Claim OwnershipA Journey Through Aussie Pop
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© 2023 A Journey Through Aussie Pop
Description
Classic moments and artists in Australian pop history are the subject of this series hosted by Gavin Scott (from Chart Beats: A Journey Through Pop) and Robbie Molinari (from Turn The Beat Around on JOY 94.9 in Melbourne). Each episode, we'll look at a specific act from the 1980s, '90s or 2000s, interview the artists involved, discuss their releases and career, and analyse the impact they had. It's a celebration of all things Aussie pop. Bonus interviews and discussion: chartbeats.com.au/aussie (Theme music: Higher Up by Shane Ivers at www.silvermansound.com)
43 Episodes
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It wasn't a given that Deni Hines would pursue a career a music. Despite her mother, Marcia Hines, being one of the most recognisable pop stars in Australia, Deni had other interests and suffered from performance anxiety in her younger years. But her vocal talent soon got her snapped up as a backing singer for artists like Wa Wa Nee, Peter Blakeley and Kylie Minogue. It was her voice that also saw her hired as the latest frontperson for funk/dance band Rockmelons. In a frank and unflinching i...
Born to parents who both worked in the entertainment industry, Dannielle Gaha grew up surrounded by singing and dancing, training and helping out at the talent school run by her mother, Janice Breen. She made her first steps into the industry herself by appearing on TV talent contest Star Search, which led to ongoing singing work with judge Glenn Shorrock and, through that, her big break — being picked to record duet "Communication" with John Farnham. Dannielle, who now goes by her married na...
It was inevitable that singer, songwriter and multi-instrumentalist Rick Price would forge a career in the music industry, but rather than jumping at any offer of a record deal that came his way, he took his time to ensure the situation was just right. Before signing to Sony Music and releasing debut album Heaven Knows in 1992, he worked for many years as a session singer, appearing in a national ad for Australia's Bicentennial in 1988 and on charity single "You're Not Alone" by Australian Ol...
In 1983, synthpop bands were big business on the Australian music scene, with Kids In The Kitchen snapped up by Mushroom Records imprint White Label Records. The band's singer, Scott Carne, and drummer, Bruce Curnow, discuss how weekend jam sessions quickly led to gigs and that record company interest. Hits followed, with "Change In Mood" and "Bitter Desire" both reaching the top 20, but a dispute over the music video for the latter led to two original members being asked to leave. With repla...
Despite a background on Melbourne's dance music scene and no intentions of being a pop star, Katie Underwood did just that, becoming one of the most recognisable members of Bardot and given prominent lead vocals on all three singles from the self-titled debut album, "Poison", "I Should've Never Let You Go" and "These Days". In an extensive interview about her music career, Katie explains her motivations for being part of the Popstars girl group and what brought about her decision to leave Bar...
For Sally Polihronas, the Bardot experience had its ups and downs. On the plus side, being part of the girl group allowed her to really hone her vocal skills — something she wanted to focus on after more than a decade as a dancer and performer in Adelaide — and took her into the studio with producers around the world. She also got to have her "Madonna moment" in the "These Days" video and has many cherish memories of Bardot's achievements. But there were drawbacks, too. In an exclusive in-dep...
In early 2000, reality TV juggernaut Popstars changed the pop music landscape in Australia forever. Launched by the show, Bardot were an instant phenomenon, shooting to number 1 with debut single "Poison" and their self-titled album. Comprised of Belinda Chapple, Sophie Monk, Sally Polihronas, Katie Underwood and Tiffani Wood, the five-piece girl group encountered ups and downs during their relatively short career, many of which are recounted in Belinda's book, The Girl In The Band. In this f...
From their beginnings holding warehouse parties in Sydney's inner city to their string of chart hits in the late '80s and early '90s, Rockmelons always stood out from the rest of the Australian music scene by championing genres that few others did — and taking them mainstream. Formed by the core trio of Ray Medhurst and brothers Bryon and Jonathon Jones, the funk/soul/R&B/hip-hop/dance-influenced band also welcomed a series of regular and guest vocalists to their line-up, including John K...
As vocalist of Do-Ré-Mi and as a solo artist, Deborah Conway has received critical acclaim and mainstream success, but in this wide-ranging interview, the singer/songwriter reveals her music career hasn't always been smooth sailing. From the unexpected success of Do-Ré-Mi's debut single for Virgin Records, "Man Overboard" — a song without a chorus — to the detour into a solo dance project that mostly remains locked away in the record company vault to that time in the early 2000s when she and ...
A song that was originally intended just to be used in a dream sequence on soap opera E Street became the highest-selling Australian single of 1991 when it was released as the debut for then-teenage actress and singer Melissa Tkautz. That song was "Read My Lips" and in a frank and at times raw interview, Melissa reveals her naivety about the track's sexual overtones and how its success took everyone by surprise. She also talks about follow-ups "Sexy (Is The Word)" and "Skin To Skin", recordin...
Funk, dance, pop, soul, jazz, rock, musical theatre and, with new album My Life Is A Symphony, orchestral arrangements, Kate Ceberano has covered a lot of musical terrain in her 40-year recording career. In this honest and unflinching chat, the singer/songwriter discusses the pop side of her extensive catalogue of work, starting as singer of '80s band I'm Talking and continuing through the roller-coaster ride of her solo career. Commercial triumphs like Brave and Pash are dissected alongside ...
R&B and funk had been slow to take off in Australia, but when those genres really started to be embraced locally in the mid-'90s, a four-piece boy band from Melbourne were perfectly placed to become this country's pre-eminent vocal harmony group. All four original members of CDB (Andrew De Silva, Gary and Brad Pinto, and Danny Williams) join us to talk about how they slogged away on a scene that was just starting to take off and how a break providing backing vocals for Peter Andre was cru...
We continue to follow Ricki-Lee Coulter's musical journey from when her time at Shock Records came to an end after the disappointing performance of singles "Don't Miss You" and "Hear No, See No, Speak No" and the decision by Ricki to shelve her intended third album. She explains why the choices being made at this stage weren't ones she agreed with and how meeting husband Richard Harrison helped get her career back on track. That reset happened with Fear & Freedom, with Ricki-Lee recalling...
In a career spanning almost 20 years, Ricki-Lee Coulter has gone from the shock of an early elimination in Season 2 of Australian Idol to a prominent presence on the pop culture landscape thanks to her 15 top 50 hit singles, four studio albums, hosting gigs on two of the country's top reality shows (including the 2023 revamp of Idol) and role as a radio host. In the first part of a two-part chat, Ricki discusses her decision not to originally sign with Sony Music but go with independent recor...
Between 1980 and 1990, Icehouse racked up 13 top 20 hits across six studio albums and cracked both the US and the UK top 20 at different points, Initially known as Flowers, the band fronted by Iva Davies were at the forefront of new wave music in Australia, with their sound ranging from atmospheric synth ballads to rocky party tunes — and everything in between. In this career-spanning interview, Iva talks about the band's "dangerous" early sound that stood apart from their contemporaries on t...
After crossing paths in 1992, singer Tania Doko and musician James Roche realised they shared a creative spark that would quickly evolve into pop/rock duo Bachelor Girl. The pair tell us about the road to getting signed with Ross Fraser and John Farnham's label, Gotham Records, and how their top 5 debut single, "Buses And Trains" was part of that journey. Tania and James reflect on the success of that song and how it led to being signed by US industry heavyweight Clive Davis and a revised ver...
They ruled radio and the charts in the mid-2000s, but when Rogue Traders started out, they were a very different proposition than the dance/rock hybrid that scored a string of hit singles a few years later. DJ/producer James Ash recalls the band's evolution from releasing disco-inspired club tracks to edgy, sample-laden anthems like "One Of My Kind" and "Voodoo Child". Recruited to front the band for top 5 smash "Voodoo Child", singer and actress Natalie Bassingthwaighte discusses the auditio...
The Chantoozies had enjoyed an amazing run from their inception to the release of their debut album, but behind the hit singles and high rotation music videos, tensions were simmering. A split down gender lines developed — a situation that was exacerbated by a relentless touring schedule and some members not feeling they had enough say. The band members talk candidly about their disagreements and artistic differences, as well as the romances that existed between Eve and Brett, and Angie and D...
What had started out as a bunch of girlfriends catching up for drinks and a bit of a sing-along turned into one of Australia's biggest pop groups of the late '80s and early '90s. In the first episode of a two-part special, singers Ally Fowler, Tottie Goldsmith, Angie Arnott (née La Bozzetta) and Eve von Bibra, as well as musicians Brett Goldsmith, Scott Griffiths and David Reyne talk about how The Chantoozies came into being and went from playing gigs in one of the clubs run by the Goldsmiths...
Born in the UK, raised on the Gold Coast and discovered on Australian TV performing Bobby Brown songs, teenager Peter Andre was snapped up by Molly Meldrum for his record label, Melodian. After a couple of years' development, which included a songwriting trip to the UK to work with Phil Harding and Ian Curnow at PWL, the diehard Michael Jackson fan released his first single in 1992. But it was his second release, a cover of "Gimme Little Sign" that turned Peter into a star — and he recalls bo...
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