Call To Stage with Amber Davies

On this episode of Call To Stage, Amber is joined by the warm and funny Meg Hateley.Growing up backstage while her mum Lindsay Hateley performed in shows such as Mary Poppins and Mamma Mia!, Meg Hateley has become a force in theatre in her own right. She currently stars in the West End revival of Avenue Q, having previously starred as Sophie in Mamma Mia! as well as roles in Fantastically Great Women Who Changed The World at the Other Palace and Coven at the Kiln Theatre.On this episode of Call To Stage, Amber and Meg talk about the complete breakdown that puppetry rehearsals put the entire cast through, the full-circle moment of joining Mamma Mia! and being hugged by backstage crew who had known her as a little girl and the unexpected career path of someone who deliberately chose the acting course to avoid eight shows a week... and has ended up doing eight shows a week with a puppet on her arm!There are also stories from Avenue Q, Mamma Mia! and her first Southwark Playhouse production, as well as a joyful conversation about watching Maz Murray sing Winner Takes It All every single night.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Call To Stage we are joined by the talented Noah Harrison!You may recognise Noah from stealing the show as Giulio in Pretty Woman: The Musical where he also shared the stage with Amber!Noah has also played the role of Anthony Hope in Sweeney Todd at Opéra national du Rhin, Strasbourg and La Filature and Roger in Grease at the Dominion Theatre. Currently, Noah is on stage at Avenue Q playing the wonderful Rod. Check out Rod's exclusive interview with Amber on our YouTube channel now!On this episode of Call To Stage, Noah and Amber discuss the skill that goes into working a puppet, manifesting dream roles and how a vape nearly stopped Noah from performing.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are joined by one of the most extraordinary figures in British musical theatre on this episode of Call To Stage - the legendary Maria Friedman.A three-time Olivier Award winning, Tony and Grammy Award nominated actor and director, Maria's mark on musical theatre is indelible.As an actor, she won the Olivier for Best Actress in a Musical for her turns in Passion, By Special Arrangement and Ragtime; she is also known as a beloved narrator in the 1999 film of Joseph and the Amazing Technicolor Dreamcoat, as well as starring as Roxie in Chicago, Dot in Sunday In The Park With George and originated the role of Marian in The Woman In White on the West End and Broadway.As a director, Maria directed the acclaimed revival of Merrily We Roll Along in the West End and on Broadway - earning nominations at the Oliviers, Drama Desk Awards, Tony Awards and Grammy Awards. She also directed the revival of High Society at The Old Vic.On this episode of Call To Stage, Amber and Maria talk about the audition room wisdom she has learned that every performer needs to hear, the full-circle moment of opening Merrily We Roll Along on Broadway and her experience as the first Kimberly Levaco in the first ever London production of Kimberly Akimbo.There are also stories from Passion, Sweeney Todd and a legendary night at Carnegie Hall, as well as a conversation about hanging on to your corners and edges and why kindness really is the cheapest and most powerful thing in this industry.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're joined by an absolute icon of British music and theatre - the one, the only, the incomparable Beverley Knight MBE is on this episode of Call To Stage!Beverley's career spans four decades and multiple industries. A self-described "born singer" who was performing by the age of four, she spent two decades as one of the UK's most celebrated soul and R&B artists before making a seamless - and Olivier Award-winning - transition into musical theatre as an adult.Beverley's theatre career includes the West End casts of The Bodyguard, Memphis, The Drifters Girls, Grizabella in Cats, Deloris in Sister Act and more. Along the way, she has earned three Olivier Award and WhatsOnStage nominations, including one Olivier win for Best Supporting Actress in a Musical for Sylvia.She currently stars as Emmeline Pankhurst in Sylvia, which tours the UK before culminating at the Royal Albert Hall.On this episode of Call To Stage, Amber and Beverley talk about the decision to leave music behind and audition for the West End with no stage school training, getting an Olivier nom for Memphis and her tradition of 'Bev's Bomb Bom Fridays' which she's kept going across every show she's ever done.There are also stories from The Bodyguard, The Drifters Girl and Sylvia as well as a heartfelt conversation about keeping going in the face of rejection.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're joined by the warm and captivating Chumisa Dornford-May on this episode of Call To Stage!Having grown up between Cape Town and England, Chumisa has rapidly established herself as one of the most exciting performers of her generation. Having made her mark originating the role of Natasha in Natasha, Pierre & The Great Comet of 1812, for which she received an Olivier Award nomination for Best Actress in a Musical, she has gone on to play Christine in Phantom of the Opera, Cinderella in Into the Woods (Bridge Theatre), the Mistress in Evita (Curve), as well as Wednesday Addams Addams Family concert at the London Palladium.She is currently making her RSC debut in The Cherry Orchard at the Swan Theatre, Stratford-upon-Avon.On this episode of Call To Stage, Amber and Chumisa talk about the extraordinary experience of leading a show for the first time in The Great Comet at 22, the Olivier nomination she still can't quite explain and the pressure that came with it going into Into the Woods.There are also stories from Phantom of the Opera as well as a conversation about making her RSC debut in a straight play for the first time.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank You To Our SponsorEvery self-made person started somewhere. Your journey starts for free at shopify.co.ukFollow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.