CHACATA

Joséito's Hideaway presents some Spanish grease sides of jazz. Enjoy some soul sauce y mojalo bien con pan! banned from youtube 1   Clark Terry & Chico O'Farrill - Spanish Rice2   Cal Tjader - Soul Burst3   Willie Bobo - Guajira4   Pucho & His Latin Soul Brothers - The Groover5   Montego Joe - Bata Blues6   Wes Montgomery - Sun Down7   Johnny Lytle Trio Plus Ray Barretto - Moon Child8   Dave Pike & His Orchestra - Aphrodite9   Joe Cain & His Orchestra - Tanga, Pa Katanga 10 Eddie Cano & His Sextet - Deep In A Drum11 George Shearing Quintet - Caravan12 Cal Tjader Quintet - The Continental13 Mongo Santamaria & His Orchestra - Descarga At The Blackhawk14 Gene Ammons - Travelin'15 Johnny Griffin & Matthew Gee - Twist City16 Wild Bill Moore Quintet - Sister Caroline17 Les McCann - Doin' That Thing18 Cal Tjader - Soul Sauce III19 Willie Bobo - Ritmo Tymbale El Mix Es Cultura "la timba no es como ayer" © La Ultima Nota Productions

Latin Nuyorican Soul Funk 1967-1970 banned from youtube Greasy latin soul food with host Señor Watusi en la casa celebrado Chacata’s centésimo mix on Podomatic. Boogaloo baby! Rack it up, chalk your cue stick y vamos pa’ gozar! Put out your quarters pa’ jugar or drop ‘em on the jukebox. Grap yourself a cold one and watch the musical karaoke start with los tumbadores y timbales esta ahí, llamando pa’ los bailadores - cuando los maestros tocan. ¡Ahí na’ má! 1     Louie Ramirez – The New Breed (La Nueva Raza)2     Ricardo Ray – Musica Ye Ye3     New Swing Sextet – Monkey See, Monkey Do4     Willie Colon – Eso Se Baila Asi5     El Gran Combo – Chua Chua Boogaloo6     Pete Rodriguez Y Su Conjunto – I Like It Like That (A Mi Me Gusta Asi)7     Johnny Colon & His Orchestra – Mayenelle8     Joey Pastrana & His Orchestra – Joey’s Thing9     Jimmy Sabater – La Tumba Soy Yo10  Eddie Palmieri & His Orchestra – Ay Que Rico11  Charlie Palmieri – Fat Papa12  Ray Barretto – Ahora Si13  Joe Bataan – Wish You Love (Part 1)14  The TNT Band – The Meditacion15  Ricardo Ray Orchestra – Nitty Gritty16  Jimmy Castor – Ham Hocks Espanol17  Mongo Santamaria – Corn Bread Guajira18  Pucho & The Latin Soul Brothers – Aye Ma Ma19  Chico O’Farrill Orchestra – Descarga Numero 1000 El Mix Es Cultura “la timba no es como ayer” Saludo pa mi pana JR Gonzales say no to GMOs (Generic Music Operators)accept only clave-base natural sounds © La Ultima Nota Productions

Candido Camero Showcase 1956-1973 banned from youtube Conga Soul Sessions presents the music of Cuban percussionist Candido who celebrates his 94thbirthday on April 22. He began playing the bongo at a very early age growing up in Havana within a musical family. He learned to play the tres and bass as well. It was with the latter two instruments that he began playing with various groups and eventually working with Chano Pozo’s group Conjunto Azul as a bass player with Mongo Santamaria on the bongos. He would help Mongo with his job delivering mail so they could have time to practice. With Arsenio Rodriguez revolutionizing the way son was to emerge with the birth of the conjunto and adding the conga drum as well as piano, the music would become more complex. Since Candido didn’t know how to read music he decided in his early 20’s to start focusing on playing congas which wasn’t new to him as he participated in many rumbas in his neighborhood from a young age. He started getting work in the cabarets playing bongo with the house band and playing quinto with various dance teams. By 1943 he was with the Tropicana Orchestra as well as performing on radio and recording with Bebo Valdes. Eventually he started working with the dance team of Carmen & Rolando at the Tropicana that were booked to perform in New York City. They didn’t have enough funds to bring the two conga drummers so they choose to bring only the quinto player Candido. Out of this situation Candido decided to bring 2 congas anyway and in 1946 out of his inventiveness he played both parts the rhythm while soloing on the quinto following the movements of the dancers. It was a smash and something new. Candido decided to stay in New York and his first recording in the United States was with the Machito Orchestra. This was also fertile time between Latino and jazz musicians as bebop was what was going on 52ndSt. Dizzy Gillespie was impressed with his playing at the Palladium with Tito Puente and asked him to come down the Downbeat Club to sit in with Billy Taylor’s trio to see how he would play in a jazz setting. Dizzy hired him to go on tour the next day but since Candido’s understanding of English was limited at the time he thought Dizzy meant to come back to the club. Dizzy actually wanted him to meet him at the train station. Candido arrived at the Downbeat expecting Dizzy but since he was not there and the previous night was happening he got offered a one year contract with Billy’s trio in the house band. He got to play with practically who’s who of the jazz world including Charlie Parker. His first jazz recording was with Billy Taylor and would record with Dizzy, Art Blakey, Buddy Rich, Errol Garner, Sonny Rollins, Grant Green, Wes Montgomery, Gene Ammons, Randy Weston, Elvin Jones and many more. Only Ray Barretto who sidelined playing jazz during this time has probably been just as busy recording for the jazz labels. But only Candido as a Latin percussionist was given a National Endowment for the Arts Jazz Masters Award in 2008 for his contribution to jazz.Candido was able to play the bongos and the congas at the same time and incorporated other percussion as well such as the foot pedal and guiro attach to his congas. He would play 6 congas and bring out melodies within the instrument before anyone else. Eventually he settled on just three due to mainly they could fit in his trunk of his car. He was the first professional to play on fiberglass congas made by Frank Mesa in 1957. The year before marked his debut as a solo artist with ABC-Paramount which he recorded 5 albums for. They were latin jazz albums from small combos to big band and one calypso based lp. By the late 60’s and 70’s his albums would incorporate r&b and funk like his friend Mongo was pursuing. He made a disco album for Salsoul records in 1979 which brought him success and seen as an influence to house heads while his records from the 70’s where sampled for its percussion breaks during the early hip hop period. He and another one of his early friends from Cuba, Carlos “Patato” Valdes along with Giovanni Hidalgo became The Conga Kings that recorded a few albums and toured after 2000. In 2004 he would record an album with Graciela revisiting the standards he had been playing for years that was nominated for a Grammy. Ivan Acosta made a documentary of Candido called Hands Of Fire that was released in 2006. Phew – I’m sure I’ve only scratched the surface of his long career who continues to play when he can and he owes it to his clean living and that he brought his wife of many years with him when he toured. This mix is off cuts from 10 of his solo albums from vinyl. This is the living legend of Candido – The Thousand Finger Man! Mambo InnCaravanTin-Tin-TeoConga JamWhen The Saints Go Marchin’ InTalking DrumsConga SoulMadridGhana Spice (Part One)Thousand Finger ManSt. ThomasTic Tac ToeToccataCandido’s FunkCandi’s FunkSt. Thomas El Mix Es Cultura “como mi ritmo no hay dos” © La Ultima Nota Productions

Johnny Colon Showcase 1967-1975 Banned from youtube Boogaloo Joe presents us with Cotique Recording artist Johnny Colon & His Orchestra during the height of Latin Soul period from New York. Johnny Colon on his first record had a hit with “Boogaloo Blues” with the help of being a hit on Symphony Sid’s Latin music radio broadcast. That’s what it took to being the next thing in the scene. But Johnny Colon took his music farther than just swinging blues and soul into a latin bag. He went deeper into the Afro-Cuban & Boricua musical roots. Using a two trombone front and a solid rhythm section that was funky and loose. His main instrument being the trombone and his music reflected the style that was ranging from La Perfecta’s example. He would take over the piano chair and eventually take on the lead vocals as well. After his two vocalists Rafael “Tito” Ramos and Tony Rojas would leave to start the TNT Band.  His music would transcend from the Latin Soul into the evolution of what was becoming the Salsa sound that the Fania label would eventually dominate but during boogaloo’s heyday when they had started out some of their artists where just riding the wave but the artists of Cotique Records where some of the purest genuine talented groups of Latin Soul. When the powers that be came down on the boogaloo artists for fighting against the arrangement of the booking deals they were enslaved to. Instead of honoring their requests they blacklisted these artists and Johnny Colon was one of those artists in the crossfire. He focus his next project in setting up the East Harlem Music School. It would grow into a great institution producing great young latin musicians since 1972. In 2008 he returned to music with the album “Keeping It Real” with new fans discovering these recordings. Live from Joséito’s Hideaway, a mix from tracks from his 6 albums for Cotique Records. Always a favorite - at it’s most grittiness and most soulful. ¡Oye Brokie! Bye –Ya! Boogaloo BluesOyeloMira Ven AcaRetorno Del MamboNo Hace Falta PapelEchala Pa’ CaCanallonEl MensajeAfincaoMerecumbeCuero EstiraoMoyenelleEl ConsejoGuajira  Y TamborDejame En PazSi Te Fuiste Y QueBoogaloo Blues Outro El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions

Cocinando banned from youtube Joséito's Hideaway cooks up some tasty early 70's Salsa Dura. Buen provecho. 1   Ray Barretto - Cocinando2   Fania All Stars - Chanchullo3   Ismael Rivera Y Sus Cachimbos - Satelite4   Sonora Ponceña - Con Maña Si5   Tempo 70 - El Charlatan6   Orquesta Flamboyan - Aprovechate7   Orquesta La Conspiracion - Es Tu Vida8   Orchestra Capri - Pobrecito Cocodrilo9   El Gran Combo - No Quiero Llanto10 Roberto Roena Y Su Apollo Sound - Cui Cui11 Rafa Jr. Y La Diferente - A Mi Nena12 Willie Colon - Guajira Ven13 Ray Barretto - Seguire Sin Soñar14 Orchestra Harlow - No Quiero15 Tipica '73 - Mañoño16 Pacheco Y El Conde - Soy El Mejor17 Ocho - Coco May May El Mix Es Cultura "la timba no es como ayer" © La Ultima Nota productions

Joséito’s Hideaway presenta salsa duro y mas pa mi pana en Ponce. Percussion intro and interlude by Carlos “Patato” Valdes Justi Barreto Y Su Orquesta - Quinto Mayor Bobby Valentin - Mas Bajo Mulenze - Toco Madera Eddie Palmieri - Congo Yambumba Roberto Anglero - Las Frutas De Mi Pias Jesus Cepeda Y Su Grupo Musical ABC - Vira Mas Tommy Olivencia Y Su Orquesta - Trucutu Roberto Roena - Sabroso Ismael Quintana - La Oportunidad Chino Y Su Conjunto Melao - Rogelio Tiene La Salsa Charanga De La 4 - La Sallita Alfredo De La Fe - Oyelo Tocar The Big Kimbos with Adalberto Santiago - El Mismo Willie Colon / Ruben Blades - Liga Elena Chocolate Y Su Orquesta - Sigan La Clave Frankie Dante - El Cubo Charlie Santiago & Eddie Montalvo - Bamboleate El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions

Joséito’s Hideaway presents Latin grease from the 60’s from guajiras, montunos, mozambiques and boogaloos. Grab your campana bell and let’s get this summer cooking. The Alegre All Stars - Ay Camina Y Ven Eddie Palmieri & Cal Tjader - Bamboleate Charlie Palmieri - Criollo Willie Colon - Guisando Joe Bataan - Coco-E Jimmy Sabater - Salchichas Con Huevos Johnny Rivera & The Tequila Brass - Locura En Nueva York Gilberto Sextet - El Barrio Joey Pastrana & His Orchestra - La Guida Ismael Rivera Con Sus Cachimbos - Ismael Y Monchito Eddie Palmieri & His Orchestra - Palo De Mango Ray Barretto - Bilongo Meñique Y Kako & His Orchestra - Guajira En Carnival The Lebron Brothers Orchestra - Summertime Blues Monguito Santamaria - Boogaloo Sabroso George Guzman - Mozambique El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions

Joe Cuba Sextet Showcase 1961-1976 Joséito’s Hideaway presents bandleader & conguero Joe Cuba’s sides from the era of mambos, cha cha chas, panchangas, descargas, boogaloos, and the what became known as salsa. Joe was there first and he brought everyone into the party. Droppin’ the horns to create his unique sound of vibes with the great voices of Cheo Feliciano & Jimmy Sabater. When he ran the dances, his sextet took no prisoners! Carita Sucia A La Seis Quinto Sabroso Que Va Guaguanco Del Jibarito Los Perros Del Curro Ariñañara Salsa Y Bembe La Palomilla So What? Que Son Uno No Te Olvides De Mi Psychedelic Baby Push, Push, Push El Pito Siempre Sea El Raton T.C.O.B. Pud-Da-Din Pataqubirquambambaram (En El Stoop) Cuenta Bien, Cuenta Bien Joe Cuba’s Latin Hustle Do You Feel It El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions

Joséito’s Hideaway escapes from the daily grind to a tropical beach with a boombox blasting salsa clasica. Tommy Olivencia - Montuno Sabroso Guarare - Realidad Y Sinceridad Hector Lavoe - Songoro Cosongo Ray Barretto - Si Me Voy Para Mi Islita Grupo ABC - Mesie Bomba Ismael Rivera Y Sus Cachimbos - Si Te Cojo Sonora Ponceña - Sentimiento Jibaro Orquesta Costa Brava - Que Pena El Combo Del Ayer - Con Fe Y Con Valor Bobby Valentin - Linda Teresa Willie Rosario - El Flambloyan El Gran Combo - Buscando Ambiente Tito Gomez - Veneno Ray Barretto - Tumbao Africano Eddie Palmieri - No Me Hagas Sufrir Willie Rosario - Para Aprender A Querer Tito Puente & His Latin Ensemble - Fiesta A La King El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions

Conga Soul Sessions goes back to golden times en Havana, Nueva York, San Juan y California. Mucho ritmos y sabor aqui en Joséito’s Hideaway latest engagement. Rolando La Serie Con Orquesta Sabor De Bebo Valdés - Rio Manzanares Arsenio Rodriguez Y Su Conjunto - El Reloj De Pastora Conjunto Estrellas De Chocolate - Guaguanco A Todos Los Barrios Cachao Y Su Combo - El Fantasma Del Combo Los Amigos - Linda Mulata, Mulata Linda Chico O’ Farrell & His All-Star Cuban Band - Chico’s Cha Cha Cha Orquesta Riverside - Mocambo Orquesta Aragon - Yo No Bailo Con Juanita Super Tipica De Estrellas - No Me Diga Na’ Tito Rodriguez - Estoy Como Nunca Graciela Con Machito Y Su Orquesta - Ay, José Eddie Cano & His Sextet - Love Is A Wonderful Thing Cal Tjader Quintet - I Want To Be Happy The Alegre All-Stars - Rareza Del Siglo Orquesta Broadway - Maraca Y Bongo El Gran Combo - El Swing Tito Puente - Pa’ Lante The Lat-Teens - Buena Gente The Gilberto Sextet - Medley The Joe Cuba Sextet - La Malanga Brava Ray Barretto - El Quinto Sabu Martinez & His Jazz-Espagnole - Flamenco Ain’t Bad Willie Bobo - Capers El Mix Es Cultura “como mi ritmo no hay dos” © La Ultima Nota Productions

La Sonora Ponceña Showcase 1972-1988 Joseito’s Hideaway presents salsa from Ponce, Puerto Rico founded in 1954 by leader Enrique “Quique” Lucca. His son Papo made his recording debut with the orquesta on piano in 1958 at age 12. The band is directed by him and at 64 years it’s still going on con sabor. We present some choice sides selected from 15 vinyl records. With singers Tito Gomez, Luigi Texidor, Miguelito Ortiz, Yolanda Rivera, Tonito Ledee, Celia Cruz, Manuel Martinez, Hector “Pichy” Perez & Danny Davila. Disfruta! Prende El Fogón Tu Y Yo Na Ma Ecue Baroni Nanara Cai Rumba En El Patio Moreno Soy Sonaremos El Tambo con Celia Cruz Timbalero Huracan Umi-Layé Yambeque Woody’s Blue Fuego En El 23 Te Vas De Mi La Rumba Soy Yo El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions

Charlie Palmieri Showcase 1966-1984 Known as the giant of the keyboards and big brother to Eddie Palmieri, Charlie’s career spanned from the early 40s to his death from his second heart attack in 1988. The South Bronx native of Puerto Rican heritage began performing in his early teens and by the late 40s was playing with Tito Puente before moving on to other groups. He had a successful run during the pachanga craze of the early 60s with his orchestra called Charanga La Duboney featuring Johnny Pacheco on flute. After some label switches and Pacheco leaving, he regroup by replacing the violins and flute with trumpets and trombones as the pachanga era was coming to an end. He jumped into the boogaloo craze and landed on Alegre records where he stayed for long period. He lead the Alegre All-Stars which Al Santiago was inspired by the Cuban Panart label’s descarga sessions to bring members from his label to do the same. Without charts they produced a series of albums that were received well. Charlie would lead other all star albums and we include a tune from the Cesta All-Stars as well. Besides his playing he did arrangements for others and played with well known singers such as Ismael Rivers & Celia Cruz. He played organ on a few records with his brother during the 70s and also added the melodica on his own recordings. He did a few salsa records before moving to Puerto Rico in 1980 and on a trip to New York he suffered a massive heart attack that paralyzed his left side. It was doubted he would play again but he recovered and his last album A Giant Step of 84 showcased his jazz side. He continued teaching as he had done for years and playing. After returning to New York to be musical director for the Joe Cuba Sextet (a future showcase) he again suffered another heart attack which he died from. We play some sides and his known hits starting from 1966 to his last recordings. Enjoy the work of King Charles - El Gigante Del Teclado. Mambo Show Porque Me Enganas Que Te Vas - Pues Vete Either You Have It Or You Don’t No Esta En Na’ Maracaibo Oriental King Charles Al Que Le Pique Despierta Julian La Hija De Lola El Susto Tiene Sabor Las Negritas Del Carnaval V.P. Blues w/ Eddie Palmieri Fiesta A La King El Pan Sobao El Rinconcito (Descarga Con Tres) - Cesta All-Stars Se Acabo Lo Que Se Daba - Alegre All-Stars El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions

Conga Soul Sessions begins the new year with vintage latin jazz sides to start the conversation. Thats what we are talking’ bout - ritmo caliente con swing! Noro Morales & His Orchestra - Serenata Ritmica Machito & His Orchestra - Conversation Dizzy Gillespie & His Orchestra - Toccata Sonny Stitt - Let My People Split Art Blakey And The Jazz Messengers - Cuban Chant Sabu Martinez with His Jazz Espagnole - Woody ’N’ You Kenny Dorham - Minor’s Holiday Charlie Parker & His Orchestra - La Paloma Willie Bobo - Let Your Hair Down Blues Illinois Jacquet - Black Foot Dave Pike & His Orchestra - Latin Blues Eddie Palmieri & Cal Tjader - Pancho’s Seis Por Ocho Clare Fischer Orchestra - Afro Blue Stan Free - Kwivers The Billy Taylor Trio with Candido - Mambo Inn Grant Green - Mambo Inn Tito Rodriguez & His Orchestra - Blues Mambo Sabu Martinez - Coda El Mix Es Cultura “como mi ritmo no hay dos” © La Ultima Nota Productions

Jerry Gonzalez Showcase 1972-1989 Conga Soul Sessions presents in tribute to Jerry Gonzalez a pioneer and visionary within Latin Jazz who passed away Oct. 1. Jerry is one of the great innovative congueros who after stints with Eddie Palmieri and Manny Oquendo’s Libre picked up his trumpet and along with his younger brother bassist Andy Gonzalez and forged a distinctive path with the Fort Apache Band that he lead. A group that could navigate jazz in rumba clave without compromise to each idiom, where each musician could incorporate something and particularly the rhythm section which didn’t have to be locked in playing a straight rhythm. They went to achieve an organic foundation that was a synthesis of everything that gripped their attention from the most free jazz to the tipico style of the conjuntos that came out of Cuba in the 40s & 50s. In their early years the brothers lived in the Edenwald projects in the Bronx. Their father was a sonero with a conjunto that played tipico music at social clubs. They got into music and started playing in bands by junior high. Besides absorbing the music of Tito Rodriguez, Cortijo, Puente, Machito and Arsenio Rodriguez along with jibaro music of their elders they started to have an infinity with jazz. During these years Jerry was playing trumpet and not until in 8th grade recovering from a broken leg that he took up playing conga. They both got into Manhattan’s High School of Music and Art and Jerry’s first professional gigs were on the congas. The family eventually moved out of the projects by the late 60s into a house on Gildersleeve Ave which became a focal point for many musicians as the jam sessions would eventually bring in jazz trumpeters Kenny Dorham & Dizzy along with the likes of Machito & Patato. These informal sessions lead to the gathering of the tribe that gave us the two great Grupo Folklorico Experimental Nuevayorquino albums during the mid 70s. They both work with Dizzy Gillespie before joining the most happening latin dance band in New York at the time which was Eddie Palmieri. There relationship with timbalero Manny Oquendo during their stint with Eddie for a few years solidified before Manny left in 74. By later that year both brothers also left Eddie and with Manny started Libre to be a latin dance band that could swing. They were also beginning to get gigs with Group Folkloric which lead to workshops at the New Rican Village. At the time no one was playing this type of music downtown. They also did sessions at another venue during the jazz loft scene at Soundscape which lead to Jerry putting out his first record Ya Yo Me Cure on Kip Hanrahan’s label American Clave in 1980. This was the beginning of the Fort Apache Band lead by Jerry that released 8 albums. The group went into hiatus while Jerry relocated to Spain in 2001 after the movie Calle 54 and started another interesting chapter in his life as he collaborated with flamenco musicians. The Fort Apache Band did come back and do a run at the Blue Note and the Gonzalez brothers were given a homage of their contribution with a concert with Arturo O’Farrill’s Afro Latin Jazz Orchestra in 2011. This vinyl mix showcases Jerry’s involvement in the groups and projects during those formative years. The majority of these are classic must have albums to those who love this music. His brother is beside him on these selections except on the Hanrahan tracks. In memory of one of the keepers of the flame who was an inspiration to many. To say they don’t make ‘em like this anymore is an understatement. No hay nadie igual - long live la musica de Jerry. Jerry Gonzalez & The Fort Apache Band - Guiro Apache Grupo Folklorico Experimental Nuevayorquino - Canto Ebioso Kip Hanrahan - No One Gets To Transcend Anything Except Oil Company Executives Eddie Palmieri - Kinkamache Manny Oquendo Y Su Conjunto Libre - Goza La Vida Virgilio Marti - Inyere Totico Y Sus Rumberos - Mil Gracias Jerry Gonzalez - Evidence Jerry Gonzalez & The Fort Apache Band - Obatala Grupo Folklorico Experimental Nuevayorquino - Se Me Olvido Grupo Folklorico Experimental Nuevayorquino - Anabacoa Eddie Palmieri - Vamonos Pal Monte Libre - Libre’s Theme Kip Hanrahan - Don’t Complicate The Life (La Vie) Hilton Ruiz - El Camino Jerry Gonzalez - The Lucy Theme Hilton Ruiz - Message From The Chief El Mix Es Cultura “como mi ritmo no hay dos” © La Ultima Nota Productions

Joséito’s Hideaway presenta música tropical para llevar a la playa y disfrutar bajo una palmera con una bebida fría. Salsa oficial! 1 Rafael Cortijo - Etanislao 2 Zaperoko - Candita 3 Jesus Cepeda Y Su Grupo Musical ABC - Vira Mas 4 Tony Yanz Y Su Orquesta Nacimiento - Ponle Un Se Vende 5 Johnny Ventura - La Truya 6 Sonora Ponceña - La Maleta 7 Willie Rosario - Lluvia 8 Bobby Valentin - Y Después Me Matas 9 Mulenze - Estar Enamorado 10 Cano Estremera - Te Amare 11 Orquesta La Solucion - Sin Rumbo Fijo 12 Sonora Ponceña - Franqueza Cruel 13 El Combo De Ayer - Con Fe Y Con Valor 14 Bobby Valentin - Ayer 15 Marvin Santiago - Azucena 16 Eddie Palmieri - Azucar 17 El Gran Combo - La Loma De Tamarindo El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions

Joséito’s Hideaway presents from the creative furtile period of Cuba during the late 50’s & early 60’s. From original wax of Panart, Areito, GNP, Maype, & Rumba records we have mambos, charangas, son-montunos, and cha cha chas in descarga format. Featuring stellar musicians such as pianists: Peruchín, Bebo Valdés, Frank Emilio Flynn, timbaleros: Guillermo Barreto & Walfredo De Los Reyes, the bass of Orlando “Papito” Hernandez & Israel “Cachao” Lopez, flute work of Richard Egües & José Fajardo, and the one and only Tata Güines on congas. Download and enjoy these heavy tunes. Quinteto Instrumental De Música Moderna – Scheherezada Cha Cha Cha Bebo Valdés & His Havana All Stars – Dile A Catalina Peruchín – La Mulata Rumbera Gilberto Valdés Y Su Orquesta – Eco Julio Gutierrez – Theme Of Mambo Cachao Y Su Ritmo Caliente – Trombon Criollo Fajardo & His All Stars – Vamos A Gozar Chico O’Farrill – Descarga Numero Uno Peruchín – Pa’ Gozar Cachao Y Su Ritmo Caliente – Estudio En Trompeta Qunteto Instrumental De Música Moderna – Gandinga, Mondongo Y Sandunga Walfredo De Los Reyes Y Su Orquesta – Los Bolinas De Cachao Bebo Valdés & His Havana All Stars – Especial De Bebo Cachao Y Su Ritmo Caliente – Sorpresa De Flauta Fajardo & His All Stars – La Flauta De José Walfredo De Los Reyes Y Su Orquesta – Leche Con Ron Cachao Y Su Conjunto – Mambo Quinteto Instrumental De Música Moderna – Drume Negrita El Mix Es Cultura “como mi ritmo no hay dos” © La Ultima Nota Productions

Joséito’s Hideaway present some hardcore salsa sides that rock 8-track van sound systems back in the day. Jump in we’re heading out to Brooklyn. 1 Ricardo Ray & Bobby Cruz - Sonido Bestial 2 Tito Puente - Oh! Che Che 3 Joe Cuba - Salsa Ahi Na’ Ma’ 4 Ismael Quintana - Kum Kum Kum 5 Chocolate Armenteros - Retozon 6 Charlie Palmieri Y Su Orquesta - El Pan Sabio 7 Latin Dimensions Con Robert Torres - Tumbando Caña 8 Louie Colon & His Combo - Tembleque 9 Johnny El Bravo - Oh-Jo-Ah-Ja 10 Rafael Cortijo - Con Un Solo Pie 11 El Combo De Ayer - El Viento Me Da 12 Wayne Gorbea Y Su Conjunto Salsa - Armonioso 13 Dax Pacem Orchestra - Oiga El Comentario 14 Ocho - Guaguanco Rumbero 15 Sabor Con Angel Canales - Sol De Mi Vida El Mix Es Cultura “la timba no es como ayer” © La Ultima Nota Productions