Bring Me The Axe! Horror Podcast

We're celebrating 100 episodes of Bring Me The Axe with a cool bottle of Cheerwine and our friend Halle Kiefer from the podcast Ruined for a look at one of the all-time greats in horror, William Friedkin's 1973 possession horror, The Exorcist.  When Regan MacNeil, the 12 year old daaughter of movie star Chris MacNeil begins displaying strange, aggressive, and obscene behavior, her mother takes her to a parade of medical professionals to diagnose her problems. But when they fall short and her behavior escalates to the downright paranormal and Chris MacNeil suspects that she may have murdered a friend she turns to Catholic priest Father Damien Karras. Karras, a priest facing a crisis of faith is dubious but when he meets the girl, physically transformed by demonic possession he brings in an experienced exorcist to drive the demon out. A true rite of passage for horror fans, The Exorcist is a notorious exercise, a movie equally beautiful as it is hideous and obscene. Jam-packed with elevated performances from actors at the top tier of their profession, disturbing sound design, and incredible special effects, The Exorcist rules.  Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠  

  This week we're returning to Italy for a look at one of the dumbest, most baffling action movies ever made, Raiders of Atlantis, aka Atlantis Interceptors, from the notorious Ruggero Deodato of Cannibal Holocaust fame. In this film, a pair of mercenary buddies and a team of scientists from a botched attempt to raise a sunken Russian submarine find themselves stranded on a tropical island in the Atlantic as the feral, violent denizens of lost Atlantis arise from the silent depths of the ocean to reclaim the world. Or something to that effect. It's a desperate fight to survive against wave after wave of road warrior freaks, an race against time to translate an ancient tablet that will restore the ancient civilization, and an endless series of violent gun battles and if I'm being honest, I'm working overtime to make this movie make sense. It's 90 minutes of high-flying nonsense but somehow it ends up being a lot of fun. Shot against the backdrop of Italy's exploitation film industry struggling to find an alternative to the declining horror and giallo markets, it capitalizes on the then-extremely popular trend of Mad Max ripoffs but also tries to tap in to the world's hunger for high-adventure by way of cheap Raiders of the Lost Ark ripoffs only to realize that Raiders of the Lost Ark is incredibly hard to copy on budgets laughably smaller than Raiders. At the same time, the Marcos regime in the Philippines is desperate to draw filmmakers to Manila and as Deodato finds out, it's hard to say no to a totalitarian dictatorship. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

Celebrate three years of Bring Me The Axe with us as we continue our annual tradition of a deep dive into the world of George A. Romero and his iconic living dead series. For our last two anniversaries we featured Dawn of the Dead and Night of the Living Dead so it only makes sense that close out year three with the highly divisive (and Bryan's favorite), Day of the Dead.  Taking place late in the zombie plague, a motley crew of scientists and military take shelter in an underground bunker, researching the cause and a possible solution to the problem at hand: mankind being driven to the brink of extinction against a worldwide zombie holocaust. Tensions are high, supplies are low, and morale is lower as the operation cracks at the seams. One scientist thinks he has a solution, demonstrated by his domesticated pet zombie, Bub. Released in 1985 as the third film in a three picture deal with United Film Distribution Company, Romero's epic vision of a horror movie, "Gone With The Wind With Zombies", to quote Romero, had to be scaled back significantly when Romero refused UFDC's mandate for an R-rated movie, insisting instead on a hyper-violent, gory spectacle. The result is languid, talky character drama cast with wild over-actors and punctuated by grisly violence and zombie carnage. It's Romero at his most conflicted but Tom Savini at his absolute best. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week our Black History Month series continues with a look at the 1974 blaxploitation martial arts mashup, Black Belt Jones, starring Jim Kelly and Gloria Hendry. Kelly was coming in hot off of his run in the legendary Bruce Lee movie, Enter The Dragon and with Bruce dead and a public appetite ravenous for more martial arts movies it just made sense to spin off one of its stars to their own martial arts movie. Hendry was coming in off her turn as a Bond girl in Live and Let Die and a string of excellent blaxploitation movies like Black Caesar and Hell Up In Harlem. In this absolute cartoon of a martial arts movie, the mafia has bought into a valuable city project to build a new civic center in South Central Los Angeles but the only thing holding up the development is one holdout, a karate school that refuses to sell out. The mafia calls up a local loan shark to put the pressure on the school and when they accidentally kill the school's owner it's up to Black Belt Jones and the owner's daughter to team up, rip off the gangsters and get justice. Things get a little blurry between the beginning and the end but in spite of it flying by the seat of its pants and barely making any sense, the movie is a hell of a good time. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

It's Friday the 13th and you know what that means! This Friday we're taking on 1985's great betrayal. They said they were done with The Final Chapter. The story was told. Jason was dead. No more Friday the 13th movies for you! But money moves all tides and you can't stop Jason Voorhees so they found a way to bring him back for one more, and one more, and one more. You get the picture. Our good friend Aileen Clark from Uy Que Horror and our sister podcast, Laughing in the Dark, an Are You Afraid of the Dark rewatch pod, joins us for all the mayhem and carnage. It's five years later and Tommy Jarvis, badly traumatized by his encounter with Jason in the last movie is on his way to a half-way house after years of mental institutions. He's still haunted and as we'll see with the patients at this facility, maybe many of them aren't ready to ease back into society. If it's not bad enough that he still sees Jason everywhere he looks, a series of brutal murders happen just as he's settling in to his new space. When the dust settles, it would appear that Jason Voorhees is back for more bodies but something's up with this Jason. What could it be? Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

YES! We're celebrating black horror for Black History month with a look at Rusty Cundieff's truly underrated horror anthology, Tales From The Hood. The film's stand-in for the Cryptkeeper, an unhinged mortician played full-tilt crazy by Clarence Williams III, guides three gangbangers through four tales of urban woe and in the process addresses police violence, domestic abuse, racism, and cycles of gang violence in a truly unexpected way. In Rogue Cop Revelation, a black police officer is haunted by the spirit of a political activist whose murder he payed a role in covering up. Unable to rest, the spirit demands the souls of the cops who killed him. In Boys Do Get Bruised young Walter lies awake at night, terrorized by a monster that stalks the halls of his home by night. In the day, his teacher notices bruises on Walter that can't be explained by the usual schoolyard bullies. Walter's imagination harnesses a terrible power to stop the violence taking place in his home. In KKK Comeuppance, a racist candidate for governor in a southern state comes under attack by the spirits of restless dead slaves when he buys an antebellum plantation as a deliberate fuck you to the black community he's campaigning in. They'll get their revenge by way of animated dolls that house their spirits. In the final episode, Hardcore Conversion, a gangbanger is given a second chance when he consents to a behavior modification program that reconditions his violent tendencies by confronting him with the consequences of his actions and equates it to the same violence committed on black people by white mobs. Will he change his ways? Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠  

This week we take a trip back to 1985 for a movie of such staggering stupidity that we can hardly believe it. Death Wish 3 is the continuing adventures of Paul Kersey, played by Charles Bronson and where the first movie is a pretty solid action movie and the second movie is dopey and mostly boring, Death Wish 3 commits to absurdity in a way that'll really make you think. It's a movie of such moronic prowess that the filmmakers had to go out of their way to achieve such heights of idiocy. See a crowd of children literally jump for joy over the bodies of bikers dead in the street. Marvel at a doctor doing everything he can to not break character and laugh while telling a husband that his wife died from a broken arm. This movie is truly an achievement in a year already crowded with dumb movies from Cannon. As it happens, Paul Kersey is back home in New York City to visit an old friend but he arrives in time for the man to die in his arms when the local street gang of giggling maniacs beats him to the edge of his life. Kersey will team up with a cop to put the gang on ice in a film that was literally rushed into production to capitalize on the headlines about a subway vigilante in New York City that injured three and left one man in a wheelchair for the rest of his life. Truly, only Cannon could produce such an entertaining gem. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we're joined by actor, drag queen, and Debbie Harry fanatic, Love Connie, for a look at David Cronenberg's sexy and sadistic meditation on horror, television, and society: Videodrome. The early 1980s saw a revolution in consumer video. Small UHF stations broadcast trashy movies at night to compete with the larger VHF networks. VCRs and cable introduced theatrical films to the home market uncut for broadcast. Canadian media theorist, Marshall McLuhan, had some real deep thoughts on what that would mean for our society and how it would change our consciousness. Cronenberg saw a movie in there and he cast James Woods and Debbie Harry as pawns in a game played by shadowy figures using television signals to physically transform the viewers. Max Renn is an executive for CIVIC-TV, a small UHF station in Toronto, a station that broadcast violent and pornographic content. He's on the lookout for the next sensation that'll broaden his audience and he stumbles on to what appears to be a snuff show called Videodrome. It's nothing but brutality, no plot, no characters, just violence. The deeper he looks into it, the worse his hallucinations become. What's real? What's fantasy? Does it even matter? What is Videodrome doing to him? Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

In this episode we take a trip to Italy for a look at Massimo Dellamano's 1972 giallo, What Have You Done To Solange? This Italian/German co-production was intended to capitalize on both the popularity of giallo in Italy and krimi in Germany, casting an array of English and German actors familiar to fans of krimi and Italian stars of the time for those who can't get enough giallo. A fairly grim entry into the canon, What Have You Done To Solange is a strong starting point for horror fans looking to go beyond the well-known giallo titles from Dario Argento and Mario Bava. We go over the history of giallo, the people who made it, and the economic conditions in Italy which led to its proliferation. In the story, Enrico Rosseni, a horn-dog gymnastics coach comes under suspicion in a series of brutal murders. The victims are all schoolgirls from his team and to make matters worse, his teenage girlfriend, witnessed one of the murders. He'll team up with the police and his severe German wife to crack the code and discover the real murderer, their motive, and learn the identity of the mysterious Solange, who seems to be at the center of all this. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we're taking a trip back to 1986 for a look at Jim Wynorski's sleazy switcheroo, Chopping Mall. With a poster meant to make you think you were getting some kind of slasher movie in a mall, Chopping Mall is pretty light on chopping but positively lousy with mall. Featuring a baffling plot that could reasonably support 30 minutes of running time, some cool killer robots, an appropriate amount of T&A for a Jim Wynorski movie, and some fun performances by Barbara Crampton and Kelli Maroney, Chopping Mall is a serious relic of 80's horror that wins some and loses some. When a bunch of grown-ass adults meant to be passed of as teenagers plan an orgy at a shopping mall furniture store, everything is going great until the mall's security robots go nuts and start killing everyone in sight. They'll have to summon their wits to survive the night and wreck these killbots before they wreck them. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we celebrate two years of 99 Cent Rental with one of the most enduring cult movies of the 80's. It's the breakdance epic from Cannon, Breakin' 2: Electric Boogaloo. When Cannon's million dollar dance movie pulled a huge profit in the summer of 1984, they rushed a sequel into production to capture the momentum and mere months later released Breakin' 2 with a bigger budget and a significantly smaller box office return. Breakdance fever was over but this outrageous, extremely colorful sequel stuck out in the cultural memory thanks to its ridiculous name and silly premise and we love it. Months after Special K, Ozone, and Turbo proved to the stuffy world of white people dance competitions that breakdance is dancing too, Kelly returns to Venice to catch up with her friends and finds out that everyone in Venice is now hanging out at a community center called Miracles where they all learn to dance, box, and do mime stuff. Wouldn't you know it, though? Here come some white people with designs on tearing down the community center so it's up to the TKO Crew to rally the community to raise the money they need to save Miracles. They'll overcome all obstacles with the power of breakdance. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

Another year down, another year chock full of horror movies to talk about. The good, the bad, the okay: Sinners! Weapons! 28 Years Later! Bring Her Back! It was a year full of hits and misses. When the movies hit, they HIT. When they missed, they made us mad. Thankfully, there wasn't a single release that inspired true hatred in us as in years past. Where did your favorites end up on our list? What movies did we miss this year? Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we're joined by our friend Stacie Ponder from the legendary horror blog, Final Girl and podcasts, Final Girl After Dark and Gaylords of Darkness to finally tackle the Italian gore of Lucio Fulci and his magnum opus, The Beyond. Fulci really left it all on the dance floor with this one. With bits and pieces of a script from Italian screenplay machine, Dardano Sacchetti and unprecedented creative control, Fulci turned in a delirious fever dream of eyeball carnage, spider attacks, and zombie mayhem that cemented his place in the horror movie history books forever. When Liza inherits an old hotel in Louisiana she could never have guessed that it lies on one of the seven dreaded doorways to hell. Aided by a mysterious blind woman who knows way more about these things than she ought to and a doctor who can't believe this crazy lady he's been seeing lately, they find out the awful truth about the hotel and reap the terrible consequences. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we're doing David Lynch! We dissect his 2001 Hollywood nightmare, Mulholland Drive. David Lynch is one of our favorite filmmakers, period, and one of the greatest of all time and this may be his best movie. Originally conceived as a new television series for ABC, the network ultimately passed on it and Lynch was given the opportunity to repurpose the footage for a new feature. This movie is about Betty, or maybe it's about Diane. Or hell! It may be about both of them. Are they same person? Perhaps. Following a terrible car accident, a mysterious woman finds her way into the life of Betty and together the two of them investigate the mystery of her amnesia. Someone was trying to kill her when she lost her memory. Who wants her dead? I guess we'll find out. Or maybe we won't. It's a David Lynch movie, after all. Everything goes apeshit in that typical David Lynch way and it turns out that this may have all been the fantasy of a deeply mentally ill woman named Diane Selwyn. Or maybe not. Who can say, really? We break it down and subject it to our own interpretations and if you want to know what those are you'll have to listen to the episode. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠  

This week we're looking at Larry Cohen's bizarre sequel to Tobe Hooper's hit TV miniseries, Salem's Lot which was based on the novel by Stephen King. While the studio bent over backwards to convince video renters that this movie was also from the mind of Stephen King and also had that cool Kurt Barlow vampire, Cohen's movie bears very, very little in common with the original. When anthropologist Joe Weber is called back to New York to deal with his delinquent son, he decides to reconnect with the kid by moving out to an old cottage he inherited from his aunt in Salem's Lot, Maine. When they arrive, however, they quickly learn that the town is haven to a race of vampires hiding in plain sight. They have plans for Joe and his son Jeremy and are desperately trying to maintain their ancient way of life. Cohen set out to make a satire of American conservatism in the 80's with this movie but the end product doesn't quite stick the landing. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we abandon our original idea to cover the utterly insane 1987 Karate Kid ripoff Karate Warrior with something with a little more meat on the bone, Tentacles. The 70's was an embarrassment of riches, and in many case just plain embarrassing when it came to the animal attack cash-grabs that arose from the titanic success of Jaws. This is one such movie, a unique twist on American International Pictures' typical process of working with foreign films. Rather than import some cheap Italian movies they hired Italian producer Ovidio Assonitis to make a movie here in America with an Italian crew and a star-studded cast of Oscar winners who couldn't say no to a fast paycheck and a little bit of that California sun. Starring John Huston, Bo Hopkins, Henry Fonda, and more, this blatant Jaws ripoff treads water for 90 minutes, peppering its story with strange asides and bon mots, with characters who trot into each scene to ad-lib and keep their scene partners guessing until it comes time to take on the film's big bad villain, a giant octopus that can't keep its tentacles off anything that swims into its proximity. Is mankind to blame for its feeding frenzy? Maybe? Who can say, really? There's a rich industrialist whose underwater construction project may have something to do with it but this is AIP and it's asking way too much for anyone to answer any questions ever. Just go with it. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we take a step back to the golden age of the slasher movie, 1982, for a look at a movie that misses the mark by a significant margin and yet it still remains strangely compelling. Starring Bill Paxton in one of his earliest roles, Mortuary attempts to cash in on the slasher boom but can't quite figure out what it is about Halloween and Friday the 13th that makes them so successful. Hint: It's their simplicity. Mortuary can't help but complicate matters with numerous inexplicable subplots that remain unresolved all the way to the end of the movie: Why is there a satanic cult? We'll never know. Young Christie is haunted by a memory of her father's murder that she can't quite square with the known facts. Was he murdered or did he drown and why doesn't anyone believe her when she says she witnessed his murder? Meanwhile, a dude in a black cloak is stalking the night, killing randos while trying to get close to Christie. It's plainly obvious from the jump who the killer is since he's only wearing makeup and not a mask. There's a weird, unpleasant tone of necrophilia running throughout the movie and just about everyone sucks but hey! Christopher and Linda Day George are on the set together and that has to count for something. Honestly, Bryan's not sure why he put this one on the list. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we're joined by Tyler Hyde from the podcast That's Spooky to discuss the made-for-tv scare film, Mazes & Monsters. The film represents the first lead role for future superstar, Tom Hanks in a movie about the dangers of playing Dungeons and Dragons. No, I'm not making that up. In the early 1980's as Dungeons and Dragons became a sensation of tabletops everywhere, it didn't take long for scolding parent groups to cry foul to every media outlet that would listen and raise a moral panic that rose in tandem with the moral panics around heavy metal music and horror movies. The disappearance of and tragic suicide of James Dallas Egbert III thrust D&D into the headlines and craven opportunists and sensational headlines ignored all the factors that drove him to suicide and placed the blame squarely at D&D, the one thing in his life that brought him joy and provided an escape from the pressures of being a child prodigy. His story informed Rona Jaffe's book, Mazes and Monsters, which led to the rapid development of this TV movie also starring Chris Makepeace and Wendy Crewson. The story concerns four friends at university who play Mazes and Monsters, the legally distinct dungeon crawler role playing game that causes one player to lose his shit and fall into a psychotic delirium which leads him to murder, madness, and suicide. It is, without question, one of the most toxic movies we've ever seen with a message that seems to be: under no circumstances are you to use your imaginations. You should be thinking about a sensible career now. It's a real bummer, you guys. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

This week we watch a movie that takes several hundred episodes of the seminal gothic soap opera and condenses them to 90 brisk minutes of vampire melodrama in a way that is confusing and frustrating in ways that few movies are. Dark Shadows, for all its cheesiness and cheapness is one of the most important contributions to horror in the way that it added a dimension to vampire media that hadn't really been explored yet. Without Barnabas Collins you do not get Anne Rice's Vampire Chronicles. No Buffy The Vampire Slayer. No Vampire The Masquerade. In this episode we run it down in depth. Dave is a huge fan of the TV show and can't wait to tell you all about it and fill in the blanks where the movie fails because believe me, listeners, this movie fails big time. The wealthy Collins family receives a visit from long-lost cousin Barnabas but he conceals a terrible truth. He is a 200 year old vampire, freed from his prison of a hidden locked coffin by the Collins family handyman. He stalks the people of Collinsport by night and falls madly in love with the Collins family governess, Maggie, when she bears a striking resemblance the woman he once loved. It's basically Dracula but with a lot of really weird zigs and zags as it does its best encapsulate over one hundred hours of soap opera storytelling into a short feature film. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

99 Cent Rental returns after our October break with a listener request. Since we just did Don Coscarelli's 1979 debut, Phantasm, a movie made on tiny, sub-500k budget, we thought it made a lot of sense to see what happens when you break through and Hollywood heaps cash on you to make a proper movie. The result is... very Coscarelli-ish. There's no question whatsoever that Don is well-read on matters of fantasy and science fiction and these being the days before Peter Jackson's Lord of the Rings movies mandated that all fantasy features be epic, high-fantasy blow-outs, Coscarelli reaches back into the pool of gritty sword and sorcery for something as characteristically weird as you'd expect from authors like Poul Anderson, Fritz Lieber, and Robert E. Howard. Is it good, though? Well... The story concerns the hunky, flaxen-haired Dar, the last of his people, who sets out across a dusty landscape seeking vengeance on Maax, the head of a wicked cult in the city of Aruk who will be killed by the son of King Zed. By some unexplainable power, Dar can speak to animals and forms a party of two ferrets, a tiger, and a hawk to have his revenge. Starring Marc Singer, Tanya Roberts, and Rip Torn, The Beastmaster lands heavily in the middle of the 1982 surge of fantasy movies that brought us Conan The Barbarian and managed to carve out a sweet cult of fans in spite of its tepid box office performance. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠