CIRCUIT CAST

"There is a vitality that is held in the earth." Artist Nat Tozer and CIRCUIT director Mark Williams talk archaeology, deep time and kaitiakitanga on the occasion of the Aotearoa premiere of Erotic Geologies, Tozer's most complex work to date. Nat Tozer’s Erotic Geologies (2024) is an ambitious new video project described as "a sci-fi parable that seeks knowledge from the underground." Shifting through an otherworldly landscape where rocky outcrops meet tumultuous skies, the setting of the film makes reference to post-earthquake Ōtautahi in Te Waipounamu and the Tongariro Crossing in Te Ika-a-Māui. The narrative follows protagonists Rangi and Liberté, characters inspired by both Māori mythologies surrounding the figures of Ranginui and Papatūānuku’s children, and Greek figures Deucalion and Pyrrha. Archaeology, time and kaitiakitanga are central to the work, which merges a local, contemporary narrative with deep time and mythology. While several of Tozer's earlier video works were one-person productions shot on her iPhone, Erotic Geologies marks a profound shift in production methodologies, and incorporates actors, technical collaborators, and apocalyptic animated landscapes. In this kōrero, Tozer discusses her expansive practice, reflecting on "the slippery mess of our built environment."

"I see the environment as a creative partner." — Tia Barrett Hihi Aho is a three-part podcast series hosted by Emma Hislop (Kāi Tahu). Hihi Aho (ray of light) unfolds from Rematriation, a screening programme of six moving image works which explore the legacy of wāhine Māori knowledge and its resonance in the present day. In this kōrero, Emma talks to artist Tia Barrett (Waitaha, Ngāti Māmoe, Ngāi Tahu, Ngāti Tamainupō, Ngāti Maniapoto). Emma and Tia discuss Tia's film 'He Pounamu Ko Aū' (2022). Tia explains how her practice has journeyed from a process of "healing myself … to (giving) back to the whenua."

"Whanaungatanga is this gift we have as Māori to connect and to relate" Hihi Aho is a three-part podcast series hosted by Emma Hislop (Kāi Tahu). Hihi Aho (ray of light) unfolds from Rematriation, a screening programme of six moving image works which explore the legacy of wāhine Māori knowledge and its resonance in the present day. In this kōrero, Emma talks to artist Sandy Wakefield (Ngapuhi, Ngāi Tahu). Emma and Sandy discuss the making of Sandy's film 'Nakunaku' (2020), a "wairua journey" to Rakiura supported by local iwi wāhine, which is included in Rematriation. Sandy also discusses her earlier works, which appropriated Disney and b-movie footage to tell Māori stories.

Hihi Aho is a three-part podcast series hosted by Emma Hislop (Kāi Tahu). Hihi Aho (ray of light) unfolds from Rematriation, a new screening programme of five moving image works which explore the legacy of wāhine Māori knowledge and its resonance in the present day. In this conversation, Emma talks to Rematriation's curator Tanya Te Miringa Te Rorarangi Ruka (Ngā Puhi, Ngati Pakau and Waitaha). Tanya is CIRCUIT's inaugural Kaitiaki Kiriata, a new role that supports a Māori curator to develop moving image projects which speak through the lens of Te Ao Māori. Emma and Tanya discuss the works in Rematriation, concepts of time, the impact of growing up outside of their ancestral whenua, and Tanya's own video practice. For details on Rematriation's screening venues, see www.circuit.org.nz/rematriation For distribution/hire enquiries, please write to: info@circuit.org.nz

How is Tāmaki Makaurau Auckland City described outside of official city maps? Is it possible to navigate off-road, off-grid? What discrete spaces exist in the plain sight of everyday work, life and commerce? How are these activated by people, flora and fauna? In front of a live audience, artists Layne Waerea, Leala Faleseuga, Gavin Hipkins, Jae Hoon Lee, Gabriel White, and Tia Barrett discuss their video works for Wild Wild Life, a public art project commissioned by Auckland Council, curated by Mark Williams for CIRCUIT, and presented as part of the 2024 Te Ahurei Toi o Tāmaki Auckland Arts Festival. Installed at a series of site-specific locations across the inner city, the artists’ works were presented in proximity to the construction of the City Rail Network, a massive engineering project that has temporarily remapped downtown Tāmaki Makaurau Auckland as a construction site, and, when completed, will fundamentally alter its psycho-geography.

In part 3 of the series Sites of Connection Dani McIntosh speaks to artist Hana Pera Aoake (Ngāti Hinerangi, Ngāti Mahuta, Ngāti Haua, Tainui/Waikato, Ngāti Waewae, Waitaha, Kai Tahu). Often juxtaposing poetic text with handheld moving images, Hana’s video work addresses the tension between industry and sacred whenua; the presence of deep time and new parenthood. 0:00 Introduction 1:00 Hana discusses her video 'I saw the mountain erupt' (2023); working with an essay by her partner Morgan Godfery; the town of Kawerau as formerly one of NZ’s wealthiest towns and now one of the poorest, and also the town as the site of Māori pūrākau. 5:54 Dani asks; Why entwine the writing with the moving image? 8:09 Dani introduces the video work A eulogy to love (2019); Dani asks why juxtapose shots of Italian actress Monica Vitti with the landscape in Aotearoa? Hana explains the video was shot in many sites including Aotearoa, Portugal and other European locations. She discusses Vitti as an image of an “hysterical woman”, and the ongoing theme in her practice of "the tension of industry versus caring for the whenua (landscape)”. 13.08 Dani asks about the line “I will not be afraid despite the fear tumbling through my body”. 15:50 Hana on how parenthood has affected their work. Se discusses 'deep time', the relationship between the human and non-human and the whakataukī 'Ka Mua, Ka Muri' (walking backwards into the future). 20:00 Hana on David Lynch’s movie Eraserhead (1977). 23:00 Hana discusses and the writing of New Zealand author Keri Hulme (Kāi Tahu, Kāti Māmoe), which was part of her work with Ke te Pai Press (with Morgan Godfery), shown in the group exhibition Matarau 24:41 Working with musician Ruby Solly (Kai Tahu) 27:24 End

"Dwelling in the void space" — a conversation between Selina Ershadi and Dani McIntosh, the second part of the CIRCUIT Cast series Sites of Connection. In this podcast, artist Selina Ershadi discusses three films: Hollywood Ave (2017), Amator (2019) and The hands also look (2020), alongside a new work in progress, The Blue Dome (forthcoming). In conversation with artist Dani McIntosh, Selina reflects on navigating personal and family histories as guided by Chantal Akerman, Maya Deren and Derek Jarman; ideas of dwelling, homemaking and displacement; oral storytelling traditions and the poetic potential of decentering the visual.

A conversation between artists James Tapsell-Kururangi and Dani McIntosh on the metaphoric and poetic potential of the moving image.

A conversation with writers Tina Makereti, Gregory Kan, and Gwynneth Porter, on the dynamic possibilities for writing to respond to art beyond the essay, chaired by Thomasin Sleigh. Recorded at Te Pātaka Toi Adam Art Gallery.

How can artists in the regions discover and experiment with emergent technologies? In this pod host Mark Williams speaks to Maggie Buxton, the Director of AwhiWorld, a Northland—based creative technology studio. AwhiWorld’s latest project is Bios, an installation at Whangārei Art Museum which presents an interactive research and practice area for artists to experiment with VR, 3d projection mapping, interactive sensors, E-textiles and organic materials. Bios runs until 18 June. https://awhiworld.com/ BIOS was produced in collaboration with ThoTho and in partnership with a number of community partners. It was funded by Ministry of Culture and Heritage.

In this pod Horowhenua-based artist Leala Faelseuga speaks to Mark Williams about her new work Vessel: Dissolution | It's in the milk. Commissioned for Masons Screen, It’s in the milk reflects on "visceral motherhood", photography and memory. Leala discusses her iterative processes, what it means to exhibit personal work in public space, and inspiration gathered from the films of MD Brown and her collective 7558.

"The air was sucked out of the room". In this final podcast for 2022 we discuss the year that was with artist Judy Darragh, Gloriana Meyers (TAUTAI) and Andrew Clifford (Te Uru). As well as Judy nominating the Academy Awards as the new performance art spectacle, we discuss memorable shows, new artists, spaces, and publishing, and our hopes and dreams for 2023.

Sampling, reuse and copying have long been strategies and approaches in artistic practice and is a thread you can follow through art history. But who owns art? Should culture be under copyright? What are the limits of fair use? These questions are explored in the recent artworks exhibited at City Gallery Wellington in Josh Azzarella: Triple Feature. Picking up and expanding on these conversations, Josh and artists Bronwyn Holloway-Smith and Eugene Hansen discuss this and more. Moderated by Caitlin Lynch.

In this conversation host Mark Williams meets three artists who discuss the intersection of filmic technologies with living world of mauri, whakapapa and spiritual practice. Nova Paul's Rākau (2022) is a 16mm film of Pūriri trees. Paul created a film developer solution from foliage discarded by the trees themselves, bringing the image from negative to postive, creating a cyclical portrait of the Pūriri. Jamie Berry’s Whakapapa Algorhythms (2021) is a montage of archival home movies, recent digital animation and a constant pulsing score which was written by sequencing the artists own DNA. Jae Hoon Lee's Dark Matter (2022) continues his preoccupation with new technology as a vehicle to transform organic matter, presenting a series of pulsing coals, crystal and other mineral deposits. This conversation was recorded for the 2022 Screen Studies Association of New Zealand conference The Materiality of Screen Media.

"What are the legacies that make us who we are?" In this pod we discuss Legacies, CIRCUIT's 2022 programme of artist cinema commissions; featuring new films by Edith Amituanai, Martin Sagadin, Ukrit Sa-nguanhai, Pati Tyrell, Sriwhana Spong. CIRCUIT Curator-at-large May Adadol Ingwanaij and Thai artist Ukrit Sa-nguanhai (Todd) speak to host Mark Williams about May's curatorial process, Ukrit's film on a Cold War-era mobile cinema propaganda unit, and the other artists works in the programme.

Curator Tendai Mutambu talks to Sorawit Songsataya and Ary Jansen about their works in Otherwise-image-worlds, a group exhibition presented by CIRCUIT in partnership with Te Uru. Otherwise-image-worlds brings together five newly commissioned artworks from artists working in animation. Working against the commercial demand for spectacle and efficiency, Danielle Brathwaite-Shirley, Juliet Carpenter, Tanu Gago, Ary Jansen and Sorawit Songsataya, all expand and reconfigure the conventions of image-making, asking what modes of interaction, imagination, attention, and refusal animation can cultivate. This conversation was recorded at Te Uru.

Sione Faletau discusses his practice of translating the traditional Tongan practice of kupesi (patterns) into digital video, using site-specific audio recordings and traditional Tongan music as the basis for generating images. He discusses his upcoming shows at Gus Fisher Gallery and Masons Screen. Interviewer: Robbie Handcock.

Sandy Gibbs speaks to Thomasin Sleigh about a new body of work made over six years in response to the 1968 Olympics, a project made between Aotearoa, Mexico and Germany which used failure as a generative process. She discusses older women taking the space, critiquing the idea of competition in sport and art, and using restaging as a video art methodology.

In this pod Artspace Aotearoa director Remco de Blaaij discusses his final curatorial project at the gallery, Ex-post, a follow up to his 2017 exhibition Ex-ante. Looking back on Artspace's past 5 years he reflects on the impact of shifting the institution to street level premises, opening a cinema, and the need for future Arts leadership to embrace indigenous perspectives. Hosted by Mark Williams.

“We've needed our artists this year  more than ever, to fall into other ways of seeing reality" - Nigel Borell What was 2021? Host Robbie Handcock discusses the year that was with guests Abby Cunnane, Sophie Davis and Nigel Borell. The panel discuss memorable exhibitions, the power of a publication, bodily vibrations, discovering the South Island, best moving image works and new discoveries. With shout outs, mentions and commendations for; Bridget Reweti, Brett Graham, Sonya Lacey, Ana Iti, Ralph Hotere, Turumeke Harrington, Govett Brewster Art Gallery, Māori Moving Image, Te Uru, City Gallery Wellington, Hanihiva Rose. Abby Cunnane is Director of The Physics Room, in Ōtautahi Christchurch, Sophie Davis is a Curator at Dunedin Public Art Gallery in Ōtepoti Dunedin, Nigel Borell is an independent curator based in Tāmaki Makaurau Auckland.