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Colour and Ceramics

Colour and Ceramics

Author: Bob Acton

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Colour affects peoples’ emotional reactions and mood. In ceramics, the artist uses colour to imbue something other than that communicated from the form itself. This podcast explores the entire spectrum of colour, the psychology of colour, and how to use colour to communicate in ceramics.

Bob will not only interview top ceramic artists from around the world but also artists using other mediums who use colour in their work. Look for a new podcast every two weeks.

Bob can be contacted through his website at https://bobactonceramics.com/podcast or via the Colour and Ceramics Podcast Instagram page at https://instagram.com/colourandceramics

39 Episodes
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I’m excited to welcome Miae Kim—a London-based ceramic artist originally from South Korea. After a career in animation and VFX in L.A., she fell in love with clay at Glendale College and never looked back. Miae is known for two threads: sculptural pieces inspired by whales—symbols of wisdom and endurance—and work that blends Korean motifs and Hangul with Western aesthetics. She’s a 2024 London Potters award winner and a selected member of the Craft Potters Association. You can find her work on Instagram here https://www.instagram.com/miae_kim_ceramics/ and on her website here: https://www.miaekimceramics.com/
Today we’re stepping into the strange, beautiful world of Canadian sculptor David Altmejd. Born in Montreal in 1974 and now based in Los Angeles, David is obsessed with what makes a person a person—the body, yes, but also the mind, imagination, and whatever we mean by ‘soul.’ His figures often feel like they’re falling apart and coming together at the same time, opening little doorways into places beyond what we normally recognize.What blows me away is his materials list: clay and foam next to mirror, quartz, resin, and even human and synthetic hair. He’s just as comfortable casting as he is building through intuitive, almost scavenger-style making—so every piece feels singular, even when it echoes another. Scale doesn’t scare him either: he brings the same intensity to a room-sized environment as he does to a small bust, packing surfaces with tiny inventions that reward long looking.David has shown all over the world—most recently at the McMichael in Ontario—and he represented Canada at the Venice Biennale back in 2007. His work lives in major collections like the Whitney, the Guggenheim, MOCA Los Angeles, and the Art Gallery of Ontario.You can find his work on his Instagram page at https://www.instagram.com/daltmejd/ and his website at https://www.davidaltmejd.net.
We’ve got an exciting show today talking with the wonderful Carol Long — a ceramic artist whose work blooms with the influence of plant and animal life. Infused with joy, whimsy, and a deep connection to nature, Carol’s intricate, organic forms reflect her Kansas farm roots and a lifelong curiosity for the beauty around her. Her pieces can be found in galleries and museums across the U.S., and she’s shared her artistry in workshops nationwide. From childhood experiments with mud to internationally recognized ceramic sculpture, Carol’s journey is one of imagination, craftsmanship, and an ever-evolving exploration of the natural world.Her information can be found here https://www.carollongpottery.com/and her Instagram page can be found here https://www.instagram.com/carollongpottery/​
Today on the podcast, Bob Acton @bobacton is joined by Brooklyn-based ceramic artist Kyle Scott Lee @ceramicmeltdown. Known for his bold use of color, expressive brushwork, and inventive surface treatments, Kyle’s work bridges tradition and innovation. Over the past two decades, he’s developed a distinctive style combining classical vessel forms with vibrant, abstract design. His ceramics have been exhibited internationally, featured in major publications, and collected across the globe. Kyle is a founding member of BKLYN CLAY, teaches at GasworksNYC, and currently collaborates with brands like West Elm, bringing his dynamic vision to a wide audience.Kyle can be found on his website here https://ceramicmeltdown.com/ and on Instagram at https://www.instagram.com/ceramicmeltdown/
Today’s featured artist is Carmen D’Apollonio, sculptor who explores everything from abstraction to figuration in her ceramic practice. Self-taught in ceramics, Carmen creates sculptural lighting and vessels that fuse craftsmanship with functionality, often infused with humour. As she puts it, “My work is simple; it often gives way to humor. As if clay had its way of being, its own personality.”Carmen began her creative career as an art director for short films and commercials in the 90s. She then worked alongside artist Urs Fischer for over a decade before launching her own fashion brand, Ikou Tschuss, in 2006, combining modern textiles with traditional artistry.Since 2014, she’s been working out of her own studio in Los Angeles. Her process begins with sketching, then sculpting the clay form, allowing the piece to evolve along the way. Titles like “I Wish You Were Beautiful” and “Here Comes the Light” hint at her playful, open-ended approach to artmaking.Today, Carmen continues to create from her Los Angeles studio, bringing clay to life with humour, honesty, and a touch of poetic storytelling.You can find her work at her website here https://carmendapollonio.com/ and her Instagram page here: https://www.instagram.com/carmendapollonio
Join us on the Colour and Ceramics Podcast today as our host Bob Acton @bobacton strums up an exciting conversation with Vancouver's vibrant artist Suzy Birstein @suzy_birstein! Hold onto your mugs as we dive into Suzy's world of whimsical, figurative ceramic works and paintings. Ready for some artful chit-chat? Tune in! Check out her work at https://www.suzybirstein.com/
Join Bob, Jess, and Rob Sutherland, founders of Good Dirt Studio in Athens, Georgia—a dynamic ceramics space dedicated to creativity, community, and clay on today's podcast episode.As artists and educators, Jess and Rob have cultivated a welcoming environment where students of all levels can explore the joy of working with their hands. Through their thoughtful teaching and community-focused approach, they’ve built more than just a studio—they’ve created a space for connection, curiosity, and artistic growth. Today on Colour and Ceramics, we talk about their journey, their philosophy on teaching, and how they’re shaping the clay community in Athens and beyond. And, of course, their pottery and approach to ceramic art.You can find their work on Instagram at https://www.instagram.com/gooddirt_athens/ and on their website at https://www.gooddirt.net/
Bob Acton, the host of the Colour and Ceramics Podcast, shares his conversation with CJ Jilek. CJ creates beautiful, colourful work that is inspired by the sensuality of nature. Her work explores the connection between botanical forms and human sexuality. By abstracting flower blooms and focusing on their reproductive elements, she invites viewers to engage with themes of beauty, desire, and attraction—drawing subconscious links between the natural world and human instinct..Her work can be found on her Instagram page at https://www.instagram.com/cjjilek/ and on her website at https://cjjilekartist.wordpress.com/
Welcome to today’s episode! In this conversation, Bob sits down with the incredibly talented Emily Stubbs to dive into her journey with clay—how it all began, the evolution of her stunning work, and some fascinating insights into the techniques she uses in her ceramics practice.Emily’s work is both playful and refined, with a unique voice that really stands out in the world of contemporary ceramics.You can check out her creations at emilystubbs.com and follow her studio life on Instagram @emilystubbsceramics.Let’s get into it—enjoy the show!
Sandy Brown is a renowned British ceramic artist celebrated for her expressive, spontaneous approach to clay. Her work is characterized by bold colors, free-flowing brushwork, and an energetic, intuitive style that challenges conventional ceramic traditions. After being introduced to ceramics in Japan, Sandy learned there that pots can be dynamic, exciting, free, and irregular. She has since built an international reputation, creating large-scale installations, sculptural ceramics, and functional pottery that exude a sense of freedom and joy. With a career spanning decades, Brown continues to push boundaries, inspiring both artists and collectors with her dynamic, uninhibited approach to ceramics.https://sandybrownarts.co.uk/Facebook: https://www.facebook.com/sandy.brown.904108
Welcome to the Colour and Ceramics Podcast. Today's episode is with Karen Adams from Lush Brush Studios.Karen is a sculptor and painter based in Roswell, Georgia in the USA. She does some lovely sculptures using multi-media and found objects. You can find her website and Instagram sites here https://lush-brush.com/ and https://www.instagram.com/kalushbrush/
A big warm welcome to Jack Durling, a wonderful animal sculptor and conservationist from the UK. Jack @jackdurlingceramics and Bob Acton @bobacton had a great conversation about Jack's work, how he approaches his work and, of course, surface design.You can find Jack at his website at https://www.jackdurling.co.uk/Enjoy the show!
Bob Acton, host of the Colour and Ceramics Podcast, shares a lovely conversation he had with Susan Halls from Yorkshire in the UK. They talked her approach to ceramics and, of course, colour and surface design. I hope you enjoy the show.Susan can be found on her website at https://susanhalls.com/ and on her Instagram page at https://www.instagram.com/susanhallsceramicsuk/
Welcome to the Colour and Ceramics Podcast. I’m Bob Acton and I’m pleased to introduce you to the wonderful Sara Moorhouse.Her work on ceramics, colour and spatial perception began with a master’s degree at Cardiff, Wales and then onto a PhD to develop the ideas with more emphasis upon spatial colour phenomena on a three-dimensional form.She went beyond the basics of colour theory and tested out ideas on the conical form. She found that colours behave differently when viewed across three-dimensional space than on a two-dimensional surface, particularly on the inner bowl form where illusions can appear much stronger.And, Sara and I talked about a job she had with colour that will surprise you.You can find her on her website at saramoorhouse.com.
Hey there, folks! We're thrilled to bring you Season 2 of the Colour and Ceramics Podcast @colourandceramics! Get ready for a heartwarming chat between our host, Bob Acton @bobacton, and the charismatic Anastassia Zamaraeva @a_zama_ceramics. Anastassia, an incredible potter and art therapist hailing from London, shares her captivating journey in the realm of clay. We delve into how she cleverly intertwines clay into her art therapy while exploring the spellbinding world of colour and surface in ceramics. So turn up the volume and join us for an unforgettable episode. Hope it brings as much joy to your day as we had recording it.You can catch more of Anastassia on her website: https://www.azamaceramics.co.uk/ and her Instagram page: httpS://instagram.com/a_zama_ceramics. Happy listening! And, of course, you can find us at https://colourandceramics.com or wherever you find your podcasts.
Bob Acton shares his conversation with the Canadian ceramic artist Janet Macpherson. She began studying ceramics at Sheridan College, in Toronto, ON Canada and for six years operated a studio practice making functional ceramics, participating in exhibitions, and selling her work at various Toronto galleries. In 2008 she began her MFA in ceramics at The Ohio State University in Columbus, Ohio where she explored a more figurative approach to ceramics. Janet held an artist-in-residence/faculty position at Sheridan College in the 2012 Fall Semester, and was an artist in residence at the Harbourfront Centre in Toronto from 2011 - 2014. In 2013 she was the recipient of the Winifred Shantz Award for Ceramics, given by Clay and Glass Gallery in Waterloo, Ontario, and in 2014 she was artist in residence at the Zentrum Fur Keramik in Berlin, Germany.Jennifer's work explores the complicated relationship humans have with their physical bodies. My work explores this idea, specifically the denial of this physicality that was prevalent in my Catholic upbringing, while simultaneously asserting the body’s messy and powerful presence. This work is influenced by the history of Christianity, martyrdom, and the monstrous. Like the fragmentation of the martyred body, the monstrous body exhibits dissolution of parts, and shows in its disquieting form, hybridization, lack and excess.You can find Jennifer at her website here: https://www.janetmacpherson.com/ and on Instagram here: https://www.instagram.com/janetmacpherson/
Welcome to this episode with Russell Kingston from Devonshire in England. His roots are in North Devon where everyday medieval pots from that region drew him to this work. His pots are wheel thrown and slab built. Pots are to be used, so forms are simple and robust. Rims are rolled for strength and to mirror the chunky ring at the bottom; which is used for slipping and glazing. Handles are pulled from the pot as if they have grown there. Slip is dipped, poured, brushed, trailed and splashed with animated movements. Colour is achieved using oxides in slips. Pots are then fired in a large homemade gas kiln in oxidation to 1100c or so.You can find Russell on his website here: https://www.russellkingstonceramics.co.uk/ and on his Instagram page here https://www.instagram.com/russellkingstonceramics/
This is a brief interview of Rick Rubin, author of The Creative Act: A Way of Being by Jay Shetty. Rick's written a fantastic book on creativity and his thoughts in this clip can be of value to all creative. I hope you enjoy it. You can find Rick in every streaming service such as YouTube and you can find his book here https://www.penguinrandomhouse.ca/books/717356/the-creative-act-by-rick-rubin/9780593652886You can find Jay Shetty here: https://www.jayshetty.me/
Dive into the captivating world of ceramics with UK's Georgie Gardiner!Sip your favourite brew while listening to a delightful dialogue between host Bob Acton @bobacton and our dazzling guest, Georgie @georgieceramics. Get an insider's look at her artistic process as she crafts her eye-catching surface designs that keep inspiring us all.Don't miss the chance to see creativity in action! Join us today on the show.Georgie also has a video on YouTube presented by Ceramic Review Masterclass @ceramicreview. Check it out here https://www.youtube.com/watch?v=vAoajCl8PVI&t=71sImmerse yourself in our universe of ceramics! You can find Georgie on Instagram here https://www.instagram.com/georgieceramics/ or on her website here: https://www.georgiegardiner.co.uk/
Come and join us today for a a great conversation with the wonderful Morel Doucet. Morel, currently residing in Florida, and originally from Haiti, is now a full time artist and educator. Bob Acton and Morel https://www.moreldoucet.com/ had a wonderful conversation about his work, his purpose in producing they type of work he does, and, of course, colour and surface design.From his artist statement: My work explores the cultural disparity of self- realization, assimilation, and transnational identity as a Haitian immigrant. Using direct or implied human figures, I explore narratives of vulnerability, isolation, and alienation within various cultures across the globe. Within the vocabulary of indigenous art and my dreams, I create whimsical forms resulting in a diary of self-mythology.These exchanges allude to a larger conversation about sea-level rise, environmental pollution, and the displacement between descendants of the African diaspora, and their physical environments. Through intensive detailed labor, my work mimics the current state of Black fragility. I employ ceramics, illustrations, and prints to examine the realities of climate- gentrification, migration, and displacement within the Black diaspora communities. In addressing these issues, I merge my Afro-Caribbean culture with flora and fauna and draw from the concerns of the collective consciousness of my community.In my quest to illustrate the impact of climate-gentrification, I present work with visual impact and sensitivity —and draw inspiration from the indigenous cultures of the Amazon, Aboriginal people of Australia, and the Yoruba tribe of West Africa.
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