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New Books in Russian and Eurasian Studies
New Books in Russian and Eurasian Studies
Author: New Books Network
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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
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Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/
Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
609 Episodes
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In this latest Books for Better Understanding video from Notre Dame Press, David Carlson facilitates a conversation between Marian Schwartz and Dan Mahoney about Aleksander Solzhenitsyn's March 1917 The Red Wheel, Node III available in English now for the first time. Schwartz and Mahoney discuss the historical, literary, and cultural significance of MARCH 1917. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Soviet Union’s rise as a totalitarian state and economic rival to the United States sparked a cultural cold war. The conflict was colored by paranoia and a mindset that pitted the USSR’s state-sponsored Socialist Realism against its so-called opposite: Western art in general and Abstract Expressionism in particular. But can one version of art be the opposite of another?Julia Tatiana Bailey teases out the complexity and artificiality of the persistent narrative of US and Soviet artistic otherness. She explores why this notion was introduced and how it shaped the art of both countries. She also analyzes and deconstructs the ideological frameworks that have estranged the art of the USSR in Western art history. In doing so, Bailey reveals the Cold War biases and institutionalized responses that influence the politicized histories of art even today. Drawing on previously unpublished archival material from Russia and the US, Painting Paranoia: Cold War Art and Anti-Communism (University of Illinois Press, 2026) investigates how the myth of Soviet otherness contributed to America’s postwar artistic identity.Julia Tatiana Bailey is an art historian and curator and Director of Galerie Rudolfinum in Prague.Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
A Room of His Own: Joseph Brodsky and the Making of a Bilingual Poet (Academic Studies Press, 2025) makes the original and persuasive claim that Brodsky’s force as a transnational poet derives paradoxically from an inward-looking stance that privileges “the trope of the room” and a practice of self-translation that is faithful to his own internal poetics rather than the poetic norms of the target tradition. The resulting bilingual poetics is one that, though not universally accepted by English readers, ultimately had a profound effect on the Anglo-American literary tradition and anticipated certain foreignizing tendencies that have become central to translation studies and theories of transnationalism. No less powerful than the book’s thesis is the elegant analyses, which encompass Brodsky’s Russian poetry, his translations from Russian to English, and his English-language essays.Daria Smirnova holds a Ph.D. in Comparative Literature from the University of Oregon and a degree in Linguistics from Russia. Inspired by years of traveling between languages and cultures, her research explores literary translation, bilingualism, and transmediation. Daria's current archival research examines the role of translation in shaping literary canons.Amber Nickell is Assistant Professor of History at Louisiana State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Winston Churchill famously called Russia "a riddle, wrapped in a mystery, inside an enigma." But what if the riddle is partly of our own making—the product of a habit of looking only west for answers? Michael Khodarkovsky today argues that to understand Russia, we need to look east, to the steppe and the empires it shaped.Michael’s new book, The Steppe and Its Empires: The Russian Empire and Its Eurasian Counterparts (Yale UP, 2026), sets Russia beside the Ottoman, Persian, and Mughal empires in order to uncover the things that connect them: universal monarchy, reliance on outsider elites, law in the service of the state. From the Mongol conquest to Putin's Russia. the steppe ends up explaining more than we’d expect it to. Michael is a professor of history at Loyola University Chicago. He is the author, most recently, of Russia’s 20th Century: A Journey in 100 Histories and Russia’s Steppe Frontier: The Making of a Colonial Empire, 1500–1800.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Steppe and Its Empires. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Ukraine and Russia are today at opposite points of the political spectrum: Despite 300 years of contact with Russian authoritarian politics, Ukraine's post-independence period has been characterised by pluralism. To explain why and how Ukraine's and Russia's paths diverged, this monograph investigates the century-long and Soviet origins of regionalism in Ukraine, which the author argues are at the foundation of the modern Ukrainian institutional system. Drawing on unused archival material, the book re-examines the relationship between Moscow, Kyiv, and the Ukrainian regions in the period from spring 1917 to summer 1994 to demonstrate how interlinked political and economic incentives and constraints determined the opportunities and institutional interests of both the Ukrainian leadership and those of the Ukrainian regions, and how this institutional framework affected in turn the dynamic of the relationship between the central leadership in Moscow, the Ukrainian leadership, and the regions. The result - weak central authority and pronounced regionalism - was Ukraine's Soviet legacy, and the established power of regional clans made (post-Soviet) Ukrainian politics resistant to Russian-style authoritarianism, even when the Soviet centralised party-state system collapsed.Nataliya Kibita is a visiting academic at the University of Oxford in Russian and East European Studies. She is the author of Soviet Economic Management under Khrushchev: The Sovnarkhoz Reform (Routledge, 2013) and The Institutional Foundations of Ukrainian Democracy: Power Sharing, Regionalism, and Authoritarianism (Oxford University Press, 2024).Megan Buskey is an independent writer and scholar focused on Ukrainian history, culture, and politics. She is the author of Ukraine Is Not Dead Yet: A Family Story of Exile and Return (ibidem, 2023). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.



