Call To Stage Live 2025 is now on-sale! Final Tickets Now Available: https://www.atgtickets.com/shows/call-to-stage-live/fortune-theatre/ Long time friend of the Davies? Tick. West End favourite? Double tick. Rob Houchen is on Call To Stage this week! Rob Houchen shot to fame as Marius in Les Misérables, a role he played on the West End and in the iconic 30th anniversary concert broadcast to cinemas worldwide. Since then, he’s built a career that blends classic leading man roles with contemporary new writing — from the West End production of City of Angels to Stephen Sondheim's Old Friends, the UK Tour of South Pacific and, most recently, the hit Titanique in the Original West End Cast. On this episode of Call To Stage, Amber and Rob reminisce about their nights out and Rob shares stories from breaking out in Les Mis, working with icons like Vanessa Williams and Kristin Chenoweth and working in LA. Rob also shares why he chose to leave Titanique while he still loved it, what it was like being painted grey in a jockstrap every night for City of Angels and the night he sang ABBA on the carpet at Sir Ian’s New Year’s party... For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Call To Stage Live 2025 is now on-sale! Final Tickets Now Available: https://www.atgtickets.com/shows/call-to-stage-live/fortune-theatre/ Imagine being so naturally talented that your career started as a joke... and now you're in London starring as the King of Pop in front of sold out audiences every night! Jamaal Fields-Green is the West End's MJ in MJ The Musical - currently starring, after initially coming in as an emergency cover. His career started when he landed the role of Seaweed in Hairspray at high school (after his friends signed him up as a joke!) and has since thrived in productions including The Choir Boy and the Chicago production of Hamilton - his first major role straight out of college. Jamaal's story teaches us that anyone can make their dream of performing come true, no matter what time in your life you find theatre (as long as you're insanely talented!). On this episode of Call To Stage, Amber and Jamaal talk about performing in the UK vs the US, his experience playing MJ, landing his role in Hamilton straight out of college and his uncommon route into the industry... For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Call To Stage Live 2025 is now on-sale! Final Tickets Now Available: https://www.atgtickets.com/shows/call-to-stage-live/fortune-theatre/ We're have come to the end of Call To Stage: Gatsby Edition... but we're not finishing before we invite one very special guest on the podcast! Corbin Bleu's theatre credits span from In The Heights on Broadway to Hairspray and Mamma Mia! at the Hollywood Bowl. He's also led companies in the Broadway productions of Godspell and Kiss Me, Kate, as well as the acclaimed Off-Broadway production of Little Shop of Horrors. For the millennials and Gen Z, Corbin is best known as Chad in Disney's High School Musical - a role which catapulted him to household name status and resulted in him being nominated for a Teen Choice Award and NAACP Image Award. On this episode of Call To Stage, Amber and Corbin talk about being constantly on-stage as Nick in Gatsby in the West End (as well as his interpretation of the role), navigating backlash in his first Broadway role and his roles in shows including Singin' In The Rain. They also talk about the ongoing legacy of High School Musical, the important role the franchise played in the arts and his experiences with fans... For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Call To Stage Live 2025 is now on-sale! Final Tickets Now Available: https://www.atgtickets.com/shows/call-to-stage-live/fortune-theatre/ We are nearing the end of Call To Stage: Gatsby Edition… but we are not slowing down! Our guest on this episode is the effortlessly talented (and chilled) Jay Gatsby… sorry, we mean Jamie Muscato, old sport. Jamie Muscato is one of the most bankable leading men in the West End. From his breakout performance as JD in the West End production of Heathers: The Musical to his starring roles in Moulin Rogue!, Les Misérables (on Tour and in the West End), Rock of Ages and, most recently, his Olivier-nominated turn in Natasha, Pierre & The Great Comet of 1812... his CV is just as impressive as his on-stage abilities. Beyond the shows he has been in – Jamie is a star in his own right, and to prove it he is headlining two solo concerts at Theatre Royal Drury Lane in March 2026! On this episode of Call To Stage, Amber and Jamie talk about building your craft without formal drama school training, the turning point of Heathers propelling Jamie into the spot… and the viral pressure around Jamie’s on-stage death in Gatsby. They also talk about Jamie’s professional debut in Spring Awakening, his Olivier Award nomination for The Great Comet, working with legends like Rachel Tucker, and why saying no can sometimes be the most powerful choice an actor can make. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Call To Stage Live 2025 is now on-sale! Final Tickets Now Available: https://www.atgtickets.com/shows/call-to-stage-live/fortune-theatre/ We’re back with another episode of Call To Stage: Gatsby Edition and this week, we’re joined by a West End powerhouse! Jon Robyns has played many of the West End’s most formidable roles. Having been cast in the UK Tour of Miss Saigon before he even graduated, Jon has gone on to originate the roles of Princeton & Rod in Avenue Q in the West End, as well as playing Marius and Jean Valjean in Les Miserables in the West End (and Enjolras in the 25th Anniversary Tour production). He has also played King George III in Hamilton, The Phantom in The Phantom of the Opera and his next West End role will see him take on Miss Trunchball in Matilda The Musical. All of this alongside roles in Memphis: The Musical, Sister Act, Spamalot and Legally Blonde. Jon Robyns currently stars as Tom Buchanan in The Great Gatsby. On this episode of Call To Stage, Amber and Jon talk about the art of playing Tom Buchanan and the challenges of the role, the differences between The Phantom and Jean Valjean and the shows that have defined Jon. They also swap stories from the Gatsby rehearsal room, share the story of the sneeze that nearly brought the Plaza to a standstill… and why role would Jon secretly love to play?! For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Call To Stage Live 2025 is now on-sale! Final Tickets Now Available: https://www.atgtickets.com/shows/call-to-stage-live/fortune-theatre/ We're going under the hood (yes, the hood of THAT car) once again for an episode of Call To Stage: Gatsby Edition! Aimée Fisher boasts an illustrious list of West End credits - including Lés Miserables (cover Cosette and Fantine), Wicked (first cover Elphaba), Elf and the UK Tour of Waitress (cover Jenna and Dawn)... where she met her husband, George! From covers to ensemble, and now playing the role of Gilda Gray in The Great Gatsby - Aimée has truly played all the parts to get to where she is today. She's even worked as a dresser whilst going through a period of rejections! On this episode of Call To Stage, Amber and Aimée discuss the pressures and challenges of being a cover in theatre, meeting her husband whilst in Waitress and playing childhood dream roles. They also talk about Gilda's big Act II solo in Gatsby and her unexpected path to covering Elphaba in Wicked. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Call To Stage Live 2025 is now on-sale! Final Tickets Now Available: https://www.atgtickets.com/shows/call-to-stage-live/fortune-theatre/ We're back with another episode of Call To Stage: Gatsby Edition, old sports! This week we're joined by Joel Montague aka George Wilson in The Great Gatsby on the West End. You may know Joel Montague for his two and a half year run as King George III in Hamilton - which he actually doubled up on to rehearse for Gatsby! Along with this, Joel is a veteran of the UK touring scene, having performed as part of the touring casts of The Producers, Sister Act, Chicago and The Rocky Horror Picture Show. Joel has played opposite the likes of Tom Holland and Cynthia Erivo... all whilst founding his own award winning production company, Curtain Call Productions. On this episode of Call To Stage, Amber and Joel discuss training at Guildford, the challenges of playing George Wilson, his relationship with Carrie Hope Fletcher and working opposite Rachel Tucker. Oh... and prepare yourself. There's a LOT of name dropping in this one! For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome back, old sports! We’re back with another episode of Call To Stage: Gatsby Edition and this episode was recorded before the cast announcement of The Great Gatsby on the West End – with a very funny moment… John Owen-Jones is one of the West End’s most accomplished actors, having played both The Phantom in The Phantom of the Opera and Jean Valjean in Les Misérables. In fact, John hasn’t just played those roles once – he was in the Les Mis 10th Anniversary Concert at the Royal Albert Hall and has played Jean Valjean in the West End, on Broadway, on tour and in Dubai. As The Phantom, John has performed in the West End, in Tokyo and as part of the 25th Anniversary UK Tour. Outside of those iconic roles, he has tackled everything from La Cage aux Folles at Regent’s Park Open Air Theatre, The Sound of Music at the National Theatre and Sweeny Todd at Royal Festival Hall. John Owen Jones currently stars as Meyer Wolfsheim in the West End production of The Great Gatsby. On this episode of Call To Stage, Amber and John talk about entering the industry before social media, the important of self-reliance, being the youngest actor to play Jean Valjean and performing globally. They also share anecdotes from Phantom, Les Mis and Amber reveals to John that they will be in Gatsby together! (We all know this now… but this was recorded before the announcement!) For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's the day, old sports! We have officially entered Call To Stage: Gatsby Edition and for the next two months, Amber is going to be joined by her fellow cast mates from The Great Gatsby on the West End. And we're starting big... Rachel Tucker is a bonafide legend of the West End. With numerous Olivier Award and WhatsOnStage Award nominations, her work includes playing Elphaba inWicked on the West End, Broadway and as part of the London 10th Anniversary Cast, her multi-award nominated run in Come From Away, Norma Desmond in the Jamie Lloyd production of Sunset Boulevard at the Savoy Theatre and We Will Rock You at the Dominion. Most recently, Rachel was Persephone in a sell-out run in Hadestown and she currently plays Myrtle Wilson in The Great Gatsby. On this episode of Call To Stage, Amber and Rachel talk about record-breaking runs in Wicked, performing on Broadway, receiving recognition for Come From Away and performing whilst pregnant. They also share behind-the-scenes secrets from working together on Gatsby and Rachel shares her first impressions from when she received the offer to play Myrtle! For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
You may have seen this week's guest flying around on a broomstick recently. Please welcome, the wickedly talented, Emma Kingston! Having broken out originating the role of Vanessa in the London cast of In The Heights, and blowing people away with her performance as Eva Perón on the international tour of Evita, Emma is currently playing Elphaba opposite Zizi Strallen's Glinda in Wicked on the West End. You may have also seen Emma as Heather Chandler in Heathers, Eponine (understudy) in Les Misérables and even in the star-studded cast of Schwartz At 75 alongside the likes of Jamie Muscato, Kerry Ellis, Louise Dearman and Rachel Tucker. On this episode of Call To Stage, Amber and Emma discuss all things Wicked, performing at Mighty Hoopla and Amber spills the truth about her experience watching Emma's first show. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
If you were lucky enough to catch the recent London premiere of Shucked… then our guest on this episode of Call To Stage is for you! Stevie Webb made his West End debut in the lead role in Oliver! at the London Palladium. Since then, he’s done everything from performing with Michael Jackson at the BRIT Awards to starring in The History Boys in the West End. Most recently, Stevie starred in the West End production of The Book of Mormon, the UK Tour of Here You Come Again, Chatroom (a role Stevie took over from Andrew Garfield) and, of course, the recent Regents Park Open Air Theatre production of Shucked. On this episode of Call To Stage, Amber and Stevie talk about the creative process behind bringing Shucked to London, Stevie’s West End debut in Oliver, pantomimes… and his wild BRIT Awards story! There’s also stories from The History Boys, Midsummer Nights Dream at the Crucible, Book of Mormon and Stevie’s reflection on his training. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
It was only right to have the iconic Maddie Grace Jepson on Call To Stage to announce her West End debut as Lorraine Baines in Back To The Future! We can't wait to watch her thrive on that stage. Maddie is an actor and TikTok viral sensation who has over 2.1 million digital followers worldwide. Just four years after Maddie first appeared on TikTok, she quickly established herself as the go-to creator for everything related to womanhood, lifestyle, and beauty by producing hilariously original and relatable content. On this episode of Call To Stage, Amber and Maddie discuss the audition process for Back To The Future, training at drama school, West End dreams, going viral on TikTok and just how wonderful Nicola Coughlan really is. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
We are joined by an absolute legend on this episode of Call To Stage! Ruthie Henshall is a five-time Olivier Award nominee who has played some of the West End’s biggest roles. She’s been Fantine in Les Misérables, Nancy in Oliver!, Roxie Hart (and Mama Morton) in Chicago in the West End and was in the Original West End casts of Miss Saigon, Children of Eden, Crazy For You and Peggy Sue Got Married. On Broadway, Ruthie was Roxie Hart in the Chicago revival and Ellen in Miss Saigon alongside numerous other credits spanning her nearly 40 year professional career. Ruthie won Best Actress In A Musical at the Olivier Awards in 1995 for her performance in She Loves Me. On this episode of Call To Stage, Amber and Ruthie talk about the emotional toll of auditioning, the importance of nurturing young talent in theatre and Ruthie’s experiences on Broadway! Ruthie also shares stories from Miss Saigon, Chicago and making her professional debut in the UK Tour of A Chorus Line. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Best known for originating the role of Catherine of Aragon in the multi award-winning Six The Musical, Reneé Lamb is one of the UK theatre scene’s most exciting stars. From Six to CAKE (where she originated the leading role of Jeanne), Reneé has also starred in the Original Casts of Be More Chill, Malory Towers and Little Shop of Horrors at the Regent Park Open Air Theatre. She’s most recently starred in the new play Radiant Boy at the Southwark Playhouse. Outside of the theatre, Reneé starred in the BBC drama This Town and will be seen in Edgar Wright’s upcoming film The Running Man. On this episode of Call To Stage, Amber and Reneé talk about the impact of Six, performing at Regents Park for Little Shop, transitioning from musicals to plays and the importance of dialect coaching. They also talk about their touring experiences, the rise of theatrical concerts and their predictions for the future of theatre. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Desmonda Cathabel might now be recognised as one of the country’s most talented performers – but her career started thousands of miles away in Jakarta. A graduate of the Royal Academy of Music, she was awarded the Stephen Sondheim Society Student Performer of the Year 2022. In 2023, she was a finalist on ITV’s Mamma Mia! I Have A Dream where she shot to national attention. On stage, Desmonda played Princess Jasmine on the UK & Ireland Tour of Disney’s Aladdin, Stephen Sondheim’s Old Friends and she currently stars as Eurydice in the West End production of Hadestown. On this episode of Call To Stage, Amber and Desmonda talk about sustaining a healthy voice, the challenges of being an alternate and their touring experiences. Desmonda shares her journey from Indonesia to the West End, and shares the stories behind from behind the scenes of I Have A Dream and landing her role in Hadestown. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
Simon Lipkin is one of the West End’s most accomplished actors. Having originated roles in many of London’s biggest shows (including Avenue Q, Rock of Ages and Elf The Musical). He can’t just sing, act and dance, he’s also an accomplished puppeteer (he was the dog in I Can’t Sing! The X Factor Musical, and the Lorax in The Lorax at the Old Vic) and a magician, having performed in Derren Brown’s Unbelievable in the West End in 2024. He’s currently starring as Fagin in Cameron Mackintosh’s 4x Olivier Award nominated revival of Oliver!, for which Simon was nominated as Best Actor in a Musical. On this episode of Call To Stage, Amber and Simon talk about life-changing training experiences, being nominated for an Olivier Award for Oliver!, being mentored by Cameron Mackintosh and the key to having a versatile career in both theatre and television. They also share experiences from Avenue Q… and spill the tea on Simon’s relationship with Georgina Castle! For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
We have a multiple Olivier Award nominated actor on Call To Stage today... and, even better, she is form one of Amber's favourite shows currently on in the West End. Clare Foster started her professional career in Germany, as an understudy in Saturday Night Fever. Ever since then, she has shot to the top of London's theatre royalty. With roles in We Will Rock You, Avenue Q (where she received her first Olivier nomination), Crazy For You (where she received her first WhatsOnStage Award nomination), Merrily We Roll Along, Travesties and, most recently, in Consent at the Harold Pinter Theatre. Clare has performed around the world - from Boston to Bolton, and currently stars in The Curious Case of Benjamin Button, for which she was nominated for the Olivier Award for Best Actress in a Musical. On this weeks episode of Call To Stage, Amber and Clare talk about making her West End debut in We Will Rock You, the crazy ride that was Avenue Q and working on TV shows such as The Bill and Casualty. They reflect on the importance of learning from failures, and the joys of working with a reliable cast. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
We have a highly requested guest on this weeks episode of Call To Stage! Hibe Elchikhe graduated from Mountview and quickly made her professional stage debut in the Asia tour of Ghost, followed by her first lead role as Jasmine in the Australian tour of Aladdin. In London, Hiba made her stage debut in Antony & Cleopatra at the National Thatre, and made her West End debut as Pritti Pasha in Everybody's Talking About Jamie. Since then, she has gone on to star in The Time Traveller's Wife and, most recently, Here & Now (the Steps musical) in Birmingham. On this weeks episode of Call To Stage, Amber and Hiba talk about training at BRIT School and Mountview, her first big break in Asia and her journey to landing the role of Jasmine in Aladdin. They also touch on the impact of Everybody's Talking About Jamie and dreams of working on Broadway... For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
In many ways, The Curious Case of Benjamin Button is the underdog musical of the year in the West End - a production which started off-West End in 2019 and fought its way to the Ambassadors Theatre thanks to its incredibly passionate fanbase. In John Dagleish, the show has found its star. The winner of Best Actor in a Musical at the 2025 Olivier Awards (for his role as Benjamin Button), Dagleish's history in the West End is storied. He previously won Best Actor in a Musical at the Oliviers in 2014 for his performance as Ray Davies in the original cast of Sunny Afternoon. He's also performed in the West End productions of Harlequinade and The Winters Tale. Outside of theatre, John has been in Justice League, Christopher Robin and the live action The Little Mermaid, among others. On this weeks episode of Call To Stage, Amber and John talk about the magic of bringing Benjamin Button to the stage, his synergy between being an actor and a musician, influential acting teachers, his West End debut and Olivier Award wins. He also shares his insights into the differences of performing on stage, and performing in front of the camera. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices
From Six to Mean Girls - and even Legally Blonde along the way - Grace Mouat is one of the most exciting stars on the West End. Having made her West End debut in Six (where she was Dance Captain, Swing and covered all six leads!), her journey has also included stints in & Juliet, the Arlene Phillips directed concert version of Hair, the iconic Legally Blonde at the Regents Park Theatre and the West End transfer of The Great British Bake Off Musical. However, it's Grace's show-steeling performance as Karen in the West End run of Mean Girls that has her name on everybody's lips (and 'everyone' includes WhatsOnStage, who nominated her for Best Supporting Performer in a Musical). On this weeks episode of Call To Stage, Amber and Grace talk about skincare struggles, her West End debut, the challenges of swinging in a new musical and her journey to Mean Girls. Plus, they talk about SVN, the realities of performing in an Open Air theatre and personal growth onstage. For more bonus content, join the Call To Stage Backstage Pass on Patreon: https://www.patreon.com/c/calltostage Follow Call To Stage Instagram: @calltostagepod TikTok: @calltostagepod YouTube: @calltostage Learn more about your ad choices. Visit megaphone.fm/adchoices