The World in Time / Lapham’s Quarterly

“Friendship is an enormous part of my life, and it was an enormous part of Arendt’s life,” Roger Berkowitz says on this week’s episode of The World in Time. “She was said to have a genius for friendship by her friends. She was an exile, stateless for eighteen years, and she really did come to believe that friendship is what she called a ‘homeland.’ She didn’t think of herself as German, or Jewish, or American, or European. She said, ‘The only people I love are my friends.’ Friendship is hard, and she uses this beautiful metaphor. She says, ‘Friendship exists on the knife’s edge.’” Hannah Arendt was controversial in her own times. She remains controversial in ours. In her own times, the controversies sometimes tested Arendt’s friendships. Or shattered them. This series of conversations, A Broken World, attempts to make sense of both Arendt’s broken world and our own, and it addresses the controversies around her work by doing what every issue of Lapham’s Quarterly does—pluralize the voices.  In this second episode in the series, Donovan Hohn speaks with Jennifer Szalai, essayist and nonfiction book critic for The New York Times, about her article “Hannah Arendt is Not Your Icon,” and with Roger Berkowitz, academic director of the Hannah Arendt Center, about his new book, A World We Share: Hannah Arendt and the Power of Friendship in a Broken World, which examines the nature of friendship through the lens of Arendt’s biography and her thinking on the subject. On the unabridged, paywalled edition of the podcast available on the Lapham’s Quarterly Substack, Berkowitz and Hohn turn to the present-day implications of Hannah Arendt’s controversial essay “Truth and Politics,” first published in The New Yorker in 1967.WORKS CITED(In order of mention.) Jennifer Szalai. “Hannah Arendt Is Not Your Icon,” New York Times, December 5, 2025. Donovan Hohn. “Episode 39: A Broken World: Annie Dillard and Lewis H. Lapham.” The World in Time from Lapham’s Quarterly, Friday, September 25, 2026. Roger Berkowitz. A World We Share: Hannah Arendt and the Power of Friendship in a Broken World. New Haven, CT: Yale University Press, 2026. “Voices: On Hannah Arendt,” Lapham’s Quarterly Substack, October 6, 2026. Curtis White, “Song of a Lost World,” Lapham’s Quarterly Roundtable, October 2, 2026. Hannah Arendt. “Truth and Politics,” The New Yorker, February 18, 1967. Hannah Arendt. “Reflections on Little Rock,” Dissent, Winter 1959. Hannah Arendt. “Zionism Reconsidered,” The Menorah Journal, Autumn 1945.  Hannah Arendt. Eichmann in Jerusalem: A Report on the Banality of Evil. Introduced by Amos Elon. New York: Penguin Classics, 2006. Roger Berkowitz. “Misreading ‘Eichmann in Jerusalem’,” New York Times, July 7, 2013. Jennifer Szalai. “Buying Tomorrow,” Lapham’s Quarterly, Fall 2011: The Future. “Remembering Lewis H. Lapham,” Harper’s Magazine, November 2024. Raoul Peck, director. I Am Not Your Negro. Velvet Film, 2017. Hannah Arendt. The Origins of Totalitarianism. Edited by Jerome Kohn and Thomas Wild. New York: Library of America, 2025. James Baldwin. “Autobiographical Notes.” In Notes of a Native Son. Introduced by Edward P. Jones. Boston: Beacon Press, 2012. Thomas Paine. Rights of Man, Common Sense, and Other Political Writings. Edited by Mark Philp. Oxford: Oxford University Press, 2009. Jennifer Szalai. “How Empathy Became a Threat,” New York Times, July 18, 2025. Donovan Hohn. “Episode 38: Namwali Serpell on Toni Morrison.” The World in Time from Lapham’s Quarterly, Friday, September 11, 2026. Adolf Eichmann. Memoirs: Part One. Washington, DC: Central Intelligence Agency, 2000. “Eichmann Tells His Own Damning Story,” LIFE, November 28, 1960. “Eichmann’s Own Story: Part II,” LIFE, December 5, 1960. Bettina Stangneth. Eichmann Before Jerusalem: The Unexamined Life of a Mass Murderer. Translated by Ruth Martin. New York: Vintage Books, 2015. Isaac Chotiner. “Is Zionism’s Moral Crisis About Roads Not Taken—Or Original Sin?,” The New Yorker, September 13, 2026. Hannah Arendt. “Eichmann in Jerusalem—I,” The New Yorker, February 9, 1963. Hannah Arendt. “Eichmann in Jerusalem—II,” The New Yorker, February 16, 1963. Deborah E. Lipstadt. The Eichmann Trial. New York: Schocken Books, 2011. David Cesarani. Becoming Eichmann: Rethinking the Life, Crimes, and Trial of a “Desk Murderer.” Cambridge, MA: Da Capo Press, 2006. Margarethe von Trotta, director. Hannah Arendt. Heimatfilm, 2013. Roger Berkowitz. The Gift of Science: Leibniz and the Modern Legal Tradition. New York: Fordham University Press, 2010. Thinking in Dark Times: Hannah Arendt on Ethics and Politics. Edited by Roger Berkowitz, Jeffrey Katz, and Thomas Keenan. New York: Fordham University Press, 2009. Donovan Hohn. “Episode 9: Roger Berkowitz.” The World in Time from Lapham’s Quarterly, Friday, August 1, 2025. Hannah Arendt. Responsibility and Judgement. Edited and introduced by Jerome Kohn. New York: Schocken Books, 2003. Lapham’s Quarterly, Spring 2021: Friendship.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“Rabbi Luria’s Kabbalist creation story, however baroque, accounts boldly for both moral evil and natural calamity,” Annie Dillard wrote in her 1999 book, For the Time Being. “The creator meant his light to emanate, ultimately, to man. Grace would flow downward through ten holy vessels, like water cascading. Cataclysm—some say creation itself—disrupted this orderly progression. The holy light burst the vessels. The vessels splintered and scattered. Sparks of holiness fell to the depths, and the opaque shards of the broken vessels imprisoned them. This is our bleak world.”This week on the podcast, Donovan Hohn commemorates the life and work of Annie Dillard, member of the Quarterly’s editorial board, frequent contributor to its pages, and friend for half a century of Lewis H. Lapham, who first began editing Dillard’s essays in the early 1970s. Hohn shares passages from Dillard’s work along with audio of remarks, delivered in the year 2000 on the 150th anniversary of Harper’s Magazine, in which Dillard explained how she came to write for Lapham and why she kept writing for him. Hohn also shares a pair of letters that Dillard and Lapham exchanged in August 1974, following her return from the Galápagos.The episode doubles as the prologue to a new series of conversations that we are calling A Broken World, the title for which comes from a new book by Roger Berkowitz, A World We Share: Hannah Arendt and the Power of Friendship in a Broken World. As introduction to the series, this episode concludes with the unabridged audio of the keynote address that Lewis Lapham delivered at the Hannah Arendt Center for Politics and Humanities in 2011.Further Reading“Dear Lewis, Dear Annie,” Lapham’s Quarterly website, September 17, 2026.“Voices: Annie Dillard, In Memoriam,” Lapham’s Quarterly Substack, September 23, 2026.Lapham’s Quarterly brings voices from the past up to the microphone of the present. Back issues are available for purchase on our website. To make a tax-deductible gift, visit the donation portal hosted by Bard College’s Hannah Arendt Center for Politics and Humanities. You can find information about the Quarterly’s ongoing revival here.Photo credit: Bowels of the Earth – Water, by Naoko Fukumaru, 2020. Earthenware, urushi lacquer, resin, and 23.5K gold. Kintsugi transformation. 12 cm. © Naoko Fukumaru. Courtesy of the artist.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As a companion to last week’s episode of The World in Time, we are sharing with listeners the first episode of Passages: On Morrison, a limited podcast series hosted by Namwali Serpell. The series takes the form of a traveling salon. In this first episode, Serpell and poet Tracy K. Smith read the opening of The Bluest Eye, Toni Morrison's debut novel, and discuss all that the passage emits and erases. They also explore how the cultural treatment of Morrison as a literary icon or monument has obscured a true appreciation of her literary form, an appreciation that comes from turning to the page. Lapham’s Quarterly brings voices from the past up to the microphone of the present. Back issues are available for purchase on our website. To make a tax-deductible gift, visit the donation portal hosted by Bard College’s Hannah Arendt Center for Politics and Humanities. You can find information about the Quarterly’s ongoing revival here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“The canon raised Toni Morrison,” says Namwali Serpell on this episode of The World in Time. “The canon is how she became who she is. Faulkner, Woolf, Shakespeare. She is much more interested in taking what’s there and reading it accurately, honestly. Let us be clear-minded and clear-sighted about what is there. But we don’t need to destroy it. And in fact, the Melville I read after reading Morrison’s analysis of the whiteness of the whale is a richer Melville.” This week on the podcast, Donovan Hohn speaks with novelist and literary critic Namwali Serpell about her new book, On Morrison, in which Serpell takes readers on a guided, chronological tour of Toni Morrison’s fiction and criticism. The conversation touches on Morrison’s literary modernism; her surprising affinities with Vladimir Nabokov; her water imagery; her enchanting way with metaphor; her transformation of historical materials; her religious faith; her study of Greek tragedy and African literature; her participation in “the canon wars”; her ardent commitment to the freedoms conferred by the First Amendment, and her equally ardent opposition to what—in her 1993 Nobel Prize acceptance speech, published in the Means of Communication issue of Lapham’s Quarterly—Morrison called “dead language”: language that “thwarts the intellect, stalls conscience, suppresses human potential,” and “cannot form or tolerate new ideas.” The ad-free, unabridged edition of this episode, available on the Lapham’s Quarterly Substack, concludes with an epilogue about Morrison’s Paradise, the final novel in the trilogy—Morrison’s Divine Comedy—that begins with Beloved.  Lapham’s Quarterly brings voices from the past up to the microphone of the present. Back issues are available for purchase on our website. To subscribe to our new digital archive, visit the Lapham’s Quarterly Substack. To make a gift, visit the donation portal hosted by Bard College’s Hannah Arendt Center for Politics and Humanities. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This bonus episode of The World in Time brings together a pair of conversations, one about the making of a movie, another about the making of an archive. Director John Kirby and producer Libby Handros talk to acting editor Donovan Hohn about their collaboration with Lewis Lapham on his 2005 "dramatic documentary musical," The American Ruling Class, now streaming on the Criterion Channel. Then writer and technologist Paul Ford, architect of the Harper's Magazine digital archive and co-founder of Aboard, a software consultancy, joins Hohn for a conversation about the new Lapham's Quarterly digital archive, whether technologists can move fast without breaking things, the gold rush origins of Silicon Valley, what Lewis Lapham would have made of our new Gilded Age, the magnificence of George Eliot's Middlemarch, and much else.Further ReadingPaul Ford. “What Is Code?”, Bloomberg Businessweek, June 11, 2015.Paul Ford. “My Father’s Death in 7 Gigabytes,” Wired Magazine, June 15, 2023.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.