Behind the Screens

Returning from CineEurope, we’re diving right into the box office phenomenon that is Inside Out 2. With Pixar’s newest movie hitting the number 1 spot for the year’s box office to date, we’re examining how the audience evolved within these first two exciting weeks, along with new debuts The Bikeriders and The Exorcism. Join us Behind the Screens as we uncover it all! Topics and times: CineEurope impressions and state of the industry - 0:45 Inside Out 2 box office overview - 2:00 Inside Out 2 audience evolution from debut to week 2 - 4:19 The Bikeriders box office overview - 7:39 The Bikeriders audience analysis - 8:51 The Exorcism box office and audience - 11:25 Box office roundup - 14:01 Next week - 15:04 Thank you, Grace! - 15:41 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow lifeatvistagroup on Instagram Box Office Overview: Inside Out 2 made a number of milestones in its second week. With $101M domestically this weekend, a drop of only 35%, Inside Out 2 sits at $356M domestically, surpassing Dune: Part Two for the highest-grossing movie of 2024 so far. Internationally its total sits at $369M, only $2M behind Godzilla x Kong, and making for a global cumulative total after less than 2 weeks of $724M — the highest gross of the year to-date. Bad Boys: Ride or Die grossed an additional $18.8M domestically in its third weekend, reaching $289M globally. The Bad Boys franchise has now grossed over $1B globally. The Bikeriders debuted to $9.7M in the domestic market and $3.9M internationally for a total of $13.6M. The Exorcism debuted to $2.5M in the domestic market and $1.9M internationally for a total of $4.3M Despicable Me 4, opening in 4 international markets, grossed $9.35M.

Live from CineEurope, Matthew and Simon dive through the explosive opening of Pixar’s Inside Out 2 this past weekend, where it broke records for the year-to-date and provided a boost to the box office. As the highest domestic opening result for the year, we compare Inside Out 2 against other animated titles of recent years to see how Pixar's latest stood out! Topics and times: Recent industry news - 0:58 Highlights from CineEurope - 1:27 Inside Out 2 opening weekend - 3:01 Inside Out 2 box office and records - 4:28 What this signifies with Pixar for theatrical markets - 7:07 Inside Out 2 audience analysis - 8:07 Box office roundup - 12:30 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow lifeatvistagroup on Instagram Box Office Overview: Inside Out 2 debuted to a $214M domestic 3-day weekend, the biggest opening since Barbenhiemer. With $155M for the 2-day weekend domestically and $140 internationally, it grossed $295M worldwide with its opening. Bad Boys: Ride or Die grossed a futher $33M for a 41% drop from its opening weekend, and is now approaching $220M worldwide. Kingdom of the Planet of the Apes dropped 4% with $5.2M, reaching a global cume of $375M. Garfield now approached $220M worldwide.

With the Memorial Day weekend underperforming against expectations, we’re looking at what exhibitors can do to boost interest in Furiosa and Garfield with their movie marketing. Join us Behind the Screens as Matthew, Simon, and Ryan break down the box office and audiences for the titles, and give their thoughts on how cinemas might market them for greater attendance. Topics and times: Memorial Day box office comparison - 0:10 Furiosa box office overview - 2:01 Furiosa audience analysis - 3:20 Furiosa marketing recommendations - 4:25 Garfield box office overview - 8:06 Garfield audience analysis - 9:57 Critical reception - 12:26 Sight overview - 13:07 Box office roundup - 14:00 Next week - 14:35 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow lifeatvistagroup on Instagram Box Office Overview: Furiosa: A Mad Max Saga debuted to $32M domestically and $33M internationally, unfortunately short of predicted opening despite high audience and critical reception. Garfield debuted domestically to $31.1M. Internationally, where it has been released in some markets previously, the title’s total sits at $66.3M, bringing the worldwide total over $100M. IF grossed an additional $11.3M over the 3-day weekend, passing the $100M mark worldwide. Ghostbusters: Frozen Empire passed $200M globally this past weekend. Kingdom of the Planet of the Apes is fast approaching the $300M mark worldwide.

IF debuted at the head of the domestic box office, and with two hosts fresh off seeing the family flick, we’re diving into the audiences for this week’s latest releases. Matthew, Simon, and Ryan spill the details on their own imaginary friends, and we take a look ahead at Furiosa and Garfield’s international performance ahead of its domestic release on this week’s Behind the Screens. Topics and times: News from Cannes Film Festival - 0:16 IF box office overview - 3:04 IF audience analysis - 3:36 IF audience and critical reception - 5:38 The Strangers: Chapter 1 box office overview - 7:03 The Strangers: Chapter 1 audience analysis - 7:42 Back to Black box office and audience - 10:20 Box office roundup - 13:08 Next week - 14:08 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow lifeatvistagroup on Instagram Box Office Overview: The Kingdom of the Planet of the Apes was the number 1 global film, taking another $66.6M, bringing its global total to $238M. IF opened to the number 1 slot domestically with $35M in the domestic market and a further $20M internationally, for an opening weekend total of $55M. The Strangers: Chapter 1 opened in 3rd position in the domestic market with $12M. Fall Guy took another $15.6M globally, bringing its cumulative total to $127M. The Garfield Movie ahead of release in the US is now in 27 international territories and grossed $10.3M, bringing the international total to $49M. Back to Black released to $2.85M domestically, bringing its worldwide cume to $26.3M.

As Kingdom of the Planet of the Apes marks a fantastic opening to the summer, can you guess which monkey-themed titles held audiences in common? Matthew, Ryan, and Simon bring us the box office and audience analysis, as well as a look at the dynamic audience evolution for Fall Guy’s second weekend on this instalment of Behind the Screens. Topics and times: The Kingdom of the Planet of the Apes box office overview - 1:01 The Kingdom of the Planet of the Apes audience analysis - 2:21 Planet of the Apes franchise comparisons - 5:12 Box office top 5 roundup - 6:24 Fall Guy’s dramatic audience evolution - 7:52 Marketing beyond the opening weekend - 10:10 Pre-sales for IF - 10:50 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow lifeatvistagroup on Instagram Box Office Overview: The Kingdom of the Planet of the Apes grossed $58M in the domestic market with its debut, and a further $72.5M internationally for a worldwide total of $131M. Fall Guy fell by 51% into its second week, grossing $13.7M domestically and $23.1M internationally for a global total now of $103.7M. Challengers came in third with a drop of 38%, grossing $4.6M. Tarot grossed $3.45M for a drop of 47%. And Garfield, released now in 22 markets, grossed $11.8M dropping only 32%, reaching an international cumulative total of $36M thus far.

As Fall Guy debuted below expectations domestically, China saw 3 of the top 4 titles globally over their Labor Day weekend. And as May the 4th marked its 25th anniversary, Star Wars: The Phantom Menace made a surprisingly sizeable splash with its re-release. Join us Behind the Screens for all the box office and audience analysis. Topics and times: Fall Guy box office overview - 0:26 Fall Guy audience analysis - 1:51 Tarot box office overview - 10:17 Tarot audience analysis - 10:58 Star Wars: The Phantom Menace re-release - 12:22 International box office roundup and China box office hits - 16:48 Pre-sales for The Kingdom of the Planet of the Apes - 18:56 Next week - 19:18 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Fall Guy released domestically to $28M, with $25.4M internationally for a total of $53.1M worldwide. Across 2nd, 3rd, and 4th position globally were three titles from China’s long weekend: The Last Frenzy which made just under $30M, Formed Police Unit which grossed $23.8M, and Twilight of the Warriors: Walled In which made 22.2M. Re-released for its 25th anniversary on May the 4th, Star Wars: The Phantom Menace took $8.1M in the domestic market this past weekend. Challengers  grossed another $7.6M in the domestic market, taking 4th position. Godzilla x Kong grossed an additional $4.5M, dropping 37% from its previous week.

Fresh from CinemaCon, Matthew, Simon, and Ryan give us all the highlights and talk movie previews. With Civil War making A24’s highest-grossing opening this weekend, we tackle the box office and audience analysis with some surprising comparisons. Join us Behind the Screens for all the box office and more! Topics and times: CinemaCon roundup - 0:20 Our thoughts on CinemaCon previews - 2:50 Civil War box office overview - 5:15 Civil War audience analysis - 7:05 Global box office roundup - 10:42 Bob Marley: One Love re-release - 13:34 Next week - 15:41 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Civil War made for A24’s highest-grossing opening this past weekend, with $25.7M from the domestic market and an additional $4.3M internationally for a total of $30M. Godzilla x Kong: The New Empire dropped 50% grossing $15.5M domestically, with $49M globally. Ghostbusters: Frozen Empire made nearly $6M domestically only dropping 36%, for $31.4M globally. Kung Fu Panda 4 grossed $5.5M domestically, for a drop of only 30%. Internationally, Detective Conan: Million-Dollar Pentagram opened to nearly $22M in Japan alone.

Godzilla x Kong: The New Empire debuted this Easter weekend, making for the second-biggest opening weekend for a title in 2024 after Dune: Part Two. We delve into all the Behind the Screens details of the audience, and how this latest instalment measures up against previous Monsterverse movies on this week’s episode. Topics and times: Catch us at CinemaCon next week - 0:16 Godzilla x Kong: The New Empire box office overview - 1:31 Godzilla x Kong: The New Empire audience analysis - 3:45 Comparing Godzilla x Kong with the Monsterverse - 7:03 Global box office roundup - 10:44 Next week - 11:42 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Godzilla x Kong: The New Empire debuted to $80M in the domestic market, and an additional $114M across 63 international territories for a global opening of $194M — the second-highest opening weekend result of the year, only behind Dune: Part Two. Ghostbusters: Frozen Empire grossed $15.7M domestically for a drop of 65% into its second week, bringing its total domestically to $73M. Dune: Part Two crossed a $250M total in the domestic market with $11M this weekend bringing the domestic total to $252M, and $626M worldwide. Kung Fu Panda 4 grossed $10.2M domestically over the easter weekend, passing $150M domestically in total, as its global total approaches $350M. Immaculate grossed 3.2M, a drop of 38%, bringing its current domestic total to just over $11M.

As Kung Fu Panda 4 debuts in China and the Ghostbusters hit the big screen domestically, it’s an exciting week for box office. We delve into the audience of Ghostbusters: Frozen Empire to explore how the audiences for the franchise has evolved over its 40 years, and look into horror double-features with Immaculate and Last Night with the Devil here on Behind the Screens. Topics and times: Ghostbusters: Frozen Empire box office overview - 1:31 Ghostbusters: Frozen Empire audience analysis - 3:24 Multigenerational audience appeal - 6:22 Box office top 5 roundup - 8:57 Immaculate audience analysis - 10:06 Late Night with the Devil box office and audience - 13:00 Godzilla x Kong pre-sales - 16:08 Next week - 18:08 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Kung Fu Panda 4 launched in another 13 international markets this weekend including China, taking $72M around the world, its global cumulative total nearly reaching $270M. Ghostbusters: Frozen Empire topped the box office with $45.2M domestically and $16.4M internationally from 25 territories, for a global debut total of $61.6M. Dune: Part Two grossed a further $48M this past week, and now sits at a global total of $575M. Immaculate debuted to $5.3M at the domestic box office for 4th position this weekend.

Dune: Part Two continues to make a splash as it surpasses its predecessor and approaches $500M worldwide. As Arthur the King debuts, we examine the audience, and take a look at pre-sales for Ghostbusters: Frozen Empire on this week’s instalment of Behind the Screens. Topics and times: The ‘Poohniverse’ set for 2025 - 0:32 Box office overview - 1:30 Arthur the King box office overview - 3:48 Arthur the King audience analysis - 4:10 Arthur the King reception - 6:47 Ghostbusters: Frozen Empire pre-sales - 7:31 Next week - 9:00 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Dune: Part Two approached the $500M mark worldwide in its second week, grossing $80.3M globally this past week, and crossing $100M from IMAX screenings. Kung Fu Panda 4 widened its release internationally, grossing nearly $70M worldwide including $29M from the domestic market. Arthur the King debuted with $7.5M in the domestic market. Imaginary grossed a further $5.6M domestically, reaching $19M domestic total in its second week. Cabrini dropped 61% for $2.8M in its second week, and now sits at just over $13M for its cumulative domestic total.

Kung Fu Panda returns to the big screen at the head of the box office as Dune: Part Two comes close to the original’s lifetime gross already. Following the Academy Awards, we’re examining the audiences for Kung Fu Panda 4, Imaginary, and Cabrini on this week’s episode of Behind the Screens. Topics and times: Domestic box office overview - 1:36 Dune: Part Two box office overview - 3:24 Kung Fu Panda 4 box office overview - 4:09 Kung Fu Panda 4 audience analysis - 5:15 Imaginary box office and audience analysis - 8:15 Cabrini box office and audience analysis - 11:52 Next week - 14:16 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Kung Fu Panda 4 debuted at the top position with $58M domestically and $22M from 41 international territories for a global total of $80.5M. Dune: Part Two grossed $46M domestically, a 44% drop from the opening weekend, and $127M globally, bringing its worldwide total to $367M. The Pig the Snake and the Pigeon, a chinese release, grossed $20.7M worldwide. Imaginary grossed $10M in the domestic and $3.1M internationally, though from only 27 territories. Cabrini from Angel Studios grossed $7.6M. and YOLO, after achieveing nearly half a billion in China, debuted to the domestic market with $900K.

All eyes are on Dune: Part Two as the big screen lights up again, and we’re bringing you all the numbers across the booming box office, as well as breaking down the audience for Denis Villenueve’s blockbuster sequel. How does Dune: Part Two compare to the original? Join us Behind the Screens to find out! Topics and times: Global box office overview - 0:36 Domestic box office overview - 2:00 Dune: Part Two box office - 3:36 Dune: Part Two audience analysis - 7:00 The Chosen Season 4 Part 3 box office and audience - 13:55 Next week - 15:24 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Dune: Part Two exploded onto the big screen with a $178.5M global opening weekend, with $81.5M estimated domestically across 4071 screens—giving it a per-screen average of $20,019—and an additional $97M from 71 territories internationally. Bob Marley: One Love crossed the $150M worldwide this past weekend, with some territories yet to release, and $7.4M grossed domestically this weekend. Ordinary Angels grossed an additional $3.9M for a $12.5M cume to date. Madame Web also grossed $3.2M in its third weekend, reaching $40M cumulative total. The Chosen Season 4 Episodes 7 & 8 grossed $3.2M with the third instalment of its series episodes in cinemas.

From Valentine’s Day to Presidents’ Day, there’s a long holiday period to delve into with this week’s box office. With Bob Marley: One Love achieving the 2nd-highest opening for a musical biopic, can it make up for the unfortunately lackluster debut of Madame Web? Join us Behind the Screens as we take a close look at the box office and audience breakdowns for both debut titles. Topics and times: Vista group Conference - 0:39 International box office overview - 3:17 Domestic box office overview - 3:53 Bob Marley: One Love box office - 5:20 Bob Marley: One Love audience analysis - 7:08 Madame Web box office - 12:15 Madame Web audience analysis - 13:53 Domestic box office roundup - 18:57 Next week - 21:08 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Bob Marley: One Love debuted at the top of the box office, grossing $28.6M across the 3-day weekend, $34.1M from the 16th to the 19th, or if including the Valentines Day release for an extended evaluation, $52M in the domestic market. Across the weekend alone, Bob Marley: One Love grossed $29M across 47 international markets for a global total of $74.6M. Madame Web debuted to a decidedly lower result, grossing $15.4M in the domestic market over the 3-day weekend ($18M for Presidents’ Day weekend, $26M including Valentine’s Day), and $25.7M internationally from 61 markets. Argylle dropped to the 3rd spot this past weekend, bringing in $4.8M domestically in its 3rd week. Migration rose from 5th position last week to 4th, grossing another $3.8M for a total of $115M after 9 weeks. And The Chosen: Season 4 Episodes 4-6 took the 5th position, with $3.6M from the domestic market.

With Matthew and Simon absorbed in the Vista Group Conference, Ryan and Janelle take the reigns this week. Looking back over the exciting Superbowl weekend, we dive into the audience for new release Lisa Frankenstein, as well as the explosive box office results over the Lunar New Year in the Chinese market. Topics and times: The 2024 Superbowl - 0:50  Lisa Frankenstein reception - 2:02 Box office overview - 4:14 International box office - 6:02 Lisa Frankenstein audience analysis - 8:02 Upcoming Valentines Day releases - 11:40 Next week - 12:39 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Argylle retained the #1 spot domestically with a drop of 64% for $6.2M domestic gross. Lisa Frankenstein debuted to 2nd position with $3.8M domestically, and has not released internationally yet. The Beekeeper stayed in 3rd for 35.7% drop, reaching a domestic total now of $54.6M. Wonka grossed an additional $3M, bringing its domestic total over $200M and international total over $500M. Migration dropped 30% for $2.9M domestically. In the Chinese market, local titles exploded for Lunar New Year with YOLO grossing $112M in the market, and Pegasus 2 grossing $105M in 2nd place.

Argylle debuted across the world this past weekend alongside a box office oddity, as a faith-based TV series, The Chosen, screened the first three episodes of its 4th season in cinemas. We bring you all the details from the box office and audience analyses for both titles, this week on Behind the Screens. Topics and times: Domestic box office overview - 0:54 Argylle audience analysis - 2:33 International box office overview - 4:52 The Chosen audience analysis - 5:31 Upcoming releases - 7:28 Next week - 8:58 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Argylle debuted this weekend to the #1 spot with $18M grossed domestically and $17M internationally for a global total of $35M. Anyone but U came in second globally with $17M across the domestic and international markets, crossing $150M globally. The Chosen, a TV series release, took the #2 position domestically, grossing $7.5M. The Beekeeper maintained a consistent drop of 20% for $5.3M domestically. Wonka brought in $4.8M domestically, bringing its domestic total over the $200M mark. Migration dropped 16% for a gross of $4M domestically. And Poor Things came in 6th position with a global gross of $10.6M.

Mean Girls and The Beekeeper battle for the top position in a week of holdovers as we wait for the debut of Argylle. While it’s the quietest week in a long time, it’s not silent, with Fighter making a sizable splash in the international market, so join us for a (very) brief run through the global box office this week on Behind the Screens. Topics and times: One of the toughest box office weekends in years - 0:35 Box office overview - 1:04 What we saw this week - 2:55 Domestic box office holds - 4:25 Next week - 5:20 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: The Beekeeper and Mean Girls vie for first position, with each making between $7.3-7.4M in the domestic market. Internationally, Fighter was the biggest global film this week, grossing $1M from the US and $21M from 23 territories internationally. Wonka, in third position domestically, had a drop of 12% for $5.9M. Migration dropped only 6%, grossing $5.1M domestically. Globally, it crossed the $100M mark this past weekend, reaching $101.2M. Anyone But You dropped 11% for $4.8M, passing $50M internationally and bringing its global total to $127M.

Mean Girls and The Beekeeper maintain the top spots domestically and internationally, while I.S.S. launched this past weekend. We take a close look at the audience for I.S.S. and ask how movie marketers can make the most of holdovers during a time with few major film releases. Topics and times: Weekend box office compared to previous years - 0:16 Box office overview - 1:40 I.S.S. audience analysis - 3:46 I.S.S. and holdover marketing recommendations - 6:13 What’s coming next week? - 8:44 Vista Group Customer Conference - 10:23 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Mean Girls held the #1 spot domestically with $11.7M, passing a $50M domestic cumulative total. The Beekeeper grossed $8.5M domestically and $23M globally for a $75M worldwide cumulative total. Wonka held 3rd position with $6.4M domestically. Anyone But You grossed $5.4M domestically, reaching a domestic total of $64M and crossing $100M globally. Migration rounded out the top 5 with $5.3M domestically, bringing its domestic total to $95M.

The musical Mean Girls debuted at the top of the US box office this past long weekend, while Jason Statham’s The Beekeeper followed close behind. Join us as we dive into the audiences and box office results for each on this week’s episode of Behind the Screens! Topics and times: Freezing impact on the box office - 0:16 Domestic box office overview - 1:54 Mean Girls box office in-depth - 3:11 Mean Girls audience analysis - 3:44 Mean Girls hold and reception - 7:27 The Beekeeper box office overview - 9:09 The Beekeeper audience analysis - 9:43 Other debut films & Soul’s theatrical release - 13:40 Next week - 15:30 Vista Group Customer Conference - 16:00 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Mean Girls debuted to the top domestic spot with $33.2M across the 4-day weekend in the US ($28M across 3 days) and $6.5M internationally for an opening weekend total of $35M. The Beekeeper grossed $19M domestically in its opening weekend, and a further $17M internationally for a worldwide gross of $34M. Wonka took 3rd position with $11M domestically this weekend, and crossed the half-billion dollar mark globally. Book of Clarence opened to the 9th position in the domestic box office with a $3M gross. Soul, Disney’s direct-to-streaming Pixar title of 2020 released in theatres and was 20th at the box office for the weekend, only grossing $557,000.

We’re back! In this episode we discuss the impact of the industry strikes on 2023’s total box office cume. With several new title releases over the holiday period, we look into the audiences for Night Swim, Anyone But You, The Boys in the Boat, The Color Purple with marketing tips to further connect with the diverse audiences. Topics and times:  1:22 - 2023 box office summary 4:00 - Top 5 box office round-up 6:33 - Night Swim audience analysis  9:08 - Anyone But You audience analysis 12:30 - The Boys in the Boat audience analysis 15:45 - The Color Purple audience analysis  19:11 - Next week Find us at https://www.linkedin.com/vista-group-limited Box Office Overview: The Global box office reached $33.9B - up 31% from the prior year, however down 15% on the 3-year average (2017-2019). Wonka continues to stay atop the box office with a global total of $466M. Night Swim debuted to an $18M worldwide total. Aquaman and the Lost Kingdom gained $10.6M domestically, passing the $100M mark at the domestic box office. Migration reached over $150M worldwide after three weeks. Anyone But You reached a domestic cume of $44M, and $15M worldwide total.

The long-awaited Wonka debuted in the US and opened to a wider international audience this weekend, so we dive into the box office and audience for Timothée Chalamet’s latest movie. As the year comes to a close, we look back in our year in review: what films stunned us, which fell flat, and what trends do we see continuing into 2024? Join us Behind the Screens to find out! Topics and times: Wonka box office overview - 0:26 Wonka audience analysis - 2:29 Top 5 domestic box office roundup - 7:10 Next week - 7:35 2023: The Year in Review - 7:55 Find us at https://www.linkedin.com/company/vista-group-limited/, and follow @moviohq & @numeroboxoffice on Twitter Box Office Overview: Wonka debuted $39M domestic, opened in 40 more intl for intl $53.6M, weekend total 92.6M global cume $153M. The Hunger Games: The Ballad of Songbirds and Snakes passed the $300M mark globally this past weekend, adding another $5.8M domestically. The Boy and the Heron dropped 60% in its second weekend with $5.8M domestically. Godzilla Minus One grossed a further $4.9M domestically. And Trolls Band Together grossed $4M domestically, with its domestic cumulative total now nearly $90M.