Origin Stories

Mo Amer is a stand-up comedian, actor, and writer whose work blends raucous humor with serious conversations about borders, identity, and belonging. Born in Kuwait to Palestinian parents and raised in Houston, Amer began performing as a teenager before channeling his own family’s experience in the U.S. asylum system into Mo, the hit Netflix series he co-created, wrote, and starred in. Spanning two wildly funny and deeply moving seasons, Mo follows a lightly fictionalized version of Amer navigating family, work, and love while stuck in legal purgatory. In this episode, Amer talks to Matthew about concluding the series’ second season, building a show that’s both a meditation on belonging and a sharp commentary on what it means to be American right now, and carrying the emotional weight of telling a story so close to home. He reflects on the reaction from audiences who see themselves in Mo for the first time and from others encountering a character like him for the first time at all. “People walk up to me everywhere,” he says. “They feel seen.”To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

David Greene is a veteran journalist best known for his years as the co-host of All Things Considered on National Public Radio. Before taking the co-host's chair, he served as NPR's Moscow bureau chief, during which time he reported widely from regions as varied as Siberia and Chechnya. After leaving NPR, David co-founded Fearless Media, a production company focused on narrative journalism and audio storytelling. In this episode, he talks to Matthew about his new Campside show, "David Greene is Obsessed," which delves into the strange and wondrous fixations of guests like Paula Poundstone and David Arquette. You can find more of David Greene is Obsessed on ⁠⁠Instagram⁠⁠, ⁠⁠TikTok⁠⁠ & ⁠⁠Youtube⁠⁠.To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lizzy Goodman is a longtime music journalist whose work has helped shape how the early-2000s indie rock era is understood and remembered. Over the past two decades, she’s written for Rolling Stone, Spin, New York Magazine, Nylon, and The New York Times Magazine, profiling artists from MIA to Conor Oberst to the Yeah Yeah Yeahs. She writes incisively about individual musicians and albums while situating them inside a larger cultural moment — part journalist, part historian. In this episode, she talks to Matthew about Meet Me in the Bathroom, her oral history of New York’s indie scene in the early 2000s, and the 2022 documentary inspired by the book. Goodman explains how she organized hundreds of interviews around events rather than timelines, treated New York City as the central character, and documented a scene where no one agrees on what actually happened. “It’s like filling out a crossword puzzle that’s moving,” she says. “I kind of built these individual narrative blocks and then you have to weave it all together.”In this episode, she talks to Matthew about Meet Me in the Bathroom, her oral history of New York’s indie scene in the early 2000s, and the 2022 documentary inspired by the book. Goodman explains how the project took shape voice by voice, why oral history was the only form that made sense for a scene with no single truth, and what it means to document a moment where memory, myth, and experience are constantly in conflict. “It’s like filling out a crossword puzzle that’s moving,” she says. “You’re building this narrative, and then you have to weave it all together.” To connect with the team and gain access to behind the scenes content, join our community at ⁠⁠joincampside.com⁠⁠. You can also find us on ⁠⁠Instagram⁠⁠, ⁠⁠TikTok⁠⁠ & ⁠⁠Youtube⁠⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brad Lichtenstein is an Emmy- and Peabody-winning documentary filmmaker whose work has traced the human cost of American systems, from economic upheaval and gun violence to the ways history keeps resurfacing in the present. In this episode, he talks to Matthew about American Reckoning, his Frontline documentary about the 1967 car-bombing of civil rights activist Wharlest Jackson Sr. and the decades-long fight to understand why justice never came. Lichtenstein breaks down how the film’s extraordinary archival footage shaped the story from the start, what it took to earn the Jackson family’s trust, and the ethical decisions behind filming trauma without turning it into spectacle. He also reflects on collaboration, perspective, and what it means to make investigative work in an era when funding and time are running out. “You watch a lot,” he says. “And it’s just a big mess until it’s not anymore.”To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alexis Coe is a historian, TV commentator, curator, and columnist whose work examines how power, myth, and repetition shape the way American history gets told. She is the author of the New York Times bestselling book You Never Forget Your First, a sharp, funny, and rigorously researched biography of George Washington that challenges centuries of received wisdom about America’s first president. In this episode, Coe talks to Matthew about how she discovered that no woman had written a full biography of Washington in more than forty years, why so many presidential histories have hardened into myth, and what happens when size and seriousness are mistaken for authority. She walks through her research process, her decision to focus on Washington off the battlefield, and the risks and rewards of writing history that refuses to sound reverent just because it’s old. “It tells me to trust myself creatively in the same way that I trust myself intellectually,” Coe says. “And that’s such a lovely feeling.”" To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tommy Andres is an audio journalist whose work has spanned This American Life, CNN, and Marketplace, where he spent years as a senior producer. More recently, he’s focused on deeply reported, limited-run narratives, including Third Squad After Afghanistan, which was shortlisted for a National Magazine Award and won an Edward R. Murrow Award. He also served as executive producer on We Came to the Forest. In this episode, Andres talks to Matthew about The Eyes of the Fighter, a two-part story he hosted and produced for Sports Explains the World. It begins with a home invasion in the middle of the night and turns inward, as Andres tries to understand how Jermaine Thompson, a former wrestler and amateur MMA fighter, ended up inside his Atlanta home. The search takes him through wrestling gyms, MMA, and a spiral of addiction and pain. He also reflects on what it’s like to report on your own life, how body-camera footage challenged his memory of what happened, and the discomfort of turning someone else’s lowest moment into a story. “Did he fully know this was going to turn into a real thing? That’s a scary place to be,” Andres says. “Because you start asking yourself: did I help this guy or did I hurt this guy? The whole point of the piece is I’m rooting for him. And then you wonder if you just used him to get a story. That extractive feeling makes me uncomfortable.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.com. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Selwyn Seyfu Hinds is a screenwriter, journalist, and creator whose work spans music, comics, and television. He was once the editor in chief of The Source, co-created the comic series Dominique Laveau: Voodoo Child, and has written for Jordan Peele’s The Twilight Zone. In this episode, he talks to Matthew about Washington Black, the Hulu adaptation of Esi Edugyan’s novel, developed in collaboration with Sterling K. Brown. He breaks down how the project came together, why he connected to Wash’s journey so personally, and how the show balances the brutality of slavery with a world driven by imagination, dreaming, and flight as a metaphor for hope. “Being a showrunner is as close as you can get to playing God,” he says. “It’s really you and the blank page and it’s Genesis and you’re like, ‘Let there be flying ships,’ right?” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mandy Matney is a journalist and the creator of the Murdaugh Murders podcast, the hit true-crime series that followed the unraveling of the Murdaugh family long before Alex Murdaugh’s 2023 murder conviction. Reporting from South Carolina, Matney broke major stories by leaning on deep local knowledge and a willingness to dig into details others overlooked. She is also the founder of the audio company LunaShark and the author of the bestselling book Blood on Their Hands: Murder, Corruption, and the Fall of the Murdaugh Dynasty. You can listen to her new podcast, True Sunlight here. In this episode, she talks to Matthew about how the Murdaugh Murders grew from a planned ten-episode podcast into an ongoing investigation with more than ninety episodes, what it was like becoming part of the story she was covering, and why local journalism is so important. “The fact that I knew enough about the beat to spot a connection most reporters would miss,” she says, “that’s why local journalism matters.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

David DiGilio is one of the most prolific genre producers and writers working in Hollywood today. In addition to credits on films like “Tron: Ares” and hit shows like “Crossbones” and “Strange Angel,” he is the showrunner of the Amazon Prime blockbuster “The Terminal List,” as well as a spin-off/prequel called “The Terminal List: Dark Wolf.” In this episode, he talks to Matthew about structuring each season for maximum tension and emotional impact. "We start with a storyboard of episodes but also a character board, with each character’s arc across the season," DiGilio says. "Because ultimately, TV is a character-driven medium. Even more so than film. And so you’ve got to know that the character discoveries are going to inform the story and where it goes.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dana Fox is a veteran screenwriter and producer. The showrunner of the Apple TV series “Home Before Dark,” and the creator of the sitcom “Ben and Kate,” she is best known as the co-writer of “Wicked” and “Wicked: For Good,” two of the highest-grossing (and most popular) movies in American history. In this episode, she talks to Matthew about the art of bringing a beloved franchise to the screen and the expectations that followed the release of the first film. “I was so proud that it touched all kinds of people, and made people feel seen. Like they have a place in the world,” Fox says. “All these things that were so great, so emotional. And then suddenly I became more panicked about the second movie, because I was like, ‘Oh my God, people’s expectations are off planet Earth.’ It’s like, ‘This movie has to be an A-plus plus plus plus plus plus for them to feel like it’s even an A.’ And that was exciting, but scary, you know?”  To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Janet Reitman is a fellow at New America and a contributing writer at The New York Times Magazine. A former longtime correspondent for Rolling Stone, she is a two-time finalist for a National Magazine Award and the author of some of the most influential journalism of the past two decades. In this episode, she talks with Matthew about "A Disaster of the US Military's Own Making," her 2024 Times Magazine expose on the Army suicide crisis. All good writing, Reitman says, necessarily involves letting go of material that no longer helps the piece, however painful that letting go may be. "Honestly, you can spend weeks writing a single section, writing it over and over again until it's right," she says. "And then you're told, 'This is going to get jettisoned.' This thing you've spent weeks on. And I mean, it's tragic. But sometimes it's also the best choice. It's the best decision."  To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Special episode alert! This week, we're featuring an interview from So Your Parents Are Old, a new podcast about the realities (funny, sad, and somewhere in-between) of dealing with aging loved ones. In this episode, host Vanessa Grigoriadis chats with Amanda Uhle, a writer and the publisher of McSweeney’s, about her new book "Destroy This House." For more information on the show, plug the words "So Your Parents Are Old" into whatever podcast app you use. Or head on over to joincampside.com. Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/origin-stories/id1833077585?i=1000740855568See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lorelei Lee is a writer, activist, porn performer, and activist. A graduate of Cornell Law School and New York University’s MFA program, they write regularly for a range of publications, including N+1, Buzzfeed, and Wired. In this episode, Lorelei talks to Matthew about their groundbreaking essay “Cash/Consent,” which is both a memoir of Lorelei’s time in the porn industry and a reflection on the complicated relationship between their career and their “civilian” life. “I often have to write the same thing many times,” Lorelei says. “I have to write it until I don’t feel the feelings, because as long as I’m still stuck on the emotional impact to myself, I’m not going to be able to understand the emotional impact on the reader. But that’s why writing and editing are two different things done at two different times.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest idea, or just wanna say hi? Email us at Originstories@campsidemedia.com. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

James Vanderbilt is a screenwriter, producer, and director whose work includes some of the most acclaimed films of the last two decades. He’s perhaps best known for writing Zodiac, David Fincher’s modern classic thriller. In this episode, he talks to Matthew about Nuremberg, his new film as both writer and director, set just after World War II as the Allies prepared to put high-ranking Nazi officials on trial. Vanderbilt explains that one of the biggest challenges was finding a way to tell such a heavy story without numbing the audience. “I sort of feel like two hours of unrelenting grimness and sadness… I just shut down,” he says, pointing to the moments of levity in Schindler’s List. That film has “humor and grace and wit,” he says. “You laugh during parts of it, so that when you get to the really horrible stuff, you’re able to take it in… and that is something we thought a lot about in terms of [Nuremberg].” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Clint Smith is a celebrated poet, essayist, and staff writer at The Atlantic. In addition to his two poetry collections, Counting Descent and Above Ground, he is the author of the award-winning nonfiction bestseller How the Word Is Passed. In this episode, he talks to Matthew about the reporting of How the Word is Passed, and how he made it accessible without losing rigor. “When I was writing the book, I wrote about eight places, but I could have written about 1,008, because the scars of slavery are etched into the landscape all around us,” he says. “I also don’t want a young person, or anybody, to look at this book and be physically overwhelmed or intimidated by the prospect of even picking it up.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gilbert King is a writer, photographer, and author of several books, including Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America, which won the Pulitzer Prize for General Nonfiction. In this episode, he talks to Matthew about the creation of Bone Valley, his hit podcast about the 1987 murder of Michelle Schofield. You can preorder the novel about his experience here Working in audio was a new experience for King, who relied on his producer, Kelsey Decker, to show him the ropes. "I was just ruining the tape left and right," he jokes. "And I remember Kelsey passed me this note on an in index card. It said 'Shut up.' Point taken. So I found myself having to nod a lot and make wide eyes and stuff like that. But I do believe it made me a better interviewer. Just learning to work with the silence, which is something I never really knew." To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Evan Ratliff is a magazine writer, podcaster, and author of Mastermind: Drugs, Empire, Murder, Betrayal, which was released in 2019 by Random House. In addition to co-founding Longform and The Atavist Magazine, Evan was also one of the founding editors of Pop-Up Magazine. In this episode, he talks to Matthew about Shell Game, a hit narrative podcast Evan funded, created, and distributed independently, working with a small team that included Evan's wife, Samantha Henig, and the independent producer Sophie Bridges. "I've had pretty good experiences doing projects with friends," Evan says. "And enough of those projects have worked out that I feel like it's worth taking some risks, especially in this environment where like the media industry is constantly like devolving in new and unexpected ways that you didn't even think about last year, where you were like, 'Oh, well that's solid,' and now it's gone."  To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bonnie Tsui is a veteran journalist and the author of several critically-acclaimed books, including On Muscle, American Chinatown, and Why We Swim, which was published in 2020 by Algonquin Books. In this episode, she talks with Matthew about the challenges of writing Why We Swim, which mixes rigorous scientific reporting, history, and long passages of essayistic exploration. “It’s an instinctive way of writing," Bonnie says of the latter. "I mean, you know you have to come back to the points that you’re trying to make, with the chapter or the piece or whatever, but it is not the same as going to report something, or interview a person, and get all those details in. It’s about feeling your way forward and finding your way to some truth.” To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Roy Wood Jr. is a comedian, actor, and former correspondent for The Daily Show. In this episode, he talks to Matthew about his new book, "The Man of Many Fathers: Life Lessons Disguised as a Memoir," which is structured as an extended letter to his young son. Early drafts, Wood recalls, were composed by voice note, while walking to the set of The Daily Show – a process that helped give the book its emotional power and irreverent humor.  "I don't believe you type the way you talk because you're constantly thinking about grammar and sentence fragments. Whereas I'm just walking down the street, and I'm like, 'This dude, he snorted cocaine, he stank, he looked like a gorilla, his shirt was sweaty, had brown teeth. He had one tooth that was more yellow than the other. How you get extra tartar on one tooth?' These are abstract, weird thoughts and if I'm in a flow of talking aloud, they're gonna come out. And I can take those, transcribe them, and then at night, really look at this story and go, 'Okay, this part should go here. This is disjointed, let's move this around.' To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Part book club, part English class, Zero to Well-Read is a fun and irreverent guide to the books everyone talks about, from classics you should have read in high school to the modern hits everyone's buzzing about. In each episode, hosts Jeff O'Neal and Rebecca Schinsky tell you everything you need to know about a must-read book, including its plot, what it feels like to read, why it’s important, and the key takeaways you can use at your next dinner party.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.