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New Books in Poetry
New Books in Poetry
Author: New Books Network
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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
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Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/
Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
421 Episodes
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In this NBN episode, host Hollay Ghadery speaks with Chris Banks about his poetry collection, The Bureau of Useless Splendor (ECW Press, 2026). Poet Chris Banks is immersed in what is wondrous and strange about human connection, pop culture, and most importantly, the elusive search for understanding and hope in an accelerating century marked by socioeconomic disparity and climate change.Banks writes direct, accessible poems with strong allusions and 100% certified “fresh” images so seasoned poetry fans and those not accustomed to the genre can both find something to enjoy. He reminds readers that everyone needs “a bushel of smiles” or “a first aid / kit of laughing gas” to poison our anxieties with joy, and he does not shy away from difficult topics like toxic masculinity or mental health struggles. “Beauty is not beauty / without the ugliness surrounding it,” Banks says.In Bureau of Useless Splendour, Banks lets his imagination roam across the science of DNA sequencing, internet memes, space-time physics, Canadian nationalism, a lunar discussion between Canadian poet Gwendolyn MacEwen and American poet Frank Stanford, and even reimagined fortune cookie “fortunes” — as if to illustrate that tucked away among the allusions to pop culture and Shakespeare, poems about Johannes Gutenberg and the Martian mountain Olympus Mons, there exists a dusty old office where the poet sits, creating vivid, delightful pieces and mischievous “invoices” dedicated to the beauty and wonder of this world.Chris Banks is a Pushcart-nominated Canadian poet with eight collections of poems. He has won two national awards, and his poems have appeared across Canada and the United States. Banks runs The Woodlot, a Canadian poetry reviews and essays website. He lives and writes in Kitchener, ON.Hollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
A Room of His Own: Joseph Brodsky and the Making of a Bilingual Poet (Academic Studies Press, 2025) makes the original and persuasive claim that Brodsky’s force as a transnational poet derives paradoxically from an inward-looking stance that privileges “the trope of the room” and a practice of self-translation that is faithful to his own internal poetics rather than the poetic norms of the target tradition. The resulting bilingual poetics is one that, though not universally accepted by English readers, ultimately had a profound effect on the Anglo-American literary tradition and anticipated certain foreignizing tendencies that have become central to translation studies and theories of transnationalism. No less powerful than the book’s thesis is the elegant analyses, which encompass Brodsky’s Russian poetry, his translations from Russian to English, and his English-language essays.Daria Smirnova holds a Ph.D. in Comparative Literature from the University of Oregon and a degree in Linguistics from Russia. Inspired by years of traveling between languages and cultures, her research explores literary translation, bilingualism, and transmediation. Daria's current archival research examines the role of translation in shaping literary canons.Amber Nickell is Assistant Professor of History at Louisiana State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In Night Breaks in the Garret: Poems and Peregrinations (Finishing Line Press, 2026), Yermiyahu Ahron Taub provides a meditation not so much on the search for home, but on the coming to terms with what is, here and now, home. The poet engages the distant past and the pressing present as well as various companionate figures. Taken as a whole, the book anchors the single queer figure within landscapes of desire, community, and politics, staking power, however fraught, in milieus long declared off limits or denied. Eight poems in the collection also have a Yiddish version.Interviewee: Yermiyahu Ahron Taub is a poet, writer, and translator of Yiddish literature. Taub earned a Master of Arts degree in history from Emory University and a Master of Library and Information Science degree from Queens College, City University of New York. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Brooklyn Odyssey: My Journey out of Hasidism and Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In this NBN interview, host Hollay Ghadery speaks with Adriana Oniță about her poetry collection, Descântec For My Split Tongue (Palimpsest Press, 2026). This is Adriana Oniță’s first book of poetry, and it gathers English-Romanian poems that travel across generations, homelands, and dreamscapes to ask: what do we lose when we lose a language? Drawn from Oniță’s childhood and her immigration from Jilava to Edmonton, the poems explore dor—a Romanian word for deep longing—for her mother tongue. Along the way, Oniță unpacks “untranslatable” Romanian words and proverbs, each a compressed zip file of culture, humour, grief, and courage. The book itself becomes a descântec—part incantation, part prayer, part spell—summoning both the failures and the triumphs of translation into a ritual of healing.Adriana Oniță is a poet, artist, educator, translator, and researcher with a PhD in arts-based language education. She writes and teaches in English, Romanian, Spanish, French, and Italian. Her multilingual poems appear in CBC Books, The Globe and Mail, The Ex-Puritan, Canthius, Tint Journal, and in her chapbooks: Misremembered Proverbs (above/ground press, 2023) and Conjugated Light (Glass Buffalo, 2019). As founder of The Polyglot, she is proud to have published more than 250 writers, translators, and artists working in over 60 languages. She lives between Edmonton and Italy. Discover her work at adrianaonita.comHollay Ghadery is an award-winning Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and is a 2026 Giller Prize finalist. Her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Founder of River Street, and the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. She is also a member of The National Book Critics Circle, The Creative Nonfiction Collective, and The Writers Union of Canada. Hollay was also featured on the cover of issue 10 of The Ampersand Review. Learn more about Hollay here. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami: Women’s Voices From Mexico (Feminist Press, 2025) gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today.Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse.Guest: Gabriela Jauregui’s books include Feral, Many Fiestas, and La memoria de las cosas. She edited and coauthored Tsunami and Tsunami 2, published in Spanish in 2018 and 2021 respectively. She is a Soros New American Fellow, a Borchard Fellow, and was part of the Hay Festival's Bogotá 39 best young authors in Latin America. She holds a PhD in comparative literature from USC and teaches at the National Autonomous University in Mexico (UNAM).Guest: Heather Cleary is an award-winning translator whose work has been recognized by English PEN, the National Book Foundation, the Best Translated Book Award, and the Mellon Foundation. A member of the Cedilla & Co. translation collective, she was a founding editor of the digital, multilingual Buenos Aires Review. She holds a PhD in Latin American and Iberian cultures from Columbia University, and teaches at Sarah Lawrence College.Host: Dr. Christina Gessler is a developmental editor and writing coach for scholars in the humanities. She is the producer of the Academic Life podcast, and the show’s newsletter.Playlist:Thanks to LifeThe Madres de la Plaza de MayoThe Things We Didn't KnowIn The Garden Behind The MoonThe CommonThe Translators DaughterWe Take Our Cities With UsA Calm and Normal HeartThe Names of All the FlowersWelcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.



