Behind The Sound

Three fiddles, one guitar, and a sound that crosses musical boundaries. In this episode of Behind the Sound, Brian sits down with Rachel, Hannah , and Maura of Triple Fiddle to explore the group’s distinctive blend of bluegrass, jazz, Scandinavian folk, chamber music, and honky-tonk. The musicians share how Triple Fiddle grew from a jam session into a full-fledged group, how they bring their individual musical voices together, and why careful listening matters when three fiddles share the spotlight. Hannah talks about taking on the guitar role and growing as a player, while Rachel and Maura discuss improvisation, arranging, and drawing on their classical and folk backgrounds. They also get into the band’s hybrid recording process, the onstage cues that keep performances flowing, and the joy of playing in a rare all-women ensemble. Along the way, the group reflects on musical growth, creative teamwork, and what audiences say when they hear Triple Fiddle for the first time. If you love acoustic music, inventive arrangements, and musicians who make collaboration part of the performance, this conversation is for you. Find Triple Fiddle online at triplefiddle.com and on social media as @triplefiddle.

A debut album 40 years in the making, a self-portrait on the cover, and a story about why local live music still matters. Peter, aka Spike, shares how Spike and the Gandy Dancers turned decades of songs into a bold, fully realized release that’s as personal as it is ambitious. Brian digs into the origin of the band name, the psychology behind Spike’s nickname, and the creative leap from writing “pretty little songs” at home to building them into a full production with Minneapolis music veteran John Munson. Along the way, Peter opens up about his background as a therapist and teacher, and how years spent telling stories shaped the way he writes lyrics that stick. You’ll discover how songs like Be Here Now, What You’re Gonna Be, Magic Carpet Car, and Teardrops in Paris took shape, why a tuba, accordion, Hammond B3, and even “whale songs” ended up on the record, and how family became part of the process through his son’s musical and design contributions. Peter also reveals the DIY reality of independent artistry—from painting the album art and building the gatefold package to watching the vinyl pressings himself and assembling the records by hand. This episode also explores the emotional core of the project: recovery, memory, loss, and the power of music to make people feel seen. If you’ve ever wondered whether it’s too late to make the record, start the band, or bring an old creative dream to life, this conversation is for you. Perfect for listeners who love indie music, behind-the-scenes album stories, and the kind of honest creative advice that makes you want to pick up your own unfinished project and finally get it heard.

The difference between a song that lands and a song that disappears often comes down to one thing - who’s behind the glass. Gary Spencer breaks down how great records are really made, from the first shaky bedroom session to the kind of production decisions that can completely reshape a track. If you make music, sing, write songs, or just love hearing how records come together, this conversation pulls back the curtain on what a producer actually does - and why the best ones are part engineer, part coach, part psychologist, and part creative partner.

The hardest part of releasing your art is not writing it - it's letting the people closest to you hear it before you know whether it lands. Matthew opens up about the vulnerability of sharing his first songs with friends and family, the gut-punch of getting a flat reaction, and the moment a producer’s belief changed everything. Brian draws out the emotional turning point behind Matthew’s early music journey, from the first live performance of Sweet Sound with a tiny band called Someone's Keys to the anxious question every creator asks: if I gave my best work to people I love, what would it mean if they didn't connect with it? You’ll hear how Matthew turned one song into the seed of an album, how ideas for tracks like Lonely With You began with conversations and quick notes worth saving, and why the right collaborator can unlock confidence that no amount of self-talk can provide. He shares how producer Elijah Hamilton responded before they even met, sending detailed feedback that went far beyond polite encouragement and helped him see he had something real. We break down:Why sharing unfinished art can feel more intimidating than performing itThe difference between empty praise and feedback that actually builds momentumHow a single meaningful response from a producer can reshape an artist’s self-beliefWhy early rejection, even from close friends, can stall creative work for yearsWhat happens when your circle becomes your first audience and your biggest source of courageIf you’ve ever hesitated to put your work in front of people, this conversation will feel familiar. It’s about the emotional cost of creating honestly, and the surprising power of finding the right people who can hear what you’re trying to say before the rest of the world does. Essential listening for musicians, songwriters, and anyone wrestling with the fear of being seen before they feel ready.

Three musicians, one basement, and a debut album years in the making - Stone Arch Rivals prove that the best bands are built on chemistry, not shortcuts. Claire Spinti, Morgan Ranstrom, and Jenna bring the full story of how a Minneapolis jam session turned into a soulful rock and roll collective with a sound that fuses rich grooves, heartfelt songwriting, live instrumentation, and the kind of voice that stops you in your tracks. What started as covers and experimentation became something much bigger once the missing pieces fell into place. Claire shares how adult jam-band culture at Twin Town Guitars reignited her love of performance, Morgan opens up about stepping into lead guitar and finding his voice inside the band, and Jenna reveals how bass became the instrument she always heard first - plus how her classical violin background shaped the way she approaches music now.