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Album Infinitum

Author: Hoot n Waddle

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Album Infinitum is a music appreciation podcast hosted by Jared Duran (Limited Engagement, What the Fork?, Hoot n Review), that focuses on one artist and explores that artist's catalog album by album. Each episode features a discussion with a guest that explores not only the album itself, but its place in music history as well as the culture of the time it was originally released. This is a deep dive.

For more information on this and other Hoot n Waddle podcasts, please visit https://hootnwaddle.com

If you like what you hear, please rate/review/subscribe Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
31 Episodes
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AI 30 - This is Our Music

AI 30 - This is Our Music

2019-09-2301:02:50

On this episode of Album Infinitum, we conclude our discussion of the Galaxie 500 discography with their third and final album, 1990's This is Our Music. Sitting in the guest host chair for the entire run on Glaxie 500 is writer, actor, and Space 55 artistic director, Ashley Naftule.  For more Ashley: @Emperor_norton, Space 55; Galaxie 500: http://fierybreeze.com/ @WarehamDean (Dean Wareham Twitter), @dada_drummer (Damon Krukowski Twitter), @naomivision (Naomi Yang Instagram); oh, and check out Andy Aldridge's A Head Full of Wishes site devoted Galaxie 500 and all things related!  Questions/Comments/Suggestions: albuminfinitum@gmail.com and find us on Twitter and Instagram.  --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 29 - On Fire

AI 29 - On Fire

2019-09-0953:23

On this episode of Album Infinitum, we continue on with the Galaxie 500 discography, this time discussing their second, and most highly regarded album, 1989's On Fire. Sitting in the guest host chair for the entire run on Glaxie 500 is writer, actor, and Space 55 artistic director, Ashley Naftule. For more Ashley: @Emperor_norton https://www.space55.org/ Galaxie 500: http://fierybreeze.com/ @WarehamDean (Dean Wareham Twitter) @dada_drummer (Damon Krukowski Twitter) @naomivision (Naomi Yang Instagram) Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 28 - Today

AI 28 - Today

2019-08-2658:14

Thus begins a very short run of episodes to discuss the discography of Galaxie 500--a band that burned brightly for a brief period and left us with three near-perfect albums. First up, their 1988 album, Today. Sitting in the guest host chair for the entire run is writer, actor, and Space 55 artistic director, Ashley Naftule. For more Ashley: @Emperor_norton https://www.space55.org/ Galaxie 500: http://fierybreeze.com/ @WarehamDean (Dean Wareham Twitter) @dada_drummer (Damon Krukowski Twitter) @naomivision (Naomi Yang Instagram) Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 27 - The Knowledge

AI 27 - The Knowledge

2019-07-2201:55:59

This week, we wrap up the Squeeze discography with their 2017 album, The Knowledge. On this outing, the band pushes the excitement, inventiveness, and energy of Cradle to the Grave up to 11. When it hits, it really hits ("Innocence in Paradise," "Departure Lounge," "Patchouli"), but it's by no means perfect ("A&E," "Rough Ride"). Also, still no Difford lead vocal--what's up with that? Sitting in the guest host chair this week, Paul Mosier. Talking to Paul is always a trip. You never know where the conversation is going to go, and it's fantastic. Paul is the author of a number of books, including three middle grade novels for HarperCollins: Train I Ride, Echo's Sister, and Summer and July (forthcoming). Be sure to check out Paul's work and follow him on social media: http://bit.ly/2JK2MYu (Paul's HarperCollins page) https://novelistpaulmosier.wordpress.com/ @mosier_paul on Twitter As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 26 - Cradle to the Grave

AI 26 - Cradle to the Grave

2019-07-1502:20:03

On deck for this week's episode, the first Squeeze album of all new material after a 17 year period, Cradle to the Grave, and what an album it is! So much energy! Great tunes! The band sounds vibrant, refreshed, and like they're enjoying what they're doing. Sitting in the co-host chair for this discussion is writer and What the Fork? co-host, Jason Keil. No, you're not reading that wrong, Jason is back--it only seemed fair to have him back to talk about a better album than Domino. Be sure to check out Jason's work in PHOENIX Magazine, The New Times, and on his website: Twitter and Instagram: @jasonekeil http://www.jasonkeil.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 25 - Domino

AI 25 - Domino

2019-07-0802:04:21

On deck for this week's episode, Squeeze's 1998 album, Domino. Generally regarded as a low point for the band, it's a personal favorite due to it being the release the band was touring behind when I first saw them in 1999. It was also their last album of new material for 17 years. Sitting in the co-host chair for this discussion is writer and What the Fork? co-host, Jason Keil. Be sure to check out Jason's work in PHOENIX Magazine, The New Times, and on his website: Twitter and Instagram: @jasonekeil http://www.jasonkeil.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 24 - Ridiculous

AI 24 - Ridiculous

2019-07-0101:46:48

On deck for this week's episode, Squeeze's 1995 album, Ridiculous. Released at the height of britpop, Squeeze's label saddled them with the slogan "The godfathers of britpop" and pushed Heaven Knows--perhaps one of their worst singles--into the upper echelons of the charts. The album is the band's most stylistically diverse, and as the conversation with guest host Tyler Button (founder and writer behind Tapestry Comics) points out, the experimentalism of the album is not always entirely successful. There are some definite highlights here, though, including Daphne, Electric Trains, Fingertips, and more. Check out the cool work Tyler's doing over at Tapestry! https://www.tapestrycomics.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
On deck for this week's episode, Squeeze's 1993 album, Some Fantastic Place. Back on A&M records, with their first album since Chris Difford  bugged out and got sober, the band sounds vibrant, reinvigorated--hopeful even. SFP features some of their best songs, including Third Rail, the title track, It's Over, Jolly Comes Home, and the album closer, Pinocchio. The album also sees the increasingly prevalent lineup changes with the departure of Gilson Lavis from the drum chair, to be replaced by The Attractions' Pete Thomas, and the return of Paul Carrack on keys. Doug Bale is back in the co-host seat and enjoying Carrack's presence on the album. Check out Doug's work! https://instagram.com/dougbale https://society6.com/dougbale https://flightytronys.bandcamp.com/releases https://dougbalemergatron.bandcamp.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 22 - Play

AI 22 - Play

2019-06-1701:27:34

On deck for this week's episode, Squeeze's 1991 album, Play--their only album for Reprise Records. Featuring the highlights Letting Go, The Day I Get Home, The Truth, and Walk a Straight Line, the album holds the distinction of being the last one prior to Chris Difford pursuing a life of sobriety. It strained the Difford and Tilbrook relationship even further, and continued to see the band's commercial success decline in the face of their more mature and arguably more artistically rewarding work. I primarily say arguably, because this week's co-host, artist and musician Doug Bale, argues otherwise. It's a fun conversation between two music lovers holding a difference of opinion. Check out Doug's work! https://society6.com/dougbale https://flightytronys.bandcamp.com/releases https://dougbalemergatron.bandcamp.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 21 - Frank

AI 21 - Frank

2019-06-1001:37:17

On deck for this week's episode, Squeeze's 1989 album, Frank. Arguably a stronger album than it's popular predecessor, the album marked a sharp decline in the band's commercial success and began a trend where Squeeze released some of its best albums out into an increasingly indifferent marketplace.  Returning as guest co-host for this episode is the fantastic Marc Oxborrow of The Haymarket Squares and The Blood Feud Family Singers--both of which will be sharing a bill with the Hot House Orchids and the Rae Lydia Duo at Last Exit Live on Friday, June 21st, and The Squares are headed out on tour this July, so be sure to check out their tour dates for more info. http://www.haymarketsquares.com/tour/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 20 - Babylon and On

AI 20 - Babylon and On

2019-06-0301:18:23

On deck for this week's episode, Squeeze's 1987 commercial peak, Babylon and On. Featuring the hits "Hourglass" and, unfortunately, "853-5937," Babylon and On marks the beginning of a turning point for Squeeze with career highlights such as "Tough Love" and "Footprints" showing that the Difford and Tilbrook could still write a hell of a song. The guest co-host for this episode is the fantastic Marc Oxborrow of The Haymarket Squares and The Blood Feud Family Singers--both of which will be sharing a bill with the Hot House Orchids and the Rae Lydia Duo at Last Exit Live on Friday, June 21st. https://www.facebook.com/events/306122460314357/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
On deck for this week's episode, Squeeze's difficult (for most people) 1985 reunion album, Cosi Fan Tutti Frutti. As the discussion with guest host Dan Hull reveals, however, there is a LOT to love about this album despite any flaws its very of-the-time production and the drug-induced mental states of Difford and Tilbrook may have saddled it with. Dan is a gifted storyteller who has a long history in the Phoenix storytelling community. He currently produces and co-hosts The Storyline SLAM, which takes place every month at The Newton, and you've got to check out Bad Buddhist, a film of his one man show of the same name. https://www.thestoryline.org/ https://badbuddhistmovie.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
On this edition of Album Infinitum, Ed Masley returns to discuss the last album of Squeeze Phase 1, Sweets From A Stranger, an uneven album that still manages to feature some of the best Squeeze songs of all time, including "When the Hangover Strikes," "Black Coffee in Bed," "The Elephant Ride," and more. Ed is of course the music writer for The Arizona Republic/AZ Central, and his columns are essential for anyone following music in AZ. Read his work on https://www.azcentral.com/, and be sure to follow him on Twitter (@EdMasley). As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 17 - East Side Story

AI 17 - East Side Story

2019-05-1302:25:55

On this edition of Album Infinitum, a deep, deep dive into Squeeze's 1981 masterpiece, East Side Story, with guest co-host Jason Keil. Jason writes regularly for The New Times and PHOENIX Magazine, you can check out his work on http://www.jasonkeil.com/, follow him on Twitter (@jasonekeil), and of course listen to What the Fork?. As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 16 - Argybargy

AI 16 - Argybargy

2019-05-0601:44:57

On this edition of Album Infinitum, a discussion of Squeeze's 1980 album, Argybargy with one of the coolest guys in music journalism, Ed Masley. Argybargy continues Squeeze's run of classic, essential albums and great singles ("Pulling Mussels (From the Shell)," "Another Nail in My Heart," "If I Didn't Love You"). Be sure to read Ed's work on azcentral.com, follow him on Facebook and Twitter (@EdMasley), and check out his fantastic band, The Breakup Society, on Bandcamp. As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 15 - Cool for Cats

AI 15 - Cool for Cats

2019-04-2901:28:21

On this edition of Album Infinitum, Cool for Cats. The album that spawned the classic singles "Goodbye Girl," "Up the Junction," "Cool for Cats," and "Slap and Tickle," Cool for Cats is largely considered by Difford and Tilbrook to be the first proper Squeeze album, it cemented the band's placement as one of the best pop bands of all time, and put them at the crest of the crashing New Wave. In the co-host seat for this episode is the wonderful Mr. Jason Woodbury. Jason is a member of the Zia Records home office team, a music writer, a musician, part of Aquarium Drunkard (be sure to check out the AD podcast Transmissions!), and just an all around great guy--especially to talk music with. Find him on Twitter at @jasonpwoodbury and @aquadrunkard. As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
AI 14 - Squeeze

AI 14 - Squeeze

2019-04-2301:24:11

And so it begins! Squeeze is absolutely one of the best bands of all time, whether you know it or not, and we kick things off with their stutter step of a start, the John Cale-produced eponymous debut (or U.K. Squeeze if you bought the album stateside in 1978). The album features one of the greatest singles of all time, "Take Me, I'm Yours," and gives an uneven first impression from there, though the Difford and Tilbrook songwriting partnership and trademark vocal dynamic flourish throughout. Joining this discussion is guest co-host Paul Mosier (@mosier_paul on Twitter), whose novels for middle grade readers--Train I Ride, Echos Sister, and the forthcoming Summer and July (2020)--are available from HarperCollins publishing at any fine book selling establishment. As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Squeeze is indeed very active, recording and touring both as a band, and Glenn Tilbrook and Chris Difford with their respective solo endeavors--see them in whatever capacity you're able. Additionally, keep up to date on all their latest doings at http://www.squeezeofficial.com/ and through their social media (@squeezeogram on, appropriately, Instagram and @squeezeofficial on Twitter). Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
This week, we discuss the final Fountains of Wayne album, Sky Full of Holes, with guest co-host Marc Oxborrow. It's a hell of an album to go out on, and a great discussion about it, so strap in and enjoy the ride. (Why did I say "strap in"? I don't know.) Be sure to check out both of Marc's bands on Bandcamp or at one of their upcoming shows, and follow them on social media: @marcxist @haymarketsquare, http://www.haymarketsquares.com/ https://bloodfeudfamilysingers.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Fountains of Wayne is not currently active with regards to playing shows or recording music, but they do have a website where you can get FoW merch, and they're still tweeting at @fountainsofwayn. Chris Collingwood is also active on Twitter at @LookPark, which is his band post-FoW. Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum Please, rate/review/subscribe/share If you like what we do, please consider supporting us on Patreon (https://www.patreon.com/hootnwaddle) --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
Traffic and Weather may not be the best Fountains of Wayne outing, but as Jared Duran and Marc Oxborrow discuss, with songs like Fire in the Canyon, I-95, and Seatback and Traytables, there is plenty to love about this album. Be sure to check out both of Marc's bands on Bandcamp or at one of their upcoming shows, and follow them on social media: @marcxist @haymarketsquare, http://www.haymarketsquares.com/ https://bloodfeudfamilysingers.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Fountains of Wayne is not currently active with regards to playing shows or recording music, but they do have a website where you can get FoW merch, and they're still tweeting at @fountainsofwayn. Chris Collingwood is also active on Twitter at @LookPark, which is his band post-FoW. Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum Please, rate/review/subscribe/share If you like what we do, please consider supporting us on Patreon (https://www.patreon.com/hootnwaddle) --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
On tap this week, it's Fountains of Wayne's commercial breakthrough, Welcome Interstate Managers. It spawned the radio and video hit "Stacy's Mom," but there are so many gems on this one, and we get into all of it. Co-hosting this episode (and indeed the rest of the FoW episodes) is the fantastic Mr. Marc Oxborrow of The Haymarket Squares and The Blood Feud Family Singers. Be sure to check out both of Marc's bands on Bandcamp or at one of their upcoming shows, and follow them on social media: @marcxist @haymarketsquare, http://www.haymarketsquares.com/ https://bloodfeudfamilysingers.com/ As always, I want to stress the importance of supporting the artists that are featured on this series, whether that’s through buying their music and merch, attending one of their concerts, or even simply following them on social media. Fountains of Wayne is not currently active with regards to playing shows or recording music, but they do have a website where you can get FoW merch, and they're still tweeting at @fountainsofwayn. Chris Collingwood is also active on Twitter at @LookPark, which is his band post-FoW. Questions/Comments/Suggestions: albuminfinitum@gmail.com Find us on Twitter and Instagram: @AlbumInfinitum Please, rate/review/subscribe/share If you like what we do, please consider supporting us on Patreon (https://www.patreon.com/hootnwaddle) --- Support this podcast: https://podcasters.spotify.com/pod/show/album-infinitum/support
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