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Emily Bell and Heather Chaplin talk with the smartest minds in media to discuss the roots of today's crisis in journalism, from democracy's decline to the rise of AI, and to explore the uncertain future of journalism in the digital age. This series is brought to you by the Tow Center for Digital Journalism and Columbia Journalism Review, with help from the New School's Journalism + Design Lab. Journalism 2050 is supported by the Patrick J. McGovern Foundation.
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How can journalism survive? Perhaps the question would once have sounded unduly panicked, but it has only grown more pressing over the past twenty years. Between 2004 and 2019, newspapers lost an astonishing 77 percent of their jobs—more than any other industry on record, according to the Bureau of Labor Statistics. In early February, the industry suffered another historic blow, as the Washington Post announced it was laying off nearly half its staff. When even a legacy media outlet like the ...
In 2016, Sarah Alvarez, a former civil-rights lawyer and reporter, reimagined what journalism could be. Rather than break news or publish stories on a website, her project, Outlier Media, promised to provide the people of Detroit with information on any property they wanted, via text message—all they had to do was ask. Alvarez hoped that with vetted information, locals could hold landlords to account and avoid property scams in an increasingly hostile housing market. It was to be the first of...
In 2007, Valleywag, Gawker’s gossip column devoted to Silicon Valley, published a short piece about a then-little-known venture capitalist and tech founder, under the headline “Peter Thiel is totally gay, people.” Thiel’s sexuality wasn’t a secret, nor was the piece mocking. “Peter Thiel, the smartest VC in the world, is gay,” it read. “More power to him.” But it was the first time this information was made public, and Thiel didn’t welcome the attention. He vowed privately to get revenge on V...
In 2006, Jay Rosen, the media scholar, published his influential article “The People Formerly Known as the Audience.” His medium was as important as his message. Although the essay would later appear in media-studies textbooks, it was first published on his blog, a form invented in the late 1990s that seemed, in Rosen’s words, to give everyone their own printing press. Armed with such technologies, he said, the public would no longer simply consume journalism as passive spectators. They now o...
It has been called “the last good day on the internet”: on February 26, 2015, Americans flocked online to watch fugitive llamas in Arizona evade their captors on a live broadcast, shortly before an ambiguously colored dress—blue and black to some, white and gold to others—was uploaded online. At BuzzFeed, which sent the dress to unprecedented levels of global virality, Ben Smith watched it all unfold. He realized in that moment just how popular divisive content could be. In hindsight, it was ...
When Natalia Antelava co-founded Coda Story in early 2016 to cover democratic backsliding around the globe, she wasn’t expecting the tech industry to be such a big part of the story. It wasn’t only that autocratic regimes were benefiting from compliant Silicon Valley companies. By launching a new media organization, Antelava also discovered how entangled journalism itself had become with some of the same companies, which proclaimed their commitment to a free press while quietly cozying up to ...
Examining an ongoing crisis for press freedom—and how to manage security risks going forward. For Journalism 2050’s inaugural live event, Emily Bell and Heather Chaplin are joined by Azmat Khan, the director of Columbia’s Simon and June Li Center for Global Journalism, and Anya Schiffrin, a professor at the Columbia School of International and Public Affairs, to discuss the consequences of the war on Gaza on journalism and what history can teach us about the role of the press in times of cris...
In 1992, a writer named Douglas Rushkoff signed a contract for Cyberia, his book about the internet subcultures of the West Coast. The next year, his publisher canceled it, according to Rushkoff’s recollection, on the grounds that “by the time the book came out the Internet was going to be over.” (He later found a different publisher, and the book came out in 1994.) Since then, Rushkoff has been one of the most entertaining and pointed futurists (though he prefers “presentist” these days) chr...
Emily Bell and Heather Chaplin speak with the smartest minds in media to discuss the roots of today's crisis in journalism, from democracy's decline to the rise of AI, and to explore the uncertain future of journalism in the digital age. This series is brought to you by the Tow Center for Digital Journalism and Columbia Journalism Review, with help from the New School's Journalism + Design Lab. Journalism 2050 is supported by the Patrick J. McGovern Foundation and available wherever you...
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