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Kate Molleson explores the life and work of the amazing Bud PowellThis week Kate Molleson explores the life and work of a jazz giant in his centenary year: the amazing Bud Powell, in the company of Powell’s biographer Peter Pullman. Focusing on Bud Powell as a performer, prioritising his own compositions but also appreciating the art of improvisation as spontaneous composition.Bud Powell was born in 1924 and grew up in Harlem, against the backdrop of the Harlem Renaissance. He was a gifted pianist from a young age and became a pioneer of bebop. But he was a troubled soul and the great paradox of Bud Powell is how there could be such joy and expression in his music while his life was so painful.Music Featured: Bouncing with Bud (from The Amazing Bud Powell)
Oblivion (from The Genius of Bud Powell)
Strictly Confidential (from Jazz Giant)
Floogie Boo (from Cootie Williams and his Orchestra 1941-1944)
Do Some War Work, Baby (from Cootie Williams and his Orchestra 1941-1944)
Off Minor (from Bud Powell Trio)
Dexter Rides Again (from Dexter Rides Again)
Mad Bebop (from JJ Johnson’s Jazz Quintet)
Buzzy (from Charlie Parker, the Complete Savoy and Dial Master Takes)
Bud’s Bubble (from Bud Powell Trio)
I Should Care (from Bud Powell Trio)
Tempus Fugit (from Jazz Giant)
Celia (from Jazz Giant)
Un Poco Loco (from the Amazing Bud Powell)
Over the Rainbow (from the Amazing Bud Powell)
A Night in Tunisia (from the Amazing Bud Powell)
Dance of the Infidels (from the Amazing Bud Powell)
So Sorry Please (from Jazz Giant)
Glass Enclosure (from the Amazing Bud Powell, vol 2)
Lullaby of Birdland (from Inner Fires)
Sure Thing (from Inner Fires)
Parisian Thoroughfare (from the Genius of Bud Powell)
Polka Dots and Moonbeams (from the Amazing Bud Powell, vol 2)
Hallelujah (from Hot House: The Complete Jazz at Massey Hall Recordings)
Hot House (from Hot House: The Complete Jazz at Massey Hall Recordings)
Willow Grove (from Piano Interpretations by Bud Powell)
Nice Work If You Can Get It (from Bud Powell Trio)
Elegy (from Blues in the Closet)
Blues for Bessie (from Strictly Powell)
Ornithology (from the Amazing Bud Powell)
Bud on Bach (from the Amazing Bud Powell, vol 3)
Buster Rides Again (from the Amazing Bud Powell, vol 4)
John’s Abbey (from the Amazing Bud Powell, vol 4)
Cleopatra’s Dream (from The Scene Changes)
Getting There (from The Scene Changes)
Buttercup (from Bud Powell’s Moods)
Round Midnight (from Bud Powell: Live at the Blue Note Café Paris 1961)
How High the Moon / Ornithology (from Live in Lausanne 1962)
Broadway (from Our Man in Paris)
I’ll Remember April (from Mingus at Antibes)
I Can’t Get Started (from Bud Powell in Paris)
Blues for Bouffemont (from Blues for Bouffemont)
All God’s Chillun Got Rhythm (from Jazz Giant)
Hallucinations (from The Return of Bud Powell)
If I Loved You (from The Return of Bud Powell)
Thelonius (from A Portrait of Thelonius)
Like Someone in Love (from Ups and Downs)
Bouncing with Bud (Keith Jarrett/Gary Peacock/Jack DeJohnette, from After the Fall)
Dusk in Sandi (Chick Corea, from Remembering Bud Powell)
Wail (from the Amazing Bud Powell)Presented by Kate Molleson
Produced by Martin Williams for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Bud Powell (1924-1966) https://www.bbc.co.uk/programmes/m0024m2z And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod takes a whirl around the world through the music of ballroom dancing. With the help of Hilary French, author of Ballroom: A People’s History of Dancing, Donald waltzes across Viennese ballrooms, foxtrots through New York clubs, tries the tango in the arrabales of Buenos Aires, sambas on the streets of Salvador and finally cha-cha-cha’s his way to Havana.Presented by Donald Macleod
Produced by Alice McKee for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ballroom Blockbusters https://www.bbc.co.uk/programmes/m0024dndAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod uncovers key aspects of Liszt’s soul and identity Franz Liszt was the original musical heartthrob - the most photographed man of the 19th century, who left a legacy of more than 700 compositions and in the course of his career made well over 1000 concert appearances. With his electrifying talent at the keyboard, he transformed the status of musician from servant to demigod. But he was also a man of complex character, who wore many masks and repeatedly reinvented himself. This week, Donald Macleod uncovers key slices of Liszt’s soul and identity.Music Featured: Prelude (No 1 from 12 Transcendental studies)
Grand galop chromatique
“Un sospiro” (from 3 Etudes de concert, S144 No 3)
“La Campanella” (from Grandes Etudes de Paganini, S141 No 3)
Mephisto Waltz No 1
Piano Concerto No 1 in E flat major, S124
Gnomenreigen
En rêve
Romance oubliée, S132
Premiere année de pèlerinage, S160: Suisse (excerpt)
Die Lorelei
Les Preludes
Liebestraum No 3 in A flat major
Salve Regina
Dante Symphony S109 (iii. Magnificat)
Les morts: Oraison
Legendes, S175: St Francis of Assisi preaching to the birds
10 Harmonies poetiques et religieuses: Benediction de dieu dans la solitude (excerpt)
Christus, Part 3: Resurrexit
Mephisto Waltz No 4
Der Doppelgänger (after Schubert’s Schwanengesang)
Grandes études de Paganini, No 5 “La Chasse”, S141
La lugubre gondola II
Funeral Odes, No 3 “Le triomphe funebre du Tasse”
Consolation No 1 in E major, S172
Kennst du das Land
Rakoczy March (from Hungarian Rhapsody No 15)
Enfant, si j’etais roi
Im Rhein, im schoenen Strome
Isten Veled!
Troisieme année de pèlerinage: Les jeux d’eau sur la villa d’Este
Wiegenlied
Hungarian Rhapsody No 2 (orch. Doppler)Presented by Donald Macleod
Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Franz Liszt (1811-1886) https://www.bbc.co.uk/programmes/m002454z And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod explores the life and music of African American composer Margaret BondsThis week, Donald Macleod is joined by musicologist and pianist Dr Samantha Ege to delve into the life and music of African American pioneer composer, Margaret Bonds (1913-1972).
Bonds was one of the most important composers and pianists of her time. She wrote several dozens of art songs, arranged many traditional spirituals, and composed large-scale cantatas. From her native Chicago where she was the first black performer to play with the Symphony Orchestra to the buzzing stages of New York where she set poetic gems to music, and at a time of racial discrimination and fight for civil rights, her story is one of determination, friendship, and absolute dedication to music-making. As such the programme does include some language of the period.Music Featured:Joy
Trad, arr Bonds: Little David Play on Your Harp
The Pasture
Spiritual Suite; No 1, The Valley of the Bones
To a Brown Dead Girl
Trad, arr Bonds: Lord, I Just Can’t Keep from Cryin’
Florence Price: Fantasie Nègre No 1 in E minor
Flamenco
Tangamerican
Simon Bore the Cross
Trad, arr Bonds: Didn’t It Rain
The Negro Speaks of Rivers
Three Dream Portraits
Trad, arr Bonds: Ezek’el Saw the Wheel
Four Songs
Trad, arr Bonds: Peter, Go Ring dem Bells
Spiritual Suite; No 2, The Bells
The Ballad of the Brown King
Trad, arr Bonds: Joshua Fit da Battle of Jericho (arr for voice and chamber ensemble by P. Spray)
Trad, arr Bonds: I Wish I Knew How It Would Feel to Be Free
Trad, arr Bonds: He’s Got the Whole World in His Hands
Trad: Wade in the Water
Spiritual Suite; No 3, Troubled Water
Montgomery Variations
Fugal Dance
When the Dove Enters In
Songs of the Seasons
Credo
Trad, arr Bonds: Hold On (arr for voice and chamber ensemble by P. Spray)
Simon Bore the Cross (mvt VIII)Presented by Donald Macleod
Produced by Julien Rosa for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Franz Liszt (1811-1886) https://www.bbc.co.uk/programmes/m0023y4nAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Kate Molleson delves into the life and music of the “Yankee Maverick”, Charles Ives.Charles Ives is considered a leading American composer of the early 20th century. Known for many musical innovations, his was a unique voice, a pioneer who combined elements of Western and American music traditions. He’s also been called a Yankee Maverick and much of his creative life was spent in obscurity. Marking the 150th anniversary since his birth, Kate Molleson shines the spotlight on the life and music of Charles Ives. This journey begins in Danbury where Ives grew up, going on to study at Yale, then working in Insurance in New York, and coming to a close in the mid twentieth century. In those final decades, and largely due to ill health, Ives had stopped composing. Ironically, it was at this point when his creative endeavours had ceased, that his music started to generate much interest.Music Featured:
Memories (excerpt)
Four Ragtime Dances for Theatre Orchestra, No 1 (Allegro moderato)
String Quartet No 1 ‘From the Salvation Army’ (excerpt)
Variations on ‘America’
Psalm 67, God Be Merciful Unto Us
Symphony No 1 (excerpt)
March No 6, with “Here’s to Good Old Yale”
The Circus Band
Adeste Fideles
Feldeinsamkeit
Mists
Symphony No 2 (excerpt)
Central Park in the Dark
The Children’s Hour
The Unanswered Question
General William Booth Enters into Heaven
Tom Sails Away (Three Songs of War)
Orchestral Set No 1 ‘Three Places in New England’ (Putnam’s Camp)
Sonata for Violin and Piano No 3 (Adagio - Cantabile)
Symphony No 4 (excerpt)
At the River
Serenity
Piano Sonata No 2: Concord, Mass., 1840-60 (Thoreau)
A Symphony. New England Holidays (excerpt)
Two Little Flowers
Romanzo di Central Park
Violin Sonata No 2
A Christmas Carol
Three Quarter Tone Pieces (Allegro)
Symphony No 4 (Allegretto)
Sunrise
Piano Sonata No 2: Concord, Mass., 1840-60 (The Alcotts)
Symphony No 3 ‘The Camp Meeting’Presented by Kate Molleson
Produced by Luke Whitlock for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Charles Ives (1874-1954) https://www.bbc.co.uk/programmes/m0023nw8And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod and Leah Broad survey the life and work of British composer Dorothy HowellThis week Donald Macleod is joined by the award-winning author Leah Broad to explore the story of the British composer Dorothy Howell, who shot to fame aged 21 after the triumphant premiere of her orchestral work ‘Lamia’ at the Proms. By the mid-1920s she was regarded as one of the leading women composers of the day, performing in prestigious venues across the UK and regularly appearing on radio programmes in the earliest days of broadcasting. But she faced challenges from the 1930s onwards that left her disillusioned, and by the end of her life she wanted to destroy all but a handful of her works. Luckily family intervened, but even so Howell’s music almost disappeared from view - until recently.Music Featured: Spindrift
Humoresque for Orchestra
Sonata for violin and piano (1st mvt)
Two Frogs
Five Studies for piano
Boat Song for piano
Lamia
Five Studies
Rosalind
The Little Round House, The Bears
Koong Shee
Phantasy for violin and piano
The Tortoiseshell Cat
Pot Pourri
My White Lady
The Moorings
If you will come to Corte
Piano Concerto in D minor
Mazurka
Two Pieces for Muted Strings
Puppydog’s Tales
Prelude 1 in F minor
Prelude 2 in C
Prelude 3 in A flat
Recuerdos Preciosos No 1 and 2
The Rock Overture
Sonata for violin and piano (2nd & 3rd mvts)
To Sine in Winter
Sonata for piano
Three Divertissements Presented by Donald Macleod
Produced by Megan Jones for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Dorothy Howell (1898-1982) https://www.bbc.co.uk/programmes/m0023f35 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod showcases the life and music of Christoph Willibald Gluck Christoph Willibald Gluck (1714-1787) arguably did more to transform opera than any composer of his generation: thinking deeply about how text and music should work together, and trying to strip away fripperies to ensure it was urgent, powerful and arresting. His radical approaches made him one of the most influential composers in history - and yet today, he’s known in the concert hall almost exclusively for one work: his masterpiece “Orpheus and Eurydice”. This week, Donald Macleod puts that right: showcasing Gluck’s dazzling and enchanting music from across his life - whilst also showing off his most famous work.Music Featured: Dance of the Blessed Spirits (Orfeo ed Eurydice)
Non hai cor per un'impresa (Ipermestra, Wq 7)
Sperai vicino il lido (Demofoonte, Wq 3)
Se in campo armato (La Sofonisba, Wq 5)
Nobil onda (La Sofonisba, Wq 5)
Orfeo ed Euridice (excerpts)
M'opprime, m'affanna (La Sofonisba, Wq 5)
Qual ira intempestiva … Oggi per me non sudi; Oggi per me sudi (La Contesa de'numi, Wq 14)
Trio Sonata no I in C Major (1st mvt)
Ciascun siegua il suo stile...Maggior follia non v'e (La Semiramide riconosciuta, Wq 13)
Misera, dove son…; Ah! non son io (Ezio, Wq 15)
Dance of the Furies (Orphee et Eurydice: Act 2, Scene 1)
Tremo fra dubbi miei (La Clemenza di Tito, Wq 16) (Act 3)
Son lungi e non mi brami (Le Cinesi, Wq 18)
Berenice che fai (Antigono, Wq 21)
Don Juan (selection)
Divinités du Styx (Alceste, Wq 37)
O Del Mio Dolce Ardor; Le Belle Immagini (Paride ed Elena, Wq 39)
Vous essayez en vain - Par la crainte; Adieu, conservez dans votre âme (Iphigénie en Aulide, Wq 40)
Gluck (arr Schubert) Rien de la nature (Echo et Narcisse)
Armide (Act 5 opening)
Iphigenie en Tauride, Wq 46 (excerpts)
De Profundis
Orphee et Eurydice (1774 Paris edition): Act 3 (finale)Presented by Donald Macleod
Produced by Steven Rajam for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Christoph Willibald Gluck (1714-1787) https://www.bbc.co.uk/programmes/m0022znr And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
We often think of composers as solitary geniuses, scribbling away at their masterpieces, working alone. But this isn’t always the case. Gustav Holst, most famous for composing The Planets, struggled all his life with neuritis, a condition that made his arms feel like “jelly overcharged with electricity.” It was frequently impossible for him to play or even write, so, to bring his vision of our solar system to life, he needed help. This week, Donald Macleod charts Holst’s interplanetary expedition and discovers the unsung heroes who placed him amongst the stars.Music Featured: The Planets, Op 32
Toccata, H 153
Symphony in F Major, Op 8, H 47 “The Cotswolds” (2nd mvt, Elegy, Molto adagio & 3rd mvt, Scherzo, Presto - Allegretto)
Sita, Op 23, H 89 (Interlude)
The Mystic Trumpeter, Op 18
Choral Hymns from the Rig Veda, Op 26 (3rd Group, H99)
The Hymn of Jesus, Op37 / H 140 (Hymn II, Hymn III, Hymn IV)
5 Partsongs, Op 12, H 61
St Paul’s Suite, Op 29, No 2
Ballet music from 'The Perfect Fool' H150 (Op 39)
Sāvitri, Op 25 (I - VI)
Ode to Death, Op 38, H 144
Suite No 2 for Military Band in F major, Op 28 No 2, H106
Choral Symphony, Op 41 (2nd mvt, Song and Bacchanal)
Scherzo for Orchestra, H192
Hammersmith - Prelude and Scherzo, H178, Op 52
Egdon Heath Op 47 (1st mvt, Adagio - Poco Allegro - Andante maestoso)
Brook Green Suite
The Planets, Op 32 (Jupiter, the Bringer of Jollity) arr. for two pianosPresented by Donald Macleod
Produced by Alice McKee for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Gustav Holst (1874-1934) https://www.bbc.co.uk/programmes/m0022sj0 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Kate Molleson explores the twists and turns of Schoenberg’s lifeIs there a more controversial, infamous figure in 20th Century music than Arnold Schoenberg? Arguably no other twentieth-century composer’s ideas have been more influential among composers since, however his music is still neglected and misunderstood by programmers and audiences. Schoenberg was a revolutionary - one of the founders of musical Modernism - but he also recognised the importance of musical tradition. His music defined the times in which he lived, and whether you see Schoenberg as the most important innovator in 20th century music, or as a heretic who led his followers to an artistic dead end, he was absolutely dedicated to art – both musical and visual. This week, Kate Molleson explores the twists and turns of Schoenberg’s life, and tracks the composer’s changing relationship with art through the prism of 5 different visual works, from an image which terrified and obsessed Schoenberg as a child, through the composer’s own paintings, and one of his practical twelve-tone selection dials, to a portrait of Schoenberg painted while he was in exile in America, by his friend and fellow composer George Gershwin.Music Featured:Strauss (arr. Schoenberg): Roses from the South
2 Gesange, Op , No 1 “Dank”
4 Lieder, Op 2, No 1 “Erwartung”
Pelleas und Melisande, Op 5 (Langsam)
Verklarte nacht, Op 4
6 little piano pieces (No 6)
Mahler (by Schoenberg and Webern): Das Lied von der Erde (No 3, Of Youth)
Gurrelieder (excerpt)
String Quartet No 2, Op 10 (3rd mvt, Langsam, 'Litanei')
Erwartung (excerpt)
Friede auf Erden
De Profundis
Pierrot Lunaire, Op 21 (Act II excerpt)
Die eiserne Brigade (The Iron Brigade)
Bach (orch. Schoenberg): Gott Schopfer, heiliger Geist, BWV 631
Suite for piano, Op 25 (2nd mvt, Gavotte & 3rd mvt, Musette)
Suite, Op 29 (3rd mvt, Theme and Variations)
Accompaniment Music to a Film Scene, Op 34
Songs for male chorus, Op 35 (No 6 Verbundenheit "Man hilft zur Welt dir kommen")
Die Jakobsleiter (Ob rechts, ob links)
Kol Nidre, Op 39
Moses und Aron (Act II excerpt)
Concerto for String Quartet and Orchestra (after Handel)
Prelude to Genesis
Suite for string orchestra (2nd mvt, Adagio)
Brahms (orch. Schoenberg): Piano Quartet No 1 in G Minor, Op 25 (2nd mvt, Intermezzo)
Chamber Symphony No 2, Op 38b
A Survivor from Warsaw, Op 46
NotturnoPresented by Kate Molleson
Produced by Sam Phillips for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Arnold Schoenberg (1874-1951) https://www.bbc.co.uk/programmes/m0022k1rAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod examines Bruckner’s lifelong struggle to become the great composer we know todayFrom our modern perspective, it can be difficult to appreciate why it took so long for Anton Bruckner to be recognised as one of the leading musical voices of the 19th century. His spectacular symphonies regularly pack out concert halls today but his own era took many decades to warm up to his music. Only in his sixties did Bruckner begin to achieve the popularity he deserved and, even then, he retained a reputation as a bit of an oddball. Colleagues were disturbed by his unsophisticated manners, unquestioning religious devotion and peculiar personal habits. His tendency to see enemies all around regularly tested his relationships. His romantic choices were routinely disastrous.Music Featured: Mass No 2 in Em (Kyrie)
Symphony No 2 in C minor (1872 first Version, ed. W. Carragan) (2nd mvt, Scherzo. Schnell)
Requiem in D Minor, (No 2, Sequentia; Dies irae)
Symphony No 9 in D Minor, (1st mvt Feierlich, misterioso)
Symphony No 8 in C minor (1890 Version, ed. Novak): (2nd mvt, Scherzo, Allegro moderato - Trio, Langsam)
Ave Maria WAB 6
Symphony No 1 in C Minor (1877 Rev. Linz Version, Ed. Nowak), (1st mvt, Allegro)
Mass in F Minor, (3rd mvt, Credo)
Symphony No 6 in A major (ed. Novak) (3rd mvt, Scherzo, Nicht schnell - Trio, Langsam)
Symphony No 2 in C minor (1877 version) (2nd mvt, Andante)
Symphony No 3 in D minor ‘Wagner Symphony' (1873 version) (4th mvt, Finale, Allegro – Etwas langsamer – Erstes Zeitmaß)
String Quintet in F major, (4th mvt, Finale, Lebhaft bewegt)
Prelude in D Minor
Te Deum in C major (opening)
Symphony No 7 in E Major (arr. Hermann Behn), (3rd mvt, Scherzo, Sehr schnell)
Ave Maria, WAB 7 (Arr. for Horn Ensemble)
Symphony No 7 in E Major (Ed. Haas), (2nd mvt, Adagio, Sehr feierlich und sehr langsam)
Te Deum in C major (No 5, In te domini speravi)
Virga Jesse, WAB 52
Symphony No 8 in C minor (ed. Novak) (1st mvt, Allegro moderato)
Symphony No 8 in C minor (ed. Haas): (4th mvt, Finale, Feierlich, nicht schnell)Presented by Donald Macleod
Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Anton Bruckner (1824-1896) https://www.bbc.co.uk/programmes/m0022c5f And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod explores the life and work of the 18th century composer Joseph BologneDonald Macleod explores the life and work of a musician also remarkable for his sporting prowess. Joseph Bologne’s story throws a light on the political turbulence affecting France in the 18th century, and on the legacy of colonialism and slavery.Bologne is celebrated as the first composer of African descent to attain widespread acclaim in Europe.Donald is joined by Olivette Otele, distinguished Professor of the Legacies and Memory of Slavery at SOAS, the School of Oriental and African Studies at the University of London.Music Featured: String Quartet in G minor, Op 1, No 3 (2nd mvt, Rondeau)
Symphonie Concertante in A major, Op 10, No 2
Violin Concerto in D major, Op 3, No 1
Symphony in G major, Op 11, No 1
Quartetto concertans No 4 in F major (2nd mvt, Rondeau)
String Quartet in D major, Op 1, No 6
Lolli: Violin Concerto No 2 in C major, Op 2 (1st & 3rd mvt)
Violin Concerto in A major, Op 5, No 2 (1st mvt, Allegro Moderato)
Symphonie Concertante in C major, Op 9, No 1
Violin Concerto in G major, Op 8, No 2 (3rd mvt, Rondeau)
Keyboard Sonata No 2 in A major with obbligato violin (1st mvt, Allegro moderato)
Ernestine (Scena)
Symphonie Concertante in E flat, Op 13, No 1
L’Amant anonyme (excerpt)
Quartetto concertans No 3 in C major (2nd mvt, Rondeau: Moderato)
Symphonie Concertante, Op 6 No 2 in B-flat major, G 038
Violin Concerto in C major, Op 5 No 1 (2nd & 3rd mvts)
Haydn: Symphony No 85 in B-flat major, Hob I:85, "La reine" (The Queen): (1st mvt, Adagio - Vivace)
String Quartet in G minor, Op 14 No 6 (1st & 2nd mvts)
String Quartet in C minor, Op 1 No 4 (2nd mvt, Rondeau)
Concertante Quartet in G minor, Op 15 No 2
Violin Concerto in A major, Op 7 No 1
Symphonie Concertante in F major, Op 10 No 1
String Quartet in C Major, Op 1 No 1 (2nd mvt, Rondeau: Tempo di minuetto; Grazioso)Presented by Donald Macleod
Produced by Iain Chambers for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Joseph Bologne, Chevalier de Saint-George (1745-1799) https://www.bbc.co.uk/programmes/m0021jymAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod explores the world of Ethel Smyth through five love affairs British composer Dame Ethel Smyth was one of the early 20th century’s most original cultural voices. A prodigious musical talent who was best known for her operas, she was a force of nature, an unapologetic eccentric who didn’t suffer fools gladly, and a rule-breaking, trail-blazing feminist. Alongside music, she was an accomplished sportswoman, and her driven and playful nature - as well as her endurance - would not only shape her career but her personal life too. This week, Donald Macleod explores Smyth’s story through what she termed her “passions” – the key all-consuming relationships that changed the course of her life, and how they were a necessary force for her creativity.Music Featured: Fête Galante (Overture/Sarabande)
Aus der Jugendzeit!
Kom, süsser Tod
Lieder, Op 4 No 2, Schlummerlied
Violin Sonata (3rd mvt, Romanze)
Variations on an Original Theme (of an Exceedingly Dismal Nature)
String Quintet, Op 1 (3rd-5th mvts)
Piano Suite in E major 2nd mvt, Bourree)
Piano Trio (3rd mvt, Scherzo)
4 Songs (No 2, The Dance)
Serenade in D major (3rd & 4th mvts)
Der Wald (excerpt)
The Wreckers Overture
Lieder, Op 4 No 4 “Nachtreiter”
Klavierstück in E major
Cello Sonata in C minor (1st & 2nd mvts)
The Wreckers, Act II (Prelude “On the Cliffs of Cornwall” (arr. for winds) )
Mass in D (Gloria)
Fête Galante (excerpt)
Violin Sonata (2nd mvt)
March of the Women
The Boatswain’s Mate (excerpts)
Possession (Three Songs, No 2)
String Quartet in E minor (3rd & 4th mvts)
Soul’s Joy, Now I am Gone
Two Interlinked French Melodies from Entente Cordiale
Odelette (Four Songs, No 1)
Mass (Sanctus / Benedictus)
The Prison (Nos 14-16)
Double Concerto for Horn and Violin (2nd mvt, Elegy)Presented by Donald Macleod
Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ethel Smyth (1858-1944) https://www.bbc.co.uk/programmes/m00219n7And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Kate Molleson sheds light on the forgotten composer, Silvestre RevueltasSilvestre Revueltas was a blazingly energetic and politically charged musician, a whirlwind of a composer who lived through a time of great political and creative upheaval in Mexico. The French writer André Breton was stunned when he visited the country and found not one unified identity, but many strikingly different cultures existing side by side with all of their clashing values, creeds, and customs. This kaleidoscopic and sometimes jarring world is the musical universe of Revueltas, one of a generation of artists who, along with Frida Kahlo and Diego Rivera, tried to encompass a true sense of Mexican identity in their works after the country’s revolution. In his personal life Revueltas also lived a life of fiery extremes, before succumbing to an early death exasperated by alcoholism. This week, Kate Molleson tries to shed some light on this forgotten composer, guiding us through the rhythms of Silvestre Revueltas’s colourful life with the help of Professor Alejandro Madrid of Harvard University. They track Revueltas’s moves from revolutionary Mexico, to prohibition-era America, to the trenches of the Spanish Civil War, and back to his homeland. Although most of Revueltas’s works date from the final decade of his short life, it is music which bursts with energy, colour, and humour. It is music which speaks with irony and passion about politics and people, about both the joys and hardships of life. It is music that speaks of Mexico.Music Featured:Toccata (sin fuga)
Esquinas (1931 version)
Tierra p’a las macetas
Pieza para doce instrumentos
La Noche de los Mayas – Suite (1st & 2nd mvts)
Colorines
Batik
Cuauhnahuac
String Quartet No 4 “Musica der Feria”
Planos
Redes (exerpts)
Ventanas
Janitzio
Musica para Charlar I.
Canto a muchacha negra
El Renacuajo Paseador
Second Little Serious piece
Homenaje a Federico García Lorca
Caminos
Itinerarios
Cinco canciones de ninos
Este era un rey
Ocho x radio
3 Sonetos
La Noche de los Mayas – Suite (3rd & 4th mvts)
La Coronela (excerpt)
SensemayaPresented by Kate Molleson
Produced by Sam Phillips for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Silvestre Revueltas (1899-1940) https://www.bbc.co.uk/programmes/m00213lnAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod shines a light on charming and often enigmatic composer, Thomas Linley JnrEnglish composer, Thomas Linley the Younger was destined to become one of the brightest musical stars of eighteenth century. No less a person than Mozart, who was also a personal friend, hailed him as a ‘true genius’. Even so, Linley’s life was troubled. He and his siblings were ruthlessly driven by their ambitious father. He saw his beloved sister become fodder for the celebrity-hungry gossip mongers of the British press and must have wondered if he might be next. He was forced to navigate a dangerous atmosphere of prurience and moral suspicion about the private lives of ‘theatre people’ like himself. A cloud of mystery hovers over Tom’s shocking and early death at the age of just 22. Donald Macleod is joined by Linley’s biographer, Tony Scotland, to shine a light on this charming and often enigmatic composer, alongside music by Tom and his circle.Music Featured: Linley the Younger: Music for The Tempest (No 1, Arise! ye spirits of the storm)
Geminiani: Violin Sonata in D Major, Op 5, No 4 (1st & 2nd mvts)
Linley the Younger: The Song of Moses (extracts)
Boyce: Symphony No 7 in B flat major
Nardini: Sonata No 1 for 2 Violins in G Major
Linley the Younger: To heal the wound a bee had made
Linley the Younger: Sonata in A major
Linley the Younger: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare (excerpt)
Linley the Elder(arr. Borutzki): The Lark Sings High in the Cornfield
Linley the Younger: Ye nymphs of Albion's beauty-blooming isle (extracts)
Linley the Younger: In yonder grove
Linley the Younger: Violin Concerto in F major
Linley the Younger: Overture to The Duenna
Linley the Younger: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare (extracts from parts 1 & 2)
Linley the Younger: Let God arise
Linley the Elder: Think not my love, when secret grief
Linley the Younger: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare (Overture)
Linley the Younger: Daughter of Heav'n, fair art thou! 'Darthula'
William Linley: Down in the gleamy vale
Linley the Younger, Music for The Tempest (excerpt)Presented by Donald Macleod
Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Thomas Linley Jnr (1756-1778) https://www.bbc.co.uk/programmes/m0020pnjAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod explores key figures in Richard Strauss’s lifeThis week, Donald Macleod explores key figures in the life of Richard Strauss, including his librettist, Hugo von Hofmannsthal, his “domineering and difficult, yet devoted” wife, the soprano Pauline de Ahna, his “frenemy” Gustav Mahler as well as Strauss’s uncomfortably close relationship with the High Command of the Third Reich. Donald also examines the larger-than-life characters that populated the world of the composer’s imagination. Music Featured: Der Rosenkavalier, Op 59 (Act 1, Introduction)
Le bourgeois gentilhomme, suite for orchestra, Op 60 (1. Overture)
Elektra, Op 58 (Scene 6, ‘Was willst du, fremder Mensch?’)
Arabella, Op 79 (Act 2, love duet “Sie sehn nicht aus wie jemand, den das alles da interessiert.”)
Der Rosenkavalier, Op 59 (Act 3, Finale)
Guntram, Op 25 (Act 2, Overture)
Morgen (Tomorrow), Op 27 No 4
Ein Heldenleben, Op 40 (No 3, Das Helden Gefährtin)
Intermezzo, Op 72 (Act I, Sc 1 “Anna, Anna! Wo bleibt denn nur die dumme Gans?”)
Symphonia Domestica, Op 53 (2b, Wiegenlied; 3, Adagio)
Four Last Songs, Op posth (No 4, Im Abendrot)
Salome, Op 54 (“Wie schön ist die Prinzessin Salome heute nacht!”)
Symphony No 2 in F minor, Op 12 (2nd mvt, Scherzo)
Also sprach Zarathustra, Op 30 (8, The Dance Song; 9. Song of the Night Wanderer)
An Alpine Symphony, Op 64 (13, On the Summit; 14, Vision; 15, Mists Rise)
Salome, Op 54 (Sc 4, “Ah! Du wolltest mich deinen Mund nicht küssen lassen, Jochanaan!”)
Das Bächlein (The Little Brook), Op 88 No 1
Die schweigsame Frau (The Silent Woman), Op 80 (Act 1, “Ha!” “Was ist?” “Mir fällt etwas ein!”)
Friedenstag (Peace Day), Op 81 (extract)
Metamorphosen, study for 23 solo strings, TrV 290
Le bourgeois gentilhomme, Op 60 (3. The Fencing Master)
Ariadne auf Naxos, Op 60 – Prologue (conclusion)
Don Juan, Op 20
Daphne, Op 82 (Transformation scene, ‘Ich komme, ich komme’)
Till Eulenspiegels lustige Streiche, Op 28Presented by Donald Macleod
Produced by Chris Barstow for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Richard Strauss (1864-1949) https://www.bbc.co.uk/programmes/m0020hsy And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod explores the life and music of American composer, Lou Harrison Lou Silver Harrison was an American, multi-faceted composer who died in 2003. In his music he explored a synthesis of Asian and Western influences, just intonation, and writing for percussion ensemble. He also involved himself in the arts as a performer, dancer, instrument maker, critic, puppeteer, poet, painter and much more. Harrison’s interest in Asian cultures began when he was very young, and remained a significant influence on his work for the rest of his life He enjoyed working with Gamelan percussion and instruments from Korea or China. With his partner William Colvig, Harrison also made his own instruments including an American Gamelan, for which he composed multiple works. Harrison took lessons with Henry Cowell and Arnold Schoenberg, and also collaborated with John Cage in exploring the possibilities of percussion ensembles. His career as a composer developed in the world of dance and theatre, supplementing his income as a critic and, later, as a teacher.Music Featured: The Heart Sutra (Tial, Sariputro, ciuj Darmoj)
Waltz in C (New York Waltzes)
First Concerto for Flute and Percussion
Suite for Symphonic Strings (excerpt)
Largo Ostinato
Prelude for Grandpiano
John Cage & Lou Harrison: Double Music
Blaze of Day (Finale: Solstice)
Piano Sonata No 3 (excerpt)
Symphony No 2 “Elegiac” (excerpt)
Hesitation Waltz (New York Waltzes)
Waltz in A (New York Waltzes)
Suite No 2
The Marriage at the Eiffel Tower (Overture)
The Only Jealousy of Emer (excerpt)
Suite for Cello and Harp
Beverly’s Troubadour Piece, for harp and percussion
Suite for Symphonic Strings (Nocturne)
Four Strict Songs (Here is Holiness)
Concerto in slendro
Pacifika Rondo (excerpt)
Easter Cantata
A Waltz for Evelyn Hinrichsen
Music for Bill and Me
Young Caesar (excerpts)
Suite for violin and American Gamelan (excerpt)
Double Concerto for Javanese gamelan, violin and cello (excerpt)
Third Symphony (Largo ostinato)
Piano Concerto with selected orchestra (excerpt)
O you whom I often and silently come where you are
Grand Duo (Polka)
Fourth Symphony ‘Last Symphony’ (Largo)
Vestiunt Silve
Pipa Concerto
Mass to St Anthony (Gloria)Presented by Donald Macleod
Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Lou Harrison (1917-2003) https://www.bbc.co.uk/programmes/m00209q6 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Kate Molleson explores five windows onto Dvořák’s soulAntonín Dvořák was one of the most heartfelt tunesmiths in classical music - a man who not only brought the sound of Czech folklore to the world, but also had an indelible impact on the musical nationhood of America. As a character he was sometimes shy, sometimes melancholy, routinely homesick and deeply passionate. This week, Kate Molleson explores five windows onto Dvořák’s soul, aspects of life that were really central to his convictions and his music.Music Featured: Gypsy Songs Op 55 No 4: Songs my mother taught me (arr. for cellos by Kian Soltani)
Berceuse (Two Piano Pieces, No 1)
Symphony No 1 “Bells of Zlonice” (3rd mvt)
Cypresses, Nos 1 and 2
Symphony No 9 “From the New World” (2nd mvt)
Sonatine (1st and 2nd mvts)
Humoresque in G flat major
Forget-me-not Polka
Silent Woods (From the Bohemian Forest)
Serenade for Strings (1st and 2nd mvts)
Rusalka (Act I, Song to the moon)
The Wild Dove
String Quartet No 12 in F major “American”, Op 96 (3rd mvt)
Prelude in D major
On the Holy Mountain (Poetic Tone Pictures)
Stabat Mater (IV, Fac ut ardeat cor meum; V, Tui nati vulnerate)
Symphony No 7 (2nd mvt)
Requiem (Confutatis)
Biblical Songs (Nos 1-5)
‘Possibility’ (Moravian Duets, No 1)
Slavonic Dances, Op 46 No 3
‘My Home’ Overture, Op 62
Serenade for Winds in D minor (1st and 2nd mvts)
Piano Trio No 4 ‘Dumky’, Op 90 (2nd mvt)
The Noonday Witch
Miniature in D minor, Op 75 No 2
String Quartet No 12 in F major “American”, Op 96 (4th mvt)
Symphony No 7 (4th mvt)
Scottish Dances, Op 41
New World Symphony (Finale)
Cello Concerto in B minor (2nd mvt)Presented by Kate Molleson
Produced by Amelia Parker for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Antonín Dvořák (1841-1904) https://www.bbc.co.uk/programmes/m00202zxAnd you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod explores the life and work of Orlando GibbonsOrlando Gibbons’s life throws a light on the political turbulence affecting Britain in the early 17th century. As King James VI and I struggled to establish the concept of British identity, his court was blessed with one of England’s most talented musicians of the time, Orlando Gibbons.Music Featured:The Silver Swan
O clap your hands
Out of the Deep
A Fancy (for Double Organ)
Behold, thou hast made my days
We praise thee, O Father
What Is Our life?
I am the resurrection
Hosanna to the Son of David
How art thou thralled
Farewell all joys
Now each flowery bank of May
Great King of Gods
Pavan a 6
Pavan and galliard Lord Salisbury
Fantasies in Three Parts Compos’d for Viols (No 6, No 8, No 9)
This is the Record of John
Fantasia No 10 in C Major
Ne’er let the Sun
Yet if that age
Trust not too much fair youth
Lift Up Your Heads
Fantasia No 1 for Two Trebles
Nay let me weep
William Byrd: Fair Britain Isle
Fantazia of Four Parts
O God, the king of glory
In Nomine for 5 Viols
Fantasia No 2 for 3 Viols
Glorious and Powerful God
See, see the word is incarnate
O Lord, in thy wrath
Drop, drop, slow tears (arr. P. Dearmer)
Do not repine, fair sun – Parts I and II
Sing unto the Lord, O ye saints
O all true faithful hearts
Fantasia a 3 with Double Bass Viol
Fantasia for 6 Viols
Go from my Window
Almighty and everlasting God
Magnificat (Short Service)
Great Lord of Lords
Fantasia No 1 for the Great Double Bass
Fantasia No 2 a 6
The Hunt's Up (Peascod time)
The Second Service (Morning): Te Deum
Fantasia No 4 a 6
The Cryes of London I & II
Blessed are all they that fear the LordPresented by Donald Macleod
Produced by Iain Chambers for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Orlando Gibbons (1583-1625) https://www.bbc.co.uk/programmes/m001zvhm
And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod & Dr Jennifer Martyn explore the remarkable, tragic story of gifted violinist and composer, Amanda Maier Amanda Maier was one of the 19th century’s most brilliant musicians, yet whose story was almost lost to history. Born in the small Swedish town of Landskrona, her virtuoso talent at the violin saw her rise to become one of Europe’s most in-demand performers: giving private and public concerts of major works by Brahms, Mendelssohn, and Bruch, as well as her own dazzling compositions. Maier was a friend of Grieg, Brahms, Clara Schumann and Ethel Smyth and her music was reviewed in newspapers across Europe. Tragically, ill health would see her pass away at the age of just 41 and her musical legacy slowly forgotten. This week, Donald Macleod is joined by musicologist and violinist Dr Jennifer Martyn to celebrate Amanda Maier's life and work - with performances of all her extant compositions alongside works by key figures in her life, including Edward Grieg, Carl Reinecke and Maier's husband, Julius Röntgen, with whom she enjoyed a close and loving relationship in music and in life.Music Featured:Violin Sonata in B minor (3rd mvt)
Preludes in E major, G sharp minor, and E flat major
Violin Sonata in B minor (2nd mvt)
Den sjuka flickans sång (“Song of a sick girl”)
Carl Reinecke: Symphony No 2 “Hakon Jarl” (1st mvt)
Piano Trio in E flat major (3rd and 4th mvts)
Aftonklockan (“The Evening Clock”)
Violin Sonata in B minor (1st mvt)
Julius Röntgen: Serenade for Wind No 1, Op 14 (1st mvt)
Piano Trio in E flat major (2nd mvt)
Violin Concerto in D minor
Sången (“Song”)
Nine Pieces for violin and piano
Piano Trio in E flat major (1st mvt)
Karol Lipinski: Violin Concerto No 2 “Militaire” (2nd mvt)
Nacht-mittags Potpourri (St Nicholas-Schwank)
St Nicholas-Schwank (excerpt)
String Quartet in A minor (2nd and 3rd mvts)
Grieg: Sarabande (Holberg Suite)
Swedish Tunes and Dances
Allegretto (Zwiegespräche)
Piano Quartet in E minor (1st and 2nd mvts)
Brahms: Violin Sonata No 3 (1st mvt)
Zwiegespräche (excerpts)
Piano Quartet in E minor (3rd and 4th mvts)Presented by Donald Macleod
Produced by Steven Rajam for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Amanda Maier-Röntgen (1853-1894) https://www.bbc.co.uk/programmes/m001zmwn And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod surveys the life and music of Russian composer Nikolai Rimsky-KorsakovThis week, Donald Macleod traverses the dramatic and vivid musical landscapes of Nikolai Rimsky-Korsakov: a vital, fascinating, and perhaps under-appreciated figure in the evolution of the canon of western art music. His life alone was extraordinary: beginning as a cadet in the Tsar’s navy, it ended soon after the tumult of the 1905 revolution; the prospect of far greater upheaval, national and international, looming.Music Featured: Flight of the Bumblebee
The Tsar of Sultan Suite, Op 57 (3rd mvt, The Three Wonders)
Symphony No 1, Op 1
Capriccio Espangnol, Op 34 (excerpts)
The Maid of Pskov: Overture
Mussorgsky arr. Rimsky-Korsakov: Night on the Bare Mountain
Legend of Sadko, Op 5
Quintet
Scheherazade, Op 35 (excerpt)
The Golden Cloud Slept, Op 3, No 3
Trombone Concerto in B flat major
Symphony No 3, Op 32 (3rd & 4th mvts)
The Tatar Captivity, Op 18, No 2
The Octave, Op 45, No 3
Mussorgsky arr. Rimsky-Korsakov: Gopak from Sorochintsi Fair
Russian Easter Festival Overture, Op 36
String Quartet in F major, Op 12 (3rd mvt)
Mlada Suite
The Snow Maiden: Prologue; Dance of the birds
Against the Cruel Crag from Sadko
The Invisible City of Kitzeh Suite (A Hymn to Nature)
The Golden Cockerel Suite
Four Songs, Op 2 (No 2, The Nightingale and the Rose)Presented by Donald Macleod
Produced by Lyndon Jones for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Rimsky-Korsakov (1844-1908) https://www.bbc.co.uk/programmes/m001z5dz And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
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cannot play or download here in New York!
very disappointed that I couldn't download these. quite sad that culture has borders. I guess that's the BBC putting Brexit into action. well, it goes both ways
why won't this podcast download?
what a shame. I cannot play anything as well
hello baby how are you
Does anyone have the list of composer and their pieces that were presented on the show?
Puri gana
can not play anything