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© Fellini Museum - Comune di Rimini
Description
Fellini. Note a margine is the podcast of the Fellini Museum in Rimini, produced by Fattor Comune as part of the REEL project of the European Interreg Italy-Croatia 2021-2027 programme.
Eighteen episodes to approach Fellini's cinema from a slightly oblique angle, following familiar routes and unexpected detours. Eighteen sightings which, like explorations, bring to the surface recurring themes, figures, obsessions and motifs.
Not a guide, but a constellation of notes: invitations for Fellini's films not to remain frozen in memory, but to continue to be seen and to have an effect.
Eighteen episodes to approach Fellini's cinema from a slightly oblique angle, following familiar routes and unexpected detours. Eighteen sightings which, like explorations, bring to the surface recurring themes, figures, obsessions and motifs.
Not a guide, but a constellation of notes: invitations for Fellini's films not to remain frozen in memory, but to continue to be seen and to have an effect.
19 Episodes
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Dante, Leopardi and Kafka appear in Fellini's cinema as inner voices rather than quotations.From hellish journeys to contemplation of the infinite, to Kafkaesque labyrinths, literature becomes vision.Produced by Fattor Comune.
Animals in Fellini's films appear as unexpected presences, without explanation or rigid symbolism.Peacocks, fish and rhinoceroses crack realism and shift the order of the world, revealing its deeper meaning.Produced by Fattor Comune.
In Fellini's cinema, sound often precedes the image and guides its meaning.His collaboration with Nino Rota creates a universe of memorable melodies, noises and asynchronous voices.Between music, dubbing and inhabited silences, the audio becomes a narrative.Produced by Fattor Comune.
Wind, water and fog in Fellini's cinema are not mere background elements but emotional forces.Natural elements shift the meaning of scenes, opening passages between reality, memory and dreams.The climate becomes a presence that guides the gaze.Produced by Fattor Comune.
In Fellini's cinema, death lies on the border between life and elsewhere.Funerals become grotesque processions and symbolic journeys, while the end opens up as a passage and communication.The final farewell remains suspended between irony, poetry and unease.Produced by Fattor Comune.
In Fellini’s cinema eroticism is clumsy, childish and deeply imaginative.Desire arises as a comic impulse, mixed with guilt and often ending in frustration.Between laughter and embarrassment, the staging of the body becomes an eternal apprenticeship of desire.Produced by Fattor Comune.
For Fellini, actors are figures guided like marionettes.Marcello Mastroianni becomes his elastic alter ego, an ironic and melancholic mirror that crosses different films and identities.Around him, a gallery of masks embodies Fellini's dream.Produced by Fattor Comune.
Giulietta Masina is the emotional compass of Fellini's cinema, the key that regulates its tone and sensitivity.Through characters such as Gelsomina and Cabiria, she embodies a fragile strength, capable of withstanding pain without losing her sense of wonder.Produced by Fattor Comune.
In Fellini's cinema, fashion is not decoration but language.Clothes reveal characters even before words do: from the director's sketches to the iconic costumes of his collaborators, clothing becomes a line written in fabric.Produced by Fattor Comune.
For Fellini, faces are the real special effect of cinema.Casting becomes a creative act in which faces define characters, rhythm and meaning of scenes.Every physiognomy is already a story.Produced by Fattor Comune.
For Fellini, Cinecittà is a mental city and a liturgy of imagination.In studios, reality is provoked, dismantled and reconstructed.Here, technique becomes style and artifice becomes cinematic truth.Produced by Fattor Comune.
Rimini is the key to Fellini's imagination and the place of eternal return.Childhood, dialect, cinema and desire merge into a memory that does not reconstruct a town, but reinvents it.Childhood thus becomes a way of looking at the world, not a lost time.Produced by Fattor Comune.
Fellini recounts 20th-century Italy through fragments, magazine clippings and period scraps, materials from the collective imagination.From the provinces to the economic boom, right up to the arrival of television, news reports are transformed into visions.Produced by Fattor Comune.
Surrealism and baroque intertwine in Fellini's cinema to displace reality and transform it into vision.Dreamlike images and theatrical excess become recognisable signs.By showing the artifice, Fellini paradoxically makes cinema more real.Produced by Fattor Comune.
Accumulation and contrast are central devices in Fellini's style.Crowded parades and sudden suspensions, grotesqueness and delicacy, the sacred and the profane coexist in the same frame.Meaning arises from the clash of opposites.Produced by Fattor Comune.
The paranormal permeates Fellini's cinema not as superstition, but as a creative method.Synchronicity, magic, dreams and coincidences guide the gaze and the editing, charging reality with invisible resonances.Produced by Fattor Comune.
Fellini places diverse, irregular and marginalised people at the centre of his cinema: marginal figures who become poetic reverse shots to normality and reveal a profound humanity.Produced by Fattor Comune.
Drawing is Federico Fellini's primary language of imagination: from his childhood pencil sketches to his adult drafts, a secret workshop, almost a magical ritual, in which the images of his cinema take shape.Produced by Fattor Comune.
Between notes and digressions, Fellini. Note a Margine is a podcast that invites you to watch and rewatch Federico Fellini's films, leaving aside the legend to discover how his language changed the way we tell stories about the world.Produced by Fattor Comune.
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