This week we take a step back to the golden age of the slasher movie, 1982, for a look at a movie that misses the mark by a significant margin and yet it still remains strangely compelling. Starring Bill Paxton in one of his earliest roles, Mortuary attempts to cash in on the slasher boom but can't quite figure out what it is about Halloween and Friday the 13th that makes them so successful. Hint: It's their simplicity. Mortuary can't help but complicate matters with numerous inexplicable subplots that remain unresolved all the way to the end of the movie: Why is there a satanic cult? We'll never know. Young Christie is haunted by a memory of her father's murder that she can't quite square with the known facts. Was he murdered or did he drown and why doesn't anyone believe her when she says she witnessed his murder? Meanwhile, a dude in a black cloak is stalking the night, killing randos while trying to get close to Christie. It's plainly obvious from the jump who the killer is since he's only wearing makeup and not a mask. There's a weird, unpleasant tone of necrophilia running throughout the movie and just about everyone sucks but hey! Christopher and Linda Day George are on the set together and that has to count for something. Honestly, Bryan's not sure why he put this one on the list.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we're joined by Tyler Hyde from the podcast That's Spooky to discuss the made-for-tv scare film, Mazes & Monsters. The film represents the first lead role for future superstar, Tom Hanks in a movie about the dangers of playing Dungeons and Dragons. No, I'm not making that up.In the early 1980's as Dungeons and Dragons became a sensation of tabletops everywhere, it didn't take long for scolding parent groups to cry foul to every media outlet that would listen and raise a moral panic that rose in tandem with the moral panics around heavy metal music and horror movies. The disappearance of and tragic suicide of James Dallas Egbert III thrust D&D into the headlines and craven opportunists and sensational headlines ignored all the factors that drove him to suicide and placed the blame squarely at D&D, the one thing in his life that brought him joy and provided an escape from the pressures of being a child prodigy. His story informed Rona Jaffe's book, Mazes and Monsters, which led to the rapid development of this TV movie also starring Chris Makepeace and Wendy Crewson.The story concerns four friends at university who play Mazes and Monsters, the legally distinct dungeon crawler role playing game that causes one player to lose his shit and fall into a psychotic delirium which leads him to murder, madness, and suicide. It is, without question, one of the most toxic movies we've ever seen with a message that seems to be: under no circumstances are you to use your imaginations. You should be thinking about a sensible career now. It's a real bummer, you guys.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we watch a movie that takes several hundred episodes of the seminal gothic soap opera and condenses them to 90 brisk minutes of vampire melodrama in a way that is confusing and frustrating in ways that few movies are.Dark Shadows, for all its cheesiness and cheapness is one of the most important contributions to horror in the way that it added a dimension to vampire media that hadn't really been explored yet. Without Barnabas Collins you do not get Anne Rice's Vampire Chronicles. No Buffy The Vampire Slayer. No Vampire The Masquerade. In this episode we run it down in depth. Dave is a huge fan of the TV show and can't wait to tell you all about it and fill in the blanks where the movie fails because believe me, listeners, this movie fails big time.The wealthy Collins family receives a visit from long-lost cousin Barnabas but he conceals a terrible truth. He is a 200 year old vampire, freed from his prison of a hidden locked coffin by the Collins family handyman. He stalks the people of Collinsport by night and falls madly in love with the Collins family governess, Maggie, when she bears a striking resemblance the woman he once loved. It's basically Dracula but with a lot of really weird zigs and zags as it does its best encapsulate over one hundred hours of soap opera storytelling into a short feature film.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
99 Cent Rental returns after our October break with a listener request. Since we just did Don Coscarelli's 1979 debut, Phantasm, a movie made on tiny, sub-500k budget, we thought it made a lot of sense to see what happens when you break through and Hollywood heaps cash on you to make a proper movie. The result is... very Coscarelli-ish. There's no question whatsoever that Don is well-read on matters of fantasy and science fiction and these being the days before Peter Jackson's Lord of the Rings movies mandated that all fantasy features be epic, high-fantasy blow-outs, Coscarelli reaches back into the pool of gritty sword and sorcery for something as characteristically weird as you'd expect from authors like Poul Anderson, Fritz Lieber, and Robert E. Howard. Is it good, though? Well...The story concerns the hunky, flaxen-haired Dar, the last of his people, who sets out across a dusty landscape seeking vengeance on Maax, the head of a wicked cult in the city of Aruk who will be killed by the son of King Zed. By some unexplainable power, Dar can speak to animals and forms a party of two ferrets, a tiger, and a hawk to have his revenge. Starring Marc Singer, Tanya Roberts, and Rip Torn, The Beastmaster lands heavily in the middle of the 1982 surge of fantasy movies that brought us Conan The Barbarian and managed to carve out a sweet cult of fans in spite of its tepid box office performance.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
We close out our Halloween Hootenanny series of all Bring Me The Axe episodes all October with an episode dedicated to a listener who really made our year. This year's series caps off with a look at the gloriously frantic, unfocused shit show that is Dario Argento's Phenomena. Falling very early in the acting career of American movie star, Jennifer Connelly, it's kind of amazing that she finished this production and continued to act given that her finger was literally separated from her body thanks to an angry monkey that also actually slashed up the face of Argento's soon-to-be ex-wife, Daria Nicolodi. You have Donald Pleasance putting on a clinic for phoning it in and yet the entire movie manages to be charming and extremely enjoyable, one of Argento's most Freudian movies, for good or for bad.When Jennifer, the daughter of an American movie star is shipped off to a Swiss school for girls she lands there at the worst possible time as a murderer is on the loose killing young women. Lucky for her, she has the incredible power to speak to and command insects and she uses this marvelous ability to crack the case since the cops are doing fuck-all to solve it, themselves. Along the way she teams up with a wheelchair-bound entomologist and his helper monkey to get to the bottom of things.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we're looking at 1987's A Nightmare on Elm Street 3: Dream Warriors. It took three movies to make Freddy Krueger Freddy as we know him today. An empire of horror was launched off the back of this movie: toys, comic books, video games, masks, everything. Dream Warriors dropped at a critical moment for A Nightmare On Elm Street, after the critical failure of Freddy's Revenge the IP ended up on the chopping block at New Line. If this movie didn't perform the studio planned on shelving future sequels. Boy did it, perform! This is our favorite entry in the series and this episode of Bring Me The Axe really makes it clear.Ignoring the events of Freddy's Revenge entirely, Dream Warriors picks up where the original left off. Nancy Thompson is back to assist the teenage patients at a psychiatric hospital who find themselves hunted in their dreams once again by Freddy Krueger. Utilizing the special psychic talent of one patient, Nancy gathers the patients together where they reveal their special dream-world talents, talents that will come in awfully handy when the time comes to face their fears and take Freddy on once and for all, or at least until the following year when the next Nightmare on Elm Street sequel dropped.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we go back to 1979 for a look at Don Coscarelli's dreamy, stream-of-consciousness horror movie that introduced the world to The Tall Man, Reggie The Ice Cream Man, and the mirror-plated Sentinel Spheres. It's Phantasm! Is this a horror movie? Well, yeah. Of course it is. But is there more going on here than meets the eye? Also yes. Though the movie is a bit of a mess and an exercise in that moment when a struggling young filmmaker decides to take the easy to road to success through cheap thrills it also hides a deeper dimension about loss, grief, and a boy entering adolescence, a time when the world suddenly becomes simultaneously more exciting but also more dangerous.In this wild adventure, young Mike and his brother Jody find themselves in the crosshairs of a sinister entity masquerading as a mortician at a nearby funeral home when they stumble upon his terrible secret: The Tall Man is not of this world and is stealing the dead to resurrect them as little dwarf slaves for reasons? Aided by their guitar-playin' ice cream selling buddy, Reggie, they take the fight to the funeral home to stop what could be a full-blown invasion of Earth by an army of the dead, aided by their terrifying flying death machines, the Sentinel Spheres!Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we take on another made-for-tv movie -- another British made-for-tv movie -- as we take in the notorious BBC Halloween stunt, Ghoswatch. In 1992 the BBC set out to make a movie about a paranormal investigation gone horribly awry. The kicker is that it's cast with real BBC personalities and was kinda/sorta presented to the English TV watching public as a real investigation. A portion of the viewers were deeply affected by the movie and it resulted in a minor public panic that resulted in some actual diagnosed cases of PTSD for some viewers and one very tragic suicide. Since that time, Ghostwatch has lived in the imagination of British viewers who watched it and were either scared out of their fucking minds or were seriously entertained because there's no two ways about it, Ghostwatch is a good time.Taking notes from the Enfield Poltergeist investigation of the late 1970's, Ghostwatch presents a family in trouble in some council housing in North London. The mother is at wits end. Her daughters are being harassed by a terrible spirit that they call Pipes. As the movie unfolds across 90 minutes, we learn more about the neighborhood, the old local legend of Mother Seddons and the terrible secret of Raymond Tunstall. Pipes The Ghost hides in plain sight among numerous shots and the whole comes together as all hell breaks loose and the TV broadcast accidentally lets a terrible force loose across all of England. Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we take a trip back to 1991 for a real video store oddity. It's a rape/revenge movie that also capitalizes on the popularity of Robocop. Written by an Emmy-award winning TV writer, starring a two-time Tony winner as the villain and chock full of kill scenes that are so creative and strange that they could only have been produced for a straight to video exploitation movie. And so deeply committed to its video tape format was it that this movie's preferred aspect ratio is 4:3.Starring Stacy Haiduk as the meddling courtroom sketch artist who is obsessed with solving a series of murders that she has no business investigating in the first place, as well as Bruce Davidson who is horny for revenge. They're both going up against Broadway sensation Michael Cerveris who chews so much scenery that there's not much left for his co-stars. This bizarre revenge plot is aided by a series of extremely ambitious special effects and one scene that blew our minds by how incredibly weird and unique it is. Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we celebrate Latin American Heritage Month with a look at a horror movie out of Mexico that is very hard to put into words and so we try anyway and sound like complete lunatics. Falling toward the end of the Galindo family film dynasty, Vacation of Terror 2: Diabolical Birthday (Vacaciones de Terror 2: Cumpleaños Diabolico) sees Galindo cousin, Pedro Galindo III with a surprisingly stunning cast of Mexican movie stars. Pedro Fernandez turns up in yet another movie for the Galindo's with his magnificent curly mullet and easy cool. Teen pop star Tatiana shows up to sing her hit single Chicos Chicos as she ages out of the teen pop arena but just a few years prior to her ascent as one of Mexico's biggest children's entertainers. The whole cast is rounded out by a bona fide legend of Mexican film, Joaquin Cordero and I have to wonder if any one of these actors stopped for a moment and pondered what exactly they were doing in this movie because if we were any one of these actors we would be very confused and very concerned.In this very loose sequel to 1989's Vacation of Terror the evil witch-possessed doll somehow escaped its fate of the previous movie and winds up as a prop on a movie studio. With a lot of questions probably best left unanswered, the doll hides under an elaborate birthday cake and transforms into a horrible slimy goblin creature and wreaks havoc on the movie lot as our heroic Julio and bouncy Mayra race against the clock to save the imperiled soul of her sister, Tania, before the sun rises and the slimy witch goblin steals her soul for good. Or something.Look, just go with it. Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
Aileen Clark of Uy Que Horror is back to join us for a look at two truly unhinged scare films. In the 1960s and 70s churches occasionally produced low budget morality tales and scare movies to frighten their congregations into going back to church if they feel like they're slacking off. The problem is that they were made by people who didn't know how to make movies with casts of non-actors and extremely low budgets. They were cheap and terrible and everyone hated watching them. Along came Ron and June Ormond and their son Tim, the first family of exploitation, teamed up with Reverend Estus W. Pirkle, a charismatic fundamentalist preacher from Mississippi to adapt Pirkle's fire and brimstone sermon If Footmen Tire You What Will Horses Do that threatened easily frightened Christians with seeking out draconian churches that shunned anything looking like empathy and service in favor of a hard line position against all things communism. In the sequel, The Burning Hell, Estus Pirkle has decided that his last sermon didn't put enough terror in the hearts of Christians over going to hell so here's one that's literally all about how much hell sucks and how you definitely want to accept Jesus Christ into your heart so you don't go there. These fiery sermons are illustrated with scenes of trashy, gory violence that you definitely don't expect to find in movies meant for fragile, easily offended Christian people. They are completely weird and hilarious.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we're looking at the arch-cult film from 1988, Killer Klowns From Outer Space. Its released was botched entirely by the distributor who were almost deliberately defiant in their unwillingness to screen the movie on much more than a few screens. It found its legs on cable and VHS where it was an instant hit and went on to launch a merchandising empire culminating in a video game and one of Universal Studios' most popular attractions at Halloween Horror Nights.When a UFO that looks an awful lot like a circus tent lands in Crescent Cove and aliens that look an awful lot like circus clowns wander into town with murder and mayhem in mind its up to a local cop, his ex-girlfriend, and her manchild boyfriend to stop them in their tracks and save Crescent Cove. Directed by the Chiodo Brothers, who were known for ambitious special effects, stop motion animation, and puppetry with credits under their belt like Elf, Critters, and Pee Wee's Big Adventure, it's a send up of 50's alien invasion movies with a plot that's almost one-to-one for the classic 1958 film, The Blob. We love it. You love it. Let's love it together. Have a listen.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we dive headlong into one of the most baffling 80's video store hits, The Wraith, in which Charlie Sheen is a ghost or an alien or a ghost alien who gets revenge on the wily gang of Arizona cretins that murdered him by running them over with his magic ghost alien car. The Wraith is a lot of things. Good is not one of them but it has a certain ineffable charm that makes it tremendously fun to watch in spite of its story being positively incidental to the rest of the movie. It casts the widest possible net to remind you of movies like Close Encounters of the Third Kind, Death Wish 3, and The Road Warrior. Do you like cool cars? Do you like explosions? Do you like aliens, ghosts, or ghost aliens? Are you willing to let slide about a dozen totally unresolved plot points and completely ignore the fact that this movie leaves you with more questions than answers? You will probably love The Wraith.The soundtrack rules. Sheen seems completely unaware of the movie he's in. A pre-Twin Peaks Sherilyn Fenn is doing her best with what she has. Clint Howard gloriously answers our question: is it a wig? All this and more in our exhaustive breakdown of The Wraith from director Mike Marvin.Want to try Bring Me The Axe premium content for a month at no charge? Be one of the first ten people to click this link. It's on us. Enjoy! https://www.patreon.com/bringmetheaxepod/redeem/66913Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we're joined by Mark Anastasio, program director for the Coolidge Corner Cinema in Boston to cash checks and bite necks with a look at Werner Herzog's ambitious remake of the FW Murnau's 1922 not-Dracula adaptation, Nosferatu. Mark has first-hand experience with Herzog, having hosted him at the theater numerous times and regales us with stories that we've never heard about the man before. He also does a pretty good Werner Herzog impression.In this movie, Herzog is joined by his creative arch-frenemy Klaus Kinski in a unique existential twist on one of the genres most unimpeachable classics. Here, Count Dracula is bunched, broken old monster with no desire to live but no path toward death. He brings pestilence and horror from the old world to then-modern day Germany and meets his match with the one woman in the city with the knowledge and determination to destroy the beast. Featuring Herzog's stunning visual storytelling and a few utterly bizarre performances, Nosferatu is unlike any horror movie you've ever seen in spite of it being a story told and retold dozens of times since the dawn of film.Want to try Bring Me The Axe premium content for a month at no charge? Be one of the first ten people to click this link. It's on us. Enjoy! https://www.patreon.com/bringmetheaxepod/redeem/66913Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we're shaking off the despair of a nuclear war one-two punch and staying in the made-for-tv mode for something incredibly dumb. Where Threads and The Day After are significant television events, this week's movie is anything but. It's a baffling riff on both popular haunted house movies of the era and classic gothic horror but that's about as coherent as the vision gets. Everything that follows is an exhausting exercise in early 80's made-for-tv drivel.Parker Stevenson, fresh off his run as Frank Hardy in the Hardy Boys Mysteries is joined by Lisa Eilbacher, Joan Bennet, and Slim Pickens for a stay at a far-too-modern for gothic horror house in southern California. Either the house itself, or the extremely sophisticated security system is in love with Eilbacher's character. We can't really figure it out. Ultimately it doesn't matter because the charm lies in precisely how artless and strange this movie is. Also, you get a few musical numbers.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we dive back into the breach for another run at nuclear Armageddon with a look at the BBC's 1984 answer to The Day After, Threads. Where The Day After was a bleak movie about the end of the world as a result of nuclear it was still very much a movie. Director Mick Jackson provided an aggressive, bludgeoning alternative that gives it to you with both barrels, an unflinching look at precisely how bad nuclear war will be, backed by data. In this movie you get the specifics.Threads tells the story of an escalating confrontation between the United States and the Soviet Union in Iran that leads to World War 3 and the way that it affects the people of Sheffield, England through the eyes of young Ruth Beckett. In short, it'll be very, very bad. We will all die like dogs and it'll be painful and humiliating all the way to the end. Though not a conventional horror movie, Threads is very much appropriate for the genre.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
Tonight! On a very special 99 Cent Rental we take a trip back to 1983 to take in the movie that shocked the 100 million Americans that watched in horror as the world ended in a nuclear fireball before their very eyes. As the 80's ground on and The United States and The Soviet Union were running out of puppet governments and proxy wars to fight the status of nuclear war became less a matter of if and more a matter of when. The ABC network sought to send a sobering message to the people of America who had been convinced that we could win a nuclear war by delivering an uncompromising made-for-TV epic that detailed what would happen after everything had been obliterated.A stacked cast of excellence paint a picture of a shattered America in the last days of humanity. The sheer scope of our nuclear weapons are put on the screen. We see an entire city in middle America blasted off the face of the Earth forever. We see the survivors of the blast struggling to stay alive in the face of hunger, sickness, and radiation poisoning. Dave is less than impressed with the movie and struggles with the political struggle that informed the possibility of a nuclear holocaust. Bryan's feelings on the movie are much more complicated, having grown up within a few miles of two high priority nuclear targets as all this was going down.It's our longest episode yet and we have thoughts. There will be no survivors.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon:https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
This week we take a step back to 1984 for a movie that couldn't possibly be anymore 80's if it tried. It's Thom Eberhardt's Night of the Comet starring Catherine Mary Stewart and Kelli Maroney. Through shit luck two Valley Girl sisters miss out on the once-in-a-lifetime passing of a comet what's tail bathes the earth in deadly cosmic radiation, reducing people out in the open to nothing more than a pile of red dust and those who stayed in under less than ideal conditions to monstrous cannibals. A think tank of scientists, hidden in an underground base, are looking for a cure to the condition but at what cost? It's at one time a fun teen horror comedy and a movie that tries to get a couple of young women to tangle with the reality of being the last living people on earth and while it doesn't always land in one piece, it's a tremendously fun piece of cult. Dave loves this movie tremendously and makes a case for it being an unexpected piece of feminist horror and Bryan, never really taking it too seriously in the past comes out the other side a believer. Together, we both hate the movie's ending with a furious passion. Let us tell you all about it!Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
We're coming at you with a bonus episode dedicated to the memory of the late, great, Ozzy Osbourne. Trick or Treat from 1986 is hardly a great movie and was almost forgotten as quickly as it entered theaters but what we find in this movie is a remarkably authentic portrayal of what it was like to be a metal head in the 80's. Satan was lurking everywhere and all of your friends' parents were convinced that people who listened to metal were all drug addict murderers or at least would become drug addict murderers if they kept listening to that Ozzy Osbourne character.We pay sweet tribute to Ozzy, talk about the satanic panic, and our own experiences growing up metal in the 80's and really get down with this utterly bonkers horror movie. We hope you enjoy.Join the Bring Me The Axe Discord: https://discord.gg/snkxuxzJSupport Bring Me The Axe! on Patreon: https://patreon.com/bringmetheaxepodBuy Bring Me The Axe merch here:https://www.bonfire.com/store/bring-me-the-axe-podcast/
Here's a freebie episode of our X-Files rewatch podcast, Do You Think I'm Spooky for all non-Patreon subscribers to let you know what you're all missing. Want more? We're nearly finishied recapping season one of the show along with a rundown of the headlines, box office and music charts, and TV shows for that week in 90's history. Subscribe the the Bring Me The Axe! Patreon today for more exclusive content!This week we see mega-creep Doug Hutchison return to the X-Files for a bit on an episode sequel as weirdo stretchy mutant, Eugene Tooms is released from the mental hospital to once again stalk the streets of Baltimore looking to eat just one more liver so he can hibernate and return 30 years on to continue his killing spree. Meanwhile, in 90's history, the times they are a-changing with another raft of forgotten sitcoms that didn't even make it to mid-season, a wild new appearance of pop songs, nothing particularly special happening at the movies, and the rise of American domestic terrorism.