New Books in African American Studies

David N. Gellman interviews Nicholas P. Wood on Let the Oppressed Go Free: Abolitionism in Colonial and Revolutionary AmericaIn Let the Oppressed Go Free, Nicholas P. Wood presents the opponents of slavery who sustained and expanded the antislavery movement during the American Revolution in the face of widespread hostility. These early abolitionists were inspired by antislavery theology: the view that slavery was a sinful form of oppression that would provoke God’s wrath against slaveholding societies. These principles were first advanced by a handful of Quakers and Puritans as early as the 1600s, but they did not become widespread until the second half of the eighteenth century. Quakers embraced antislavery theology during the French and Indian War, which they interpreted as divine chastisement for the sin of colonial slavery. Citing the prophet Isaiah, they pledged to please the Lord by letting the oppressed go free.Antislavery theology became even more prominent during the American Revolution. When Parliament provoked an imperial crisis in the 1760s, abolitionists argued it was further evidence of God’s anger over slavery. The outbreak of war in 1775 made these arguments increasingly persuasive. Let the Oppressed Go Free demonstrates that antislavery activism during the Revolution by Quakers, African Americans, and evangelical patriots was more sophisticated and influential than historians have recognized. The northern states that began abolishing slavery during the Revolution did so in response to tenacious agitation and generally described their actions as designed to earn God’s blessing.Let the Oppressed Go Free challenges many common assumptions about abolitionism and the American Revolution. Wood demonstrates that religion remained central to abolitionism rather than being displaced by “secular” arguments about natural rights. And whereas some have argued that the Revolutionary War hindered antislavery progress and fueled racism, Wood shows that the war accelerated reform. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day’s headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”In How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington (Pantheon, 2026), Pulitzer Prizing-winning author Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.Dr. Marcia Chatelain a Presidential Penn Compact Professor of Africana studies at the University of Pennsylvania. She is the author of South Side Girls and Franchise, which won the 2021 Pulitzer Prize in History, the James Beard Foundation Book Award for Writing, the Hagley Prize for Business History, and the Lawrence W. Levine Award from the Organization of American Historians. An active public speaker and educational consultant, Chatelain has received awards and honors from the Ford Foundation, the American Association of University Women, and the German Marshall Fund of the United States. You can find her on Instagram and TikTok. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Shows how apocalypticism helped drive anti-slavery abolitionism and inspire progressive social reform in nineteenth-century America In March 1844, Melissa Botsford of Meriden, Connecticut, defiantly left her local Methodist church because it supported slavery and other “sins” that permeated America. Botsford was among one hundred thousand other abolitionists who abandoned their evangelical churches throughout the decade. These protesters came out with a stern apocalyptic warning: God would soon judge America—and its churches—for the sins of slavery and race prejudice. It has long been assumed that apocalypticism is antithetical to social reform. Yet in Apocalyptic Abolitionism: How Millennialists Helped Abolish Slavery and Reform America (NYU Press, 2026), Kevin M. Burton uncovers the untold story of how apocalypticism shaped the abolitionist cause and helped destroy slavery in the United States. Contrary to popular opinion, the revival fires of the Second Great Awakening did not drive most evangelicals to progressive social reforms like abolitionism. Neither were the denominational schisms during that period a fight between northern abolitionists and southern slaveholders. Rather, before the Methodist and Baptist denominations split along sectional lines, most abolitionists, particularly members of the Adventist movement, had already left their churches in what was likely the largest mass exodus from mainstream evangelicalism in American history, precisely because most evangelicals opposed radical social reform movements. This volume makes the case that evangelicals receive undeserved credit for antislavery, and that it was apocalyptic abolitionists who led the way. Drawing from rare and overlooked sources to create a database of biographies of nearly 2000 people to track their religious affiliations and activism over time, Burton offers invaluable data to develop a robust framework for understanding apocalypticism, evangelicalism, and social reform politics of the nineteenth century. Kevin M. Burton is Assistant Professor of Church History, Seventh-day Adventist Theological Seminary, Andrews University, where he also directs the Center for Adventist Research.  to American religious history." ~John Corrigan, author of The Feeling of Forgetting: Christianity, Race, and Violence in America Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In A Matter of Complexion: The Life and Fictions of Charles W. Chesnutt (St. Martin's Press, 2025), Tess Chakkalakal gives readers the first comprehensive biography of Charles W. Chesnutt. A complex and talented man, Chesnutt was born in 1858 in Cleveland to parents who were considered “mixed race.” He spent his early life in North Carolina after the Civil War. Though light-skinned, Chesnutt remained a member of the black community throughout his life. He studied among students at the State Colored Normal School who were formerly enslaved. He became a teacher in rural North Carolina during Reconstruction. His life in the South of those years, the issue of race, and how he himself identified as Black informed much of his later writing. He went on to become the first Black writer whose stories appeared in The Atlantic Monthly and whose books were published by Houghton Mifflin. Through his literary work, as a writer, critic, and speaker, Chesnutt transformed the publishing world by crossing racial barriers that divided black writers from white and seamlessly including both Black and white characters in his writing. In A Matter of Complexion, Chakkalakal pens the biography of a poor teacher raised in rural North Carolina during Reconstruction who became the first professional African American writer to break into the all-white literary establishment and win admirers as diverse as William Dean Howells, Booker T. Washington, Ida B. Wells, and Lorraine Hansberry.Tess Chakkalakal, PhD, teaches African-American and American Literature at Bowdoin College. She is the author of Novel Bondage: Slavery, Marriage, and Freedom in Nineteenth-Century America and co-editor of Jim Crow, Literature, and the Legacy of Sutton E. Griggs and Imperium in Imperio: A Critical Edition. Hosted by: Raymond Williams, PhD, is a political scientist, blogger, and book club administrator with an interest in American history, biographies, and politics. You can find Raymond at Ballasts for the Mind, Instagram, and Threads.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Celebrated poet, essayist, playwright, and American artist Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and My America explores how his work speaks to the political anxieties and crises we face today. Randal M. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering, and what they mean for our inner well-being as democratic persons and political participants.With care and no-holds-barred insight, My America: Langston Hughes on Democracy (Broadleaf Books, 2026) removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy.Dr. Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the Boston Review, the Los Angeles Review of Books, blogs, journals, and periodicals. You can learn more about him and his work at his website.Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.