Claim OwnershipAlienating the Audience
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Andrew Heaton and an army of nerds plunge deep, deep into films, books, and TV shows to ask: what's science fiction really about? What is The Twilight Zone really exploring? What are the underlying themes of Star Trek? What is the worldview of Star Wars? Also sometimes Heaton performs comedy on other planets.
167 Episodes
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The Prime Directive orders Starfleet officers to refrain from interfering in pre-warprdrive civilizations. It is a doctrine of cultural non-interference... But is it actually a good idea? Scottish Scifi twins Dickie and Stone Lynch return to argue with Heaton about it. Support the show! www.patreon.com/alienating
In “The Last Starfighter” (1984) a young man has his sword-in-the-stone moment playing an arcade game which propels him into heroic intergalactic adventure. Brett Weaver joins to discuss the movie, the Hero’s Journey, and to talk about what a sequel or remake would look like. LINKS: Heaton’s Otamatone Odyssey https://youtu.be/3BMGPv5RnOQ
In Naomi Alderman’s “The Power” women all over the planet suddenly develop the ability to shoot electrical shocks, to the point of lethality. The natural order is entirely inverted, with men easily overpowered by women, and resulting societal tumult. Katherine Mangu-Ward joins to discuss.
Getting thrown back to the same place in time, repeatedly, with little you can do about it has become an awesome sub genre in scifi. From Groundhog Day, to The Endless, we discuss time loops and their appeal in science fiction. Brian Brushwood joins to discuss.
Star Trek’s Feringi are intergalactic traders, merchants, entrepreneurs, and feckless shysters. How did they get to be space capitalists when the Federation outgrew the concept of money altogether? Sean Finnerty joins to discuss Feringinar, the Rules of Acquisition, and the economy of the 24th century.
In "Subservience" Megan Fox plays a robot servant who goes off the rails, seduces her owner, and tries to kill his wife. Henrique Couto joins to discuss the ethical implications of cheating on your spouse with a robot, how we ought to treat robots even if they don't really have consciousness, and whether or not we'd buy robot servants in general.
Fresh after seeing “Alien: Romulus,” Dickie Lynch and Heaton discuss Ripley Scott’s “Alien” franchise: the creepy aesthetics of H. R. Geiger, the deepest fears of the movie, the alien seeding of “Prometheus,” and the most recent installment as a best-of.
It's three centuries after the apocalypse, and a small Catholic monastery in the desert is collecting and safeguarding whatever pre-calamite artifacts it can, to preserve knowledge until civilization gets going again. Brian Brushwood joins to discuss this post-apocalyptic "Jesuits in space" novel.
How has A. I. been portrayed through history in science fiction, and what's it going to look like as it keeps getting better? Stone Lynch and J. C. Campbell join to discuss.
Anthony Burgess wrote his dystopian novel “A Clockwork Orange” in 1962, but two different versions appeared on either side of the Atlantic. The American version stops at chapter twenty, whereas the British version has an extra twenty-first chapter, which totally changes the book. Brian Brushwood joins to discuss.
The universe is really, really big. Like huge. Really really really huge. Prompting science fiction to come up with workarounds so everyone isn't stuck on the same boring 'ol planet. Dickie Lynch rejoins to discuss.
Drew Magary’s book “The Postmortal” explores a scenario in which a vaccine is made for aging. Whatever age you take it at, you are paused there indefinitely. How does that effect marriage, retirement, and society as a whole? Josh Jennings and Ashland Viscosi return to discuss.
Madeline Miller's "Circe" novelizes the mysterious character from the Odyssey who turns men into swine, but also helps Odysseus get home. The book shows the feckless, narcissistic nature of the Greek pantheon, what is the true nature of self, and the divine patriarchy. Alexandra August and Isabella Reinhardt join to discuss.
George Orwell died way back in 1950, and his estate has never allowed anyone to canonically (or legally) contribute to the immense worldbuilding of "1984"... Until now. Sandra Newman recently wrote "Julia," the official sequel to 1984, which happens conterminously with its events, but from the perspective of Winston's paramour, Julia. Josh Jennings joins to discuss.
1Season Finale! In which we talk about how to use sci-fi robots for helpful psychological thought experiments. Support the show! www.patreon.com/alienating ATA Survey: https://docs.google.com/forms/d/e/1FAIpQLSe8FbFXeniKqq4gJNITdQNtbBy4MvUEnZH2m66JteJIJXY-zw/viewform?usp=sf_link
Star Trek Deep Space Nine's Elim Garak is a simple, unassuming character. But also a spymaster. Why is he so beguiling, and what's his character arc? Andrew Young joins to discuss.
Is 1984 prophetic, or merely a terrifying dystopia? What makes this haunting book so engaging on a literary level? Josh Jennings returns to discuss.
Star Trek: Picard recently wrapped up its third and final season--and the first season Heaton or his guests have enjoyed of it. Scottish sci-fi twins Dickie and Stone rejoin to discuss Star Trek: Picard, and what made its ultimate season likeable.
Adrian Tchaikovsky's "Children of Time" tackles multi-generational sleeper ships, uplifiting species, AI, the nature of intelligence, teleforming and more. Richard Amiro rejoins to discuss.
In this satirical novel by Max Barry, the United States is a corporate wasteland with ruthless businesses and toothless rump state unable to restrain them. John Krikorian of Trekprofiles joins to discuss. Book at: www.mightyheaton.com/goodscifi
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the guest expert read the cliff notes right before recording.