Classical Music Now

Jo Cheung is director and founder of Olympias Music Foundation, a Manchester charity championing diversity in music – from violin lessons for children on free-school meals, to community choirs for vulnerable BAME women and school children. Since 2015, they have delivered over 2000 free music lessons to 250 children in Manchester, and engaged with many more through workshops and performances. We chat how Olympias got here, where it’s going and stop off along the way at: The completely unregulated nature of teaching music Taking music education from school to the community and what that really means in practise Olympias’s huge Making Manchester project and their plans for the next year https://www.joyeecheung.com/ https://www.olympiasmusicfoundation.com/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes Slung Low Theatre Company Making Manchester Community Integration Awards Emma Doherty Hayley Suviste Cookbook! — Enjoying the podcast? Leave a kind word on iTunes to help others find us Join our mailing list to get everything No Dice first

Raymond Yiu is a Hong-Kong born, London-based composer, jazz pianist, conductor and writer on music. Originally trained as an engineer, Yiu was self-taught as a composer until he undertook his DMus under the auspice of Julian Anderson at Guildhall in 2009. His debut album The World Was Once All Miracle showcases his talent with three identity-exploring works informed by his time at Guildhall. How to get your foot on the ladder as a self-trained composer Why he won’t be getting a publisher any time soon Why Raymond never wrote the Cantonese pop songs that inspired him so much https://raymondyiu.com/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes Raymond Yiu: The World Was Once All Miracle out now on CD (with great liner notes) Lontano ensemble directed by Odaline de la Martinez North West Wind recording Raymond with Odaline de la Martinez’ Raymond with Lukas Foss No Dice’s latest spoken word gig Joe Hisaishi of Studio Ghibli scoring fame (I said his name wrong) Benetton’s ad with an image of David _Kirkby_ — Enjoying the podcast? Leave a kind word on iTunes to help others find us Join our mailing list to get everything No Dice first

Lara Agar is a composer, violinist, and collaborator who recently caught my eye with a credit on Shades of Blue, a dance piece performed at Sadler’s Wells and broadcast on the BBC. We talk about how the piece came about, curating nights, and the different relationship musicians, dancers, and actors have with their art. Also in the episode: The benefits of long-term creative partnerships Lara’s accidental rock opera Lara’s love of chaos Music’s uniquely non-visual role in today’s world https://www.laraagar.com/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes Joe and Lara’s pretty faces Rosalie Warner Kantos – In The Field EXAUDI vocal ensemble SET Music played in this episode Shades of Blue (intro bed and breakbeat example) Anima Rose JABBERWOCKY - performed by EXAUDI (excerpt and in full at the end) Accidental Rock Opera — Enjoying the podcast? Leave a kind word on iTunes to help others find us Join our mailing list to get everything No Dice first

Aubrey and I geek out about marketing in the classical realm. Why classical’s core product will always be live music Why we shouldn’t be streaming whole concerts for free Plus Aubrey gives her advice on how new groups should approach finding and keeping new listeners, and how to get around the fear of the unknown with newly written music. If you’re a musician or arts administrator of any kind, this is an essential listen. If you fall outside of that, enjoy looking behind the curtain at what an orchestra exec spends her time thinking about. Some Aubrey bio fun facts: she grew Seattle Opera’s BRAVO! Club to the largest group for young patrons in the US, led the Bumbershoot Festival to achieve an unprecedented 43% increase in revenue, and propelled the California Symphony to double the size of its audience and nearly quadruple the donor base.  https://www.aubreybergauer.com/  This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes 💿 Get our CD Stillness with 25% off when you order before Christmas 💿 It’s a CELLO-BRATION! - California Symphony (Available till Dec 11 2020. Emphasis mine.) The referenced LSO video. Click ‘show chat replay’ to see Maxine Kwok in action. Jill Robinson at TRG Aubrey’s excellent blog. This post is California Symphony’s ‘Public Commitment to Diversity’, which I love. Geffen Playhouse’s Zoom play: The Present San Francisco Symphony: Throughline (free!) Live with Carnegie Hall: Remembering Ruth Bader Ginsburg (also free!) — Enjoyed season 1 of Classical Music Now? Leave a kind word on iTunes to help others find us Join our mailing list to fill the void in your heart between now and season 2 in March

Ellie and I have a really open chat about our experiences with choral conducting and running a music group. Plenty of golden advice from Ellie, plus she explains why conductors shouldn’t silo into orchestral or choral, the weirdness of masterclasses, and creative administration. Ellie is a conductor, and founder of Kantos Chamber Choir (who I sing with). She recently debuted with the Hallé and toured with Matthew Bourne’s Romeo and Juliet production as the Young Associate Conductor. She is musical director with the Hallé Youth Orchestra, Radius Opera, Stafford Choral Society; and associate conductor with Manchester Chamber Choir and Huddersfield Choral Society. Ellie Slorach https://www.ellieslorach.co.uk/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes In The Field - Kantos Chamber Choir Royal Opera House - Opportunities for Women Conductors Jamulus Ellie’s Britten-Pears Young Artist Programme masterclass with Marin Alsop Ellie conducting the Hallé Youth Orchestra National Theatre Live (online screenings have now finished) Piece of the Month blog series - No Dice Collective Music played in this episode Robert Nathaniel Dett – O Holy Lord Rory Wainwright Johnston – Ave Maria Available to hear as part of Kantos’s In The Field project — Leave a kind word on iTunes to help others find us Join #mailinglistgang and get new podcasts and pieces sent straight to your inbox every month

Shruthi Rajasekar is a composer from Minnesota USA who straddles the worlds of Western contemporary music and south Indian Carnatic music from a truly unique position. Having grown up in the US with prominent Carnatic musician Nirmala Rajasekar as a mother, Shruthi is a joy to talk with as we cover: Choral culture and education in the US vs UK How the pandemic is actually improving conversations around pieces in the rehearsal process Shruthi’s experience at SOAS and RNCM We also get super into the weeds discussing how despite its insane cross-rhythms, Carnatic music never changes time signature – plus how Shruthi breaks those rules in her piece, Numbers. Shruthi Rajasekar https://www.shruthirajasekar.com/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes Many thanks to NMC for allowing Shruthi’s piece Numbers to be played in this podcast. Find out more about their great Young Composers Scheme album on their website or stream the piece. Shruthi’s ‘German and Sanskrit’ piece, Devotee (played throughout) Shruthi’s mum, Nirmala Rajasekar Out of Context #1: Diversifying Programming with Integrity – Shruthi’s article for I Care If You Listen B C Manjunath's Instagram: “My mood for few days has simply been in Triplets, Sextuplets and Duodeciplets” 😅 Transcribed madness. 42:28s anyone? Music played in this episode Devotee Numbers — Get new podcast episodes straight to your inbox and a piece recommendation every month

or Picking Weird Enough Instruments That People Can’t Look Away Cello/singer–accordion duo Good Habits perform live for us all the way from New Zealand. We chat musical storytelling, capturing attention, and moulding a bar gig into a full blown concert by playing the room right. We also hear about their experience writing pop songs for a Chinese media company! Good Habits https://www.facebook.com/goodhabitsband/ Links and Show Notes Classical evolution The Trouble Notes The Unthanks The Fitzgeralds - amazing! Silkroad Ensemble A great series on mixing basics by Dan Worrall for Fabfilter Benjamin Marrington-Reeve Hugh Morris Bonus link: https://www.facebook.com/goodhabitsband/videos/841706926030804/ (for context https://www.youtube.com/watch?v=Klhfo6sB4N4) Music played in this episode Under My Nose (PODCAST EXCCCLLUSIVE) Forget It (also EXCCLUSSSIVE) Hitch — Get new podcast episodes straight to your inbox and a piece recommendation every month

⭐ Revolutionary alternatives to tokenistic diversity programmes ⭐ Deconstructing boundaries between jazz and classical and freeing yourself to make the music you want to make ⭐ Methods for sneaking improvisation in front of classical musicians without them freaking out Vijay Iyer is an ECM-signed artist. He has worked with Yo-Yo Ma’s Silk Road Ensemble, written violin concertos for Jennifer Koh, and music for the LA Phil New Music Group. He has been ‘Jazz Artist of the Year’ more times in more magazines than it is polite to count and it is my immense honour to welcome him to Classical Music Now. If you want to access the work for yourself and check go to https://en.schott-music.com/shop/autoren/vijay-iyer Links and Show Notes MixTape by Vijay’s students Wadada Leo Smith Fluxus movement Mutations – Vijay Iyer Shepard tone demonstration Probably the most famous use of it in music Time, Place, Action – Vijay Iyer (extracts) Still Life With Commentator – Mike Ladd, Vijay Iyer Vijay Iyer presents Ritual Ensemble at Wigmore Ensemble Vijay’s conversation with Georgina Born We didn’t really dig into Vijay’s views on genre and community, but they're really good so if you're interested you can hear him talking about it in an interview for the Ojai Music Festival, where he was musical director in 2017 – https://www.youtube.com/watch?v=FUtV9E5AB_I Music played in this episode Emergence – Vijay Iyer Read Hugh’s article on Emergence that sparked this episode! — Get new podcast episodes straight to your inbox and a piece recommendation every month Acknowledgements Vijay Iyer EMERGENCE Published by Schott Music Corporation, New York NY Emergence was commissioned by the National Forum of Music in Wroclaw, Poland which organizes Jazztopad Festival. It was premiered by the NFM Leopoldinum Chamber Orchestra in April 2016.

Ah what a lovely chat. We begin with a love letter to new music and Manchester, work through why everyone should be improvising and the parallels between graphic scores and electroacoustic soundscapes, before ending with the role of music in activism, and electro finding a mainstream home in horror music and Amazon’s Alex Rider adaptation. Sarah Keirle - http://sarahekeirle.wixsite.com/ Links and Show Notes The Illy Quane Episode James Keirle International Anthony Burgess Foundation The Vonnegut Collective episode I found it! Turns out we liked the piece enough to commission him… Theme & Transformations by Mark Bowler reflecting deforestation (not temperature change) Sonification & The Problem with Making Music from Data - Tantacrul https://harryovingtonmusic.com/sonic-rewild Harrison Birtwistle: Silbury Air (with score) – See also this excellent primer by London Sinfonietta which includes an explanation of what metric modulation is if you’re wondering. Can you hear Sarah Keirle’s burp in Okypete and Aello? I can’t. Send me a timestamp! Danny Saul Music played in this episode (in order) Gethsemane intro bed Okypete and Aello extracts throughout Blue Lungs outro bed Okypete and Aello final piece played in full Support the podcast Review us on iTunes Subscribe to the mailing list to catch every new episode

Illy Quane: trumpet player extraordinaire, composer, and very funny guy. If you’re looking for some light lockdown distraction, this is it. We chat about our disappointment with existing brass repertoire (apart from one piece for brass ensemble), Illy explains his developing thoughts on creating gran-friendly contemporary music programmes, and Joe recounts the moment he realised The Sixteen had more than sixteen members. All in-betweeny music composed or arranged by Illy, and can be heard in full at the links below. Links and Show Notes Penderecki - Threnody (Animated Score) starts 0:32 Illy playing with the University of Manchester Brass Band (I’m at the back right) Kantos Chamber Choir AGBEKO - ‘22-legged Afro-Party Monster’ A Fela Kuti tune - Water no get enemy EXCLUSIVE: Secret Footage of Quartet Menine Performing The Metal by Tenacious D Found in Deepest Darkest Corner of YouTube Quartet Menine playing an arrangement of Debussy’s Dr Gradus ad Parnassum Shout out Darren Bloom The New New Manchester Manchester School School presents: And And And And I’ll [Live] (discussed later) Other members of The New New Manchester Manchester School School, Izzy Williams and Aaron Breeze. Worship Music The Lion King (but the songs are different and the plot is terrible) Jacob Collier’s beautiful performance of Hallelujah live for BBC BeatSketch_#1 - BIRD SCUFF ‘Like those videos of people playing along with a Nigel Farage Speech’ example ~ ~ ~ ~ ~ ~ ~ Subscribe to the mailing list and get new podcast episodes straight to your inbox, as well as a piece recommendation every month and exclusive ticket discounts (oooh)

Today we’re chatting improv and Adès with the Vonnegut Collective. An enjoyably Coronavirus-free interview recorded back in March with a healthy dose of silliness and fun to complement the deep thoughts on what makes a good piece, and the place of improvisation in music education. Vonnegut Collective - https://vonnegutcollective.co.uk/ Links and Show Notes Omer Meir Wellber Remix Ensemble Frank Zappa - The Yellow Shark - Intro Rem Koolhaas architect As Gemma won’t give us her favourite Dire Straits song, here’s Spotify’s Django Bates Markus Stockhausen Cornelius Cardew Scratch Orchestra John Stevens - Search & Reflect Iceberg https://vonnegutcollective.co.uk/projects/thomas-ades-tullis-rennie/ Adès Piano Quintet score (check out the sorta uncoupled piano in the first movement) Tullis Rennie - Muscle Memory (it’s really cool) Rate us on iTunes - it really helps! Subscribe to the mailing list for new episode notifications

Today we are blessed with a great window into the world of arts reviewing and writing thanks to Hugh Morris, and the similarities and differences to creative writing thanks to Georgia Affonso. The pair collaborated on a piece for No Dice Collective in 2019 based on a photo of Anthony Burgess (the Clockwork Orange guy) walking his dog, and we share the stories behind the piece in this episode and play the piece in full. Hugh Morris - https://www.facebook.com/hughmorrismusic Georgia Affonso - https://twitter.com/georgia_writes Links and Show Notes Harrison Birtwistle Mask of Orpheus - ENO ENO Baylis scheme For those as fashion unconscious as me... Chorus of rage as ENO gives critics’ coveted extra tickets to young bloggers - The Guardian Georgia and Hugh’s object: Anthony Burgess walking his dog Georgia Affonso x Sophie Sully - Dilly the Slug Hugh makes it on Buzzfeed Good King Agatha | Hugh Morris & Edmund Phillips | Manchester Contemporary Youth Opera (check out more of Hugh’s work!) As ever, thank you for spreading the word about the podcast! Subscribe to the mailing list for podcast episode news and a piece recommendation every month

Today I’m thrilled to share an interview with Adam and Rakhi of Manchester Collective. Emerging in 2017, they're already an established part of the Manchester scene thanks to their impressive work ethic and immersive concert experiences. We discover their origin story: how the group was founded, its roots in changing the makeup of classical audiences, and how they came into the world seemingly full-formed with three seasons planned ahead (hint: a whole year of planning). We also find out what their secret sauce is, their ‘warts and all’ approach to live performance, and Adam’s #logisticslife revealing the glamorous world of lighting rig updates and taping down crystal glasses that makes a concert really shine. Manchester Collective - https://manchestercollective.co.uk/ Rate us on iTunes - it really helps! Subscribe to the mailing list for new episode notifications Links and Show Notes Black Angels score Google search Black Angels performance Quote from Black Angels: “The crystal glasses should be goblet-shaped. A fine grade of crystal will produce a truly beautiful effect. The glasses should be mounted on a board (by taping).” Alphabet Islington Mill Heinrich Biber - Battalia à 10 (1673) Check out the col legno (back of the bow) in movement one, the nuts dissonance in movement two, and the musket fire in movement seven! Australian Chamber Orchestra Rakhi performs Spiegel im Spiegel After the Tryst (not Rakhi) Russian Ark One of those incredible live Nina Simone performances Intro/outro music: Goodbye by Luke Mather What did you think of the first three episodes? Send us a tweet!

I chat with composer David McFarlane and writer Gregory Kearns on their 2018 collaboration about the Christmas apocalypse, which all stemmed from a set of small bells David received in a Christmas cracker set. As well as hearing excerpts of their piece, Carol For Our Children, performed by No Dice Collective, we branch out into chats about leading community workshops, space to make mistakes, struggling to take our own creative advice, hang-ups about writing overtly emotional work, and the role of intuition and emotion vs formalised thinking in the creative process. A really interesting, cross-disciplinary chat that touches on broad themes of individual creative processes. Should be interesting to anyone with a creative urge! David McFarlane - https://d-mcf.com/ Gregory Kearns - https://twitter.com/gregorykearns Rate us on iTunes - it really helps! Subscribe to the mailing list for new episode notifications Links and Show Notes David McFarlane’s eye-tracking head theramin Cath Snow 33 ⅓ Series: 93. J Dilla’s Donuts Alicia Keys, John Mayer & Questlove- If I ain't got you / Gravity Tweet us your poem! Jonathan Harvey famous bell piece Meet The Composer Podcast - New Music Fight Club (great name) NB: My non-binary life Christmas in L.A. - Vulfpeck Christmas In L.A. - The Killers The Handsome Family - So Much Wine The Road OST - Nick Cave & Warren Ellis What did you think of episode two? Send us a tweet!

Hello there! Come on in… Today I’m speaking to Czech composer Jiří Kadeřábek and No Dice pianist Jasmin Allpress about their shared journey bringing the piece Hindyish together. We’ll hear how they worked across Europe via Skype and phone calls to bring the piece together, how Jiří makes this very stylistically post-modern piece sound cohesive, as well as walk through the piece itself before ending with a recording of Jasmin playing it at our Soloist concert of June 2018. Rate us on iTunes - it really helps! Subscribe to the mailing list for new episode notifications Links and show notes: Ligeti Piano Concerto Carl Vine 5 Bagatelles http://www.jirikaderabek.com/en/ https://www.larisatrio.co.uk/ What did you think of our first episode? Send us a tweet!