Chess Piece: The Elián González Story

On Thanksgiving 1999, five-year-old Elián González was rescued at sea near the Florida coast after his mother and others drowned on a make-shift boat, fleeing from Cuba. His miraculous survival would make global headlines, but Elián would be put in the middle of a dramatic familial feud and two enemy nations — highlighting the very Cuban experience of family separation. Episodes drop every Wednesday, starting 9/25/24.See omnystudio.com/listener for privacy information.

In 1999, two Florida fishermen found a cherub of a boy named Elián González in the sea on Thanksgiving. The boy had floated alone for days. His mother managed to save her son’s life by strapping him to an inner tube before she drowned. Elián's father in Cuba desperately tried to get his son back. Our host, investigative journalist Peniley Ramírez, was also separated from her family by the Florida Straits. When Peni was 11 years old her dad told her a dangerous secret before he left on an official trip on behalf of the Cuban government — he would not be returning. Relating to Elián in many ways, Peniley seeks to unearth his story with the clarity of history, nearly a quarter century later. Looking beyond the mythology around Elián saga, from the miracle rescue to dolphins, Peni uncovers a more layered story, even dark at times. This season on Chess Piece, we tell you the Elián story unlike you've heard before.   This season's cover art by Ranfis Suárez Ramos. Thanks to These Archival Sources: Lynn and Louis Wolfson II Florida Moving Image Archives Original Material Appeared In: AP Archive Belly of The Beast Cuba CBS Early Show CBS Evening News CNN CNN's "Elián: The Remarkable Story of A Cuban Boy's Journey to America" C-SPAN Cubavisión Good Morning America ITN Archive Univision 7 News At 5pmSee omnystudio.com/listener for privacy information.

After Elián’s Thanksgiving rescue at sea, he was released to relatives in Miami. Just a day later, the Cuban government sent a note: the boy’s father and Fidel Castro wanted Elián back. Tensions between the U.S. and Cuba had long been high, and relations were about to be tested to the extreme as the Thanksgiving miracle became an international custody battle. Just over a week after his rescue, on Dec. 6, 1999, Elián turned six years old. That same day Fidel Castro sent an ultimatum to the U.S. to return the boy to his father within 72 hours. In Cuba, Peni was a young teen when Elián made it to Miami. Peni remembers seeing Elián everywhere: T-shirts, billboards, daily Fidel Castro briefings. She also remembers attending protests. Peni sits down with her younger brother Juanki to discuss their memories of the case, a national cause really, in Cuba. At the heart of the case is something Peni and Juanki know intimately: family separation.   This season's cover art by Ranfis Suárez Ramos. Thanks to These Archival Sources: Lynn and Louis Wolfson II Florida Moving Image Archives Original Material Appeared In: ABC Evening News ABC Nightline Action News AP Archive BBC Panorama CBS Early Show CBS Evening News CNN's "Elián: The Remarkable Story of A Cuban Boy's Journey to America" C-SPAN Good Morning America NPR RTVE Telediario Universal NewsreelSee omnystudio.com/listener for privacy information.

While authorities decided how to proceed, Elián stayed in Little Havana with his Miami relatives, including with his older cousin turned mother figure, Marisleysis. The Cuban American community in Miami rallied around the family, arguing that Elián would only be free in the U.S., and that sending him back to Cuba was sentencing him to a life under the Communist regime. This idea was fueled by traditional exile ideology, a set of beliefs informed by the Cuban American experience. Peniley explores how the staunch ideology, often informed by trauma, animated Elián' s story. While in Cuba, the ideology of the revolution also colored Elián's journey. Peniley reflects on what it has been like for her to experience Cuba and Miami — two places with very strong belief systems. And she revisits how the INS finally decided who Elián should stay with.   This season's cover art by Ranfis Suárez Ramos. Thanks to These Archival Sources: Lynn and Louis Wolfson II Florida Moving Image Archives Original Material Appeared In: CNN's "Elián: The Remarkable Story of A Cuban Boy's Journey to America" C-SPAN Gabriel Iglesias' "How To Tell Latinos Apart" Martí Noticias Sony Pictures' "3:10 To Yuma" YouTube/dvjmindsnare  See omnystudio.com/listener for privacy information.

Throughout the ordeal, Elián's father always insisted he wanted the boy to return to Cuba. But many Cuban Americans speculated that Juan Miguel wasn't operating under free will — but rather under threat, and in the shadow of Fidel Castro. As the Miami family refused to hand Elián over to his father, tensions boiled over and negotiations began. The Attorney General, lawyers and other negotiators tried to bring the two sides together. As Elián started to disappear from the public eye, authorities became increasingly worried about the boy's safety and well-being.   This season's cover art by Ranfis Suárez Ramos.   Thanks to These Archival Sources: Lynn and Louis Wolfson II Florida Moving Image Archives Original Material Appeared In: 7 News at 5pm ABC Evening News ABC Nightline AP Archive CBS Evening News CNN C-SPAN Martí Noticias NBC Evening News Periódico Escambray The Guardian UnivisonSee omnystudio.com/listener for privacy information.

As negotiations failed, the U.S. government had been carefully planning for the possibility of taking Elián by force. Then on Easter Weekend, the order came. Armed agents stormed the house in a pre-dawn raid, armed with tear gas and semi-automatic rifles. They smashed down the door of the Miami home where Elián's relatives were keeping him. Donato Dalrymple, the man who had rescued Elián at sea, grabbed the boy and hid with him in a closet, but there was nowhere else to go. A news photographer caught the moment on camera, creating an image that would reverberate around the world — including in Cuba. In this episode, we hear first hand accounts of the night of the raid, from the INS commander of the operation, a family lawyer who was inside the house that evening, and a Cuban exile activist who was outside the Little Havana home.   This season's cover art by Ranfis Suárez Ramos. Thanks to These Archival Sources: Lynn and Louis Wolfson II Florida Moving Image Archives Original Material Appeared In: CBS Evening News C-SPAN NBC 6 South FloridaSee omnystudio.com/listener for privacy information.

In the aftermath of the raid, agents brought Elián to Washington D.C. where father and son would finally reunite. But Elián and his dad were stuck in the United States while the court case played out — and while Miami burned with rage at what many Cuban Americans saw as a deep betrayal by the federal government. Peniley reflects on the power of reunions. As Elián was reunited with his father, his cousin Marisleysis was in despair. And in April 2000, Peniley had just turned 13 years old, still separated from her own father as a result of US and Cuban policies.   This season's cover art by Ranfis Suárez Ramos. Thanks to These Archival Sources: Lynn and Louis Wolfson II Florida Moving Image Archives Original Material Appeared In: ABC Evening News AP Archive Belly of The Beast CNN Evening News CNN's "Elián: The Remarkable Story of A Cuban Boy's Journey to America" Cubadebate C-SPAN MSNBC NPR's "All Things Considered"See omnystudio.com/listener for privacy information.

Elián and his dad went back to Cuba in June 2000, just four months before the US Presidential election between George W. Bush and Al Gore. Miami Cubans, hurt and angered by President Bill Clinton’s handling of the Elián case, resolved to vote against the Democrats and for the Republicans in what was called el voto castigo — the punishment vote. To understand the political influence of Cuban-Americans, the stakes, and lasting impact of this moment, producer Tasha Sandoval takes the mic. We meet Tasha’s grandmother, an 87-year-old Miami Cuban, and learn how her story as a first wave Cuban exile informs her perspective.   This season's cover art by Ranfis Suárez Ramos. Thanks to These Archival Sources: Lynn and Louis Wolfson II Florida Moving Image Archives Original Material Appeared In: ABC News AP Archive CBS News CNN Evening News C-SPAN Democracy Now! HBO's "537 Votes" Museum of the Moving Image National Archives NBC Evening News NBC News PBS NewsHour Retro Report The New York Times Voice of America YouTube/PlopsmomSee omnystudio.com/listener for privacy information.

Peniley tells us the story of Elián after he returned to Cuba, where he studied engineering, fell in love and had a daughter. Back in his country, Elián became a favorite of Fidel Castro, much to the chagrin of Miami Cubans. Peniley reflects on Elián's journey and her own relationship with Cuba. She speaks to her children about her and Elián's Cubanismo.   This season's cover art by Ranfis Suárez Ramos. Original Material Appeared In: Al Jazeera English AP Archive Belly of The Beast CNN's "Elián: The Remarkable Story of A Cuban Boy's Journey to America" CNN Fidel Castro Ruz, Soldado de las Ideas La Caja de PandoraSee omnystudio.com/listener for privacy information.

After taking you through the Elián González story, we’re sharing some reporting and interview content that didn’t make it into our narrative series. This week, Peniley and producer, Tasha Sandoval, sit down to reflect on their experiences reporting on this project, particularly through their perspectives as Cubans: Peniley, a Cuban who grew up in Cuba, and Tasha, a second-generation Cuban-American. During the Elian saga, the Cuban American community in Miami gained a negative reputation as “crazy,” something that came up in several interviews. We hear from writer Vanessa Garcia and former Executive Director of the Cuban American National foundation, Joe Garcia, to reflect on how this perception of “Crazy Cubans” and that the community lost the narrative, may have reverberations to this day.   This season's cover art by Ranfis Suárez Ramos.See omnystudio.com/listener for privacy information.

In the final episode this season, Peniley reflects on the throughline of the Elián story: family separation. In an extended interview with Cuban American historian Ada Ferrer, we share her family’s story of separation and reunification. Her mom left Cuba when she was pregnant with Ada in 1963, soon after the revolution. They left behind her 9-year old brother, Poly, or Hipólito, playing in the yard without telling him they wouldn’t be returning. She tells us how years later he would eventually come to the U.S. too, and be reunited, but that the wound of abandonment would prove deep. To read Ada's family story, here is her New Yorker article, My Brother's Keeper.   This season's cover art by Ranfis Suárez Ramos.See omnystudio.com/listener for privacy information.