“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.”Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments, his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto credit: © 2024, Julian Lennon. All rights reserved.Life’s Fragile Moments, published by teNeues, www.teneues.com, August 2024. 27,5 x 34 cm |10 5/6 x 13 3/8 in., 240 pages, Hardcover, approx. 200 color photographs, texts English & German ISBN: 978-3-96171-614-2
“There's something raw about The Architecture of Oppression, both part one and part two. There's a raw realness and authenticity in those songs that AI can't create. There's a lived experience that AI won't understand, and there's a feeling in those songs. And it's not just in the words from the spoken word artists, if it's not in the instruments that are being played. It's in the voice that you hear. You hear the pain, you hear the struggle, you hear the joy, you hear all of those emotions in all of those songs. And that's something that AI can't make up or create.”Jake Ferguson is an award-winning musician known for his work with The Heliocentrics and as a solo artist under the name The Brkn Record. Alongside legendary drummer Malcolm Catto, Ferguson has composed two film scores and over 10 albums, collaborating with icons like Archie Shepp, Mulatu Astatke, and Melvin Van Peebles. His latest album is The Architecture of Oppression Part 2. The album also features singer and political activist Jermain Jackman, a former winner of The Voice (2014) and the T.S. Eliot Prize winning poet and musician, Anthony Joseph.“I think as humans, we forget. We are often limited by our own stereotypes, and we don't see that in everyone there's the potential for beauty and love and all these things. And I think The Architecture of Oppression, both parts one and two, are really a reflection of all the community and civil rights work that I've been doing for the same amount of time, really - 25 years. And I wanted to try and mix my day job and my music side, so bringing those two sides of my life together. I wanted to create a platform for black artists, black singers, and poets who I really admire. Jermain is somebody I've worked with for probably about six, seven years now. He's also in the trenches of the black civil rights struggle. We worked together on a number of projects, but it was very interesting to then work with Jemain in a purely artistic capacity. And it was a no-brainer to give Anthony a call for this second album because I know of his pedigree, and he's much more able to put ideas and thoughts on paper than I would be able to.”www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Richard Black spent 15 years as a science and environment correspondent for the BBC World Service and BBC News, before setting up the Energy & Climate Intelligence Unit. He now lives in Berlin and is the Director of Policy and Strategy at the global clean energy think tank Ember, which aims to accelerate the clean energy transition with data and policy. He is the author of The Future of Energy; Denied:The Rise and Fall of Climate Contrarianism, and is an Honorary Research Fellow at Imperial College London."I guess no one needs AI in the same way that we need oil or food. So, from that point of view, it's a lot easier. AI is fascinating, slightly scary. I find that the amount of discussion of setting it off in a carefully thought through direction is way lower than the amount of fascination with the latest thing that it can do. Often fiction should be our guide to these things or can be a valuable guide to these things. And if we go back to Isaac Asimov and his three laws of robotics, and to all these three very fundamental points that he said should be embedded in all automata, there's no discussion of that around AI, like none. I personally find that quite a hole in the discourse that we're having.”https://mhpbooks.com/books/the-future-of-energyhttps://ember-climate.org/about/people/richard-blackhttps://ember-climate.orgwww.therealpress.co.uk/?s=Richard+blackwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.“As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.”https://maxcooper.nethttps://osterfestspiele.at/en/programme/2024/electro-2024https://meshmeshmesh.netwww.kingscross.co.uk/event/the-observatoryThe music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“The wealth of learning that can come from our collective awareness that essentially AI is a fancy-sounding way of saying computers can learn from the collective wisdom that exists throughout the Internet. And if we can empower the local stewards of biodiversity, local landowners, farmers indigenous populations with all of that wealth of information in a smart way, it can be incredibly empowering to many rural communities. AI might also open up an opportunity for us to rethink what life is about.”Although they comprise less than 5% of the world population, Indigenous peoples protect 80% of the Earth’s biodiversity. How can we support farmers, reverse biodiversity loss, and restore our ecosystems?Thomas Crowther is an ecologist studying the connections between biodiversity and climate change. He is a professor in the Department of Environmental Systems Science at ETH Zurich, chair of the advisory council for the United Nations Decade on Ecosystem Restoration, and founder of Restor, an online platform for the global restoration movement, which was a finalist for the Royal Foundation’s Earthshot Prize. In 2021, the World Economic Forum named him a Young Global Leader for his work on the protection and restoration of biodiversity. Crowther’s post-doctoral research transformed the understanding of the world’s tree cover, and the study also inspired the World Economic Forum to announce its Trillion Trees initiative, which aims to conserve and restore one trillion trees globally within the decade.https://crowtherlab.com/about-tom-crowther https://restor.eco/?lat=26&lng=14.23&zoom=3www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"We are at a crossroads, a paradigm shift with the emergence of artificial intelligence which is going to transform our planet and mankind that is not even anticipated by the people who created AI technology. There are some signs that AI appears to be sentient, and soon it will surpass human brain and mind capacity. So, if you want, we are the creators of a new species. AI is based on silicon and not carbon like we humans are. This is a very interesting aspect. It is a new life form. And you can look at the definition of what it means to have consciousness or something similar. We are very fragile as a species. Could it be that the silicon-based life form is actually something more advanced than the biological carbon-based life form? Could it be that we are at the point where we are creating a life form that may be - by blending biological with this cybernetic entity that we're creating now - creating a post-human? Almost a new form of life that blends biological with machines and silicon technologies and gives us two things? One infinite intelligence that will be exponentially much more powerful in terms of our capacity to communicate, interact, and access information that will give us immortality? You will, just like I take my car to the garage and change parts when they break down, and I can drive this car for unlimited time, as long as I keep changing the parts and servicing it.The same could be a life form that is not entirely based on carbon, but is some kind of blended machine, biological, post-human type of entity. I see this as a natural evolution because it will make us stronger. If we can preserve all our qualities that we experience and enjoy in our life today, but we make them by merging ourselves with this new thing that we're creating, it could make us a more advanced form of life form, if you want.So we are the creators, but this is a process of evolution as well. We are evolving to something much more advanced through our own creation. So, there is a circle that feeds into its creation and evolution. They feed into itself, and they are part of the same supply chain circle, if you want.So it's interesting, and I believe that both are true and both are working hand in hand. To produce what we see around us, the entire universe and life forms and everything, there is some kind of interesting way of creation followed by evolution, and they feed into each other. We are there at that point now in our human history. We're creating a new life form.This AI will change the world as we know it in ways that are not even anticipated, but we can't stop it because it's a natural evolution of humans to something more powerful than biological life."Dr. Melvin M. Vopson is Associate Professor of Physics at the University of Portsmouth, Fellow of the Higher Education Academy, Chartered Physicist and Fellow of the Institute of Physics. He is the co-founder and CEO of the Information Physics Institute, editor-in-chief of the IPI Letters and Emerging Minds Journal for Student Research. He is the author of Reality Reloaded: The Scientific Case for a Simulated Universe. Dr. Vopson has a wide-ranging scientific expertise in experimental, applied and theoretical physics that is internationally recognized. He has published over 100 research articles, achieving over 2500 citations.https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/melvin-vopsonhttps://ipipublishing.org/index.php/ipil/RRwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
Are we living in a Simulated Universe? How will AI impact the future of work, society & education?Dr. Melvin M. Vopson is Associate Professor of Physics at the University of Portsmouth, Fellow of the Higher Education Academy, Chartered Physicist and Fellow of the Institute of Physics. He is the co-founder and CEO of the Information Physics Institute, editor-in-chief of the IPI Letters and Emerging Minds Journal for Student Research. He is the author of Reality Reloaded: The Scientific Case for a Simulated Universe. Dr. Vopson has a wide-ranging scientific expertise in experimental, applied and theoretical physics that is internationally recognized. He has published over 100 research articles, achieving over 2500 citations."We are at a crossroads, a paradigm shift with the emergence of artificial intelligence which is going to transform our planet and mankind that is not even anticipated by the people who created AI technology. There are some signs that AI appears to be sentient, and soon it will surpass human brain and mind capacity. So, if you want, we are the creators of a new species. AI is based on silicon and not carbon like we humans are. This is a very interesting aspect. It is a new life form. And you can look at the definition of what it means to have consciousness or something similar. We are very fragile as a species. Could it be that the silicon-based life form is actually something more advanced than the biological carbon-based life form? Could it be that we are at the point where we are creating a life form that may be - by blending biological with this cybernetic entity that we're creating now - creating a post-human? Almost a new form of life that blends biological with machines and silicon technologies and gives us two things? One infinite intelligence that will be exponentially much more powerful in terms of our capacity to communicate, interact, and access information that will give us immortality? You will, just like I take my car to the garage and change parts when they break down, and I can drive this car for unlimited time, as long as I keep changing the parts and servicing it.The same could be a life form that is not entirely based on carbon, but is some kind of blended machine, biological, post-human type of entity. I see this as a natural evolution because it will make us stronger. If we can preserve all our qualities that we experience and enjoy in our life today, but we make them by merging ourselves with this new thing that we're creating, it could make us a more advanced form of life form, if you want.So we are the creators, but this is a process of evolution as well. We are evolving to something much more advanced through our own creation. So, there is a circle that feeds into its creation and evolution. They feed into itself, and they are part of the same supply chain circle, if you want.So it's interesting, and I believe that both are true and both are working hand in hand. To produce what we see around us, the entire universe and life forms and everything, there is some kind of interesting way of creation followed by evolution, and they feed into each other. We are there at that point now in our human history. We're creating a new life form.This AI will change the world as we know it in ways that are not even anticipated, but we can't stop it because it's a natural evolution of humans to something more powerful than biological life."https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/melvin-vopsonhttps://ipipublishing.org/index.php/ipil/RRwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"Meta reaches between three and four billion people every day through their platforms, right? That's way more people than any government legitimately can claim to govern. And yet this one company with four major platforms that many of us use is able to reach so many people and make decisions about content and access that have real consequences. It's been shown they fueled genocide in multiple places like in Ethiopia and Myanmar. And I think that's exactly why human rights matter because human rights are obligations that states have signed on for, and they're supposed to protect human values. And I think from a human rights perspective, it's important to argue that we shouldn't be collecting certain types of data because it's excessive. It's violating autonomy. It starts violating dignity. And when you start violating autonomy and dignity through the collection of data, you can't just go back and fix that by making it private.”Does privacy exist anymore? Or are humans just sets of data to be traded and sold?Wendy H. Wong is Professor of Political Science and Principal's Research Chair at the University of British Columbia, Okanagan. She is the author of two award-winning books: Internal Affairs: How the Structure of NGOs Transforms Human Rights and (with Sarah S. Stroup) The Authority Trap: Strategic Choices of International NGOs. Her latest book is We, the Data: Human Rights in the Digital Age.www.wendyhwong.comhttps://mitpress.mit.edu/author/wendy-h-wong-38397www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How we think, feel, and experience the world is a mystery. What distinguishes our consciousness from AI and machine learning?Liad Mudrik studies high level cognition and its neural substrates, focusing on conscious experience. She teaches at the School of Psychological Sciences at Tel Aviv University. At her research lab, her team is currently investigating the functionality of consciousness, trying to unravel the depth and limits of unconscious processing, and also researching the ways semantic relations between concepts and objects are formed and detected."Even when I send a query to chat GPT. I always say, 'Hi, can I please ask you something?' And when it replies, I say, 'Thank you.' As if I am kind of treating it as a person who cares about whether I say hi or thank you, although I don't think that it does. I had the privilege to be a part of this group, an interdisciplinary group of philosophers, neuroscientists, and computer scientists. 'Thank It' was led by Patrick Battling and Robert Long, and we met and discussed and corresponded over the possibility of consciousness in AI. We, the field of consciousness studies, relying on theories of consciousness and asking in humans, what are the critical functions that have been ascribed by these theories to conscious processing?So now we can say, give me an AI system. Let me check if it has the indicators that we, in this case, our group has put together as critical for consciousness. If it does have all these factors, all these indicators, I would say that there is at least a good chance that it is either conscious or can develop consciousness. And with that exercise, current AI systems might have 1, 2, 3 indicators out of the 14 that we came up with, but not all of them. It doesn't mean that they cannot have all of them. We didn't find any substantial barrier to coming up with such systems, but currently, they don't. And so I think that although it's very tempting to think about GPT as conscious, it sounds sometimes like a human being, I think that it doesn't have the ability to experience. It can do amazing things. Is there anyone home? so to speak. Is anyone experiencing or, qualitatively, again, for the lack of a better word, experiencing the world? I don't think so. I don't think we have any indication of that."https://people.socsci.tau.ac.il/mu/mudriklabhttps://people.socsci.tau.ac.il/mu/mudriklab/people/#gkit-popupwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
What is the purpose of education? How are we educating students for the future? What is the importance of the humanities in this age of AI and the rapidly changing workplace?Michael S. Roth is President of Wesleyan University. His books include Beyond the University: Why Liberal Education Matters and Safe Enough Spaces: A Pragmatist’s Approach to Inclusion, Free Speech, and Political Correctness on College Campuses. He's been a Professor of History and the Humanities since 1983, was the Founding Director of the Scripps College Humanities Institute, and was the Associate Director of the Getty Research Institute. His scholarly interests center on how people make sense of the past, and he has authored eight books around this topic, including his latest, The Student: A Short History.https://www.wesleyan.edu/academics/faculty/mroth/profile.htmlhttps://yalebooks.yale.edu/book/9780300250039/the-student/www.wesleyan.eduhttps://twitter.com/mroth78www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"I'm really very glad. I was happy to see that within my lifetime that the prospects of not just Mars, but in fact interstellar space is being taken seriously. I've been at two conferences where we were talking about building the first starship within this century. One of my later books, Arkwright, is about such a project. I saw that Elon Musk is building Starship One, I wish him all the best. And I envy anybody who goes.I wish I were a younger person and in better health. Somebody asked me some time ago, would you go to Mars? And I said, 'I can't do it now. I've got a bum pancreas, and I'm 65 years old, and I'm not exactly the prime prospect for doing this. If you asked me 40 years ago would I go, I would have said: in a heartbeat!' I would gladly leave behind almost everything. I don't think I'd be glad about leaving my wife and family behind, but I'd be glad to go live on another planet, perhaps for the rest of my life, just for the chance to explore a new world, to be one of the settlers in a new world.And I think this is something that's being taken seriously. It is very possible. We've got to be careful about how we do this. And we've got to be careful, particularly about the rationale of the people who are doing this. It bothers me that Elon Musk has lately taken a shift to the Far Right. I don't know why that is. But I'd love to be able to sit down and talk with him about these things and try to understand why he has done such a right thing, but for what seems to be wrong reasons."What does the future of space exploration look like? How can we unlock the opportunities of outer space without repeating the mistakes of colonization and exploitation committed on Earth? How can we ensure AI and new technologies reflect our values and the world we want to live in? Allen Steele is a science fiction author and journalist. He has written novels, short stories, and essays and been awarded a number of Hugos, Asimov's Readers, and Locus Awards. He’s known for his Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century.www.allensteele.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcastPhoto from a field trip to Pease Air Force Base in Portsmouth NH, now closed. Photo credit: Chuck Peterson
What does the future of space exploration look like? How can we unlock the opportunities of outer space without repeating the mistakes of colonization and exploitation committed on Earth? How can we ensure AI and new technologies reflect our values and the world we want to live in? Allen Steele is a science fiction author and journalist. He has written novels, short stories, and essays and been awarded a number of Hugos, Asimov's Readers, and Locus Awards. He’s known for his Coyote Trilogy and Arkwright. He is a former member of the Board of Directors and Board of Advisors for the Science Fiction and Fantasy Writers of America. He has also served as an advisor for the Space Frontier Foundation. In 2001, he testified before the Subcommittee on Space and Aeronautics of the U.S. House of Representatives in hearings regarding space exploration in the 21st century."I'm really very glad. I was happy to see that within my lifetime that the prospects of not just Mars, but in fact interstellar space is being taken seriously. I've been at two conferences where we were talking about building the first starship within this century. One of my later books, Arkwright, is about such a project. I saw that Elon Musk is building Starship One, I wish him all the best. And I envy anybody who goes.I wish I were a younger person and in better health. Somebody asked me some time ago, would you go to Mars? And I said, 'I can't do it now. I've got a bum pancreas, and I'm 65 years old, and I'm not exactly the prime prospect for doing this. If you asked me 40 years ago would I go, I would have said: in a heartbeat!' I would gladly leave behind almost everything. I don't think I'd be glad about leaving my wife and family behind, but I'd be glad to go live on another planet, perhaps for the rest of my life, just for the chance to explore a new world, to be one of the settlers in a new world.And I think this is something that's being taken seriously. It is very possible. We've got to be careful about how we do this. And we've got to be careful, particularly about the rationale of the people who are doing this. It bothers me that Elon Musk has lately taken a shift to the Far Right. I don't know why that is. But I'd love to be able to sit down and talk with him about these things and try to understand why he has done such a right thing, but for what seems to be wrong reasons."www.allensteele.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
"Technology has very much changed the way we read and take in information and shortened it into quick bursts and attention spans. We're living in a new world, for sure. And how do we communicate in this new world? Not just in a way that gets the reach, because there are whole industries aimed at what do I do to get the most likes or the most attention, and all of that, which I don't think is very fulfilling as artists.It's sort of a diminishing of our art form to try and play the game because then we're getting the attention and getting the hits, as opposed to what do I really want to create? How do I really want to create it? How do I want to display this? And can I do it in a way that breaks through so that if I do it my way, it's still going to get the attention, great. But if it doesn't, can I be cool with that? And can I be okay creating what I want to create, knowing that that's what it's about. It's about sharing in an honest, authentic way what I want to express without letting the tentacles of social media drip into my brain and take over why I'm literally doing the things that I'm doing."Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests.www.wordsthatmove.com/www.instagram.com/maxstossel/www.humanetech.com https://vimeo.com/690354718/54614a2318www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests."Technology has very much changed the way we read and take in information and shortened it into quick bursts and attention spans. We're living in a new world, for sure. And how do we communicate in this new world? Not just in a way that gets the reach, because there are whole industries aimed at what do I do to get the most likes or the most attention, and all of that, which I don't think is very fulfilling as artists.It's sort of a diminishing of our art form to try and play the game because then we're getting the attention and getting the hits, as opposed to what do I really want to create? How do I really want to create it? How do I want to display this? And can I do it in a way that breaks through so that if I do it my way, it's still going to get the attention, great. But if it doesn't, can I be cool with that? And can I be okay creating what I want to create, knowing that that's what it's about. It's about sharing in an honest, authentic way what I want to express without letting the tentacles of social media drip into my brain and take over why I'm literally doing the things that I'm doing."www.wordsthatmove.com/www.instagram.com/maxstossel/www.humanetech.com https://vimeo.com/690354718/54614a2318www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
"So there are different parts of the brain responsible for liking and wanting. So wanting is unbelievably robust in the brain. In other words, the neural connections are very robust, and wanting is what drives most addictive behavior. It's when you really want something, like you want a cigarette, you want alcohol, a drug, whatever it is, that's your poison. And actually, screens for some people as well. The liking part. When you say to people, what does it mean to be addicted to something? A lot of people say it's, 'You really like it so much that you just keep going back to it.'It's actually not about liking. What actually happens is that, in the beginning, liking and wanting go together. So let's pick something like a cigarette. If you start smoking in the beginning, you like the experience of smoking, and you also really want the nicotine. You want the cigarette. They go hand in hand, but eventually what happens is the liking is much more fragile, and it decays. And what's left is the wanting. And often in the absence of liking, it's kind of like a bad relationship. Like if you're in a bad romantic relationship, it starts out being about wanting and liking, but then the liking goes away, and you just kind of want to be with a person, even though you know it's undermining your welfare. That's effectively addiction. The real skill today is figuring out how to create space between you and your tech devices."Adam Alter is a Professor of Marketing at NYU’s Stern School of Business and the Robert Stansky Teaching Excellence Faculty Fellow. Adam is the New York Times bestselling author of Irresistible: The Rise of Addictive Technology and the Business of Keeping Us Hooked, and Drunk Tank Pink, which investigates how hidden forces in the world around us shape our thoughts, feelings, and behaviors. He has written for the New York Times, New Yorker, The Atlantic, Washington Post, and a host of TV, radio, and publications. His next book Anatomy of a Breakthrough will be published in 2023.https://adamalterauthor.com www.penguin.co.uk/books/431386/irresistible-by-adam-alter/9781784701659 www.simonandschuster.com/books/Anatomy-of-a-Breakthrough/Adam-Alter/9781982182960www.stern.nyu.edu/faculty/bio/adam-alterwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast
What influence do billionaires have on politics, journalism, and the technology that shapes our lives? What drives people to seek absolute power, and how can we hold them accountable?Darryl Cunningham is a cartoonist and author of Science Tales, Psychiatric Tales, The Age of Selfishness, and Billionaires: The Lives of the Rich and Powerful. Cunningham is also well-known for his comic strips, which have been featured on the websites Forbidden Planet and Act-i-vate collective, among others. others. His more recent work includes a graphic novel on Elon Musk, titled Elon Musk: Investigation into a New Master of the World.“It's far too early to say how AI is going to shake out. A lot of it will come to nothing, like many new technologies. VR came along, and people thought it would be a big thing, but it became a niche for a few kinds of people. AI might find a place ultimately, but it has to come from people. We have to make choices. Will people be happy with processed movies done with a few keywords, or will they want to hear the actual voice of a human being? In the end, it's up to the audience, and that's us. We will shape it.”Episode Website with Feature Articlewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
How can we shape technology’s impact on society? How do social media algorithms influence our democratic processes and personal well-being? Can AI truly emulate human creativity? And how will its pursuit of perfection change the art we create?Daniel Susskind (Economist · Oxford & King’s College London · Author of Growth: A Reckoning · A World Without Work) shares insights on the nature of growth driven by technological progress. He contends that while technology can accelerate growth, its impacts can be consciously directed to reduce environmental damage and social inequalities. According to Susskind, the current trajectory of technological progress needs reevaluation to mitigate potential adverse effects on future working lives.Arash Abizadeh (Professor of Political Science · McGill University Author of Hobbes and the Two Faces of Ethics · Associate Editor · Free & Equal) explores the ethical tensions between democratic needs and commercial imperatives of social media platforms. He highlights how algorithms designed to maximize engagement often foster outrage and fear, contrasting these commercial objectives with the requirements for a healthy democratic public sphere.Debora Cahn (Creator & Executive Producer of Netflix’s The Diplomat starring Keri Russell & Rufus Sewell · Exec. Producer Homeland · Grey’s Anatomy · Vinyl · Co-Producer The West Wing) toggles between apprehension and optimism about emerging technologies like AI. She reflects on her father's experience with nuclear technology and ponders the unpredictable impacts of AI, drawing parallels with the unforeseen transformation of the internet.Julia F. Christensen (Neuroscientist - Author of The Pathway To Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind) examines the rise of AI and its influence on aesthetics in the arts. She argues that technology drives creators towards superficial beauty conforming to popular standards, thereby cluttering the mind and fostering an obsession with perfection fueled by dopamine signals.Julian Lennon (Singer-songwriter · Documentary Filmmaker · Founder of The White Feather Foundation Photographer/Author of Life’s Fragile Moments) discusses AI's potential in the medical field, highlighting recent advancements that are paving the way for novel treatments and cures. While acknowledging the importance of copyright issues, he remains optimistic about AI’s positive impact on healthcare.Brian David Johnson (Author of The Future You: How to Create the Life You Always Wanted · Director of the Arizona State University’s Threatcasting Lab Futurist in Residence · ASU’s Center for Science & the Imagination) emphasizes the importance of maintaining a human-centric approach to technology. He questions the purpose behind technological advancements, urging developers to always consider the human impact and clarify their objectives.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“So, syncopation is now the big thing. It will induce people to groove and to like your music more. So let's have a lot of syncopation inside your music and you'll sell a lot. By chasing superficial beauty, which is what AI gives us at the moment, it aims for perfect outcomes. Not that anything these models produce is perfect, because how do you evaluate perfection? But they are based on the data that most people want to see again. That's extremely important to bear in mind. When you say 'cluttered mind,' it's actually also a cluttered brain in terms of the neurotransmitters out and about. As we strive for that perfect coding and external beauty, our brain releases dopamine signals. Dopamine is good; it's a learning signal to the brain, but we need to know how to use it. Constantly swiping our phone and getting this beauty into our brain via our eyes or via the syncopations in the music teaches our mind to seek that all the time because that's a dopamine signal. It's a learning signal. So, striving after these shapes and sound cues repeatedly clutters your brain. That's why your mind is full.”Dr. Julia F. Christensen is a Danish neuroscientist and former dancer currently working as a senior scientist at the Max Planck Institute for Empirical Aesthetics in Germany. She studied psychology, human evolution, and neuroscience in France, Spain and the UK. For her postdoctoral training, she worked in international, interdisciplinary research labs at University College London, City, University London and the Warburg Institute, London and was awarded a postdoctoral Newton International Fellowship by the British Academy. Her new book The Pathway to Flow is about the science of flow, why our brain needs it and how to create the right habits in our brain to get it.https://www.linkedin.com/in/dr-julia-f-christensen-36539a144https://www.instagram.com/dr.julia.f.christensen?igsh=cHZkODgxczJqZmxlwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
“The running theme in all of my work has been technology. The first book that I co-authored with my dad was published in 2015. The second book I wrote was A World Without Work: Technology, Automation, and How We Should Respond, published in 2020, just before the pandemic began. My new book Growth: A Reckoning is about growth, but also technological progress, because what drives growth is technological progress—we have a choice to change the nature of growth, and the same is true of our technological progress. To reach a dynamic economy capable of generating ever more ideas about the world, we need to use the technologies we have to generate new ideas about the world. One of the technologies I've been particularly excited by was AlphaFold, developed by DeepMind to solve protein folding problems in biology. Essentially, understanding the 3D shape of proteins is important for understanding disease and designing effective treatment, but incredibly difficult to figure out, and Alpha fold has solved this problem by providing the 3D structures of millions of proteins. As the only economist in The Institute for Ethics in AI, I’ve always found the moral, ethical side of technology interesting. I often get asked, “What can machines do, and what can they not do?” But I think one of the most troubling, but also one of the most fascinating things about technology is it is forcing us to ask the question “What does it really mean to be human? What is humanity?” For a long time, many people thought the core of what it means to be a human being is to be a creative thing. But with the arrival of generative AI in the last few years, I think that that has been really called into question. These AI systems are particularly good at creative tasks—coming up with original, novel text, images, and video. In fact, I actually use these AI systems to generate bedtime stories with my children—getting the kids to craft a good prompt is quite a fun, intellectually demanding exercise, and these technologies now give my children a storytelling capability that would have been unimaginable only a few years ago. So, one of the interesting philosophical consequences of technologies is that it's challenging some of the complacency and deep-rooted assumptions about what it really means to be a human being.”Daniel Susskind is a Research Professor in Economics at King's College London and a Senior Research Associate at the Institute for Ethics in AI at Oxford University. He is the author of A World without Work and co-author of the bestselling The Future of the Professions. Previously, he worked in various roles in the British Government - in the Prime Minister’s Strategy Unit, in the Policy Unit in 10 Downing Street, and in the Cabinet Office. His latest book is Growth: A Reckoning.www.danielsusskind.comwww.penguin.co.uk/books/446381/growth-by-susskind-daniel/9780241542309www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast
How can we look beyond GDP and develop new metrics that balance growth with human flourishing and environmental well-being? How can we be more engaged global citizens? In this age of AI, what does it really mean to be human? And how are our technologies transforming us?Daniel Susskind is a Research Professor in Economics at King's College London and a Senior Research Associate at the Institute for Ethics in AI at Oxford University. He is the author of A World without Work and co-author of the bestselling The Future of the Professions. Previously, he worked in various roles in the British Government - in the Prime Minister’s Strategy Unit, in the Policy Unit in 10 Downing Street, and in the Cabinet Office. His latest book is Growth: A Reckoning.“The running theme in all of my work has been technology. The first book that I co-authored with my dad was published in 2015. The second book I wrote was A World Without Work: Technology, Automation, and How We Should Respond, published in 2020, just before the pandemic began. My new book Growth: A Reckoning is about growth, but also technological progress, because what drives growth is technological progress—we have a choice to change the nature of growth, and the same is true of our technological progress. To reach a dynamic economy capable of generating ever more ideas about the world, we need to use the technologies we have to generate new ideas about the world. One of the technologies I've been particularly excited by was AlphaFold, developed by DeepMind to solve protein folding problems in biology. Essentially, understanding the 3D shape of proteins is important for understanding disease and designing effective treatment, but incredibly difficult to figure out, and Alpha fold has solved this problem by providing the 3D structures of millions of proteins. As the only economist in The Institute for Ethics in AI, I’ve always found the moral, ethical side of technology interesting. I often get asked, “What can machines do, and what can they not do?” But I think one of the most troubling, but also one of the most fascinating things about technology is it is forcing us to ask the question “What does it really mean to be human? What is humanity?” For a long time, many people thought the core of what it means to be a human being is to be a creative thing. But with the arrival of generative AI in the last few years, I think that that has been really called into question. These AI systems are particularly good at creative tasks—coming up with original, novel text, images, and video. In fact, I actually use these AI systems to generate bedtime stories with my children—getting the kids to craft a good prompt is quite a fun, intellectually demanding exercise, and these technologies now give my children a storytelling capability that would have been unimaginable only a few years ago. So, one of the interesting philosophical consequences of technologies is that it's challenging some of the complacency and deep-rooted assumptions about what it really means to be a human being.”www.danielsusskind.comwww.penguin.co.uk/books/446381/growth-by-susskind-daniel/9780241542309www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast