A Small Voice: Conversations with photographers and filmmakers

Rachel Elizabeth Seed is a Brooklyn and Los Angeles-based nonfiction storyteller working in film, photography, and writing.In 2025, she won the Truer Than Fiction Spirit Award for her debut feature film, A Photographic Memory, which is also a New York Times Critics Pick.Rachel’s work has received support from the Sundance Institute, Chicken + Egg Films, the Jewish Film Institute, the California Film Institute, Jewish Story Partners, NYFA, Field of Vision, the Jerome Foundation, NYSCA, the Maine Media Workshops, the Roy W. Dean grant, the National Arts Club, IFP, and many others. Formerly a photo editor at New York Magazine, her photography has been exhibited worldwide, including at the International Center of Photography, and she was a cameraperson on several award-winning feature documentaries. Rachel’s writing has been published by No Film School, the Sundance Institute, and Talkhouse and she is Executive Director / Co-founder of the Brooklyn Documentary Club, a NYC-based filmmaker collective with 250+ members.In episode 271, Rachel discusses, among other things:A summary of her mum’s characternature vs. nurtureHer mum’s Images of Man interviews for ICP/ScholasticWhat inspired her to make a filmHow her own story became interwined with her mum’sDiscovering a family archive of super 8 footageHow she recreated the interviews using actorsThe importance of working with good editorsThe challenge of funding and financingKey advice for anyone wanting to make a personal documentaryThe fine balance between collaboration and having the courage of your convitions as directorWriting for narration as opposed to for readingSharing her personal stories as the film evolved over a ten year period - How to balance life and art‘Selling the film’ and what that means in practiceThe Brooklyn Documentary ClubMoving to L.A.Projects she has in developmentWebsite | Instagram  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Martin Parr (born 23 May 1952), the man who the Daily Telegraph declared to be, “arguably Britain’s greatest living photographer” is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.His major projects have been rural communities (1975–1982), The Last Resort (1983–1985), The Cost of Living (1987–1989), Small World (1987–1994) and Common Sense (1995–1999). Since 1994, Martin has been a member of Magnum Photos, where he scraped in by one vote and where between 2013 and 2017 he served as President. His work has been published in numerous photobooks, over 120 of his own, and he has exhibited prolifically throughout his career.In 2017 the Martin Parr Foundation was opened in Bristol. The MPF is as a gallery and archive and research resource dedicated to both preserving the Martin’s photographic legacy and to supporting emerging, established and overlooked photographers who have made and continue to make work focused on the British Isles.Since his first A Small Voice appearance on Episode 91 of the podcast in October 2018, Martin has had a major exhibition at the National Portrait Gallery which opened in March 2019. Entitled Only Human, the show included portraits from around the world, with a special focus on Britishness, explored through a series of projects that investigated British identity. Also since that episode Martin was awarded a CBE in the Queen’s birthday honours in June, 2021.Martin’s latest book, A Year in the Life of Chew Stoke Village was released in September 2022 by RRB Books.On episode 197, Martin discusses, among other things:Influence of his methodist grandfather… and peers at ManchesterEarly experiences in Hebdon BridgeThe move to Ireland - From the Pope to a Flat WhiteLiverpool and the controversy around The Last Resort workBristol and Bath - The Cost of LivingBeing blown away by his first experience of ArlesJoining Magnum amidst disapproval from the old guardSmall WorldA Year in the Life of Chew Stoke VillageSigns of the TimesCommon SenseThe work of the Martin Parr FoundationGood work and bad workReferenced:Robert DoisneauBill BrandtRobert FrankGarry WinograndAlan MurgatroydBrian GriffinDaniel MeadowsAlbert Street WorkshopFintan O’ToolePeter FraserPeter MitchellTom WoodAnna FoxKen GrantDavid MooreJohn HindePhilip Jones GriffithsHenri Cartier-BressonBoris MikhailovKrass Clement Martin: Website | Instagram | Episode 91 | Chew Stoke bookMPF: Website | Instagram“Most of the pictures I take are very bad, because to get the good pictures is almost impossible. If you went out in the morning and said ‘today I’m only gonna take good pictures’ you wouldn’t get anywhere. You wouldn’t even start. So you’ve got to have that momentum of shooting, and you’ve got to have found the right subject, the right place, the right time, and then things will start to happen.”  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

The man who the Daily Telegraph declared to be, “arguably Britain’s greatest living photographer” had a suburban childhood in the provincial county of Surrey, England, where his budding interest in the medium of photography was encouraged by his grandfather George Parr, himself a keen amateur photographer.Martin went on to study photography at Manchester Polytechnic in the early 70s and since that time has worked on many, many photographic projects, publishing over 100 books of his own work and editing another 30. He has developed an international reputation for his innovative imagery, his oblique approach to social documentary, and his input to photographic culture within the UK and abroad.In 1994 Martin became a full member of Magnum Photos, scraping in by a single vote, in the face of strong opposition to his inclusion from some of the old guard, including Philip Jones Griffiths and Henri Cartier Bresson himself. He has since become an important and influential Magnum Member where he served as President between 2013 and 2017.Martin has also developed an interest in filmmaking, and has started to use his photography within different genres, such as fashion and advertising. In 2002 the Barbican Art Gallery and the National Media Museum initiated a large retrospective of Martin’s work and this exhibition toured Europe for the next 5 years.Martin was Professor of Photography at The University of Wales Newport campus from 2004 to 2012 and Guest Artistic Director for the Arles photo festival in 2004. In 2006 he was awarded the Erich Salomon Prize and the resulting Assorted Cocktail show opened at Photokina and in 2008 was guest curator at New York Photo Festival.Parrworld opened at Haus de Kunst, Munich, in 2008. The show exhibited Martin’s own collection of objects, postcards, photography prints by both British and International photographers, photo books and a new project from Parr entitled Luxury. The exhibition toured Europe for the following 2 years.At PhotoEspana in 2008, Martin won the Baume et Mercier Award in recognition of his professional career and contributions to contemporary photography. He is co-author with Gerry Badger of the exhuastive three volume series The Photobook: A History. In March 2016 Strange and Familiar, curated by Parr, opened at the Barbican, London. The show examines how international photographers from 1930s onwards have photographed in the UK.Martin was awarded the Sony World Photography Award for Outstanding Contribution to Photography in April 2017. In Autumn 2017 the Martin Parr Foundation - which is a gallery and archive dedicated to supporting and preserving the photographic legacy of not only Martin himself but also of photographers who made, and continue to make, important work focused on the British Isles - opened in Bristol.Martin is currently working on an exhibition for the National Portrait Gallery which opens in March 2019.In episode 091, Martin discusses, among other things:The FoundationThe UK’s attitude towards photographyHow his suburban childhood influenced his photographyTony Ray JonesDeveloping his distinctive colour styleThe Last ResortBeing described as ‘an alien’ by Heni Cartier BressonPassing on 12,000 photobooks to Tate ModernThe health and future of Magnum PhotosReferenced:Roger MayneDavid HoffmanHans BellmerDon McCullinPaul TrevorTony Ray JonesPeter MitchellChris KillipDaido MoriyamaSimon RobertsNiall McDiarmidChloe Dewe MatthewsClementine SchneidermannJohn MyersSergio LarrainRobert FrankPaul GrahamTom WoodJohn HindeMartin: Website | Facebook | Instagram | TwitterMPF: Website | Facebook | Instagram | Twitter“I’m pretty happy with the way it’s turned out, to be honest. I have to kick myself sometimes to realise I’m still earning a living from my hobby.”  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Featuring:Yasuhiro OgawaMarshall ToLua RibeiraGianluca Gamberini (L'artiere books)Eleonora AgostiniPia-Paulina GuilmothAletheia CaseyBooks/Projects mentioned:Lost in Kyoto, Yasuhiro OgawaBlank Notes, Marshall To44 Irvine Street 1970-1971, Susan MeiselasAgony In The Garden, Lua RibeiraCalling The Bird Home, Cheryl St. OngeAnother England, Phil ToledanoA Study On Waitressing, Eleonora AgostiniFlowers Drink The River, Pia Paulina GuilmothFishworm, Pia Paulina Guilmoth & Jesse B. SaffireA Lost Place, Aletheia Casey  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Ed Kashi is a renowned photojournalist, filmmaker, speaker and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Ed has been recognized for his complex imagery and its compelling rendering of the human condition. Ed’s innovative approach to photography and filmmaking has produced a number of influential short films and earned recognition by the POYi Awards as 2015’s Multimedia Photographer of the Year. Ed’s embrace of technology has led to creative social media projects for clients including National Geographic, The New Yorker, and MSNBC. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to paradigm shifting coverage of Hurricane Sandy for TIME in 2012, Ed continues to create compelling imagery and engage with the world in new ways.Along with numerous awards from World Press Photo, POYi, CommArts and American Photography, Ed’s images have been published and exhibited worldwide. His editorial assignments and personal projects have generated fourteen books.In 2002, Ed in partnership with his wife, writer + filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues.In 2019, The Enigma Room, an immersive installation, premiered at NYC’s Photoville festival, and has since been seen in Israel, the Netherlands, South Korea, and New Mexico, USA.HIs new book is, A Period In Time: Looking Back While Moving Forward, 1977 - 2022. In episode 269, Ed discusses, among other things:Wanting to contribute to positive changeDonating his archive and whyA lesson learned on being assertiveHis new book A Period In TimePublishing extracts from his journal entriesEditing language in response to modern sensibilitiesSeeing the impact of identity politics in the USAHis book project with his wife, Julie, American SketchesAmerica being less divided than we are being led to believeHis interest in ‘advocacy journalism’Website | Instagram  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Paul Sng is a bi-racial British Chinese filmmaker based in Edinburgh, Scotland whose work focuses on people who challenge the status quo. He has directed six feature documentaries, including Poly Styrene: I Am A Cliche (winner of BIFA 2021 Best Documentary, BIFA 2021 Raindance Discovery Award), Tish (Sheffield DocFest 2023 Opening Gala film) and Reality Is Not Enough (Edinburgh International Film Festival 2025 Closing Gala film). Paul strives to make bold and creatively ambitious films that connect emotionally with audiences, working collaboratively with great teams to tell stories about outsiders and amplify rebellious voices. In 2022 he was named as a BAFTA Breakthrough Artist and directed Folding, his first short drama film, funded by Screen Scotland and BFI Network.In episode 268, Paul discusses, among other things:Growing up in London with a single mumHaving outsider syndrome… and imposter syndrome, and using that to your advantageHis educational history, including a couple of false startsMaking a feature as his first ever film with the ‘confidence of ignorance’The importance of finding a good Producer (and what their job involves)The important questions he asks himself in considering whether to make a filmStructure and working with an editorApplying the same narrative principles to documentary as are prevalent in fictionThe creative treatment of actualityFinding an audienceCurrently in production, Little WarriorReferenced:TrainspottingSymposium, PlatoBruce LeeJackie ChanDavid YipJohn WooWong Kar-WaiColin McArthurSleaford ModsNathan HannawinBruce RobinsonOrson WellesRebecca Mark-LawsonJennifer CorcoranMoonage DaydreamThe Atrocity Exhibition, JG BallardThe Man In The White SuitEmma ButtWebsite | IMDB page | InstagramEpisode sponsor:Aftershoot. Your complete AI workflow: Streamline photo culling, editing, and retouching so you can create stunning images, grow your business, and save 18+ hours every month. Try it completely free for a 30 day trial and get a 15% discount at checkout once you sign up with the code SMALLVOICEPOD.  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Fearturing:Merlin DalemanDavid O’MaraJem SouthamMartin ParrChristoph Bangert from PhotobusAyesha JonesMark PowerTom Shaw  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Mike Brodie’s first monograph, A Period of Juvenile Prosperity was published by Twin Palms more than a decade ago in 2013, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. “Brodie leapt into the life of picture-making as if he was the first to do it,” Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as “The Polaroid Kidd.” And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he’d first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. “I was divorcing myself from all that,” he says. “I was growing up. I was pursuing this other life.”In Nashville he became a diesel mechanic. Fell in love. Moved across the country again. Got married. Bought land on the long dusty Winnemucca road Johnny Cash sang about. Started his own business. Built a house. Put down roots. And when that life exploded, the open road called again. Throughout almost all of it, his cameras were with him, and at last those pictures are coming to light.If Michael Brodie’s first monograph was a cinematic dream, his latest, Failing, again published by Twin Palms in 2024, is the awakening and the reckoning, a raw, wounded, and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief — biblical in its scope, and in its search for truth and meaning. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society’s edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie’s eye stays forever open to the strange and fleeting beauty that exists in forgotten places — the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur.Mike worked on and features in a recently released hour long documentary eponymously entitled Slack, the nickname of his one time girlfriend, Mia Justice Smith, who sadly died of a drug overdose, and to whom the film is dedicated. The film, which is directed by Mike’s friend and collaborator Cyrill Lachauer., revisits the freighthopping years and delves into Mike's creative collaboration with Mia.In episode 266, Mike discusses, among other things:The documentary he helped to make about his freighthopping years - SlackHow train hopping and photography went hand in handRomanticism vs. miseryTrain hopping as a performanceLosing his girlfriend, Mia Justice Smith, to a drug overdoseHis attempt at a ‘normal’ life and how that impacts his creativityThe success of A Period of Juvenile Prosperity and its downsideHow the title came aboutThe darkness of the pictures in latest book, FailingTussling with the question of exploitation and ethical responsibilityAmbitions to make a feature film one dayThe ongoing push/pull of art v. home lifeThe desire to photograph machines and ways of life and ways of working that are passing awayNext steps in the USA - projects vs. photographing lifeWebsite | Instagram  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Merlin Daleman (b.1977) is a British photographer who has spent most of his adult life living in the Netherlands. He attended South Devon College, Torquay, the University of Central England (now Birmingham City University) in the UK, and graduated from The Royal College of Art in The Hague, the Netherlands. He works as a freelance documentary photographer for leading Dutch publications, including NRC Handelsblad, Dagblad Trouw, Financieel Dagblad, and De Groene Amsterdammer. He is the recipient of awards including the Silver Camera awards for Documentary Photography in the Netherlands in 2008 and 2010 and had received grants from the EU Journalism Foundation Grant and the Robert Bosch Foundation Fellowship. His debut photobook, Mutiny, published by GOST Books in August 2025, builds on his long-term projects, such as the new black lung epidemic in Kentucky, USA and exploring the lives of families separated by labour migration in Ukraine.In episode 265 Merlin discusses, among other things:How the Mutiny project came aboutHow he funded it and set about shooting itSome of the stories behind images in the bookBlack lung story in AppalachiaHow a major motorycle accident helped his photographyWebsite | Instagram  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Eli Reed was born in the US in 1946 and studied pictorial illustration at the Newark School of Fine and Industrial Arts, graduating in 1969. In 1982, he was a Nieman Fellow at Harvard University. At Harvard’s Kennedy School of Government, he studied political science, urban affairs, and the prospects for peace in Central America.Eli began photographing as a freelancer in 1970. His work from El Salvador, Guatemala and other Central American countries attracted the attention of Magnum, he was the first African American photographer, and indeed the first person of colour, to join the agency, becoming a full member in 1988.In the same year, Eli photographed the effects of poverty on America’s children for a film documentary called Poorest in the Land of Plenty, narrated by Maya Angelou. He went on to work as a stills photographer for major motion pictures. His video documentary Getting Out was shown at the New York Film Festival in 1993 and honored by the 1996 Black Filmmakers Hall of Fame International Film and Video Competition in the documentary category.Eli’s special reports include a long-term study which became his first, highly acclaimed book, Beirut, City of Regrets; the ousting of Baby Doc Duvalier in Haiti (1986); US military action in Panama (1989); the Walled City in Hong Kong; and, perhaps most notably, his documentation of African American experience over more than 20 years. Spanning the 1970s through the end of the 1990s, his book Black in America includes images from the Crown Heights riots and the Million Man March. In 2015, he published his first career retrospective, A Long Walk Home.Eli has lectured and taught at the International Center of Photography, Columbia University, New York University, University of Texas and Harvard University and is a member of Kamoinge, the collective of black photographers founded in 1963 and the longest continuously running non-profit group in the history of photography. On episode 264, Eli discusses, among other things:His ongoing mentoring of former studentsHow working in a hospital was good prep for the kind of work he doesGrowing up in the Delaney Homes housing project in Perth Amboy, NJHow a visiting art critic gave him early encouragement at schoolLosing his mum at 12 years oldThe importance of certain teachers and mentors, especially Donal GreenhouseHow his project Black In America came aboutWorking for the San Francisco ExaminerJoining Eugene Smith’s workshop after a long waitHow Philip Jones Griffiths invited him to join MagnumWhether he is still an optimist?Photographing TrumpKamoingeA teaser about the book he is writingBeing the first person of colour to join Magnum PhotosReferenced:Jaqueline KennedyRoy De CaravaW Gene SmithBruce DavidsonEugene RichardsSusan MeiselasSon of SamGordon ParksGilles Peress  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Tony Dočekal (Amsterdam, 1992) is a photographer and visual artist. Her work explores identity, belonging, and the friction between autonomy and societal expectations. Working intuitively, she combines personal encounters with quiet observations. Her images balance intimacy and distance, often showing how personal stories and landscapes reflect larger systems.Tony’s first book, The Color of Money and Trees, was published by VOID in 2024 and launched at Paris Photo. The work was also exhibited at Biennale Images Vevey alongside her debut short film, Pearls on Credit. She holds a BA in Fine Arts from ArtEZ University of the Arts. In episode 263 Tony discusses, among other things:Her Czech dad and Dutch mum’s historyDealing with the ‘weight’ of the photographic history of the American road trip genreThe advantage of being an outsiderGetting a dream gig early on - a photobook book about alternative schoolsGoing to Lesbos to cover the refugee crisisWorking with the unhoused for Dutch non-profit the Sheltersuit FoundationThe story behind her picture of a man in a pink frilly dress…… And the one of 9-year-old Lyric in front of a plate of beansThe short film she madeThe amazing 70’s-built house she has bought with her partnerReferenced:Josef Koudelka Website | Instagram  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

John Rankin Waddell, or just Rankin, as he is more commonly known, is a British photographer, publisher, and film director. Best known for work that is on the cultural cusp and leading future trends, he has produced rule-breaking campaigns for brands such as Rolls Royce, Unilever, L’Oréal, Lego, and Samsonite; created wide-reaching projects for charities including Women’s Aid and Macmillan; and shot music videos for the likes of Miley Cyrus, Rita Ora, and Kelis.As a photographer, Rankin’s portfolio ranges from portraiture to documentary. He has shot The Rolling Stones, David Bowie, Kate Moss, Kendall Jenner, Zendaya and Queen Elizabeth II, to name only a few. In 2023, Rankin photographed King Charles III to mark the monarch’s 75th birthday for The Big Issue magazine.As a publisher, Rankin co-founded the seminal magazine Dazed & Confused with Jefferson Hack in 1990, and has since published the likes of AnOther and AnOther Man, alongside over 40 books and the fashion and culture publication Hunger.His photography has been published everywhere from his own publications to Elle, Vogue, Esquire, GQ, Rolling Stone, and Wonderland, and exhibited in galleries globally, including MoMA, New York, and the Victoria & Albert Museum, London.Rankin lives in London with his wife Tuuli and their dogs.In episode 262 Rankin discusses, among other things:The magazine and show Faik, a first foray into AIHis love/hate relationship with AI imagery and why he uses it anywayThe way in which AI will also transform the music industryThe importance of critical thinkingThe early days - starting Dazed & ConfusedUsing the magazine as a ‘Trojan Horse’Being confrontationalBeing a ‘dick’ and taking cocaineBeing saved by photography and fatherhoodImposter syndrome and the benefit of losing itMaking a conscious decision not to be an ‘artist’Teaching himself photographyCollaborationRankin Live - photographing 'normal' peopleBeing prolificPersonal ProjectsWebsite | Instagram EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES’ TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D’AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Marjolein Martinot is a Dutch photographer, based in France. She was always been drawn to photography from an early age, and has continued using and exploring the medium throughout her life, while raising a family of six children. Her photography touches on the poetic, while striving to remain authentic and true at the same time. She aims to evoke sentiments by using and mixing different photographic approaches and analogue cameras. The prime focus of Marjolein’s work is on everyday life: family, friends, and the places and things that touch her. She currently works on personal projects and commissions. Her debut photobook, Riverland, was very recently published by Stanley Barker. On whose website the blurb states:“During times of darkness and moments of deep turmoil in her personal life, Dutch photographer and mother of six, Marjolein Martinot, found herself lost, searching for a renewed sense of self. Each evening, she sought solace in nature, walking to a nearby river in the South of France with her camera in hand. There, she captured the quiet beauty of the natural world in the golden light of dusk, forming connections with the animals and families she encountered at the river’s edges—jumping, splashing, climbing, and swinging from the trees.What began as a ritual of aimless wandering and photographing soon became a form of visual journaling—a quiet meditation on healing and transformation. The water, ever-flowing and unpredictable, mirrored her own emotional state, while the families she met, however briefly, embodied the warmth and belonging she longed for.Through these intimate, unguarded moments—children mid-leap, ripples catching the last light of day, trees bending towards the water, and horses galloping in the fading glow—Martinot began to piece together a new sense of self. Her photographs, though deeply personal, transcend autobiography, offering a universal reflection on resilience, connection, and the subtle magical beauty of the everyday.” In episode 261, Marjolein discusses, among other things:The beginnings of her book project, Riverland.How her mum ran a circus when she was a kidWhat makes a good portraitSeeking comfort in nature during difficult timesThe project having a fairy tale elementPhotographing her six childrenThe end of her relationshipWhat she took away from the workshops she’s attendedFeedback she’s received about the bookReferenced:Vanessa WinshipGeorge GeorgiouIsrael AriñoJH EngstromSally MannEmmet GowanWebsite | Instagram EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES’ TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D’AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL!  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Anna Arendt is a photographer and visual artist living and working in Berlin whose images explore memory, silence, loss, and the invisible links between personal history and larger events. Her work often moves between personal, historical, and symbolic worlds, shot in black-and-white to capture places where the past and present meet.Anna was born in the German Democratic Republic and was 24 when The Wall fell, at which time her daughter was two. Her parents were born 1940 in Germany, children of war. Both of her grandfathers had been soldiers, who had been in Poland between 1940 and 1942. One came back 2 years after the war was over, the other one never returned.As a child Anna found a secret shelf that contained photo albums of her family. "It is where I discovered the power of a picture. A picture taken in summer 1940. A young family, my grandmother, her baby and my grandfather in a German uniform. A picture full of contradictions, carrying ambivalent feelings even today."Anna graduated with a degree in Fine Arts and Set Design and then received a one-year grant from the DAAD to study photography at the School of Visual Arts in New York. For 15 years, she worked as a set and costume designer for opera, drama, and puppet theater, collaborating with directors at theaters across Germany and Switzerland.Anna recently published her first book, Vanishing, with Charcoal Press. Photographed mostly between Germany and Poland over 15 years, the work slides back and forth through time like a blood memory. Walking naked through the dark forest, wolves circling, howling. A daughter becoming a mother becoming a grandmother becoming a child. Haunted villages, and souls in jeopardy. The harsh reality of the past merges seamlessly with moments of rapture that feel plucked from a Grimm fairy tale.Photography has now become the center of Anna’s creative life. She continues to develop long-term projects that reflect her search for meaning in places marked by beauty, pain, and the mysteries of time. Alongside her artistic work, she also works with disabled people in an art workshop, sharing the joy of creative expression.In episode 260, Anna discusses, among other things:The origins of her photographyGrowing up in East GermanyBeginning to understand her family historyThe fall of the Berlin wall in 1989Being ‘connected to pictures’The importance of visiting Poland and its significance for her familyThe cast of characters in the book, including wolves…….And her friend, who sadly diedAllowing the photograph to tell her what it wants to be (and where)How Charcoal Press came to publish the bookHer collaboration with publisher Jesse LenzHaving a day job and a change of identityWhat she’s currently up to in the darkroom EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES’ TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D’AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL!  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Mohamed Bourouissa is an Algerian-born French artist (b. 1978) who lives and works in Paris. Mohamed's practice moves between photography, video, sculpture, and installation, often blurring the lines between these mediums. His work explores social issues, power dynamics, and the representation of marginalized communities.He often engages with or embeds himself into specific communities for extended periods, spending significant time with individuals and groups to understand their experiences and perspectives before then creating collaborative works that challenge societal structures and explore the complexities of identity. Mohamed's work frequently addresses the tensions between different social contexts, particularly those related to race, class, and immigration, often questioning how different social groups are represented in media and art, challenging stereotypes and seeking to offer alternative narratives. His work has been exhibited in major museums and biennials worldwide, and in 2020 he received the Deutsche Börse Photography Foundation Prize for his retrospective exhibition featured in the Arles Festival the previous year.Mohamed currently has a major solo show at Fondazione MAST in Bologna Italy, curated by Francesco Zanot. The exhibition is entitled Communautés and features four notable works produced over a twenty year span between 2005 and this year - Péripherique, Horse Day, Shoplifters and Hands. In episode 259, Mohamed discusses, among other things:The sense of community growing up in the Parisian suburbsHis early experiences as a graffiti artistHis first project, Nous Somme HallesThe 2005 riots that preceded PéripheriqueWhy he decided to stage images… and why he sketches the images out firstThe theme of masculinity and his own experience of growing up without a father presentThe challenges of being a dadKnowing that he wanted to be an artistHow artists must value their own work and learn to say noHis project Horse Day and how it came aboutArt as a playgroundHis new project, HandsHow he arrives at the choice of medium and the factors that inflence that choiceWhy he is, in his own words, an ‘extremely bad photographer’ Referenced:AnoushkashootJamel ShabazzEmma-Charlotte GobryFletcher Street by Martha Camarillo Website | Instagram EPISODE SPONSORS:CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES’ TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D’AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK!PICDROPTHE EASIEST WAY TO SHARE PHOTO AND VIDEO SHOOTS. CREATE HIGHLY PROFESSIONAL PHOTO GALLERIES IN SECONDS AND LET YOUR CLIENTS DOWNLOAD, SELECT AND COMMENT ON THEIR FAVOURITE SHOTS. SIGN UP WITH THE CODE “ASMALLVOICE” FOR A TWO-MONTH FREE TRIAL!  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Paul Seawright is Professor of Photography and Deputy Vice Chancellor at Ulster University in Northern Ireland. His photographic work is held in many museum collections including The Irish Museum of Modern Art, Tate, San Francisco Museum of Modern Art, International Centre of Photography New York, Arts Councils of Ireland, England and N.Ireland, UK Government Collection and the Museum of Contemporary Art Rome. In 2002 he was commissioned by the Imperial War Museum London to undertake a war art commission in Afghanistan and his photographs of battle-sites and minefields have subsequently been exhibited in North America, Canada, Ireland, Spain, France, Germany, Korea, Japan and China. In 2003 he represented Wales at the Venice Biennale of Art and in 1997 won the Irish Museum of Modern Art/Glen Dimplex Prize. He is represented by the Kerlin Gallery Dublin.Paul was appointed Officer of the Order of the British Empire (OBE) in the 2020 Birthday Honours for services to higher education and the arts. In episode 258, Paul discusses, among other things:The influence of studying at Farnham..and Martin Parr……And being at NewportNot taking a position‘Allusive documentary’The danger of losing the meaningThe ethical considerations of working on foreign soilThe essential business of researchHow do you find your next project?His USA projects Volunteer and Things Left UnsaidThe importance of titlesHis work from Rwanda, Beasts of Burden Referenced:Thomas Joshua CooperAnna Fox (Ep. 166)Ken Grant (Ep. 128)Chris ShawMartin Parr (Eps. 91 & 197)Peter Fraser (Ep. 172)Paul Graham (Ep. 149)Jem Southam (Ep. 174)Chris Killip (Ep. 94)Victor BurginAnne WilliamsNewportDaniel Meadows (Ep. 116)Clive LandenIvor Prickett (Ep.204)Anastasia Taylor Lind (Ep.68)Rich GilliganJames MollisonPaul VirilloParr and BadgerRobert Adams, The New WestIan Walker, Desert Stories, or Faith In FactsBaudrillardCalvino, Invisible CitiesGilles Peress The SilenceAlfredo JaarFergal KeaneBrian Keenan Website | Instagram EPISODE SPONSOR: CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES’ TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D’AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK! “‘Allusive documentary’ is probably a good way to think about it. For me, it’s really about - and this is the bit that goes back to my experience of photography in Northern Ireland, which was all about dramacentric imagery - how you can make photographs that have a documentary subject (that might be the closest I come to being a documentarian, that I work with the subject of documentary photography) but with the methodology of an artist. That’s kind of the way I like to frame it, and I think that follows through to the work which is nearly always conceived for the gallery wall.”  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Featuring:Francis HodgesonMaria SukkarSophie ParkerAmi BouhassaneTom HunterSilvana Trevale (but not Gabriel Pinto).Zed Nelson Featured in the Positions exhibition:Adam Rouhana (@adam.rouhana), Aikaterini Gegisian (@aikaterini_gegisian), Babak Kazemi (@babakkazemi1), Bibi Manavi (@bibimanavi), Ippolita Paolucci (@ippolitapaolucci), Kalpesh Lathigra (@kalpeshlathigra), Karim El Hayawan (@karimelhayawan), Mieke Douglas (@miekedouglas) and Roberto Conde (@robconde33) Photo London Website | InstagramPeckham24/A Bigger Book Fair Website | Instagram  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

London-born British photographer Marc Wilson’s images document the memories, histories and stories that are set in the landscapes that surround us. His long term documentary projects include The Last Stand (2010-2014), A Wounded Landscape - bearing witness to the Holocaust (2015-2021) and The Land is Yellow, the Sky is Blue (2021-2023).Marc’s aim is to tell stories through his photography, focusing at times on the landscape itself, and the objects found on and within it, and sometimes combining landscape, documentary, portrait and still life, along with audio recordings of interviews and sounds, to portray the mass sprawling web of the histories and stories he is hoping to tell.Marc has published 6 photo books - Travelogue 2 (2024), The Land is Yellow, the Sky is Blue (2023), Remnants (2022), A Wounded Landscape - bearing witness to the Holocaust (2021), Travelogue 1 (2018), and The Last Stand (2014).Solo exhibitions include those at Impressions Gallery, Bradford, Side Gallery, Newcastle, The Royal Armouries Museum and Focal point Gallery in the UK and Spazio Klien in Italy.Marc’s work has been published in journals and magazines ranging from National Geographic, FT Weekend, Leica LFI, Source, Raw Magazine, Wired, Dezeen and others, he also works as a visiting lecturer at various universities in the UK and has given talks about his work both in the UK and abroad.In episode 256, Marc discusses, among other things:What he’s working onGetting arrested in MoldovaHis work in UkraineNew book Travelogue 2 - A Thousand Days of LongingTravelling 25,000 miles for his project The Last StandHis initial failed attempt at shooting his holocaust project A Wounded LandscapeHis adventures in self-publishing and tips for those considering itHis route into photographyLoneliness and ‘wandering lost’His project RemnantsWebsite | Instagram  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Mackenzie Calle is a freelance documentary photographer and National Geographic Explorer based in Brooklyn. In 2024, she was awarded first prize in the World Press Photo Open Format category award (North & Central America) for her project the Gay Space Agency, and was a finalist for the Sony World Photography Awards.She was selected as a Magnum Foundation Counter Histories Fellow in 2022. That same year, she was named one of the Lenscratch 25 to Watch and was shortlisted for the PhMuseum Women Photographers Grant. In 2023, she was named as a Lens Culture Emerging Talent Award winner and received the Dear Dave Fellowship.Mackenzie is a graduate of NYU’s Tisch School of the Arts with a degree in Cinema Studies and was awarded the Director’s Fellowship to attend ICP’s Documentary Practice and Visual Journalism Program. She was selected to Eddie Adams Workshop class XXXV. She is an Adjunct Lecturer at CUNY’s College of Staten Island. Prior to her freelance career, she was a photo producer at NBC Universal. Her work has been exhibited at Fotografiska Stockholm, Photoville, Pride Photo Festival, and Noorderlicht International Photo Festival. Clients include National Geographic, The Washington Post, GAYLETTER, Discovery, MSNBC, and The Wall Street Journal.  In episode 255, Mackenzie discusses, among other things:Winning the WPP open categoryTangible and intagible benefits of winningHer journey to photographyHow the idea for the Gay Space Agency came aboutHow she set about making images to tell the storyThe goal to disseminate the story as widely as possibleHer experience of doing the Eddie Adams WorkshopLetting the story tell her what it wantsExperimentation being the fun partHer love of sport......and TV Referenced:Sally RideFrancis FrenchBillie Jean KingChristina De MiddelErika Larson Website | Instagram“For me, it’s letting the story tell me what it needs. So it’s not so much going in with a preconceived notion. You obviously go into most stories with some idea of what you’re going to do, but every idea I have, that work in itself almost reveals or tells me kind of what it should be. So sometimes that means fiction, sometimes that does mean straight photojournalism, sometimes that means entirely imagined and staged projects…”  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Tomasz Tomaszewski has a Ph.D from the Academy of Fine Arts in Warsaw, and is a member of the Union of Polish Art Photographers, the Visum Archiv Agency of Hamburg, Germany, the National Geographic Creative Agency of Washington D.C., and the American Society of Media Photographers.He specializes in journalistic photography and has had his photos published in major newspapers and magazines worldwide including National Geographic Magazine, Stern, Paris Match, GEO, New York Times, Time, Fortune, Elle, Vogue. He has also authored a number of books, including Remnants: The Last Jews of Poland, Gypsies: The Last Ones; In Search of America, In the Centre, Astonishing Spain, A Stone’s Throw, Overwhelmed by the Atmosphere of Kindness, Things that last, and has co-illustrated over a dozen collective works.He has held numerous individual exhibitions in the USA, Canada, Israel, Japan, Brazil, Madagascar, the Netherlands, Germany, France, Italy, Indonesia and Poland. Tomasz is the recipient of many Polish and international awards for photography. For over thirty years he has been a regular contributor to National Geographic Magazine USA in which eighteen of his photo essays have been published. Tomasz has taught photography in Poland, the USA, Germany and Italy.Tomasz’s most recent book, The World Is Where You Stop was published in 2023 by Blow Up Press. In episode 254, Tomasz discusses, among other things:His insecurity about his EnglishTruthThe wisdom of ageHis father’s advice ‘don’t forget about art’ProgressHis discovery of photographySpending five years working on his first book, smuggled to the states and published in NY.Spending time in the USAHis new book The World Is Where You StopMetaphorPhotography not being dialecticalThe appeal of a good single maltHis teaching academyBravery as the mother of all qualitiesHis dream to play the piano and how music is pure mathematicsReferenced:Raymond ChandlerAristotleUffizi MuseumSusan SontagNasim TalebJames NachtweyGarry WinnograndCartier BressonKeith Jarrett Website | Instagram | Interview in ‘Hot Mirror’ “Most of the time when I was working for Geographic, I wanted my photographs to serve a purpose, to tell a story, or explain a person to another human being. But this time I only wanted to capture surprise, maybe, wonder, occassionally joy, amusement, but also discomfort. In short, anything but a desire to tell a story.”  Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.