DiscoverI Know Movies and You Don't w/ Kyle Bruehl
I Know Movies and You Don't w/ Kyle Bruehl
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I Know Movies and You Don't w/ Kyle Bruehl

Author: Kyle

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A film history and theory podcast that delves deep into a variety of favorites and elusive gems one specific genre at a time. Join the journey and together we can learn about film, auteurs, genre, and the general art of cinema better. The title is facetious, calm down. New Episodes every Tuesday and Thursday.

565 Episodes
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In the fifteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss the layers of marital discontent of an embittered couple traveling through the repetition of memory in Stanley Donen's fluid and complex portrait of a pragmatic marriage in Two for the Road (1967).
In the fourteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with fellow cinephile and raconteur Ben Thelen to discuss the pop-art rabbit hole of political indictments, cultural critique, and the demolition of a personal manifesto and relationship that defined the new cinematic movement forward for Jean-Luc Godard in the absurdist road movie Pierrot Le Fou (1965).
In the thirteenth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with editor Kristi Shimek to discuss the bloated and sensationalized satire of American materialism, avarice, and selfishness defined by its signature stunt casting, exaggerated production, and indulgent runtime in Stanley Kramer's "comedy to end all comedies" It's a Mad, Mad, Mad, Mad World (1962).
In the twelfth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the highly symbolic satire that pits two mismatched protagonists in a concentrated mosaic of Italian masculinity, materialism, and emerging post-war culture that is Dino Risi's Il Sorpasso (1962)
In the eleventh episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with editor Kristi Shimek to discuss the abstract and personal depiction of the road movie traversing the subconscious in Ingmar Bergman's meditative and probing deconstruction of legacy, love, and meaning in Wild Strawberries (1957).
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