Off Panel: A Comics Interview Podcast

Writer/artist Skottie Young joins the show to talk how his work on Lobo at DC Comics and his views on comics and art. Young discusses the artists that hit him the most, the intersectionality of comics and music, the visual foundation of Lobo, playing with the character's history, the origins and nature of the project, the power of no, the coolness of Marie Javins, doing Lobo at the right time, working for DC, misunderstood parts of Lobo, the world of Stupid Fresh Mess, the power of community, following your passion, discoverability, I Hate Fairyland's longevity, how Stupid Fresh Mess shapes what he does, and more.

Writers (and comics journalism legends) Laura Hudson and Tim Leong join the show to talk their new Mad Cave series Exploit and their journeys to it. Hudson and Leong discuss the power of honesty, publishing their first comic, the evolution of Exploit, whether they always wanted to make comics, how the series developed, the impact of collaboration, Exploit's origins, channeling frustrations into the work, the book's energy, the importance of looking cool, print journalism trends, looking at comics from the outside, and more.

In an episode recorded in-person at this year's annual conference for the trade organization for comic shops, ComicsPRO, The Beat's Heidi MacDonald and the head of Lunar Distribution and Discount Comic Book Service, Christina Merkler, join the podcast for a vibe check about the event and state of the industry. Up first, MacDonald joins to share her read on the event, how it compares to previous editions, what stood out, and more, before Merkler visits us to talk about how passion is fueling this moment for the direct market, the spread of new readers, blind bag management, building on this moment, creating urgency, Lunar's expansion with Viz Media and Yen Press, what has them hopeful about where comics are headed, and more.

Writer Chris Condon joins the show to talk about his comics career, his new Vertigo series The Peril of the Brutal Dark: An Ezra Cain Mystery, and more. Condon discusses managing the promotional side of comics, his comic origins, the power of gimmicks, his love of comic art, his film background, how That Texas Blood came together, the journey of Brutal Dark, what made Vertigo the right home for that project, how having editors changed things, collaborating with Jacob Phillips, Ezra Cain as its lead, the structure of the series, his Marvel exclusive, writing Big Two Comics versus creator-owned, his tip for aspiring creators, and more.

Writer James Tynion IV joins the show to talk about his incredibly busy slate and how he's navigating it all. Tynion discusses the recent Exquisite Corpses pop up in Paris, how he's managing his project load, prioritizing your work, building up speed as a writer, figuring out which projects are a yes, Vertigo's potential impact, the direction of the market, Vicky from w0rldtr33, the Exquisite Corpses card game and its Kickstarter, developing in parallel, adult animation as a focus, how the market feels,  what creators miss with their work, avoiding burn out, and more.

Writer/artist Tony Fleecs joins the show to talk about his life and career in comics and his work on comics like Feral and the upcoming Deathstroke: The Terminator. Fleecs discusses comic shop living, his comic origins, 1990s comic energy, how those comics impacted him as a storyteller, having comics that speak to your age, how My Little Pony changed his life, the success of Stray Dogs, putting animals in peril, the art of Feral and Stray Dogs, when Feral came together, running a creator-owned comic business, how Deathstroke came together, what DC Next Level is, the different versions of Deathstroke, how the market affects his approach, putting himself out there, and more.

Artist Charlie Adlard joins the show to talk about post-Walking Dead living and his new Image Comics graphic novel, Altamont. Adlard discusses a recent signing, becoming a different Charlie, figuring out which projects to take on, the constant drumbeat of deadlines, leaning in different directions, the story of the Altamont Free Concert, what made that story a draw, how Altamont came together as a graphic novel, coloring the book, how he thinks about art, its journey from France to America, Altamont's commentary, what's guiding him these days, verisimilitude, his love of Lego, and more.

Journalist Susana Polo joins the show to talk about her interesting year and a bevy of subjects we didn't get to highlight from the wider world of comics in 2025. Polo discusses post-Polygon living, the loss of personality-driven sites, how the Polygon experience shaped her, the reverse energies of 2025's comic movies, the muted comics conversation, recency biases, the importance of back catalogue, Worldcon, expanding the comic box, the insane number of crossovers, Harley & Ivy: Life & Crimes, expanding genres, Marvel's lack of excitement, Batman's quality, Mark Waid's eternal nature, the European comic invasion, things we're excited for in 2026, Vertigo's return, the Archie/Oni partnership, the reverse European comic invasion, Avengers: Doomsday, and more.

Writer Scott Snyder joins the show to talk about Absolute Batman and his past few years at DC and beyond. Snyder discusses his initial uncertainty about Absolute, his journey to Absolute Batman, the power of fear, their approach to making the best story, collaborating with Nick Dragotta, his experimentation phase, the ethos of the book, finding a balance, creating a sense of urgency, the single issue form, the current environment, the Next Level books, his role as a hype man at DC, imposter syndrome, arc titles, what has him excited about 2026 in comics, and more.

Big Clutch Comics' Shawn Kirkham joins the show to talk about the collectible side of the comics world. Kirkham discusses his stray cat adventures, Kirkham's background, what Big Clutch Comics is, how his work at Skybound informed that work, what fuels him, the current secondary market for comics, how it's different than previous booms, how new readers are playing a part, the secondary market as a guide, comics marketing, the sustainability of blind bags, Ultimate Endgame's blind bags, how collectibles fit in the comic ecosystem, what creators can do in that space, what has him excited about 2026 in comics, and more.

Retailer Patrick Brower returns to the show to talk about the year that was in his Chicago-based comic shop, Challengers Comics + Conversation. Brower discusses his weird year, the year in Challengers itself, the consistent nature of 2025, what drove the year's success, Absolute Martian Manhunter's surprising heat, the performance of the Absolute Batman Annual, managing different printings, Marvel's "terrible" year, where non-Big Two comics are, the complicated environment for creators, new readers, how they're behaving, other trends from 2025, struggles from the year, systemic problems, what could be done on the marketing side, Universal Distribution, sales charts, how he's feeling about 2026, and more.

Cartoonist Beetle Moses, aka Harris Fishman, joins the podcast for my annual Comic of the Year chat, as we talk about his social media-based comic strip Beetle Moses. Fishman discusses the year for Beetle Moses (the comic), figuring things out, his own comics journey, putting in the reps, his art style, the depth of the strip, Beetle Moses' origins, how people reacted to making the move into comics, his big year, the atemporal nature of comic strips, his most well-liked comics, moving into longform, turning Beetle Moses into a business, how his 2026 is looking, and more.

My pal Brandon Burpee returns to the podcast for our annual look at the year in comics before we count down our 20 favorite comics of the year. Burpee discusses the year in comics, the state of the Big Two, where the X-Men are, older comics that might have previous lists, anticipated comics from 2026, ancient Star Wars takes, and more, before we share our honorable mentions from the year in comics and then count down our 20 favorites comics and graphic novels from 2025. Love the podcast and want to support it? Back it on Patreon at Patreon.com/OffPanel For those that are looking for a list of our 20 favorite comics, here they are. David Harper's 20 Favorite Comics of 2025 1. Beetle Moses 2. Hirayasumi 3. Sleep 4. Land Vol. 1 5. Do Admit! The Mitford Sisters and Me 6. Cannon 7. The Fables of Erlking Wood 8. Good Devils: Don't Play Fair with Evil 9. Ionheart 10. Lucas Wars 11. Out of Alcatraz 12. A Garden of Spheres 13. Tongues Vol. 1 14. Assorted Crisis Events 15. Flip 16. The Knives 17. Raised by Ghosts 18. Tokyo Alien Bros. 19. Absolute Wonder Woman 20. Absolute Batman Brandon Burpee's 20 Favorite Comics of 2025 1. One World Under Doom 2. Green Lantern 3. Batman and Robin: Year One 4. Deadpool/Wolverine 5. Superman 6. X-Men 7. JSA 8. Absolute Superman 9. Justice League Unlimited 10. Exquisite Corpses 11. Teenage Mutant Ninja Turtles 12. Geiger 13. Storm 14. Absolute Wonder Woman 15. Redcoat 16. Captain America 17. Invincible Universe: Battle Beast 18. Green Lantern Corps 19. Escape 20. History of the DC Universe

In a special year end episode of Off Panel, we look at the defining themes of 2025 in comics with the help of retailer Steve Anderson from Third Eye Comics, The Beat's Heidi MacDonald, and writer Matthew Rosenberg.  Up first is Anderson (1:37), whose theme is the impact of DC's Absolute line, as we discuss the Image Revolution of it all, unlocking the cool, the area of effect it's had on other comics, good times he sees on the horizon, how new readers are behaving, why Absolute has popped, how creators and publishers can capitalize on this, and more.  After that is MacDonald (32:22), whose theme was the lack of new characters in direct market comics, as we discuss why that's a problem, the most successful new(ish) characters, recycling existing ideas, why it's a 2025 theme, attempts to make new characters happen, what's lost without them, marketing struggles, what needs to happen, and more.  And to close is Rosenberg (1:06:59), whose theme is how comics are running behind the rest of pop culture, as we discuss the inferiority complex in comics, the cost that comes with this lag, the importance of cool, how this can change, how the market factors into this, and more.

Artist and writer Terry Dodson joins the show to talk Ultimate Endgame, AdventureMan, and where things are headed for him. Dodson discusses his work schedule, cat living, picking projects, taking on Ultimate Endgame, working with Deniz Camp, figuring out projects, designing in the Ultimate Universe, the freedom of the book, event comics versus regular ones, artist exclusive covers, the other side of artist work, AdventureMan's fit, collaborating with Matt Fraction, the impact of influences, the collections of AdventureMan, getting into writing, its impact on his art, taking on more responsibility, and more.

Christina Merkler, the co-owner of Lunar Distribution, Discount Comic Book Service (or DCBS), and InStockTrades, joins the show to talk about a strange year for comic book distribution and a good year for the retail side. Merkler discusses Thanksgiving and related takes, the year for her, Diamond Comic Distributors' bankruptcy, compressing timelines, figuring things out, big changes this year, balancing sides of her businesses, the year for DCBS and InStockTrades, what's driving success, how collections are doing, the non-licensed comics space, connecting readers with books, blind bags, how she's feeling going into 2026, and more.

Writer and cartoonist Gene Luen Yang joins the podcast to talk about his comics life and his upcoming run on Teenage Mutant Ninja Turtles. Yang discusses his daily life, his upcoming graphic novel, Overrated, embracing change, advocating for comics, its impact on his own work, having different inputs, his project that impacted him the most, collaborations and collaborators, Superman Smashes the Klan, figuring out which for-hire projects to take, how Teenage Mutant Ninja Turtles came together, impact of Eastman & Laird, the TMNT phenomenon, building his run, keeping those characters fresh, what keeps him excited for comics, tips for creators, and more.

Writer Grant Morrison joins the podcast to talk about this week's DC/Marvel: Batman/Deadpool and their views on life and comics. Morrison discusses the rekindled flame of writing comics, how they approach writing, the importance of new experiences, making yourself a laboratory, pushing the medium thinking visually, learning from collaborators, doing what feels right, why Batman/Deadpool was the move, how it came together, preferred flavors of themself, Dan Mora's greatness, the freedom of that project, the power of constraints, their approach to continuity, the joy of Batman/Deadpool, having a late career renaissance, deciding what's next, changing as the comic landscape does, the future of comics, and more.

Writer Kieron Gillen joins the podcast to talk about his current Image comics The Power Fantasy and Die: Loaded and everything that's going into them. Gillen discusses FOC vs. release, Die's longevity as an idea, staying in love with comics, the emotional side of the commercial part of the job, how he thinks of his comics, the direction of Die: Loaded, why Die returned, the approach to its story, Stephanie Hans' impact, comic RPGs, how The Power Fantasy has compared to expectations, where it is, activating your audience, promoting the work, surprises in the series, and more.

Cartoonist Erica Henderson joins the podcast to talk about her past few years and her work on Harley and Ivy: Life and Crimes at DC. Henderson discusses her whim based processes, writing Erica vs. drawing Erica, what she can do while working, recent learnings, the way she thinks of pages, things she needed to do in Harley and Ivy, how she approaches projects, single issues vs. graphic novels, bringing Harley and Ivy to life, their fit together, her background with them, the looks of these characters, research, building around moments, the project's origins, preferred genres, fighting boredom, how variants work, and more.