An Art To It

In this episode, I chat with award-winning silversmith Alex O’Connor about the winding path that led her from sculpture to silver—and from the Isle of Wight to the far west of Cornwall and the rugged landscape of West Penwith. In a hugely engaging and very honest chat, Alex shares how her autistic thinking and aphantasia (inability to voluntarily visualise mental images) shape her highly tactile, refined work, and why she describes her creative process as an act of distillation. She discusses forging a new direction later in life, the evolving definition of success in a creative business, and the importance of taking a punt—even when things don’t go to plan. Topics include: Finding home in Cornwall and inspiration in the landscape Studying fine art at Kingston and discovering a love for materials Reframing failure and redefining success after a difficult debut at Goldsmiths Fair How aphantasia influences her process—and why she calls herself an “editor” of ideas Her upcoming Quest Scholarship https://www.qest.org.uk/apply/scholarships/  and what she hopes to learn in Shetland with Rod Kelly https://www.rodkellysilver.co.uk/ The art (and strategy) of running a creative business and other silversmiths and creatives she admires, including: David Clarke https://mister-clarke.com/; Grant McCaig https://www.instagram.com/grantsmccaig/ ; Ndidi Ekubia https://www.adriansassoon.com/artists/66-ndidi-ekubia/; Rauni Higson https://www.raunihigson.co.uk/; Jessica Jue https://www.jessicajue.com/; Ute Decker https://www.utedecker.com/ You can see Alex’s work at: https://www.alexoconnorsilver.co.uk/ and @movingmetal  

What does it mean to make art that’s truly yours—even when it doesn’t fit the mould and you have to face potential resistance in the market place? In this honest and uplifting episode, I chat with Cornish artist Siobhan Purdy, whose dreamlike, deeply personal paintings have earned her a cult following. From navigating childhood as a selective mute to building thriving artist communities in Cornwall, Siobhan shares how creativity became her lifeline. We explore: The origins of her distinctive, magical visual style How she channels childhood memories and neurodivergence into powerful imagery The tension between staying true to your vision vs. the pressure to “go commercial” Why being in her studio is her definition of success The part she played in turning the Cornish town of Redruth - and Krowji https://www.krowji.org.uk/ in particular - into the buzzing creative hub it is today. Siobhan’s distinctive work might be not be for everyone —but to many, it’s unforgettable and I’ve been privileged to exhibit it for several years, and witness the magic of seeing clients fall in love with it. This episode is a beautiful reflection on art, identity, and belonging. 🔗 View Siobhan’s work: purdysart.co.uk and @purdysart

In episode 31 of An Art to It, ceramicist Deborah Harwood joins me from her beautiful studio on the Goodwood Estate in West Sussex. Deborah shares her remarkable creative journey: from growing up part of deeply artistic family, her late father, is the acclaimed playwright and screenwriter, Ronald Harwood, (The Dresser, Quartet, The Pianist) to working for over a decade as an agent representing some of the UK's most acclaimed writers, directors and set designers, and to then, in her 50s, finding her creative passion in porcelain. We talk about how creativity shaped her early years, and how Deborah missed the opportunity to study under internationally renowned ceramic artist Felicity Aylieff https://www.felicityaylieff.com/  who was the art and ceramics teacher at her school - opting for jewellery instead, a decision she laughingly calls a huge mistake in hindsight.  After she left her career in London, Deborah’s first creative foray was in textiles - a medium she chose more from circumstances than passion - and how that lead to her discovering ceramics and ultimately porcelain.  In our entertaining and moving chat Deborah speaks openly about navigating cancer, what success means to her now, gives her perspective on navigating the highs and lows of running a creative business, and shares why she believes calling herself an artist is something we should all feel confident in doing.  www.deborahharwood.com @deborahharwoodceramics

In this solo episode of An Art to It, I share my experiences of creating a brand identity for myself. Why am I doing that you might ask. Last year I realised that I really needed to set up a separate website as a home for the online courses I run, and for this podcast too. I wanted the Byre Gallery to concentrate on doing what it’s supposed to do, showcase our exhibitions and the beautiful work we feature in the gallery, and elainedye.com can be the home for everything else. As I talk a lot about the importance of branding in my course: An Insider’s Guide to Gallery Success I do quite a lot of reading about branding anyway and came across a great line by marketing guru Seth Godin (sethgodin.com) :  "A brand is the set of expectations, memories, stories and relationships that, taken together, account for a consumer’s decision to choose one product or service over another.”  And for some reason this made me think about the photo I saw on the Kennel Club website https://www.thekennelclub.org.uk/  two and a half years ago which lead me and my husband to buying a new puppy. This started me on a journey to work out what my brand really stood for, who my audience was, and how I was going to illustrate it. And illustrating it meant having my photo taken. I’m not a huge fan of being photographed and less so of some of the results, but thankfully I was in the capable hands of brand photographer - and ‘showing up’ expert - Vicki Knights https://vickiknights.co.uk/. I’d hugely recommend her for photographs and also her courses, such as https://vickiknights.co.uk/magic I also read some other great books: Purple Cow by Seth Godin, Brand You by David Royston-Lee and Sylvana Storey; How to Style your Brand by Fiona Humberstone https://www.thebrand-stylist.com/; Inside her Pretty Little Head, by Jane Cunningham and Philippa Roberts; Book of Branding, by Radio Malinic; and the super useful ‘deck’ of branding cards Brand Seasons by Sarah Robertson @thesearethedays.co I talk about ceramic artist Loraine Rutt of the Little Globe Company https://thelittleglobeco.com/ as someone whose brand imagery works extremely well.  My online course An Insider’s Guide to Gallery Success, specially created for artists and makers to take them through all they need to know to achieve continuing gallery, and professional, success, opens for booking on 30th April. Find out more at https://elainedye.com/an-insiders-guide-to-gallery-success/ I’ll be back with a new series packed with fascinating interviews with inspiring  women artists, makers and gallery owners, in early June.  

In Episode 29, I’m delighted to be chatting to Caroline Reed, a London-based glass artist working in the exquisite and lesser-known technique of pâte de verre. Caroline shares the extraordinary story of her transition from a career in science and leadership development to a deeply creative life as a glassmaker, her third career, and one she treats with both passion and professionalism. Caroline reflects on her journey into glass, from her early love of art and materials to the moment she found her medium in pâte de verre, drawn to its delicacy, tactility, and potential for layering and experimentation. We explore how her scientific background influences her methodical and curious studio practice, and the emotional experience of pursuing a new career in midlife, including the imposter syndrome that can follow. She also shares candidly about her experience at the Royal College of Art, the impact of COVID on her studies, and the importance of resilience, adaptability, and community in sustaining her creative work - especially the network in the Just Glass Society @just_glass_ https://www.just-glass.co.uk/ and the Contemporary Glass Society @contemporaryglasssociety https://cgs.org.uk/ We talk about what it really means to launch a creative business later in life, how she began showing and selling her work, and the unique strengths she brings from previous career, including an understanding of how to build gallery relationships and communicate with professionalism. Caroline has also found inspiration from ceramicist Anastasia Zaramova, https://www.azamaceramics.co.uk/ @a_zama_ceramics  who she cites as a great example of a maker who appreciates how to promote her business.  You can see Caroline’s work on instagram @carolinereed7767 and her website is  https://caroline-reed.co.uk/  

For many artists, despite having an idea of what you want to create, sometimes the work finds you. For Claire Brewster it was a love of paper, a passion for the freedom of birds… and some handy foam board and pins that sparked her creative practice. Twenty years on from her ‘eureka’ moment, her exquisitely detailed paper birds, hand-cut from vintage maps are in art private and public art collections, hotels and cruise ships all over the world.  Our lively conversation spans Claire’s creative journey—from her early fascination with paper, through art college, experimentation and finding her paper birds… taking off!   Claire candidly shares how her work evolved, navigating the tension between creativity and commercial success. We discuss her bold decision to experiment with painting and collage, the emotional complexity of her practice, and the realities of running a thriving creative business. Claire also reveals the story behind her commissions for prestigious hotels and cruise ships, and why connecting directly with collectors through newsletters and platforms like Substack has been vital to her career. Claire talks about finding inspiration in two fellow artist - who are also successful entrepreneurs: Tracey Emin @traceyeminstudio and Ashley Longshore https://ashleylongshore.com/Follow Claire on Instagram @claire_brewster and visit clairebrewster.com  

We have a double delight in this week’s episode of An Art to It: a painter who is also a gallery owners, as I’m joined by Judi Green—painter, curator, and co-director of Cornwall’s Tregony Contemporary, a gallery she runs with her husband Brian Green.  Judi is a rare and inspiring creative—an accomplished artist in her own right, and someone who brings the same care, clarity, and commitment to nurturing the careers of other artists through her gallery. In our very entertaining chat Judi share’s her early career in advertising where she she was one of very few female art directors at the time, and how—through decades of design, freelance work, parenting, and painting—she eventually found her way back to fine art full-time. Judi shares how studying at the Slade and the Royal Drawing School re-ignited her practice, and how a deeply personal project inspired by her father’s war service became a pivotal moment in her journey as an artist. Of course, we also dive into the story of how Tregony Contemporary came to be. What started as a surprising opportunity in a sleepy Cornish village has become a gallery with a fiercely clear vision—showing distinctive, painterly, and often figurative contemporary work that stands apart from the coastal clichés. Judy talks about the move to their new space in St Mawes, curating with conviction, and the joy of building long-lasting relationships with both artists and collectors. I loved hearing her perspective on what artists really need from a gallery, why showing work in physical space still matters, and what it’s like to balance her dual role as a painter and gallerist. We also reflect on what success really looks like—and how sometimes it’s a beautifully scribbled comment in the visitors' book that reminds you it’s all been worth it. You can see Judi’s work on instagram @littlerockstuio, Tregony @tregonycontemporary and tregonycontemporary.com  

In this episode of An Art to It, I’m joined by Amy Frankie Smith, a ceramic artist and designer whose stunning porcelain lighting and fluid watercolour paintings bring together texture, translucency, and an undeniable sense of place. Amy’s journey into ceramics began with a degree in 3D Craft at the University of Brighton, followed by hands-on experience in architectural ceramics for conservation. But despite an academic and industry-focused path—including a Winston Churchill Fellowship that took her to New York and Chicago—Amy found herself longing for a more personal creative practice. She shares how she transitioned from working in conservation and project management to setting up her own studio, where she now creates delicate, timeless porcelain pendant lights and paintings inspired by the sea. We talk about: The magic of porcelain and how she discovered lighting as her main medium - Why her ceramic work and watercolours are deeply connected The importance of finding the right spaces—both in galleries and interiors—for her work How she balances creativity and business, including commissions, events, and collaborations with interior designers Amy also discusses how she approaches marketing as a creative—something many artists struggle with—and the importance of connection, networking, and finding the right people to support your business. Finally, she shares her thoughts on whether there’s an art to running a creative business—her answer might surprise you! If you’re an artist or maker looking to navigate the balance between creative passion and business, this episode is full of valuable insights. You can see Amy’s work on her website www.amyfrankiesmith.com and on Instagram at  @amyfrankiesmith. Amy also talked about:  Seagreen Designs www.seagreendesignsco.com Illustrated Living www.illustratedlivingstives.co.uk Ethel Loves Me www.ethelloves.me The Design Trust www.thedesigntrust.co.uk/  

Shaping a fresh brand identity is something a younger Laura Wasley might have envisioned—but back then, it would have been for a major fashion house rather than an arts venue and educational charity. Now CEO of the prestigious Make South West, Laura originally set her sights on becoming a buyer for the iconic London store Harvey Nichols, leading her to study fashion. After a brief stint in visual merchandising at GAP and running her own clothing store, her career took a different turn—one that merged creativity with education. Laura joined Arts University Plymouth, https://www.aup.ac.uk/ where she played a pivotal role in external projects and student development. Her dedication to helping undergraduates connect with the creative industries, and prepare them for the world after graduation, earning her well-deserved recognition.   In early 2020, Laura stepped into a new challenge at the Devon Guild of Craftsmen, just as the world was about to shut down. The Covid lockdown made running an arts venue incredibly tough—but it also created the perfect opportunity for something long overdue: a rebrand. Laura led the transformation, working with members and trustees to give the organisation a new identity—Make South West—and collaborating with local design agency 51 Studio https://www.51studio.co.uk/ on a fresh, modern logo inspired by the organisation’s archives. In our conversation, Laura shares what it’s really like to run a creative organisation that’s also a charity, the ongoing need for funding, and why having a small but highly efficient team is essential. Harvey Nichols' loss was the South West’s gain! You can find out more about Make South West at https://makesouthwest.org.uk/ and on instagram at @makesouthwest.   

Nikki Mosley’s stunning paintings - whether her cool, pale and elegant beach scenes or her passionate pink skies - do feel quintessentially Cornish. And that’s no surprise as Nikki lives and works on the Cornwall coast. But it was the other side of the Atlantic where Nikki’s first seriously began her creative journey. After following her husband and his career across the globe, a posting to Houston in Texas allowed Nikki to finesse family commitments with art college. In this episode of An Art to It Nikki and I chat about her journey to becoming a full time artist. From unfinished art studies at school - a fire drill getting in the way of concluding an ambitious project - through an interior design business and sporadic art classes - creativity has always been part of Nikki’s life. The opportunity offered in Texas to develop her skills and win a place at the prestigious Glassell School of Art in Houston https://www.mfah.org/visit/glassell-school was the catalyst she needed.  Several years later the family returned home to the UK and settled in Cornwall where, like many artists before her, the light and landscape proved an inspiration;  and then securing a studio was the final piece in Nikki’s creative jigsaw. Nikki shares the development of her practice, and how the cool coastal stretches gave way to pink skies during lockdown as she was finally able to move into her own home studio overlooking the Far estuary and study the morning and evening skies.  She also reveals how being able to call herself a professional artist is something she holds dear and until she was regularly exhibiting in galleries she felt reluctant to introduce herself as. But with representation with several galleries as well as collectors and fans all over the world, she finally feels that she has achieved the success that she set her sights on.  Nikki’s gorgeous work will be back at the Byre Gallery this summer @thebyregallery  You can follow her on instagram at @nikmosley and her website in nicolamosley.com  

When you have an artistic eye and a talent for creativity you are often blessed with being able to use this skills in different ways, and Claire Stockings-Baker is a perfect example of a multi-disciplinary artist.  Sculptural silver jewellery is what Claire is best known for as an artist, but her creative career started in costume design, and print making and painting are still a big part of her life. In our lovely chat - which as fellow dog lovers didn’t actually focus too much on our four-legged friends - Claire shares the creative path that fate as well as passion has taken her on.  Following a BA in textiles and fashion at Winchester School of Art, https://www.southampton.ac.uk/about/faculties-schools-departments/winchester-school-of-art  Claire studied costume at the Bristol Old Vic Theatre School https://oldvic.ac.uk/, an experience she loved and which launched her career in the theatrical costumes. But falling ill while she was travelling overseas made Claire re-think her work and the lifestyle that having a career in the theatre entails and decided to move back to her native Cornwall. While working in interior design Claire decided to re-train as a jeweller; but rather than return to art college she taught herself through reading books, watching videos and lots of experimentation. And once she was happy with her creations she didn’t look back. During our chat Claire talks about her time at the Bristol Old Vic https://bristololdvic.org.uk/ and the productions she was involved with, and how having a costumier’s eye plays a key part in creating her jewellery designs.  Claire also reveals that learning to outsource the parts of her creative business where she knows that others can do it better and more quickly, has been a huge part in making her practice and her business more efficient.  Claire’s gorgeous work will be back at the Byre Gallery this summer https://thebyregallery.co.uk/collections/claire-stockings-baker And you can follow her on instagram at @clairestockingsbakerjewellery You can follow me @elaine_dye_ and the Byre Gallery @thebyregallery  

Sometimes a guiding hand is all that is needed to kick start you on a particular path or career, and sometimes fate delivers that in an unexpected way. Visual artist Kerry Louise Bennett knew that she wanted to pursue a career as a painter but it didn’t seem quite achievable; then prompted by misremembering a comment from a friend, she picked up a book in a second hand shop by hypnotist and self-improvement guru Paul McKenna https://www.paulmckenna.com/ called ‘Change your Life in Seven Days’ and focused on achieving the life she wanted to live.  Five years on, she is living that life, creating beautiful, uplifting and sought after paintings and showing them with highly acclaimed art galleries. How did she end up living the dream?  In our very entertaining chat, Kerry talks about her creative journey: she excelled at art while at school, but didn’t feel she had the support to take her studies further and instead went down a more academic path. But creativity continued to be a part of here life - either tempting her in for a while, with roles such as a community artist or a trainee upholsterer - or using her creative eye in her PR and communications roles.  Moving house and creating a studio as part of the renovations did prompt her to pick up her paint brushes again and she worked on her art after her young son was asleep. But it was the chance encounter with Paul McKenna’s book that proved the catalyst. Kerry also shares how having previously invested in a photography foundation degree she didn’t want to spend more money on going back to art college and so embarked on teaching herself via You Tube and text books, and benefited from being excepted on the the New Platform Art programme https://newplatform.art/  She began to share her work on Instagram and soon built up a loyal following of other emerging artists - and found through that a supportive community that she says was just like being at art college.  Instagram also brought her exposure to galleries and she was quickly signed up by two; and recently fashion and lifestyle retailer Toast spotted her and she was featured in their magazine https://www.toa.st/blogs/magazine/kerry-louise-bennett-artist You can see Kerry’s gorgeous work on her website https://www.kerrylouisebennett.co.uk/ and on instagram  @land_of_the_grey_and_pink.  Kerry’s work also features on postcards with Sheffield based https://www.theartpost.co.uk/artists/kerry-bennett  

Creativity has always been part of Sarah Pooley’s life. But after completing a degree in textiles her career took her into the knitwear industry where she found a job she loved designing patterns for a brand of knitting machines. When she started her family having a home based career was preferable and the beginning of the next chapter in her creative life was in soft furnishings for interiors. It was her trusty sewing machine that took Sarah on to the next stage of her creative life, and what she is known for now: her stunning free motion embroidery fine art textiles. In our very entertaining chat, Sarah talks about her life long of wanting to capture the landscapes around her in her art, and how fortunate she feels at finding the perfect medium for her to do so. She shares her coastal inspirations for her work and how her sister’s new career as a ceramicist in the north east of Scotland gave her, not only a new part of the coastline at the other end of the country to enjoy but, access to an established Open Studios network to debut her work https://www.northeastopenstudios.co.uk/. Sarah also reveals how her creative partnership with friend and visual artist Sharon Bruster https://sharonbrusterart.co.uk/ developed. With Sarah based in Hampshire and Sharon in Cornwall it might seem an unlikely way to come together to create art, but with the joys of modern technology and the more traditional Royal Mail, it has become a successful enterprise for them both. There will be a small collection of Sarah’s abstract textiles at the Byre Gallery https://thebyregallery.co.uk/ this summer, and you can also see her work at the lovely Padstow Gallery in north Cornwall https://padstowgallery.co.uk/ Sarah is on Instagram at @sarahpooleytextiels

There probably aren’t many artists who can lay claim to a previous career working with stunt horses in film and TV productions, but Claire Howlett can. When she had to abandon her foundation degree in fine art, Claire first turned to art restoration as a potential career but after an enjoyable and educational few years in a darkened room, it was to her other great love - horses - that she turned. Applying to a few stables in her native Berkshire, she was lucky enough to be taken on by one specialising in providing equine performers and she was hooked. In our very entertaining chat, Claire shares more details on the somewhat unconventional route she has taken to becoming a full time artist, including her successful restoration of a painting by Sir Thomas Lawrence (1769 – 1830) the fourth president of the Royal Academy of Art https://www.royalacademy.org.uk/ and a notable society portraitist; and how a chance encounter lead to her early work being showcased in royal furniture-maker Viscount Linley’s London showroom https://www.davidlinley.com/ Claire shares how despite a varied career, she has continued to paint and it is her love of the outdoors and capturing the sense of place she finds in remote spots that inspires the very striking sea and landscapes which she paints now. You can see Claire’s work on Instagram at @Clairehowlettartist and on her website: https://clairehowlettart.com/

A glance at Emily Hadley’s website is enough to make the most accomplished of creative business owners feel (more than?) slightly inadequate. Not only has she and her husband renovated three homes, Emily took charge of the interiors - a service she has also developed professionally - she is also an Instagram influencer and content creator, a silversmith with a range of jewellery… and now runs a hugely successful art gallery from her home.  And during much of this was also a primary school teacher championing art for future young creatives. In our lively and entertaining chat Emily shares how her love of teaching, and especially sharing and encouraging art in all its forms to her pupils, was gradually eroded by lack of resources and support. Giving up her much loved career she looked for an alternative that would give her the same satisfaction: she was already styling and photographing her home for social media when an artist friend encouraged her to include original art too. She embraced this wholeheartedly, and was soon representing a varied and exciting range of artists and selling their work all over the world.  I love chatting to all creatives and creative business owners, but a conversation with a fellow gallerist is quite special as it’s also an opportunity to share the joys - as well as the frustrations - of our businesses and Emily is candid in our conversation about the highs and lows of running any creative business, and her aspirations for the future.  You can visit Emily’s website at https://www.emilyhadley.co.uk/ and follow her on instagram @emuplops - during our chat she also reveals what inspired her rather unusual insta handle!  This is last in the series of An Art to It, I will be back with more creative guests in 2025. If there is anyone you’d like to suggest as a guest for the new series please do let me know. You can follow me on instagram @elaine_dye_ and @thebyregallery - the website for the Byre Gallery is www.thebyregallery.co.uk where you can enjoy our winter exhibition and find out more about the courses and support I offer to artists and makers.