Classic Poetry Aloud

William Shakespeare read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------------- Sonnet 18 by William Shakespeare (1564-1616) Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, By chance, or nature's changing course, untrimm'd; But thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest; So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee. Reading © Classic Poetry Aloud, 2007.

Joaquin Miller read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------------- For Those Who Fail by Joaquin Miller (1837 – 1913) "All honor to him who shall win the prize," The world has cried for a thousand years; But to him who tries and who fails and dies, I give great honor and glory and tears. O great is the hero who wins a name, But greater many and many a time, Some pale-faced fellow who dies in shame, And lets God finish the thought sublime. And great is the man with a sword undrawn, And good is the man who refrains from wine; But the man who fails and yet fights on, Lo! he is the twin-born brother of mine! Reading © Classic Poetry Aloud, 2008.

Edgar Allan Poe read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------------- Alone by Edgar Allan Poe(1809 – 1849) From childhood's hour I have not been As others were; I have not seen As others saw; I could not bring My passions from a common spring. From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I loved, I loved alone. Then- in my childhood, in the dawn Of a most stormy life- was drawn From every depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that round me rolled In its autumn tint of gold, From the lightning in the sky As it passed me flying by, From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view. Reading © Classic Poetry Aloud, 2007.

John Donne read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------- The Good-Morrow by John Donne (1572 – 1631) I wonder by my troth, what thou, and I Did, till we lov'd? were we not wean'd till then? But suck'd on countrey pleasures, childishly? Or snorted we in the seaven sleepers den? T'was so; But this, all pleasures fancies bee. If ever any beauty I did see, Which I desir'd, and got, t'was but a dreame of thee. And now good morrow to our waking soules, Which watch not one another out of feare; For love, all love of other sights controules, And makes one little roome, an every where. Let sea-discoverers to new worlds have gone, Let Maps to other, worlds on worlds have showne, Let us possesse one world, each hath one, and is one. My face in thine eye, thine in mine appeares, And true plaine hearts doe in the faces rest, Where can we finde two better hemispheares Without sharpe North, without declining West? What ever dyes, was not mixt equally; If our two loves be one, or, thou and I Love so alike, that none doe slacken, none can die. Reading © Classic Poetry Aloud, 2007.

Emily Dickinson read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter:@classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------------- Hope is the Thing with Feathers by Emily Dickinson (1830 – 1886) "Hope" is the thing with feathers— That perches in the soul— And sings the tune without the words— And never stops—at all— And sweetest—in the Gale—is heard— And sore must be the storm— That could abash the little Bird That kept so many warm— I've heard it in the chillest land— And on the strangest Sea— Yet, never, in Extremity, It asked a crumb—of Me. Reading © Classic Poetry Aloud, 2007.

Robert Bridges read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. -------------------------------------------- Winter Nightfall by Robert Bridges (1844 - 1930) The day begins to droop,— Its course is done: But nothing tells the place Of the setting sun. The hazy darkness deepens, And up the lane You may hear, but cannot see, The homing wain. An engine pants and hums In the farm hard by: Its lowering smoke is lost In the lowering sky. The soaking branches drip, And all night through The dropping will not cease In the avenue. A tall man there in the house Must keep his chair: He knows he will never again Breathe the spring air: His heart is worn with work; He is giddy and sick If he rise to go as far As the nearest rick: He thinks of his morn of life, His hale, strong years; And braves as he may the night Of darkness and tears. Reading © Classic Poetry Aloud, 2007.

Christina Georgina Rossetti read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------------- Remember by Christina Georgina Rossetti (1830 – 1894) Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go, yet turning stay. Remember me when no more day by day You tell me of our future that you plann'd: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad. Reading © Classic Poetry Aloud, 2007.

John Keats read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to poetry of the past. --------------------------------------------------- Ode on a Grecian Urn by John Keats (1795-1821) Thou still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal—yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearièd, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea-shore, Or mountain-built with peaceful citadel, Is emptied of its folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul, to tell Why thou art desolate, can e'er return. O Attic shape! fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form! dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, 'Beauty is truth, truth beauty',—that is all Ye know on earth, and all ye need to know. Reading © Classic Poetry Aloud, 2007.

Robert Burns read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. -------------------------------------------- My Luve's Like a Red, Red Rose by Robert Burns (1759 –1796) My luve's like a red, red rose, That's newly sprung in June. My luve's like the melodie, That's sweetly play'd in tune. As fair art thou, my bonie lass, So deep in luve am I, And I will luve thee still, my Dear, Till a' the seas gang dry. Till a' the seas gang dry, my Dear, And the rocks melt wi' the sun! O I will luve thee still, my Dear, While the sands o' life shall run. And fare-thee-weel, my only Luve, And fare-thee-weel a while! And I will come again, my Luve, Tho' it were ten thousand mile! Reading © Classic Poetry Aloud 2009

Robert Browning read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------- The Lost Mistress by Robert Browning (1812 – 1889) All 's over, then: does truth sound bitter As one at first believes? Hark, 'tis the sparrows' good-night twitter About your cottage eaves! And the leaf-buds on the vine are woolly, I noticed that, to-day; One day more bursts them open fully —You know the red turns gray. To-morrow we meet the same then, dearest? May I take your hand in mine? Mere friends are we,—well, friends the merest Keep much that I resign: For each glance of the eye so bright and black, Though I keep with heart's endeavour,— Your voice, when you wish the snowdrops back, Though it stay in my soul for ever!— Yet I will but say what mere friends say, Or only a thought stronger; I will hold your hand but as long as all may, Or so very little longer! Reading © Classic Poetry Aloud, 2008.

Ralph Waldo Emerson read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------- The Rhodora by Ralph Waldo Emerson (1803 – 1882) On Being Asked Whence Is the Flower In May, when sea-winds pierced our solitudes, I found the fresh Rhodora in the woods, Spreading its leafless blooms in a damp nook, To please the desert and the sluggish brook. The purple petals, fallen in the pool, Made the black water with their beauty gay; Here might the red-bird come his plumes to cool, And court the flower that cheapens his array. Rhodora! if the sages ask thee why This charm is wasted on the earth and sky, Tell them, dear, that if eyes were made for seeing, Then Beauty is its own excuse for being: Why thou wert there, O rival of the rose! I never thought to ask, I never knew: But, in my simple ignorance, suppose The self-same Power that brought me there brought you. Reading © Classic Poetry Aloud, 2008.

William Blake read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. ----------------------------------------------- The Garden of Love by William Blake (1757 – 1827) I went to the Garden of Love, And saw what I never had seen; A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And 'Thou shalt not' writ over the door; So I turned to the Garden of Love That so many sweet flowers bore. And I saw it was filled with graves, And tombstones where flowers should be; And priests in black gowns were walking their rounds, And binding with briars my joys and desires. Reading © Classic Poetry Aloud, 2008.

Sir Thomas Wyatt read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. -------------------------------------------- Forget not yet by Sir Thomas Wyatt (1503 – 1542) The Lover Beseecheth his Mistress not to Forget his Steadfast Faith and True Intent Forget not yet the tried intent Of such a truth as I have meant; My great travail so gladly spent, Forget not yet! Forget not yet when first began The weary life ye know, since whan The suit, the service, none tell can; Forget not yet! Forget not yet the great assays, The cruel wrong, the scornful ways, The painful patience in delays, Forget not yet! Forget not! O, forget not this!— How long ago hath been, and is, The mind that never meant amiss— Forget not yet! Forget not then thine own approved, The which so long hath thee so loved, Whose steadfast faith yet never moved: Forget not this! Reading © Classic Poetry Aloud 2009

Matthew Arnold read by Classic Poetry Aloud www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------------- Dover Beach by Matthew Arnold (1822 – 1888) The sea is calm to-night. The tide is full, the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; the cliffs of England stand; Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in. Sophocles long ago Heard it on the A gaean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, Hearing it by this distant northern sea. The Sea of Faith Was once, too, at the full, and round earth's shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world. Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night. Reading © Classic Poetry Aloud, 2007.

John Scott read by Classic Poetry Aloud: http://www.classicpoetryaloud.com Twitter: @classicpoetry Facebook: www.facebook.com/poetryaloud Giving voice to the poetry of the past. --------------------------------------------------- The Drum by John Scott (1731 – 1783) I hate that drum's discordant sound, Parading round, and round, and round: To thoughtless youth it pleasure yields, And lures from cities and from fields, To sell their liberty for charms Of tawdry lace and glitt'ring arms; And when Ambition's voice commands, To fight and fall in foreign lands. I hate that drum's discordant sound, Parading round, and round, and round: To me it talks of ravaged plains, And burning towns and ruin'd swains, And mangled limbs, and dying groans, And widow's tears, and orphans moans, And all that Misery's hand bestows, To fill a catalogue of woes. Reading © Classic Poetry Aloud, 2007.