Casper Hernández Cordes
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Description
Casper Hernández Cordes (1971) graduated as a composer from the Royal Danish Academy of Music in 2006. For a number of years he has been involved in electroacoustic music, interactive installations, happenings, performances and workshops, as a means of involving non-musicians in creative , musical creation. Since the pandemic, he has found his way back to working with score music.
85 Episodes
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Solo klarinet og analog synth. Før koncerten i morgen; en forpremiere.
A synth 'improvisation' on maxmsp, played in the room, recorded by a geophone attached to the window...
More experiments with maxmsp to prepare for my forest concert... Developing an 'analog' synth in maxmsp, and using 'cellulose' sounds, IE, sounds made of wood things, as 'percussion'; and, finally, using the poetry of Inger Christensen as basis for the melodic parts.
This is music, that I suppose mycelium would love. Based on cellulose IE sounds from branches, leaves, fruits, seeds, etc., that are the things mycelium feed on. When doing my outdoor mycelium concerts, this is the basic soundscape I'll 'feed' to the environment, thus creating a fertile ground (literally) for the mycelium to engage in a fair trade - cellulose (sound) for bioelectricity (used in my eurorack modular setup via Scion Instruo, to give the mycelium a voice)
Listen to this episode of the podcast Building Sound Collectives
https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/
Listen to this episode of the podcast Building Sound Collectives
https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/
Listen to this episode of the podcast Building Sound Collectives
https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/
Listen to this episode of the podcast Building Sound Collectives
https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/
"Epilogues". Improvisations using the composition #011300 as a 'landscape'..
"Epilogues". Improvisations using the composition #011300 as a 'landscape'..
"Epilogues". Improvisations using the composition #011300 as a 'landscape'..
"Epilogues". Improvisations using the composition #011300 as a 'landscape'..
"Epilogues". Improvisations using the composition #011300 as a 'landscape'..
#011000 - #0114000
Improvisations over the composition #000000 "Last Dream"
Read more about the method and philosophy behind this improvisation here: https://cultural-sustainability.eu/2021/11/05/music-as-an-ecosystem/
This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream
This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream
This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream
This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream
This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream
“This is the first variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream
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