Additions to the Archive with Sullivan Summer

There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day’s headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”In How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington (Pantheon, 2026), Pulitzer Prizing-winning author Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.Dr. Marcia Chatelain a Presidential Penn Compact Professor of Africana studies at the University of Pennsylvania. She is the author of South Side Girls and Franchise, which won the 2021 Pulitzer Prize in History, the James Beard Foundation Book Award for Writing, the Hagley Prize for Business History, and the Lawrence W. Levine Award from the Organization of American Historians. An active public speaker and educational consultant, Chatelain has received awards and honors from the Ford Foundation, the American Association of University Women, and the German Marshall Fund of the United States. You can find her on Instagram and TikTok. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Celebrated poet, essayist, playwright, and American artist Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and My America explores how his work speaks to the political anxieties and crises we face today. Randal M. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering, and what they mean for our inner well-being as democratic persons and political participants.With care and no-holds-barred insight, My America: Langston Hughes on Democracy (Broadleaf Books, 2026) removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy.Dr. Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the Boston Review, the Los Angeles Review of Books, blogs, journals, and periodicals. You can learn more about him and his work at his website.Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.In the process of rebuilding a self, Griffiths chronicles her friendship with Moon, the seventeen years since their meeting at Sarah Lawrence College. Together, they embraced their literary foremothers—Lucille Clifton, Toni Morrison, Alice Walker, to name a few—and fought to embrace themselves as poets, artists, and Black women. Alongside this unbreakable bond, Griffiths weaves the story of her relationship with Rushdie, of the challenges they have faced and the unshakeable devotion that endures.In The Flower Bearers (Random House, 2026), Griffiths inscribes the trajectories of two transformational relationships with grace and honesty, chronicling the beauty and pain that comes with opening oneself fully to love. This is a conversation not to be missed.Rachel Eliza Griffiths is a multi-media artist, poet, and novelist. She received the MFA in Creative Writing from Sarah Lawrence College and is the recipient of numerous fellowships including Robert Rauschenberg Foundation, Provincetown Fine Arts Work Center, Kimbilio, Cave Canem Foundation, Civitella Ranieri Foundation, and Yaddo. Her literary and visual work has been widely published in journals, magazines, anthologies, and periodicals including The New Yorker, The Paris Review, The New York Times, Virginia Quarterly Review, The Progressive, The Georgia Review, Gulf Coast, Callaloo, Poets & Writers, American Poetry Review, Los Angeles Review of Books, Guernica, The Writer’s Chronicle, Transition, American Poet, Mosaic, Indiana Review, Ecotone, Black Nature: Four Centuries of African American Nature Poetry, Best American Poetry (2020, 2021), The New York Review of Books, BOMB! Magazine, and many others. You can find Rachel on Instagram.Learn more about the Torch 20th Anniversary celebration here.Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As we approach the 50th anniversaries of Alex Haley’s Pulitzer Prize-winning novel Roots (1976) and its landmark television adaptation (1977), journalist and storyteller Lucas L. Johnson II reflects on the enduring legacy of Haley’s work through the voices of those it continues to move, including scholars, artists, genealogists, students, and original cast members like LeVar Burton and Ben Vereen. With vivid personal anecdotes, emotional tributes, and probing reflections, Remembering Roots: How an American Classic Transformed the World (Broadleaf Books, 2026)shows how Haley’s vision gave birth to a genealogy movement, inspired generations to reclaim their identities, and challenged America to confront its past. From a sixth-grader who became the first lawyer in her family, to a blind musician empowered by his father’s retelling of Roots’ most iconic scene, Johnson traces the ripple effects of Haley’s griot storytelling across time and culture. As debates rage over which histories get told, Remembering Roots boldly asserts the necessity to remember and retell our stories. A call to action, this book reaffirms that storytelling is not just an art — it’s a path to healing. A companion reading and viewing guide to the book and film is available here. Lucas L. Johnson II is a former reporter for the Associated Press, where he worked for more than twenty years mainly covering politics, education, and religion. He is the author of Finding the Good and coauthor of Youth Change Agent. Lucas works in higher education and has taught high school and college students. A freelance writer and communications strategist, Lucas lives in Nashville, Tennessee. You can find him at his website. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

While Lexington and Concord claim significance as the sites of the American Revolution’s opening battles, New York City’s geography, population density, and cultural status made it one of the most important theaters of the war. Between 1776 and 1777, numerous battles were fought for control over the Port of New York, including the Battles of Harlem Heights, Pell’s Point, White Plains, Fort Washington, and the largest battle of the entire revolution, the Battle of Long Island/Brooklyn. Recognizing the strategic importance of New York, and forewarned by his experience at the Battle of Bunker Hill in Boston, Lieutenant-General Sir William Howe and royal governor Lord George Germain recruited Hessian mercenaries and soldiers from across the empire to defend the city from an eventual patriot campaign to claim New York. In 1776, George Washington, as commander-in-chief of the Continental Army, began preparations for what we know today as the New York and New Jersey Campaign. Though the campaign failed to fortify New York from Sir William Howe, which remained in British control until the end of the war in 1783, the revolution might have ended altogether on Staten Island when William and his brother, Admiral Richard Howe, entered peace negotiations with the Americans. In a September 11, 1776, meeting, the Howes met with John Adams, Benjamin Franklin, and Edward Rutledge for an unsuccessful three-hour negotiation. Four days later, Howe, as Commander-in-Chief of British Land Forces in America, landed 12,000 troops in lower Manhattan and quickly claimed the city. Though the British took control of New York Harbor and the surrounding agricultural areas, the areas around New York and New Jersey remained active battlegrounds for the rest of the revolution. When the war ended, it saw some of the last British soldiers evacuate the new United States, including thousands of free and formerly enslaved Africans who had served the empire in the war, documented by The Book of Negroes. Battle in the Margins is a special project of the New York State Office of Parks, Recreation, and Historic Preservation in collaboration with Black Gotham Experience, an organization devoted to African Diasporic storytelling, to commemorate the African Diaspora’s impact on the American Revolution. Those listening to this episode in real time in the New York City area can reserve a ticket to the September 19, 2026 Battle in the Margins “Main Event,” a series of original ten-minute plays centering the African Diaspora’s experience, resistance, and role in shaping early American history, shining a light on stories often left out of the nation’s founding narrative. The Battle in the Margins Research Brief is available here. Kamau Ware is a multidisciplinary artist, historian, and walker. Kamau was born and raised in Pittsburgh, where he founded an artist collective called BridgeSpotters in 1996 that took inspiration from the many bridges in the city as analogous to many disciplines making a creative project. Ware moved to New York City in 2006 and applied his work as an artist and curator to develop a unique approach to visual storytelling, coined StoryStyle that softens the threshold between artist and audience. After establishing his visual storytelling lab, Kamau Studios in 2008, he began working on what would become the Studios flagship project – the Black Gotham Experience (BGX). BGX launched the summer of 2010 as a series of walking tours and has expanded to a series of immersive experiences celebrating the impact of the African Diaspora on New York City. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.