New Books in French Studies

The French Médersa: Islamic Education and Empire in Northwest Africa (Cornell UP, 2026) explores how the French state pursued a century-long project of bicultural Franco-Muslim education in its northwest African colonies, resulting in a new type of school, the médersa, that combined French and Islamic curricula. French officials frequently described these schools and their students as "hyphens," drawing connections between larger French and Islamic forces. Samuel D. Anderson highlights this hyphenating idea, situating Franco-Muslim education between beliefs about not only France and Islam but also about tradition and modernity and about North and West Africa.The médersa project had two goals: to create an elite class of Muslims friendly to the French imperial project and, subsequently, to mold Islam into a form that could be more easily controlled. A total of ten médersas opened across Algeria, Senegal, French Soudan, and Mauritania and closed only in the 1950s. The graduates of these schools, the medérsiens, went on to shape their societies profoundly but not always in the ways the French anticipated.Drawing on archival and oral sources from Algeria, Mauritania, Senegal, and France, The French Médersa proposes new ways to approach trans-Saharan history. Anderson argues that across northwest Africa, and for more than a century, Franco-Muslim education was central to the history of the French empire and Islamic education alike.Samuel D. Anderson is history teacher at Polytechnic School in Pasadena, California.Madina Thiam is Fannie Gaston-Johansson Assistant Professor of History and Africana Studies at Johns Hopkins University. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Through a postcolonial lens, Ecotexts in the Postcolonial Francosphere (Liverpool, 2025) explores the various ways in which francophone writers, visual artists and activists are responding to the global climate and environmental crises threatening the Earth today.The volume covers most of the francosphere: Africa, the Caribbean, the Indian Ocean, South America and Polynesia. As well as discussing a range of environmental issues, from soil erosion to nuclear testing, it also considers ways in which francophone writers have become ecological activists. The ecotexts discussed include graphic novels, visual narratives, and zines alongside more conventional literary texts such as novels, short stories and poetry. The book seeks to decentre Belgium and France in francophone ecocritical scholarship while engaging in current debates in the field of ecocriticism, including the afterlives of Belgian and French colonialism and neo-colonialism in relation to climate change and environmental degradation, Blue Humanities, waste and toxicity studies, critical animal and plant studies, Indigenous peoples and their cultures and knowledges, climate-environmental (in)justice, and writerly/textual activism for climate and environment. It aims to widen the geographical scope of francophone ecocriticism by discussing a wide range of eco-themes that go beyond the segmentation and compartmentalisation found in other books in the field.Guest Nsah Mala is a poet, writer, children’s author, consultant, editor and translator, journalist-communicator, futurist and foresight practitioner, and interdisciplinary scholar working in English, French and Mbesa. Nsah currently works for the University of Cologne, Germany, as a Postdoctoral Researcher and Hub Coordinator of the UNESCO-MOST BRIDGES Coalition.His research interests include comparative literature, anglophone and francophone African literatures, public and environmental humanities, literary activism/artivism, creative writing and foresight and futures thinking. He has published widely in these areas in peer-reviewed volumes and journals, including Ecozon@, Orbis Litterarum, Electronic Green Journal, Humanities, Peripeti and ASAP/J. His ongoing projects on ‘Wetland Time’ and ‘Congo Basin Futures’ are funded by the British Academy and the Next Generation Foresight Practitioner Fellowship, respectively. Among many distinctions, he has judged the Commonwealth Short Story Prize and won the Dubai Foresight Award in the Foresight for the Planet category.Guest Richard Watts is Associate Professor of French in the Department of French and Italian Studies, co-creator of the Environments, Cultures and Values minor, and founding director of the Translation Studies Hub at the University of Washington, Seattle. He is the author of Packaging Post/Coloniality: The Manufacture of Literary Identity in the Francophone World (Lexington Books, 2005) as well as a series of articles on the intersections of francophone postcolonial studies and the environmental humanities. He is currently completing a book project titled Reclaimed Waters that considers how the pollution, privatization and manufactured scarcity of water are rapidly altering its ostensibly stable symbolic value in literature, cinema and other forms of cultural production in the Francosphere.Guest Giulia Champion is a Lecturer in Critical Ocean Studies at the University of Southampton. Her main research project is being developed in a monograph entitled The Political Construction of the Seabed: A Political Ethnography of the International Seabed Authority. This project explores the diplomatic processes of the United Nations body of the International Seabed Authority (ISA) and the creation of a regulatory framework it is negotiating about deep-sea mining. The work explores this through a decolonial studies lens given the ISA’s location in Jamaica and its development of regulations about a new extractive frontier on the international seabed. Her work sits across the humanities and social sciences and uses arts-based methods for participatory public and policy engagement. She also collaborates on several projects including one on decarbonisation and electrical grids in Shetland, Orkney UK and Newfoundland, Canada; on Lithium extraction in Chile, and on safe swimming and access to green and blue spaces on the Isle of Wight, UK. She is an Associated Editor for the journal Environmental Humanities. She is the co-founder of the Deep Currents Collective, a group of activists and academics which holds a United Nation observer status at the International Seabed Authority. Her work has been published in (co-)authored articles in Bulletin of Latin American Research, The Journal of Energy History, Ocean and Society, Applied Energy, The Conversation, People and Nature and Comparative Law Journal of The Pacific.Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Water Logics: Materialist Epistemologies for the Environmental Humanities (U Virginia Press, 2026) examines the epistemological adjustments that take place when we make water the source and medium for thinking about the world. Eschewing metaphorical readings of rivers, seas, and oceans, it brings together leading voices from across the social sciences and the humanities to argue rather for a distinct focus on materiality, engaging posthumanism, biotheory, and other cutting-edge theoretical approaches.From the Caribbean Sea to the Indian Ocean, this rich collection is inhabited by migrants, port cities, and coral reefs. It explores the fruitful potential of water for literary, anthropological, and ethical studies, bringing both cohesive transdisciplinarity and fresh comparative perspectives to hydro-criticism. Taken together, the wide range of critical interpretative practices constitutes a signal contribution to the blue humanities.Guest yasser elhariry is Associate Professor of French Studies and Chair of the Department of French & Italian Studies at Dartmouth College, where he is affiliated with the Programs in Comparative Literature, Women’s, Gender & Sexuality Studies, and Middle Eastern Studies. He is the author of This Book Is Full of Holes: Literary Bodies & the Invention of an Idiom and Pacifist Invasions: Arabic, Translation & the Postfrancophone Lyric. He has published dozens of essays on Arabic and French lyric, translation, and postcolonialism. Along with Water Logics, he is coeditor most recently of Literature as Sound Studies, Re-Membering Hospitality in the Mediterranean, Abdelkébir Khatibi: Literature & Theory, and The Postlingual Turn.Guest Edwige Tamalet Talbayev  is Associate Professor of French at Tulane University where she also holds affiliations with the Environmental Studies Program and the Middle East and North African Studies program, which she founded in 2022. Talbayev recently joined the faculty advisory board for the newly established Tulane Global Humanities Center. She concurrently serves as Professor Extraordinarius at the Institute for Social and Health Sciences at the University of South Africa (UNISA) and as a member of the advisory board for the Center for Francophone Research at the University of Leipzig. She is the long-time Editor of Expressions maghrébines and a co-editor of the “Passagen” book series at Georg Olms Verlag (Germany). Talbayev is the author of The Transcontinental Maghreb: Francophone Literature across the Mediterranean with Fordham UP and the co-editor of several edited collections; in addition to Water Logics and Rethinking Hospitality in the Mediterranean (both with our other guest today) these include a roundtable entitled “Ecocritical Terrains: Rethinking Tamazghan and Middle Eastern Environments” published in the International Journal of Middle East Studies in 2025. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Arts of the Border: Fugitive Bodies at Europe’s Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe’s edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais’s “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Monasteries are typically characterized by physical and symbolic limitations on access as they are usually known through written texts and accounts by nuns who live in that world but do not allow others to have access. This has often resulted in research based on indirect sources. Inhabiting Silence: An Anthropologist in the Cloister (Berghahn Books, 2025) is the result of observant participation in which the ethnographer is a protagonist social actor in two French monasteries of Discalced Carmelite nuns. Francesca Sbardella experiences and narrates details of their everyday life that usually remain unseen but contribute to shaping community-building processes and, at the same time, construe the religious woman. Inhabiting Silence: An Anthropologist in the Cloister (Berghahn Books, 2025) was translated from Italian by Claudio Bendazzoli, with a foreword by Simon Ditchfield and an afterword by Fabio Dei. Francesca Sbardella is an anthropologist and historian of religion and a professor at the University of Bologna. * This episode is part of a special collaboration between the New Books Network and the Society for the Anthropology of Europe, a section of the American Anthropological Association. Together, we’re highlighting exciting new work in Europeanist anthropology—featuring authors from across the field, including winners of the William A. Douglass Book Prize and contributors to the European Anthropology in Translation series published by Berghahn Books.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.