The African Imaginary Podcast

In this, our second episode of The African Imaginary Podcast, Msaki in deep conversation with host Khangi Khoza, reflects on her ancestral energies, salutes her icons, dissects the music industry, and lets us into her creative process. Msaki is an award-winning South African singer-songwriter. Her voice is one of the most distinctive in the business, delighting club kids in Kenya, folk festival-goers across the USA, and her huge fan-base in Mzansi. Msaki trained in fine art, graphic design, film photography and curation at Rhodes University, Leeds University, Nelson Mandela Metropolitan University and East London Technikon. She is a South African Music Award (SAMA) winning musician, who contributed to Black Coffee’s Grammy Award winning album as writer, composer and artist. She has also collaborated with Sun-EL Musician, Carlo Mombelli, Nduduzo Makhathini, Simmy and Ami Faku, Kabza De Small, Diplo, Ry X others. As a writer and facilitator, she is sought after for writing camps around the world. At the core of her practice is a commitment to catching and preserving ‘the soul of the song’ as it travels through the music value chain. In this way she shines a light for other independent artists across the continent, including those whose careers she supports through her collective ALTBLK. Msaki’s practice now merges installation and performance. Her visionary archetype extends to how she parents her 3 kids. She’s a ‘free range mom’ who co-creates their education and play . “Kids are incredible…I don’t know how to explain the things that I’ve seen,” she tells The African Imaginary. We are thrilled to have her take her rightful place in the African imaginary, which she sees as ‘a circular, communal intelligence’. Chapters: 0:00 Intro 0:54 Msaki plays 'Keep or Toss' 5:13 The meaning of Msaki's name 9:36 Msaki on her stage name 10:58 On family and childhood 14:30 Lessons from her childhood 16:36 Upbringing shaping her personal African imaginary 18:06 First enemy 23:16 Adversaries in the music world 24:22 Your enemies become your prophets 25:32 Discovering her musical talent 29:35 Jack of all trades, master of... 30:38 African and diasporic icons 36:11 Creative process 41:03 Hollywood songwriting camps 43:26 What does the African imaginary mean? 45:55 ALTBLK and Msaki's role in the collective 50:49 On collaboration and ownership 55:14 Msaki's many collaborations 1:01:28 Talent vs. hard work 1:02:10 Africa is being mined for talent 1:03:03 Building ethical and sustainable structures for artists 1:08:02 Reflections on gender and relationships in her work 1:12:04 On self-love 1:13:11 Spiritual practice 1:17:06 What legacy would Msaki like to leave behind? 1:22:13 What conversations should African creators be having? 1:24:39 On parenting 1:26:59 Outro * Produced by Georgia Black Hosted by Khangi Khoza Filmed and Edited by Rooibos Films Online Editor / Title Design: Chadlee Skrikker Sound & Music Editor: Michael Wilson-Trollip Final Mix Engineer: Michael Wilson-Trollip Theme Music: Jam Now, Simmer Down by Blinky Bill feat. Ossie The African Imaginary on Substack

In this, our first episode of The African Imaginary Podcast, host Khangi Khoza and writer Tsitsi Dangarembga dive into the importance of the African imagination, Tsitsi’s African icons, spirituality in her later writing, advice to writers, and more. *** Tsitsi Dangarembga is one of Africa’s key literary voices. She has been writing for four decades and is best known for her trilogy of novels set in her home country, Zimbabwe. Nervous Conditions was the first novel by a black Zimbabwean woman to be published in English, and was praised by the late Chinua Achebe for being ‘as natural as the grass grows’. In 2020, Dangarembga’s novel This Mournable Body was shortlisted for the Booker Prize – something she has described as ‘absolutely immense’ and life-changing. Two years later she was named by The Financial Times as one of the 20 most influential women in the world after she was arrested in Harare for inciting public violence. Her crime was walking with a placard that read ‘We Want Better. Reform Our Institutions’. Among Dangarembga’s other awards are the English PEN Pinter Prize, the German Peace Prize, Yale University’s Windham Campbell Prize and the PEN Catalan Free Voice Award. She is a former fellow of the Rockefeller Bellagio Centre, the Stellenbosch Institute for Advanced Study and the Radcliffe Institute at Harvard University, and she was the International Chair in Creative Writing (Africa) at the University of East Anglia, and is an honorary fellow of her alma mater, Sidney Sussex College, Cambridge. She says that the subject of the African imaginary has ‘been on [her] mind, waking and sleeping, for the last 30 years’, because she believes that ‘no significant human advancement has ever taken place without tapping human creative potential’.