episode is a beautiful reflection on art, identity, and belonging. 🔗 View Siobhan's work: purdysart.co.uk and @purdysart