1001 Stories For The Road

The Count of Monte Cristo was an enormous commercial and critical success, captivating readers with its intricate plot and universal themes. Following its publication, Alexandre Dumas earned a fortune but died poor due to an extravagant lifestyle, chronic overspending, and political upheaval.  Success of the Novel The novel, published in serial form from 1844 to 1846, was an immediate sensation and remains one of the most widely read French authors globally.  Popularity: The serialization format, coupled with Dumas' ability to create suspenseful, page-turning narratives, ensured massive popularity among the 19th-century reading public. Themes: Its exploration of justice, vengeance, mercy, and forgiveness, along with a complex plot and well-developed characters, resonated strongly with readers and secured its place as a classic of world literature. Enduring Legacy: The book has been translated into numerous languages and adapted into countless films, TV series, and stage productions, demonstrating its lasting cultural influence.  Life of Dumas After Publication Dumas became one of the most famous and wealthy Frenchmen of his day, but his life after the novel's publication was marked by extravagance and financial difficulty.  Flamboyant Lifestyle: He lived a life as dramatic as his heroes, engaging in numerous love affairs and foreign adventures. He was known for his extreme generosity, often granting money and gifts to anyone who asked. Château de Monte-Cristo: A testament to his success, Dumas built an extravagant mansion on the outskirts of Paris, which he named the Château de Monte-Cristo, along with a theater, the Théâtre Historique, specifically for his plays. Financial Ruin: Despite earning millions, his lavish spending habits outpaced his income, leading to significant debt. He eventually had to sell the Château de Monte-Cristo property just two years after its completion. Exile and Travel: In 1851, to escape his creditors, Dumas fled to Brussels. He later traveled to Russia and then Italy, where he founded a newspaper, Indipendente, and supported Garibaldi's campaign for Italian independence. Later Years and Death: Dumas returned to France in 1864 and continued to write prolifically. He died of a stroke at his son's home near Dieppe in December 1870, far from a rich man, despite his monumental literary success.     

CHAP 115 SUMMARY Peppino, the jailor in the catacombs, announces to Danglars the next day that, if the banker would like to eat, he must pay 100,000 francs for a chicken, or 100,000 francs for a loaf of bread. Peppino says he knows that Danglars is carrying over 5 million francs worth of banknotes on his person, and so he asks that, for each individual item, Danglars pay out 100,000 francs so that he might survive. Danglars realizes this is how his ransom is to be meted out, and he does in fact pay 100,000 francs for a chicken, which he considers rather "thin" as he eats it angrily in the cave. This is a small, humorous episode in Danglars capture, allowing Vampa, Peppino, and their men to slowly peel away Danglars' money. It should be noted that this money has effectively been stolen from Boville, who was to use it for charitable ends. Thus, though Vampa is stealing it for himself, he is at least stealing from a thief, one who is doing all he can to maintain his social standing in the face of public shaming.   CHAP 116 SUMMARY   Danglars continues bargaining his money, thousands by thousands, so that he might eat in the prison for five days. The Count of Monte Cristo finally appears with Vampa when Danglars is down to his last 50,000 francs, and the Count says that he is now pardoning Danglars—and that Villefort and Fernand were not so lucky, as the first is now mad with grief, and the second is dead by suicide. The Count announces that he is actually Edmond Dantes, and that Danglars' utter financial ruin is for the sake of punishment, but the Count allows Danglars to start his life anew somewhere else upon release by Vampa. He also states that the 5 million francs "paid out" to the bandits have been given to the hospice account of Boville, from which Danglars first drew them under criminal circumstances in Rome.   This shows that, though he could exact even more damning revenge on Danglars by killing him, the Count has chosen not to – he has placed a limit on his desire for vengeance.    

113 THE PAST SUMMARY the Count returns to Marseilles with Maximilien Morrel, witnessing Albert's departure for Africa before visiting Mercédès, who accepts her fate, and then revisiting his old prison cell at the Château d'If, where he receives Abbé Faria's manuscript and reflects on his past before telling Max to meet him on the Isle of Monte Cristo on October 5th for their final encounter, signaling the end of his vengeance and the start of a new path.  114 PEPPINOKey Events in Chapter 114: The Withdrawal: After fleeing Paris, Baron Danglars goes to the banking firm of Thomson and French in Rome to cash a receipt for five million francs from the Count, planning to use the money to rebuild his fortune. Peppino's Role: Peppino, a young man connected to Vampa, works at the bank and informs Vampa of Danglars's large withdrawal, setting the trap. The Ambush: The next day, as Danglars travels by carriage towards Venice, he is intercepted by Vampa's bandits, led by Peppino, and taken to the catacombs. False Security: Danglars is placed in a comfortable cell with a bed and, remembering Albert de Morcerf's experience, assumes he'll be held for a reasonable ransom, believing he'll still have plenty of money left, and falls asleep contentedly. The Count's Indirect Vengeance: This event is part of Monte Cristo's broader plan, as Vampa and his bandits are essentially working for the Count, systematically stripping Danglars of his wealth.  In essence, Chapter 114 marks Danglars's capture and the beginning of his financial ruin at the hands of the Count, though Danglars remains blissfully ignorant

In chapters 111 and 112 of The Count of Monte Cristo, titled "Expiation" and "The Departure," the story reaches a critical psychological turning point as the Count's quest for revenge results in unintended tragedy. Chapter 111: Expiation Following the public disgrace of his trial, Villefort rushes home. He has realized that he is no more virtuous than his wife and intends to forgive her so they can flee France together with their son, Edward. The Discovery: Upon arriving, Villefort finds that his wife has already followed his earlier command to commit suicide. Horrifically, she has also poisoned Edward, refusing to leave her son behind to face a world of shame. The Confrontation: A broken Villefort encounters the Count (disguised as Abbé Busoni) in his father Noirtier's room. The Count reveals his true identity as Edmond Dantès, expecting a moment of triumph. The Turning Point: Instead of triumph, Dantès is met with the sight of Edward's corpse. Shaken to his core by the death of an innocent child, he tries and fails to revive the boy with his elixir. He begins to doubt if he has overstepped his role as the hand of "Divine Providence." Villefort's Fate: The chapter ends with Villefort losing his mind completely, seen digging in his garden for his dead son. Chapter 112: The Departure This chapter focuses on the emotional aftermath and the transition away from Paris. Leaving Paris: The Count picks up a grieving Maximilian Morrel from the home of Julie and Emmanuel. As they leave the city, the Count looks back at Paris and declares his work of vengeance is finally done. Return to Marseille: They travel to Marseille, where they witness Albert de Morcerf boarding a ship to begin his new life as a soldier. The Meeting with Mercédès: The Count visits his father's old house and finds Mercédès living there in solitude. Their meeting is deeply bittersweet. While he offers her his fortune, she refuses most of it, choosing a life of quiet penance. Resolution: The Count encourages her to live, but Mercédès remains a shell of her former self, resigned to her fate. This encounter reinforces the Count's growing sense of remorse for the collateral damage caused by his long-plotted revenge.

CHAP 109   THE ASSIZES   Chateau-Renaud, Debray, and Beauchamp are in court to see the beginning of the famous Benedetto Affair. They discuss the rumor that the murderer in the house of Villefort is young Edouard, who has become increasingly jealous of his stepsister and her grandparents. But others in the group dismiss this as nonsense and wait for the excitement of the case to begin, with Villefort drawing up evidence against the accused "Prince," Cavalcanti. CHAP110  THE INDICTMENT Villefort is called as the crown prosecutor before the court, and the judges similarly call Andrea to testify. He admits that he lived a life of petty crime before causing the murder of Caderousse, and when the court asks him for his identity, he pauses and says he does not really know his "actual" name, for he was abandoned as a very young infant by his father. When the court asks who this father might be, Andrea/Benedetto declares that it is the crown prosecutor himself, Villefort. Villefort understands instantly that, from this point on, there is nothing he can do to protect his good name. Like Fernand and Danglars, he too will suffer in shame, and will need to determine some way to slide nobly off the public stage of French civic life. The crimes Villefort committed so many years ago have finally come back to light, causing the criminal to be punished.   AT OUR WEBSITE:  WWW.BESTOF1001STORIES.COM  GO TO 1001 STORIES FOR THE ROAD  

The scene shifts to the prison, called the Lion's Pit, where violent criminals are kept awaiting trial. This includes Andrea, who still insists to the other prisoners that he is of royal birth, although they make fun of him, harry him, and threaten him. Late one day, Bertuccio pays off the guards to visit his adoptive son, telling him he has information related to Benedetto's real father. Bertuccio promises to return with this information in due course, and Andrea says he awaits it with great eagerness. This important interstitial chapter shows that Andrea is once again in prison, a place he's become accustomed to at this stage of the novel. It is not entirely clear to the reader what Bertuccio intends to do to his "son."n this brief chapter, Villefort finally confronts his wife Heloise after many days spent going over evidence—evidence not only of the poisonings in his own home, but also in the case regarding Benedetto, now known publicly as the Benedetto Affair (because it involves the famous Count). This affair has taken over Paris, and indeed every affair involving the Count seems to be of citywide, and indeed national, importance. In the space of only a few months, the Count has placed himself in the center of French social life.    Villefort abruptly asks Heloise if she still has the poison she has used on the Saint-Merans, Barrois, and Valentine. He says that he asks not because he will denounce her publically, but instead because he expects her to do the honorable thing and commit suicide at her earliest convenience. If she does not do this in the next day, he warns, he will send her to prison, which will result in her eventual execution.

The Count heads to Pere Lachaise where the funeral is taking place, and finds Maximilien off to the side of the funeral ceremony itself, overcome with grief. The Count then follows Morrel back to the home of Julie and Emmanuel, and his fears are justified, for as he walks into Morrel's room unannounced, he finds the young soldier drafting a suicide note. The Count begs Morrel not to do this, but Morrel insists that without Valentine, life is no longer worth living. The Count realizes the effect that his ruse with Valentine will have on Young Morrel. And though he wants to tell Morrel the plot he has concocted, he also wants to make sure this plot can succeed. Thus, to protect Maximilien, he asks only that the young man promise him to hold off on the thought of suicide for some time.    To stay his hand, the Count blurts out that he is Edmond Dantes, and that he is the man responsible for saving Old Morrel exactly ten years ago when that man was afraid he would become bankrupt. Julie and Emmanuel come upstairs, but the Count asks Morrel to reveal only that he is the benefactor, not that he is Edmond Dantes. His reasons for this discretion are unclear. The Count has, by now, revealed his identity to Mercedes, Caderousse, and Fernand. He reveals it here to try to convince Morrel that he has a plan in place to help him – that he is not simply a man of society in Paris, but a person with a deep connection to the Morrel family, going back to their days in Marseille.   Catch all 1001 Road stories in order at www.bestof1001stories.com

CHAPTER 103  MAXIMILIAN Analysis Maximilien flies into a hysterical rage on hearing the news that his intended, Valentine, is dead. He does this in the presence of Villefort, the doctor, and Noirtier. When Villefort and the doctor ask who Morrel is, and why he has been admitted to the house in which the murder has taken place, Morrel asks Noirtier to confirm that he, Morrel, was engaged to Valentine before her death, and that he loved her dearly. Young Morrel is finally able to reveal to Villefort that he has been in love with Valentine all along, and that the two were to be married. Although Young Morrel believes that Valentine has already died, this admission of their love feels like a victory for him, a confirmation that their love, while it lasted, was real. CHAPTER 104  DANGLER'S SIGNATURE The funeral for Valentine commences, and the narrator shifts his attention to a commercial interaction between the Baron Danglars and the Count, who spots him outside his home. The Count says he would like to take up the balance of his initially-requested credit with the Baron, for a sum of 5 million francs, assuming that the Baron has it on hand. The Baron pretends that this is no issue, that he will be able to cash out the receipts the Count holds; but when the Count heads to the Bank of France with these receipts, the Baron is met by Boville, the former inspector of prisons, who is collecting money for a charity hospice. The Count wishes to allow himself the joy of collecting a final amount of money from Danglars that Danglars himself is unable to pay out. This is a mirror and an opposite to the scene far earlier in the text, when the Count, as Lord Wilmore, offers Old Morrel sufficient money to remain open and in business. The Count seems to delight just as much, if not more, in viewing the financial ruin of one family as the financial security of another.     It turns out that this hospice also has 5 million francs drawn on the Baron. This rather complex set of banking conversations reduces to the simple fact that the Baron does not have enough money to cover his debts. He is, in fact, bankrupt. The Count of course knows this, but Boville does not yet, and so the Baron tries to maintain his composure with him during their conversation. He tells Boville, headed to the funeral, that he himself will not be going, that he must instead go back to the office. At home, Danglars takes his remaining funds (about 50,000 francs) and his passport and prepares to leave the country as his daughter Eugenie has just done, presumably to avoid financial ruin. Fernand has committed suicide rather than accept public humiliation for the treachery he engaged in overseas. Caderousse has died, not being given the option to atone for his past crimes, after the Count determined that he was fundamentally beyond redemption. But Danglars tries to take his chances abroad, figuring that if he escapes Paris, he at least has a chance of speculating whatever money he retains in another market, with the hope of regaining some of what he's lost.      

In 101 and 102 the effort to kill Valentine continues....and that'sall I can say here. EXCEPT:PLEASE SEND REVIEWS AND SHARE WITH YOUR PALS !

CHAP 99-THE LAW The Baroness Danglars, unsure what to do with herself and believing that Eugenie and Danglars are both locked in their rooms, first goes to visit Debray. But she finds him out at the club, and so later that day she goes instead to the Villefort home, where she is greeted with suspicion by the servants before finally being allowed into Villefort's study. There, the two old friends and former lovers speak to each other about Benedetto, though they do not know the truth of that man's identity and relation to them. CHAP100   THE APPARITION The narrator moves to Valentine, who has been recuperating in her room at the Villefort home. One night, when Valentine is lying between sleep and wakefulness, the Count (who, as the Abbe, has recently purchased the land next door) comes out of the shadows in her room. He tells her not to fear, that he has been protecting her in the home for the sake of Maximilien Morrel. In the case of Valentine, the Count has turned from an avenging angel to a protector. He sees Valentine as a part of Young Morrel's family, and so the Count has committed himself to making sure that she will suffer no more harm at the hands of the phantom poisoner.     At this Valentine is confused and afraid, for she believes she was naturally sickened by some disease and not poisoned. But the Count convinces her that she has fallen ill of the same ailment that killed her grandparents, and he reminds her that Noirtier had asked her to drink the same drink he himself had been prescribed by the doctor. The Count reveals he has been providing her with another draught of this red potion, designed to counteract any possible poison that might be put into her food or drink. When Valentine asks who in the house could be doing this harm, the Count retreats into the shadows and tells Valentine to pay attention, for the criminal is about to attempt once more act of violence against Valentine.    

CHAP 97  THE DEPARTURE FOR BELGIUM Eugenie shears her hair and says she will dress as a man and accompany Louise to Belgium with what money they can grab. They will live together as partners and musicians, thus earning money to survive. Eugenie's relationship with Louise has, over the course of the novel, seemed like a particularly intense friendship. CHAP 98  THE BELL & BOTTLE TAVERN Analysis Andrea heads away from Paris in a mail coach as fast as he can, and winds up at an inn called the Bell and Bottle. There, he orders a room in the dress of a common bourgeois and makes a plan for the following day: he will move out into the countryside, rent a small shack or room from a peasant, and avoid contact with people as much as is possible. He wakes early in the morning to head out into the countryside. But when he does this, he notices that the inn is swarming with gendarmes. Alarmed, Andrea climbs up onto the roof, then tumbles down and hides in a room of the inn. There, to his surprise, he finds Eugenie and Louise, with Eugenie traveling as a man. Andrea believes, much to the girls' laughter, that they have followed him to the inn because Eugenie is still in love with him. Out of a mixture of condescension and basic fellow-feeling, they tell him to run, but he steps outside and is caught by the gendarmes to be taken back to Paris and tried. This allows Louise and Eugenie to continue their escape to Belgium later that day, as the commotion of the arrest of Andrea has caused enough of a distraction for them to sneak away. It is another of the novel's coincidences that Andrea and Eugenie wind up fleeing to the same inn. But Eugenie and Louise manage to maintain their low profile and to escape to Belgium, whereas Andrea, even though Eugenie tries to help him, will be caught by the authorities. This is an instance in the text where characters appear to receive their just desserts: Andrea, the criminal, will have trouble escaping the law, whereas Eugenie, who has only ever wanted her independence, is able to fight for it and gain it on her own terms. Catch 1001 Classic Short Stories aswe celebrate 2 million listens for the year and our new video ads at Instagram and Facebook~  www.bestof1001stories.com      

CHAP 95  FATHER AND DAUGHTER Eugenie requests a formal meeting with Danglars, in whom she confides that she no longer wishes to marry anyone, especially Andrea Cavalcanti, who seems fine enough to her but has no charm beyond his bare good looks. Danglars, for his part, says that he largely respects Eugenie's wishes, but says that he is ruined financially, and that he needs the capital Andrea can provide in order to guarantee his current loans and speculate on a railway with other investors. He asks Eugenie to go through the motions of signing the contract and marrying Andrea so that this loan and his good name can be secured. This is the first acknowledgment Danglars makes about his financial situation. For many chapters, it has seemed that Danglars has sustained heavy losses on the markets, but he has not yet admitted that these losses are more than he can bear. The Count, then, has succeeded in eroding the Baron's fortunes, forcing the Baron to look for other avenues for wealth – including a marriage to Andrea, whom he believes to be a nobleman.    Eugenie agrees to this, although she insists that she has her own secret plan, which she will not divulge to her father and that will not, she insists, interrupt his plan for obtaining the loan from Andrea. Danglars seems to appreciate this negotiation on Eugenie's part, and they shake hands before Eugenie readies herself to visit the Villeforts with her mother. Danglars seems to respect a certain kind of financial negotiation, as Eugenie has offered her father here. Eugenie seems to know this as well, and so has given herself some bargaining room as she figures out what to do with the idea of a potential marital match to Andrea. Active Themes  

CHAP 93  VALENTINE  Maximilien Morrel, fresh from the aborted duel, goes to visit Valentine at the Villefort home, where she announces that she has decided that finally she and Noirtier will move out together into their own quarters. Mme Danglars and Eugenie visit Mme de Villefort to announce that Eugenie will be marrying Andrea Cavalcanti, and though Eugenie says she does not wish to marry at all, she says it is at least better that she marry Andrea than a man disgraced. This is another instance of dramatic irony, for the reader understands that Andrea himself is an imposter, and as previous events in the novel have indicated, it seems only a matter of time until Andrea's past is also brought to light. Eugenie is a fascinating character, one who attempts to make her own life in a society where this kind of independence for women is rarely possible.    Valentine has been feeling faint and unwell, and she tells Maximilien that Noirtier has prescribed to her the same potion that he drinks in large quantities, as a medicine for his own condition. This same potion is what the doctor formerly described as a poison which, in preparatory doses, can be used actually to prevent poisoning, if one builds up resistance to it slowly. Coming to pay respects to the Danglars, Valentine excuses herself, falls ill again, and collapses in another room near Noirtier and Morrel, who immediately call for help. For many chapters the groundwork has seemingly been laid for Valentine's poisoning. Although it has not been stated explicitly that Mme de Villefort is the poisoner, it always seemed unlikely that Valentine was the culprit. Now that Valentine has fallen ill, this gives even more credence to the idea that it is Mme de Villefort who is to blame. The question now is the emergency of Valentine's condition, and whether she will be able to survive this sickness.\ CHAP 94 MAXIMILIAN'S RENEWAL Villefort calls on the doctor who had warned him about the poisoning in his family, and after hearing that it is Valentine who has now fallen ill—Valentine whom the doctor initially suspected of the crime—he agrees to help Villefort in finding the true criminal. The doctor arrives at the Villefort home and questions Noirtier, who admits in his sign-language to having prepared Valentine by administering to her protective doses of brucine, the poison, in order to inoculate her against possible attack. The doctor thanks Noirtier for saving Valentine's life. The doctor discovers practice the method that, long ago, the Count discussed with Mme de Villefort. Noirtier, in his wisdom, saw that Valentine was going to be a target of poisoning in the home, and so he used a small amount of poison to build up Valentine's tolerance, allowing her to suffer larger doses without immediately succumbing to them. The doctor recognizes how clever and compassionate Noirtier's care for Valentine has been.     In parallel, Maximilien runs to the house of the Count, begging him for help, since there is a murderer in the Villefort house. Morrel finally admits to the Count that he is in love with and wishes to marry Valentine. As devoted as the Count is to Morrel, this harms his plan, for the Count has sworn vengeance against Villefort and calls Valentine the child of a "dangerous breed." At this, however, the Count says he will ponder what best to do. After the doctor has finished checking up on Valentine and realizes that she will survive this poisoning attack, the narrator relates that the Abbe Busoni has purchased the house next to the Villeforts, the house whose garden Morrel has tended as a way of courting Valentine. This is another complication to the Count's plan. The Count wants to elevate Young Morrel, to name him as his son and heir, as indicated in previous chapters. But if Maximilien is joined to the Villefort family, the Count finds himself in a conundrum, for he wants to destroy the Villeforts. With this said, however, the episode with Albert and Mercedes has helped him to separate the innocent from the guilty, even within a family. Thus, after much thought, he seems open to the possibility that he can disentangle helping Valentine from harming Villefort.  

SPOILER  CAUTION Chapter 91: The Meeting Monte Cristo confides to Maximilian and Emmanuel that he plans to let himself be killed. He then demonstrates his almost superhuman skill with the pistol so that there will be no doubt as to whether he lost the duel on purpose. Albert finally arrives at the site of the duel, but rather than pick up his pistol he apologizes to Monte Cristo, telling him that he was right to avenge Fernand for wronging him. Monte Cristo realizes that Mercédès has told her son the entire story. Chapter 92: The Mother and Son Albert and Mercédès both plan to leave all their worldly possessions behind and create a new life away from the sins of Fernand. As they are about to depart their home forever, a letter from Monte Cristo arrives. Monte Cristo instructs Mercédès to travel to Marseilles, to the house in which Louis Dantès once lived. Buried under a tree in front of that house is the money that Dantès once planned to use to start a family with Mercédès. He writes that this money, though a pittance, is rightfully hers and should be enough to support her comfortably for the rest of her life. Mercédès accepts the gift and declares that she will use it as a dowry to gain entrance to a convent. Catch ALL our shows and episodes at one place at www.bestof1001stories.com!  and sign up for our newsletter

Two dramatic chapters no summary to give away the plot.......

CHAP 87  THE CHALLENGE SummaryAnalysis Infuriated, Morcerf says that he must go to the man who set all these things in motion. He asks Beauchamp if he knows who could have planted the story at the rival paper, and Beauchamp says that during his trip to Janina, he heard that an emissary of Danglars' was there just two weeks previously. Albert is instantly convinced that Danglars is behind the attack on his father's name, and he goes to Danglars' house to confront him. Albert finds himself angry at the man who once plotted, along with his own father Fernand, to put Dantes in prison. The Count, though not directly involved in any of this activity, has nevertheless made it so that the families of the plotters have turned against each other. Now, it seems, the Count's desire to stay out of active roles in these machinations makes more sense: he wants the other characters to avenge themselves on each other, as if he's entirely uninvolved.   In front of Andrea, who is standing in the main receiving room, Albert challenges Danglars to admit to his wrongdoing against Fernand. Danglars says that it was really nothing personal, that he was only checking up on the family of the man who wished to marry his only daughter—and that, at any rate, he was encouraged to take this investigative step by the Count. Albert immediately puts together the Count's role in this (living with Haydee, and ensuring that Albert and Haydee could meet and talk) and vows to Beauchamp to confront the Count before returning to Danglars. In an intriguing turn, Danglars indicates that his investigation into Albert's family was not entirely of his own initiative, and that the Count really is involved in the machinations from which he's tried so hard to absent himself. Albert feels betrayed by a friend to whom he was devoted, and thus his dueling impulse has moved from Beauchamp, then to Danglars, and finally to the man to whom he's closest: the Count.   CHAP 88 THE INSULT SummaryAnalysis Albert goes to the Count's home, but the Count is bathing and then napping before the opera. Albert quickly goes home to see his mother, who is devastated by Fernand's social reversals. Albert tells Mercedes he has realized that the Count never eats in the home of his sworn enemies, thus explaining why he took no food at the Morcerfs' July party, despite Mercedes' urging. At this, Albert tells his mother he is off to meet the Count at the opera to challenge him to a duel. Finally, Albert has put together the fact that the Count is not exactly his friend. Instead, the Count believes that he has a blood-feud with the Morcerf family, and Albert recognizes that what he thought was a friendship was, in fact, a sham. This raises an interesting moral question: is it fair or "just" for the Count to have misled Albert in order to exact revenge on Albert's father?     At the opera, Albert and Beauchamp find the Count in his box. Albert challenges him to a duel, says that Beauchamp will be his second, and declares that they will meet the next morning before 10 am. The Count, sitting with Maximilien in the box, says that it is all a matter of "perfect indifference" to him, that he will win the duel regardless of the time or instrument. Beauchamp, shocked, conveys this information back to Albert, and Morrel asks the Count in private if he really believes that he is on the right side. The Count says that this is indeed the case, that they will absolutely win, and Morrel agrees to be his second. Morrel says he will also ask Emmanuel to join them the next morning at seven, before meeting Albert in the forest at eight. The Count, as is characteristic of him, appears to have no concern whatsoever about his ability to win the duel. This faith in his abilities seems to be a more pronounced version of that same skill he demonstrated many years ago as the first mate on the Pharaon, and then again in prison, under the tutelage of the Abbe Faria. Although the Count feels it would not necessarily be a good thing to wound or kill Albert, he, like Albert, knows that a gentleman must participate in a duel if he is called to do so.    

SummaryAnalysis  CHAP 85  THE JOURNEY When the two men reach the Count, they do not tell him what has happened, although the Count can sense that Albert is out of sorts. At this, the Count suggests that Albert travel with him, this time to Normandy, where he has just bought a house and a boat. Bertuccio has previously arranged for post horses to be available all along the way so the Count can reach his home in eight hours. Albert thinks over this proposal for a while, and at the thought of spending time with his friend the Count by the seaside, he agrees. To this end, Albert agrees to go away with the Count. Although very little of their time together is described, it is another of the moments when the Count disappears from the narrative for a while. This happened previously when Dantes first came upon the gold of Monte Cristo, and was moving about Marseille in a variety of disguises, paying visits to places he remembered from his youth.  Active Themes Justice, Revenge, and God's Will Theme Icon Love, Devotion, and Redemption Theme Icon Debt and Gratitude Theme Icon   The Count and Albert set off that night, while Beauchamp stays back in Paris to mind the newspaper for any further news about Fernand. For three days, Albert delights in the hunting and fishing of the Normandy home, and the Count believes that some good is indeed coming to Albert there. But on the third day, one of Mercedes' footmen reaches Albert at the Normandy home, saying that a piece has run in another newspaper, not run by Beauchamp, clarifying that the "Fernand" of the previous story of the Ali Pasha is indeed Albert's father. Albert asks the Count and Ali for post-horses right away so he might travel back to Paris and see to his distraught mother, about whom he is deeply worried. It seems that Albert and Beauchamp cannot prevent the knowledge of Fernand's deceit from coming out. The preparations the Count has made for his travel are a somewhat curious development in the text. As far as the novel is concerned, this house in Normandy is no longer important, and it appears that the Count has purchased it solely as a retiring-place for Albert – as though the Count had expected precisely this public humiliation of the Morcerf family.   SummaryAnalysis Albert heads directly to the office of Beauchamp, who has been in Paris the last three days and followed the events closely. First Beauchamp visited the competing newspaper that ran the story connecting Fernand de Morcerf to the Ali Pasha incident—they confirmed that they had documentation supporting the event. Then Beauchamp went to the Upper House of the Chamber of Deputies, where Morcerf was called upon to defend himself. Although Morcerf's occupation was previously that of a soldier, at the present time he is a member of the political and ruling class in Paris, something of a gentleman-politician. For this reason, then, it is of the utmost importance that he publicly argues that he is not a treacherous and bloodthirsty individual, as these newspaper accounts claim. Active Themes Justice, Revenge, and God's Will Theme Icon Changes of Identity and Station Theme Icon Debt and Gratitude Theme Icon   Morcerf requests that a commission be set up to adjudicate these claims, and the commission quickly comes into power, gathering information that day and meeting again that night. Morcerf defends himself, as Beauchamp reports to Albert, but he cannot produce a witness to say he was indeed faithful to the Ali Pasha until the end. At this, a witness against Fernand is announced—Haydee herself, the daughter of the Ali Pasha, and the Count's slave. Finally Haydee is granted an opportunity to tell her story publicly, just as she has told part of her story to Albert in the Count's home on the Champs-Elysees. Here, the crowd seems at rapt attention, waiting for this mysterious woman to speak. Since Haydee's debut in Paris society, she has only sat quietly beside the Count at public functions. Active Themes Justice, Revenge, and God's Will Theme Icon Changes of Identity and Station Theme Icon Debt and Gratitude Theme Icon   Haydee recounts for the Chamber of Deputies the story she told Albert several chapters before, in which she witnessed Fernand's treachery in selling over the Ali Pasha to the Turks to enrich himself. This story, which Haydee tells passionately and which accords with the independent and mysterious evidence the rival newspaper has received, prompts Fernand to flee the Chamber in anguish. The remaining members vote for him to be convicted of high treason, for going against the Greeks and consorting with the Turks, and Haydee walks very calmly out of the building, having exacted, as she says, revenge for the murder of her beloved father. Haydee believes that she has fulfilled her own plot of vengeance – she has avenged her father's death, after having been granted an opportunity to plead her case at the Chamber of Deputies. This vengeance of Haydee's coincides, of course, with the vengeance of the Count, who also wishes for Fernand to be punished, although for a different crime – the crime of plotting against Dantes. This shared satisfaction in vengeance is yet another bond that unites the Count and Haydee.SummaryAnalysis Albert heads directly to the office of Beauchamp, who has been in Paris the last three days and followed the events closely. First Beauchamp visited the competing newspaper that ran the story connecting Fernand de Morcerf to the Ali Pasha incident—they confirmed that they had documentation supporting the event. Then Beauchamp went to the Upper House of the Chamber of Deputies, where Morcerf was called upon to defend himself. Although Morcerf's occupation was previously that of a soldier, at the present time he is a member of the political and ruling class in Paris, something of a gentleman-politician. For this reason, then, it is of the utmost importance that he publicly argues that he is not a treacherous and bloodthirsty individual, as these newspaper accounts claim.     Morcerf requests that a commission be set up to adjudicate these claims, and the commission quickly comes into power, gathering information that day and meeting again that night. Morcerf defends himself, as Beauchamp reports to Albert, but he cannot produce a witness to say he was indeed faithful to the Ali Pasha until the end. At this, a witness against Fernand is announced—Haydee herself, the daughter of the Ali Pasha, and the Count's slave. Finally Haydee is granted an opportunity to tell her story publicly, just as she has told part of her story to Albert in the Count's home on the Champs-Elysees. Here, the crowd seems at rapt attention, waiting for this mysterious woman to speak. Since Haydee's debut in Paris society, she has only sat quietly beside the Count at public functions.     Haydee recounts for the Chamber of Deputies the story she told Albert several chapters before, in which she witnessed Fernand's treachery in selling over the Ali Pasha to the Turks to enrich himself. This story, which Haydee tells passionately and which accords with the independent and mysterious evidence the rival newspaper has received, prompts Fernand to flee the Chamber in anguish. The remaining members vote for him to be convicted of high treason, for going against the Greeks and consorting with the Turks, and Haydee walks very calmly out of the building, having exacted, as she says, revenge for the murder of her beloved father. Haydee believes that she has fulfilled her own plot of vengeance – she has avenged her father's death, after having been granted an opportunity to plead her case at the Chamber of Deputies. This vengeance of Haydee's coincides, of course, with the vengeance of the Count, who also wishes for Fernand to be punished, although for a different crime – the crime of plotting against Dantes. This shared satisfaction in vengeance is yet another bond that unites the Count and Haydee.

Beauchamp visits Albert after their agreed-upon three weeks have passed, and reveals that he has spent these three weeks traveling out to Janina and back, to see whether there is any truth in the story touching on the reputation of his friend's family. Albert is anxious to hear the news, and Beauchamp breaks it as gently as he can, and as a friend: that it is in fact true that Fernand betrayed the Ali Pasha to the Turks for "two thousand purses" and took that money to buy his title in Paris and establish his initial fortune. Beauchamp has done the work that is necessary to verify his information. He is a punctilious man, and not unlike the Count in this regard, although Beauchamp is motivated only by a desire for knowledge of the truth, and not for vengeance. Nevertheless, Beauchamp understands that this information will come as a great blow to Albert, who is proud of his father and his family name. Active Themes Changes of Identity and Station Theme Icon Debt and Gratitude Theme Icon The Domestic and the Foreign Theme Icon   Albert is dumbstruck at this news and does what he can to control himself as he thinks of a next step. Beauchamp implies that perhaps the Danglars family has been involved in this, hoping to discredit the marriage between Albert and Eugenie, and Albert does in fact relay that Eugenie and Andrea appear to be more or less officially engaged. Beauchamp suggests that the two go for a walk and check in on the Count, who is so good, Beauchamp says, at raising the spirits of those who are in need of help. It is to Albert's credit that he does not immediately lose his temper at Beauchamp, despite the latter being the bearer of truly horrible news. Both Beauchamp and Albert seem inherently to trust the Count, whom they believe to be a wise and fair judge of all things. Thus Albert, perhaps without even acknowledging it, believes the Count to be his ally in this affair.

 CHAP 82 SUMMARY Monte Cristo does indeed go to Auteuil to try out some horses. There, however, Baptistin informs him that an anonymous letter has arrived saying that the Count's house in Paris is to be burgled that night. The Count wonders if this note isn't a trap designed to murder him instead. Despite this fear, he tells his servants he will be off in the woods, and goes to Paris straightaway that evening, meeting Ali at the door and then changing into the clothes of Abbe Busoni. Upstairs, he meets Caderousse, who with an accomplice waiting outside has tried his best to steal from his former "friend"—although he does not recognize the Count, but instead thinks it is the Abbe from ten years ago. This is the first time have actually seen the Count transform into the Abbe Busoni. Previously, the novel has strongly implied that they are the same person, but it is with a certain coyness that the narrator shifts between the identities of the Count and the Abbe, as though leaving open the possibility that they might in fact be two separate people. Caderousse, of course, has met the Abbe before, receiving the diamond from him long ago at the inn, and the Count appears to be setting a particular kind of trap for the man he believes to be breaking into his home. CHAP83 SUMMARY While Ali goes out in search of a doctor, the Abbe Busoni tends to the mortally wounded Caderousse. Caderousse asks why the Abbe didn't tell him he could see his accomplice outside, lying in wait to kill him. The Abbe replies that he was waiting for the will of God to be done, and though Caderousse denies that there is anything like God in the world, the Abbe insists that there is, and that it was the Hand of God that resulted in Caderousse's murder. Caderousse then signs another paper, saying he has been hurt by Benedetto while attempting to burgle the Count, and Caderousse says that this Benedetto would indeed have come to murder the Count if given the opportunity. The Count, disguised here as the Abbe, learns that both Caderousse and Benedetto (or Andrea) had only blood and spoils on their minds. The Abbe makes sure here, as Dantes/the Count has done throughout the novel, to acquire written proof of a statement, which he can then use against the assailant at a later time. This proof helps the Count to build the moral justification for his revenge, which, he believes, carries out the divine will for vengeance against the aggressor, Caderousse.  

CHAPTER 81   THE ROOM OF THE RETIRED BAKER  Andrea receives his monthly installment from his "father," via the Count, who is managing the income for him by drawing on Danglars' bank. Danglars is convinced that Andrea comes from not one but two rich families, maternal and paternal fortunes both, and so he is growing increasingly willing to marry Eugenie to Andrea. Although the Count appears to be in favor of this match for obscure reasons, he does not wish actually to broker it between Danglars and Andrea. This is another important yet nearly unnoticeable feature of the Count's behavior during his revenge plot. He does not wish to be the active agent who causes the marriage between Danglars's daughter and Andrea. It's not immediately clear why this is, but as we have seen in the Count's behavior toward Mercedes, it must have something to do with his desire to appear as merely an observer rather than an agent in the vengeance that falls upon the plotters.   Andrea gets word back home that Caderousse has refused his monthly "stipend" of 200 francs. Andrea goes to visit him in his little hut, where he is living as a "retired baker." There, Caderousse says that he has known Danglars and Fernand for many years, although Andrea cannot believe this is true. He says that he wishes to leave Paris, and to do this he needs a nest egg. He asks Andrea to draw a plan of the Count's house for him, which he does—it seems Caderousse is resolved to rob the Count while the Count is at Auteuil. Before Andrea leaves, Caderousse also asks that his monthly allowance be raised to 500 francs, and Andrea grudgingly agrees. Caderousse has turned from a passive participant in the villainy of others – as during the initial plot against Dantes – to an active plotter himself. He believes that the Count possesses enormous wealth, and he wants some of that wealth. He is willing to do anything he can to grab some of it, even if it means manipulating Andrea into being his accomplice. It seems that a life of crime suits Caderousse after all, and that in Paris he is willing to live out-and-out as a criminal.