Creator to Creators With Meosha Bean

https://michelleannowens.com/BioLos Angeles/Las Vegas artist Michelle Ann Owens releases her latest single, “Enough”, a funk-rock anthem of empowerment and self-worth. Released on October 16 to coincide with Purple Thursday for Domestic Violence Awareness Month, the song anchors her forthcoming EP of the same name and leads into her full-length album, Chapter Vegas, due later this year.“Enough” is about reclaiming personal power and breaking free from toxic situations. Musically, it fuses funk, rock, soul, and pop, with gritty guitar riffs, bold horns, and a retro-modern groove that highlights Owens’ soulful, defiant vocals. The track was produced with Michael “Fish” Herring and features a powerhouse lineup of live musicians, while Owens handled her own vocal production.Her music blends influences from Earth, Wind & Fire, Kool & the Gang, Prince, and The Jacksons, creating a sound she describes as “funky.” The Enough music video, directed by Kenneth Williams, mirrors the song’s journey from tension and pain to empowerment and release.Owens continues to perform live in both LA and Vegas, sharing her empowering message with fans of funk-rock, soulful pop, and bold female vocalists.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

TidalYoutube Amazon https://nikenamusic.comBioNikena is a Caribbean-born artist whose music radiates love, authenticity, and cultural pride. Love serves as the heartbeat of her artistry, inspiring every lyric, melody, and performance. Her singles “Hold Me” and “Surprise” each explore love from distinct perspectives, one through vibrant Caribbean rhythms and the other through soulful R&B tones, yet both remain unmistakably her.Nikena’s creative process is as authentic as her sound. She records herself twice, first in her home studio where ideas flow freely, and then in a professional studio for the final cut. Writing often takes place at home or in peaceful outdoor spaces, allowing her to stay comfortable and inspired throughout the process.“When I’m writing at home, I can just be myself and play around with the song however I want. Whenever something comes to me, morning or night, I can immediately bring it to life,” she says.Songwriting is Nikena’s favorite part of creating music. She recently experienced a full circle moment that reminded her how far she’s come as an artist.“I was printing my lyrics the other day, and it hit me. I used to do that for other artists growing up. Now I’m doing it for my own music,” she reflects.Her single “Hold Me” holds special meaning in her catalog, blending dancehall and pop in a way that celebrates her Caribbean roots. The song’s vibrant percussion and gentle melody reflect both her heritage and her personal evolution.“As someone of Caribbean descent, it’s important for me to fully express who I am without holding back. My culture shapes my identity as an artist. Authenticity matters to me, every song I write comes from personal experience,” she explains.The accompanying music video for “Hold Me” captures the essence of Caribbean energy, from club scenes and colorful outfits to wine-based choreography, all visualized through Nikena’s creative vision. Similarly, her R&B-infused single “Surprise” takes a more intimate approach, showcasing her emotional depth and versatility as both a writer and performer.Creating her debut album This Is Me, set for release in October, has been a deeply rewarding journey. The process taught Nikena patience and trust in her creativity, understanding that inspiration arrives in its own time.“It had been about five years since my first single, and I realized there’s no better time than now to pour my heart into a full-length project,” she shares.Originally planning to release an EP, Nikena chose instead to craft a complete body of work that reflects her growth, resilience, and joy as an artist.Her love for performing is another driving force. From open mics and outdoor festivals to intimate showcases and listening parties, each stage experience fuels her passion for connection.“I love seeing people have a good time. It’s fulfilling to share that energy with them,” she says.For Nikena, authenticity is everything. She continues to evolve as an artist who leads with love and self-belief.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

SpotifyXInstagramBioGospel singer-songwriter Lettie Law is releasing her powerful new single, Forward EverBackward Never Jesus, a song born out of personal trial, unwavering faith, and amission to spread hope across the world. Through heartfelt lyrics and uplifting melodies,the track delivers a message of perseverance and trust in God during life’s most difficultchallenges.For Lettie, gospel music has always been part of her foundation. She recalls her earliestmemories with her father, who immersed the family in music that shaped her path. “Iremember what strikes me most is myself sitting between my father and my mom in thecar. It was a Volkswagen, you know, the round kind. And we were listening to gospelmusic,” she shared. “Sometimes we did sing-alongs in the house, like karaoke, thoughwe didn’t know that’s what it was called then. My father also dropped us off for choirpractice. He even bought DVDs to play gospel performances on TV so we could watchand sing along. That’s really how I grew up in the gospel.”Her upbringing instilled in her not just a love of gospel music, but a conviction that faithand song could carry people through trials. That conviction ultimately led to the creationof her latest single. “A lot of things were going on,” she explained. “I was struggling tofind a place to record music, and also facing judgment from people who thoughtbelieving in God was outdated. At my job in behavioral health, I see doctors, teachers,lawyers—even children—struggling to cope with life. I realized the world truly needs asong like this, a message of encouragement. I told myself, no matter how I’m treated fornot following the crowd, I will not look back. I’m following the Lord.”That message of steadfastness resonates throughout Forward Ever Backward NeverJesus. The song emerged from her observation of the world’s struggles, includingchildren facing mental health battles and families living through war and hunger. “WhenI speak to people, I remind them that while everyone goes through challenges, thedifference is who we rely on to take us through,” she said. “Knowing God is the bigdifference.”Lettie’s music has already touched countless lives. She recalls testimonies fromlisteners of her earlier song Yahweh. “One woman told me she suffered from insomniafor eight years. But after buying and playing the song at night, she slept peacefully, likea baby,” Lettie said. Another listener shared that the song protected her on the road.“Since she started playing Yahweh every time she drove, she hadn’t had a singleaccident. One day, she forgot to play it and immediately got into a hit-and-run, butmiraculously, her car was untouched.”For Lettie, the journey has not been without personal tragedy. In 2018, she faced adevastating attack in her home. “My 23-year-old son was killed while sleeping. I wasalso attacked, went into a coma, and nearly died,” she revealed. “When I woke up in thehospital, I realized I had to choose: either die or do what God had been asking me todo—sing publicly. Doctors had said I wouldn’t survive or that I would be a vegetable.But by His grace, I walked into my follow-up appointment. Even the surgeons couldn’tbelieve it. The Lord was kind to me.”Despite her trials, Lettie continues to find strength and healing in her own music. “If Icome home with a headache, I play the music, drink some water, and the headacheleaves. If I have a meeting and I’m nervous, I play it, and before it ends, I have peaceand solutions. It does wonders for me,” she said of her new single.Above all, she hopes Forward Ever Backward Never Jesus will bring the same comfortto others. “I hope this music brings solutions to their problems,” Lettie said. “On myYouTube channel, someone from Bangladesh said the music touched her deeply, eventhough she didn’t understand the language. That’s the power of God through music—itcan change lives across the world.”Her message to listeners is clear and deeply personal: “No matter what you are passingthrough, allow the Lord to see you through. He always does. I’ve never seen the Lordleave someone in the middle of the road. Allow Him to take your hand, bring solutions,and lift you to the level you want. And He will do it in His own time.”With Forward Ever Backward Never Jesus, Lettie Law invites the world to lean on faithand embrace the peace only God can provide.About Lettie LawLettie Law is a USA-based gospel singer-songwriter whose music is rooted in her earlyupbringing, where her father introduced her to gospel music. Her artistry is dedicated tocreating inspirational songs that strengthen the relationship between people and God.Through her moving performances and soul-stirring lyrics, Lettie Law continues to touchlives around the globe, offering hope and healing through her ministry in music.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

https://www.highonmorgan.comInstagramtiktokFacebookXSpotifyAbout Morgan TaylorMorgan Taylor is a St. Louis-born singer-songwriter and Berklee College of Music graduate whose music fuses gospel roots with modern R&B. Known for her dual persona, the grounded Morgan and the fiery Big Mo, her work explores empowerment, love, and self-discovery. Her debut EP Love Bombed (Love, Loss and Lessons) has earned more than 1.5 million streams, establishing her as one of music’s most exciting emerging talents.Bio St. Louis, MORemember the name Morgan Taylor because you will see it again. The rising R&B artist is making waves with her latest single, “Outside That’s Periodt,” a fearless declaration of independence, empowerment, and self-love. Born from a personal experience during her junior year of college, the track celebrates stepping out of toxic relationships and into confidence.“I was talking to this guy that I really did not like,” Taylor recalls. “I didn’t know if I was feeling him. And I was just writing how I felt. As soon as I got to the studio, I was like, ‘This is it.’” The song captures that universal moment when it’s time to walk away from what no longer serves you. “The whole point of ‘Outside That’s Periodt’ is you’re in your cuffing season during the fall, and once summer hits, you’re outside,” she explains.Though its message carries attitude, Taylor insists the track isn’t about toxicity. It’s an anthem of joy, freedom, and self-celebration. “It’s mostly about the ability to be outside by yourself and just love yourself, not somebody who doesn’t share the same love for you,” she says. “It’s about being with your friends, being with your mama, drinking some wine, just enjoying life and loving yourself.”That blend of confidence and vulnerability defines Taylor’s songwriting process. “Anytime I write a song, it’s like my journal, a reflection of what’s happening in my life or what my friends are going through,” she explains. “It’s really just me expressing how I feel about a certain topic.”“Outside That’s Periodt” also channels her bold alter ego, Big Mo. “I feel like everyone has that alter ego, and Big Mo is one of them,” she says. “Big Mo is spicy. She’s going to stand on business. She’s the extrovert to my introvert, the fire to my calm.” That duality between the sweet, grounded woman she was raised to be and the outspoken artist she’s becoming lies at the core of her artistry.The single connects to her debut EP Love Bombed (Love, Loss and Lessons) released in January 2025, which has already surpassed 1.5 million streams on Spotify. “‘Outside That’s Periodt’ is about standing on business,” Taylor says. “By the end of a relationship, you realize you are the prize. That’s how I want women to feel after listening to my music, uplifted and unstoppable.”Her message resonates deeply with young women navigating the balance between expectation and self-worth. “I just want young girls to know it’s okay to walk away from something that isn’t healthy,” she says. “You’re not alone. So many of us go through the same things. Love yourself first before you can love anybody else.”Taylor’s smooth yet powerful vocals reflect her gospel roots. She sang her first church solo at nine and soon released her debut gospel EP, Yes, Jesus Loves Me, at just eleven. In high school, she transitioned into R&B while staying grounded in her gospel foundation. Later, at Berklee College of Music, she refined her sound under the guidance of esteemed instructors and renowned vocal coach Romeo Johnson. “The main thing I learned is to be myself,” she says. “You can be inspired by others, but you can’t copy them. Stay focused and build connections.”Looking ahead, Taylor dreams of creating her own record label to nurture local talent in St. Louis while expanding into coffee, fashion, and live event production. “I want to make people feel seen,” she says. With aspirations of performing on the Grammy stage and exploring acting, her message remains clear: “You are the prize. You are that girl. Love yourself, don’t be too hard on yourself, and always stay true to who you are.”With “Outside That’s Periodt,” Morgan Taylor delivers a soundtrack of confidence, sisterhood, and unapologetic joy. It’s another defining moment in her fast-rising career and proof that she’s one of R&B’s most promising new voices.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Instagram Youtube TikTokBioRising from San Diego’s ocean cliffs with a genre-bending sound, 3rd Borough is preparing to release their new single Blood Like Yours on September 25, 2025, ahead of their full-length album The Human Quest. Backed by a Halloween-themed documentary and vampire-inspired visuals, the track positions the band at the crossroads of indie pop rock, hip-hop grit, and cinematic storytelling.First conceived in 2015, Blood Like Yours began as a late-night idea between band founders Justin Werner and Apaulo8 (Paul Kipling). “This song was actually written back in 2015. Paul was living down in Imperial Beach, and I was in Claremont. We decided to create a Halloween-themed trilogy. The first song we came up with was ‘Blood Like Yours,’” says Werner. The process was fast and instinctive: “The song pretty much wrote itself in about 45 minutes,” he recalls.Originally born from electronic beats and a minimalist setup, the track has since transformed into a full-band performance. “Over time, it evolved into this indie pop rock sound,” Werner explains. Each member of 3rd Borough adds their own layers: Mark Boyce brings blues and gospel textures, bassist Ibo Rodriguez contributes a broad perspective shaped by formal training in Puerto Rico, Apaulo8 infuses hip-hop and rap elements, guitarist Dono Fox (Donovan) delivers technical precision, and drummer Arkhota (Argel Cota) provides versatile rhythms. “It’s a melting pot of influences that make the sound unique,” Werner notes.For Apaulo8, the track’s impact lies in its balance. “Music for us is about yin and yang. We want positive messages, but we also embrace darkness. That balance lets us create something edgy yet lighthearted. For Blood Like Yours, we drew inspiration from The Lost Boys movie—something fun but haunting, appealing to kids and adults alike.”The single also comes to life visually with a vampire-themed music video and a Halloween documentary. “It covers the whole process: how we created the music video, interviews with band members, the making of the album, and behind-the-scenes footage,” Apaulo8 explains. For Werner, revisiting vampire mythology was a chance to refresh a timeless archetype. “Vampires have been portrayed as romantic, monstrous, murderous—it’s evolved. With Blood Like Yours, we leaned toward a romantic take. It’s basically a love song in a Halloween costume.”Though the single may stand out as a seasonal anthem, the band stresses that their forthcoming album, The Human Quest, goes much further. “The Human Quest is about the ups and downs of being human. Blood Like Yours stood out—it felt powerful, like a hit, so we pushed it as a single. The album itself spans many genres because some songs were written 10 to 15 years ago,” Apaulo8 shares. Werner adds, “We believe in divine timing. Unlike bands that write 50 songs and pick 12, we wrote around 20 and chose the best by intuition.”For Apaulo8, the most rewarding moment comes with “the final product, after all the revisions, when everyone is happy and we hear that polished version.” Werner’s favorite part is the connection with listeners: “For me, it’s when someone hears the finished song for the first time and appreciates it. That’s why we do this, because music can inspire others.”With The Human Quest on the horizon, 3rd Borough hopes listeners find both individuality and unity in their music. “We want it to be personal, yet unifying,” says Werner. “Everyone feels something different, but we all move to the same rhythm. That’s the beauty of music.”About 3rd BoroughFrom San Diego’s moonlit cliffs, 3rd Borough creates a powerful blend of indie pop rock and hip-hop’s raw energy. Founded in Ocean Beach, the six-member collective—Justin Werner, Apaulo8 (Paul Kipling), Ibo Rodriguez, Mark Boyce, Arkhota (Argel Cota), and Dono Fox (Donovan)—weaves anthems of longing and rebellion. Their sound fuses soaring melodies with gritty beats, shaped by a wide spectrum of influences. Their upcoming single, Blood Like Yours(September 25, 2025), leads into their full album The Human Quest and a Halloween 2025 documentary. A nocturnal tribe with sharp lyrics and haunting melodies, 3rd Borough invites listeners worldwide to join their journey across all major streaming platforms.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Falling Star Music Video https://www.youtube.com/@ElieAlHajjELYFacebookBioElie Al Hajj, known to fans as ELY, is a romantic at heart, a passionate musician, and a deeply emotional artist whose life experiences shine through every note he creates. A believer in love, a champion of heartfelt storytelling, and a devoted filmmaker, Elie has spent decades channeling his journey into art. His latest release, My Falling Star, captures the essence of that journey with raw honesty and lyrical beauty.Born on July 8, 1982, in Beirut during Lebanon’s civil war, Elie was raised in a Christian Orthodox family where resilience and creativity flourished despite hardship. His father, Michael, a carpenter, instilled discipline and hard work, while his mother, Raymonda, encouraged his early love for singing even though she had set aside her own musical dreams. From an early age, Elie was captivated by the vibrant sound of 1980s hits, but it was the timeless melodies of The Beatles that truly ignited his passion. Inspired, he picked up an electric guitar and began composing songs that carried both joy and introspection.By 1996, Elie was refining his craft, and in 2000 he began performing publicly with his first band, Viceversa. These early years with classic rock cover bands laid the foundation for his later evolution into original, deeply personal compositions. His debut album, The Reflection of Changes (2012), showcased this growth while his parallel passion for cinema led him to direct and produce several feature-length films and shorts—works that, like his music, are rich in emotion and storytelling.After stepping away for a period to focus on film and personal milestones, Elie returned to music in 2025 with renewed energy. He began releasing songs in Arabic, culminating in My Falling Star, a song born from heartbreak yet filled with hope. Written after a profound breakup in 2024, the track draws inspiration from a night by the sea when Elie and his former partner witnessed a shooting star together. That fleeting, magical moment, later tinged with loss, became the foundation for a song that captures longing, reflection, and the fragility of human connection.For Elie, songwriting is cathartic. “I write from the heart,” he explains. “I’ve written more than 15 songs about my ex-girlfriend because every time we went through a breakup, a new song emerged. It’s not all heartbreak—some songs capture happiness too. But the ones born from heartbreak carry the most intensity because solitude allows my feelings to flow freely.”The music video for My Falling Star heightens the song’s emotional impact. Filmed at a historic seaside location in Lebanon during sunset, it reflects both vulnerability and strength. Elie recalls the exhilaration of performing on a massive stone wall with his custom-made guitar and a vintage 70s drum set, drawing inspiration from the timeless sound of bands like The Beatles and Keane.With decades of experience at the crossroads of music and cinema, Elie Al Hajj remains committed to creating art that resonates both emotionally and visually. His vision is clear: to leave a legacy as a kind, honest, and perfectionist artist whose work offers beauty in both joy and sorrow.My Falling Star is now available on YouTube.About Elie Al HajjElie Al Hajj is a Lebanese musician, composer, singer, producer, actor, and director. Known for blending heartfelt music with cinematic storytelling, he draws inspiration from personal experiences, classic rock influences, and a lifelong passion for film. His work reflects an unwavering commitment to authenticity, emotional resonance, and artistry.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Youtubehttps://x.com/JHX9officialSpotifyFacebookBioClinton Township, MI. Detroit-born synth-pop innovator JH-X9, the artistic alter ego of Justin Horbes, is making waves with his latest single “Heavy Water.” for fusing moody industrial textures with infectious, danceable rhythms, JH-X9 delivers a hypnotic soundscape of fluid melodies, mechanical beats, and haunting monotone vocals that linger long after the track ends.“Heavy Water started as a cyclical melodic line,” JH-X9 explains. “It carried this fluid, melancholy, slightly ominous vibe. The Roland D-10 keyboard gave it an oceanic, melodic theme, almost like Enya’s new age atmosphere, but twisted into something mechanical and danceable.”The single highlights his signature ability to strike a balance between industrial grit and rhythmic drive. Layered arpeggiated bass lines and pounding mechanical beats create an atmosphere that is both mesmerizing and immersive, designed for any setting from the club floor to late-night drives to quiet moments of reflection.Rooted in Detroit’s rich techno heritage, JH-X9 embraces the city’s industrial DNA. “Detroit techno has this robotic, factory-like sound, which I try to carry into my music,” he says. Vocoder-driven backing vocals add a semi-human, robotic undertone, reinforcing the tension between machine precision and emotional depth.A self-taught producer, JH-X9 has evolved from experimenting with percussive sounds made from pots, pans, and junk metal to mastering hardware synthesizers, crafting tracks with polished percussive textures and deep 808-inspired bass. “Heavy Water” reflects that growth, pairing raw experimentation with refined production.The track has already gained recognition from DJs and mix shows within the darker electronic scene, including features on Communion After Dark, a showcase for Gothic and darkwave music, and Synthentral, a program spotlighting synth-pop and electronic exploration. Fans and critics alike have praised “Heavy Water” for its haunting yet danceable structure and stylistic versatility.“Right now, my focus is on versatility,” JH-X9 notes. “I draw from Eurobeat, J-pop, industrial, and techno. Heavy Water is a reflection of that evolution. It is stylistically unique, but it is also distinctly me.”For new listeners and longtime fans, “Heavy Water” captures JH-X9’s bold approach to electronic music, blending melody, rhythm, and mechanical textures into an experience that feels both futuristic and unforgettable.About JH-X9JH-X9 is the creative alter ego of Detroit-based musician Justin Horbes (b. 1999). He released his debut album in 2016 while still in high school, earning coverage from international music blogs and radio shows including X-Ray FM’s Songs From Under The Floorboard and Italy’s Whitelight//Whiteheat. In 2019, JH-X9 performed his first live show opening for French coldwave duo Lovataraxx. Today, he continues to push the boundaries of electronic music, merging industrial, techno, and synth-driven elements into a sound that is as moody and mechanical as it is immersive and danceable.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

BiAs an Army brat, Larry May travelled more than most will by the time he was ten. His parents were stationed in New Jersey, Hawaii, Georgia and Alabama. He moved to Germany at age 7 and was exposed to many cultures and customs that shaped his world view. His family spent time in France, England, Spain and Scotland before moving back when he was eleven. He was an avid reader and listened to music incessantly in his room. His teens were typical of a small town Southern upbringing. He grew to love Alabama and its denizens. He also questioned some things that were commonplace. He met the girl that would be his wife when they were both seventeen. She took a young man mad at the world and stood him up, dusted him off and was patient while he figured it out. They opened CD Cellar Christmas 1997. The store has been through many iterations but continues to be based in a love for music and serving its musical community. Larry was responsible for starting a music festival for downtown Anniston. It ran for five years and brought national level talent to his hometown and also thousands through its gates. This spawned an art gallery and also reviving the Christmas parade under his watch. The couple’s son, Andrew, was born in 2004. He’s an accomplished musician that plays with his band, writes and records their music and also is a full time student at JSU. Larry has written a music column for the Anniston Star newspaper for well over a decade. He interviews national touring artists as they traverse the Southeast. Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

YoutubeInstagramAmazonFacebookBioThe video for “Neon Dreamers,” the latest single from Arcade Knights, opens on a futuristic cityscape reminiscent of Blade Runner or Tron. As the visuals unfold, soaring vintage synthesizers and thunderous reverb-soaked drums create a cinematic soundscape. Digitized female vocals deliver the track’s core message:We’re the neon dreamers lighting up the skyChasing our tomorrow, never asking whyWith our hearts electric, breaking through the darkIn this digital world, we’ll make our markEvoking the atmosphere of the Stranger Things soundtrack as much as Daft Punk, the song explores a timeless question: What does it mean to be human in a world dominated by machines?That question lies at the heart of Arcade Knights, the synthwave-cyberpunk electronic project of Canadian musician Dean Parsons. Known for his deep love of 1980s drum machines and synthesizers, Parsons incorporates authentic hardware such as the LinnDrum and Oberheim OB-8 into his work. While modern software can replicate these sounds, he prefers the analog warmth and tactile experience of physical instruments, embracing the buttons, knobs, and patch cables that bring a unique authenticity to his production process.Unlike most contemporary producers, Parsons creates entirely outside of a digital audio workstation. Every track is written, recorded, and mixed using his MPC hardware sequencer, a process he believes allows more emotion to come through the physical act of playing.“My main production machine is not a DAW,” he explains. “Every track, every note, every melody is crafted and recorded through purpose-built hardware. There’s a lot of heart that comes through the keys and pads.”“Neon Dreamers” serves as a companion piece to Cyber Hack, the full-length album released earlier this year. The record tells the story of hackers raised in an AI-driven world who use their skills to protect humanity, ensuring technology serves people rather than controlling them.The theme reflects Parsons’ own life. Growing up in the 1980s surrounded by Commodore 64s and science-fiction films like Terminator and RoboCop, and later working as a cybersecurity expert, he has lived at the intersection of the analog and digital worlds.“It’s important to embrace technology, but not let it control your life,” Parsons says. “Technology is advancing rapidly, and if we continue to depend on it blindly, it may begin to control us. I love technology, but it’s a double-edged sword. The message of Cyber Hack is that we must remain the ones in control.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

https://www.samwelchboston.comAppleSpotifyTikTokInstagram BioSam Welch released his project The Republic in 2024 and now returns with a new album titled The Attic. Building on themes from his previous work such as spiritual transcendence, the album expands to explore healing, resolution, and hope.The title track showcases the vivid, imagery-driven lyricism Sam is known for. Inspired by memories of his grandmother’s attic and the eclectic artifacts within, the song also draws on the metaphor of a yard sale. Sam reflects on the idea that, much like items given new purpose, people carry lasting worth and value in the hands of God, regardless of how much time has passed. At its core, the song conveys hope—a message that serves as the foundation for the entire album.The Attic also delves into themes of healing and regeneration, which stem from Sam’s personal experiences during its creation. He faced health challenges, including worsening tinnitus and caring for his cat during a medical scare. With the help of hearing aids that dramatically improved his quality of life, Sam translated his journey of perseverance and renewal into the music.Though the process took longer than usual, Sam views the extended timeline as a blessing rather than a setback. Completing the album affirmed his creative drive and resilience, proving that he could continue to grow his catalog despite adversity. He also incorporated new techniques, such as the TC Helicon vocal doubling system, to enrich his harmonies and further elevate his sound.Spirituality remains a guiding force in his work. One track in particular connects to his single Jerusalem, which he regards as a Christian rock anthem. Producing his own music allows Sam to be deeply involved in every stage of the creative process, something he embraces fully.For Sam, music is about discovery and transformation. He values the unpredictable nature of creation and finds fulfillment in bringing songs to life. More importantly, he is inspired by the impact his music has on listeners. With The Attic, Sam Welch continues his mission to write from a place of community, faith, and healing—encouraging others to find hope and purpose through sound.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

https://www.darrynyates.comInstagramhttps://music.darrynyates.comYoutubeBioDarryn Yates is a retro rock and alt-rock artist whose music fuses driving guitars with soaring, melodic choruses. His latest single, No Regrets Only Greatness, marks a powerful return to the stage and reaffirms his lifelong passion for music.Darryn first rose to prominence as the frontman of the pop-rock band On Tracy Lane (OTL), opening for major acts such as Avril Lavigne, American Hi-Fi, Local H, and Phantom Planet. The band’s momentum further grew when actress Lacey Chabert, known for Mean Girls and Party of Five, appeared in one of their music videos. While OTL never fully broke into the mainstream, the experience cemented Darryn’s commitment to a life in music.His journey began unexpectedly after a high school sports injury redirected his path from athletics to music. Inspired by rock icons like Kiss and Poison, Darryn discovered his true calling during his first live performance and never looked back.Beyond music, Darryn has pursued careers in radio, television, and the corporate world, while also carving out a role as a motivational speaker, podcaster, and author. These experiences, along with overcoming personal struggles, deepened his understanding of resilience and reignited his dedication to creating and performing music.In 2025, Darryn has released three new singles, with additional tracks in production alongside producer Kevin W. Gates. His vision is to record a full-length album and deliver electrifying live shows reminiscent of the larger-than-life performances he grew up idolizing.Driven by a philosophy of boldness and disruption, Darryn Yates inspires audiences not only through his music but also through his story. His message is clear: chase your dreams without regret, and embrace greatness in every step of the journey.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

YoutubeFacebookTiktokInstagramBioDJ Matrix first emerged on the electronic music scene in the mid-1980s with the release of “It’s Time to Rock” in 1986 and “Feel My Bass” in 1988. Though he stepped away from music shortly after, those two tracks went on to achieve underground fame and built him a lasting fan base within the Electro and Miami Bass communities.After nearly four decades, DJ Matrix has returned with “Hypnotic,” a powerful, high-energy track that channels the same bass-driven intensity that defined his early work while fusing it with a modern EDM edge. The single features legendary artist Egyptian Lover, whose music first inspired DJ Matrix to pursue a career in electronic music, making the collaboration both full circle and deeply personal.DJ Matrix’s journey is as dynamic as his sound. Following his early music career, he served in the U.S. Navy and later in the Marine Corps, including deployment during Desert Storm. Music had to be put aside as he focused on military service, raising a young family, and building a career outside of entertainment. He transitioned into corporate finance, becoming a stockbroker and later cofounding Randolph & Main Capital Group, where he continues to champion women and minority-owned businesses as Managing Director of Digital Assets. He also owned and managed professional basketball teams, including the Miami Pit Bulls of the ABA and the East Kentucky Miners of the CBA.Still, music never left his spirit. Encouraged by Egyptian Lover and rediscovering the international impact of his early songs, DJ Matrix returned to the studio with a renewed sense of purpose. His upcoming album, expected later this year or early next, will bridge classic Electro and Miami Bass with today’s EDM landscape. With additional singles and a possible EP on the horizon, he is determined to give longtime fans the sound they have been waiting for while also introducing his style to a new generation of listeners.With “Hypnotic” leading the way, DJ Matrix is proving that his music remains as innovative and relevant as ever. Blending nostalgic analog energy with modern production, he is poised to spark a renewed appreciation for the Electro and Miami Bass sound that helped shape dance music culture.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Amazon MusicSpotifyTidalInstagram Youtube BioNigerian American artist Ase Odin brings a refreshing blend of Afrobeats, R&B, reggae, and hip-hop, infusing his music with joy, culture, and spirituality. His breakout single “No Wahala” captures the universal stresses of work, money, and daily responsibilities, while offering an uplifting escape through infectious rhythms and melodies. The phrase “no wahala,” meaning “no trouble” in Nigerian Pidgin English, serves as both a mantra and a reminder to embrace life with ease, positivity, and resilience.Born in Benin, Nigeria, and later emigrating to the United States, Ase balances his career as a pharmacist with his lifelong passion for music. His personal journey—supporting family, raising children, and navigating life’s challenges—deeply informs his songwriting, allowing him to connect with listeners on an authentic level. After more than three decades of creating music privately, Ase is now fully embracing his artistry, declaring: “It’s time for me to live my life.”Ase’s work speaks to the global African diaspora, celebrating shared roots and cultural pride. His second release, “Mama Mama,” is a heartfelt tribute to mothers everywhere, delivered in a smooth R&B-reggae fusion. With an upcoming album and multiple singles set for release, Ase is expanding his sound across genres, from love ballads to hip-hop and beyond.At the heart of his music lies a mission: to bring African culture and history to a global stage, highlight themes of spirituality and social justice, and spread a message of hope. His philosophy is simple yet powerful: “Let’s not let anything bog us down. Take one step at a time. Tomorrow will be a different day. No wahala. No trouble.”Dissolve your stress, embrace the rhythm, and experience the uplifting sound of Ase Odin. Connect with him on all platforms for music, videos, and new releases.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Nashville, TN – Rich Allen is a distinguished singer-songwriter whose music embodies the rich tradition of country storytelling. With a career dedicated to crafting heartfelt narratives, Allen's recent single, "Innocent Kiss," exemplifies his signature style: a warm blend of nostalgic lyrics and genuine emotion reminiscent of classic country. His intuitive songwriting approach, often capturing inspiration in moments, allows him to transform personal experiences into evocative tracks that connect deeply with listeners. Raised in a musical household, Allen's commitment to creating lasting, meaningful songs is evident in his lyric-first philosophy, ensuring each release, from rodeo anthems to personal reflections, delivers an authentic and impactful experience.Innocent Kiss is available now on all streaming platforms.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Instagram https://chirpradio.org/blog/chicago-sounds-vinto-van-goBioCHICAGO, IL – Psychedelic soul outfit Vinto Van Go is bringing the summer heat withtheir new single “Hot Pants Boots,” a vibrant, groove-heavy track that sets the stage fortheir upcoming album In the Neon Wilderness, out July 4.“It became a party right there in the studio,” says the band’s frontman and lyricist.“Everybody chirping in little bits... the whole construction of the song was so fun.” Builtcollaboratively, the track captures the band’s spontaneous, celebratory energy andreflects their deep roots in Chicago’s psych-rock and soul scene.Described as “the best band at your local bar” and “the ultimate party band,” Vinto VanGo has carved out a distinct space in the city’s live music community. Their sounddraws from the gospel-soaked soul traditions of Chicago’s past while pushing forwardwith layers of distortion, reverb, and psychedelic texture. “I love psychedelic musicbecause it pulls the audience into the music. You’re not an observer anymore. You’reinside it.”“Hot Pants Boots” has already become a live staple. “When we play it live, peopleimmediately start dancing and cheering. Some of them are even dressing up for it,” theband shares. “We played a private Pride party last weekend, and the crowd showed upin hot pants and boots, knowing we were going to play that song. That’s the dream.”Vinto Van Go formed during the pandemic, when longtime collaborators and friendsused the pause in touring to experiment together in the studio. Each member brings aunique voice to the group. Ann brings theatricality and character to every vocalperformance. Jon, a bassist from Manhattan who studied under jazz legend Ron Carter,guides the groove with precision. Jason anchors the outfit with sharp, intuitivedrumming. Kevin, the band’s keyboardist and recording engineer, blends his Afrobeatexperience into every arrangement. “We all know what to do and when to leave spacefor each other,” the frontman says. “You can hear that clearly in ‘Hot Pants Boots.’”In the Neon Wilderness is the band’s second album, written and recorded entirely in thepast year. Their debut album dropped in April 2024 and helped solidify their status asone of Chicago’s most exciting live acts. With local indie radio and fans alike rallyingbehind them, the group has developed a loyal following that’s spreading beyond the city.“We’ve got a scene here. If you go to a Vinto Van Go show, you’re going to run into atleast 50 people you love seeing. That kind of community is rare.”As they gear up for their album release and upcoming gigs, including a show in NewYork later this month, Vinto Van Go is keeping it simple.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Spotify InstagramKING OF THE GLORY GAME OFFICIAL VIDEO BioCAIRO, EGYPT – Rising Egyptian artist RARA has released her electrifying new single,King of the Glory Game," a cinematic and soul-stirring track that channels culturalpride, global connection, and emotional strength. With her signature haunting yetmagnetic vocals, RARA continues to carve out a bold and authentic space in the globalpop landscape this time with a sound that feels as grand as it is heartfelt.The track, layered with vibrant beats, soaring choral elements, and emotionally chargedcrescendos, showcases RARA’s ability to transform deeply personal storytelling intocollective resonance. “‘King of the Glory Game’ is the first song that truly felt like it wasfor people,” RARA shares. “I could sense that this song had the potential to resonate inthe hearts of so many. I wanted to show the world my own authenticity, while stillstaying deeply connected to Egypt.At its core, the song is an anthem of unity. “I wanted to remind people that we are united no matter how different our cultures, religions, or beliefs might be,” RARA explains.“The message was about strength through unity… and I wanted people to feel joy insidethemselves when they listen to it. That kind of joy that feels like light coming fromwithin. The single also stands as a direct tribute to Egyptian football legend Mohamed Salah,whose name is proudly mentioned in the song. RARA noted that part of her intentionwas to honor someone “very important to the Egyptian people.” The track celebrates thepride, determination, and collective spirit Salah represents both in Egypt and aroundthe world. The song’s emotional power is amplified by its rich vocal arrangements. “Recording thechoir was magical,” RARA recalls. “So many voices came together in this one song  itfelt overwhelming in the best way, like I was being lifted by this huge wave of unity.Everyone gave their absolute all  and you can feel it.”Known for her cinematic approach to sound, RARA builds emotional landscapes with each track she releases. But as she puts it, she doesn’t aim for spectacle alone. “I want my music to feel like a big moment   not for the ‘wow effect,’ but so that someone can feel something deep inside. Like they’ve been understood without needing to say a word.” Shot on location in Cairo, the music video for “King of the Glory Game” is an intimate,unfiltered homage to her home. “Cairo is my home. The faces, the smells, themovements it was all mine, all familiar. That wasn’t just a music video, it was me,”she says. “I felt thankful. Thankful that I get to be myself, and share that.”While fans await her forthcoming EP or album, RARA is focused on crafting somethingdeeply personal. “I’m not rushing it. I want it to feel alive  not just something made tocheck a box,” she says. “Every song feels like a piece of me.”As an artist straddling both Egyptian heritage and a global perspective, RARA remainsgrounded in her mission. “It’s a constant conversation with myself,” she says aboutbalancing cultural roots with global sounds. “But deep down, there’s something that’smine  something warm. I try not to lose that.With “King of the Glory Game,” RARA doesn’t just offer a track she offers a momentof connection. And if she can bring someone a moment of peace, she considers it asuccess. “Honestly… just that one day, someone puts on one of my songs on a hardday, and feels like: ‘Okay. I can breathe now.’ That’s it.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Amazon Music SpotifyMore about artist BioBack in the mid-’80s, James Sifuentes began writing and recording some pretty goodpop rock. He and Bill, his brother and bandmate, dreamed of getting the songs re-recorded professionally, but life, other interests and careers intervened.Then came more life: age 50, cancer, Hodgkins’s lymphoma. He beat that. Ten yearslater, July 2023, turmoil at the hospital where he had been an executive for 19 yearsresulted in his firing. A few months after that, January 2024, he suffered a heart attackwhile interviewing for his current regional manager position with the Chicago ParkDistrict.He didn’t know about the heart attack until he went to urgent care after the interview.At this point, he tells himself that if he’s going to put out his music, he ought to do it, andby March, he persuades himself to get it done.Then, January 2025, disaster for the second January in a row. He is diagnosed withstage 4 pancreatic cancer, but now he is seriously committed to putting out his music.And the result, a year later, is “Summertime,” the single, a jazzy pop-rock anthem to theseason, and Summertime, a 12-track album of some pretty good pop rock transformedinto seriously good pop rock.It’s all under the name Sifuentes. It features Jim, his brother Bill on guitar, and MattRiggen, a multi-talented colleague from the park district, on drums, brass and piano.“Overall, it’s pop rock, but there’s some stuff that fits in different genres.”The single features the rocking guitar and beat you would expect from someoneinfluenced by the Beatles, especially John Lennon and Paul McCartney, funkadelic,(Parliament) and R&;B.And it also has some swinging brass work too.“The ’60s, I was only a little kid,” said Sifuentes. “My dad actually bought Beatlesalbums, and we were just listening to them and, yeah, they became it.”Growing up, living and working in Chicago, “Summertime,” to him, means the end of theice, snow and cold of winter and the “beauty, the energy when people get to go out,wear shorts, barbecue, head to the beach and enjoy a different feeling.”“It’s just trying to capture that feeling and make people feel good when they listen to thesong.”He has been writing, composing, playing and recording music ever since he and hisbrother were teens. At one time, he wanted to do that full time.“We just didn’t pull the trigger, my brother and I. We wanted to get into the studio torecord these songs. We wanted to hear what they would have sounded likeprofessionally.”After the heart attack last year, “I said, ‘I’m gonna get these songs done.’ In March oflast year, I said I’m gonna put out an album, so I set the goal.”But doubts set in: already 60, health not good, and though the music he had written andrecorded was good, he hadn’t been playing much, or singing.Somewhere in here, his daughter Amanda says to him about “Summertime,” which hewrote in his 40s, “I love that song, Dad. You should finish it.”“And I said, ‘You know what? I’m going to do this album. I will release it aroundsummertime, so, I want that to be the title.”He began work, getting back into musical shape, working over his songs, and byNovember, he was back in the studio.Then January, and this time it’s pancreatic cancer. But, “I’m always one to finish a goal.”Now it’s June, and the album is out.“And I celebrated yesterday,” he said. “My staff here at the park district, we held alistening, they called it a listening event, and they played the album. My brother, Mattand I did some of the songs, five of them, just acoustic versions, but it was really nice.”And that’s the story, he said. The love of music, the talent, the gift, has always beenthere, waiting to be unveiled.That’s what he calls it, an unveiling.“People know I play guitar, kind of, but didn’t know this other part of me, that I couldsing, or I can record, and I compose songs. It’s an unveiling of another part of Jim thatpeople might not know.”He wrote most of the songs when he was 18-25. “The Memory” is about where he grewup, “walking around the park, going to school.” “Searching for Another Day” he wrotewhen he was 18.“Life,” coming more than 30 years later, after the first bout with cancer, “kind ofcomplements that song, saying, like, ‘After your search, this is where you’re at.’”“Will You Be Mine” is R&B, “kind of a stepper.” “Loving You Dear,” “a catchy little clubsong.” The last song, “Yes, It’s Me,” started out as a love song to a woman namedOrquídea, orchid in English. It features a Latin flavor and Sifuentes on guitar.“But it became in many ways more about me, showing everyone that it’s me singing,recording, unveiling parts of me that were hidden, and still living fully.”He wrote other songs for people like him and his brother, people who grew up duringthe same period and listened to The Beatles, Elton John, The Who and others.“I’m hoping as they’ve grown and listened to music, it fits right into their lives.”One song, “Rumors,” a fast-moving rocker, is in its original recording of the Sifuentesbrothers from the late ’80s, early ’90s.“I just threw it in because I wanted to get 12 songs done, and it fits the mood of thealbum perfectly.”“Life,” a soft, lovely ballad, has special meaning.“It’s the question every kid gets: What do you want to be in life? I just wanted to befamous and write songs, but you got to live your life for real.”The last lines are:Now that I’m older, I’ve come to beAll the gifts life has given meStill life comes asking one more thingIs this really what it means to be“I have this gift, and I wanted to share it, what I think my brother and I wanted to doback when. When you get that opportunity, like now, go ahead and make that happen.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Spotify Dummy Thick Music Video Tidal Instagram PageBioSouthern positive rapper BamsterG’s latest single, “Dummy Thick,” is a banger intended to bringgood summer vibes to all the men and ladies in the club — but especially the ladies.Thick, of course, is a slang term used as a compliment for curvy women. The addition of dummyadds a superlative, in tribute to the women with even more of that something special.“I wanted to make a song to the touch hearts of all the good-lookin’ ladies who feel like they gotthat big ‘ba-donkey-donk,’” BamsterG laughs. “It’s a fun track, but it’s also player. It’s cool, calm,confident.” The beats were produced by Atlanta-based producers Mercy Beatz and K-Rab (theoriginator of snap music), giving the track an upbeat, club-ready bounce.BamsterG wants his music to celebrate the positive aspects of life, and he calls his musicmotivational hip hop. “I try to motivate people to do better and to be happy,” he says. “It’s nopoint in being sad, man, we only live once. It’s time to get out of that heartbreak, get out of thispredicament, and try to turn that negativity into positivity.”The artist’s roots play a role in his music. While he now lives in the city of Chattanooga, hishometown is Sweetwater, Tennessee, a place that he says is “very country.” From Sweetwaterto Chattanooga, to collaborations with producers in Atlanta, a southern flavor is woven into hissound and style.The name “BamsterG” itself is a family affair. “My dad has called me Bam Bam since I was atoddler, cause I bammed on everything like Bam-Bam in The Flintstones,” he explains. “Then itbecame Bamster from all the sports I played: football, basketball, wrestling. The G is from mylast name, Goodlow.”Additionally, he credits his father, a musician known as John Wayne (real name StacyGoodlow), for initially inspiring him to begin creating music. “He had a home studio, and I wasalways around it,” BamsterG says. “He’s a big part of why I do this.” Other influences includeFuture, Rylo Rodriguez, NoCap, Young Thug and many more.In terms of creative process, sometimes BamsterG starts by writing lines of lyrics, while othertimes he is inspired by a beat and begins freestyling. And sometimes, the process is morecollaborative, involving several members of his creative team.In addition to his father, that team includes Drew Madden, a Chattanooga-based producer he’sbeen working with since 2019. His cousin, Atlanta rapper LDB Justo, is a close collaborator, partof the Lavish Dope Boyz Entertainment label. “You’ve got to have a team,” he says. “If you don’thave a team behind you, it’s really hard to get up.”With his team behind him, consistency is the plan moving forward for BamsterG. He has moresingles on the way, including a follow-up single next month and live performances coming soon.“We’re releasing singles one after the other,” he says. “I’ve got a vault ready. Not just for thisyear, but years to come.”His ultimate hope? “To make people feel good about themselves. Ladies, men, everybody. Andto make a way for my family.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

YoutubeFacebookXInstagramBioNORTHERN KENTUCKY – Orchid in the Ivy, the hard-hitting alternative rock triofronted by Brett Scharf, is turning heads with the re-release of their fiery, pop-punkrendition of “Beds Are Burning.” Originally recorded some time ago, the band recentlyremixed and relaunched the track to pave the way for their upcoming five-songEP—proving that rock is far from dead and Scharf’s creative fire is still blazing.“We did a new mix,” says Scharf of the Midnight Oil classic. “We kinda did it a whileago, and we basically did a whole remix... people will maybe recognize it a little bit andthen kinda get your feet wet again with it—and then go with the five song EP after that.”The result? A faster, sharper, and more aggressive version of the politically chargedanthem—reborn through Orchid in the Ivy’s melodic punk-rock lens. “I always thought ithad a great groove to it,” Scharf explains. “I was messing around with it one day andjust thought, ‘God, if we sped this up, this would be more like almost a punk rock tune.’ Idon't think they realized how kind of heavy and punk rock that song could actually be.”For Scharf, who once toured alongside now-household names like Fall Out Boy andMotion City Soundtrack in his early band Spindle, Orchid in the Ivy represents a rebirth.After years of navigating the ups and downs of multiple projects, including RosemaryDevice, Scharf stepped into the role of lead singer “more out of necessity than anythingelse.” That unplanned shift uncovered a sound—and voice—that finally felt right.“I put some vocals down on a couple songs and asked my drummer what he thought.He liked it, and we just kept going forward that way,” says Scharf.Since forming in 2013, Orchid in the Ivy has remained fiercely self-sufficient. The bandrecords everything at Scharf’s own studio, allowing them the space to experiment andevolve. “We were trying to really find out our sound,” Scharf says. “I think in the last fiveor six years, we really found our voice.”That voice blends the emotional punch of Brand New’s The Devil and God Are RagingInside Me with the melodic grit of Alkaline Trio’s Crimson and the urgency of RiseAgainst. The upcoming EP, while not including “Beds Are Burning,” follows hot on itsheels, with singles set to roll out every six to eight weeks.“There’s a little more emotion involved in this one,” Scharf notes of the new material.“The stuff I’ve been writing for this EP—and even the next one—is just a little morepersonal. With everything going on in the world, it just seems like a chaotic time.”Though Scharf’s journey has spanned decades and many stages, his passion hasnever faded. “The older I got, the better the writing got,” he says. “There’s always beenthat inspiration of finding new music, being creative. That’s always been a passion ofmine.”And for fans of raw, heartfelt rock music, the message is clear. “Rock’s not dead,”Scharf insists. “I hope we can burst through the scene and break some barriers again.There’s still a huge audience out there—and just because major labels aren’t signing it,doesn’t mean they’re not there. That’s what rock has always been about: breaking downbarriers.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Justinereneefla instagram Spilled paint. WATCH SERIES HERE Inclinenation Instagram BioJustine Renee is an actor and improviser driven by a deep passion for storytelling and creativeexpression. A graduate of Suffolk University with a degree in Theatre, she has performed in numerous stage productions, including Crimes of the Heart and Hair.Her training includes Improv Performance and Stand-Up at Sak Comedy Lab, as well as improv studies at The Groundlings in Los Angeles. She is also a cast member of the MallRatz Improv Troupe. Justine’s on-screen career continues to grow, with recent credits including Spilled Paint (now streaming on Tubi) and a Lifetime movie set to premiere in late 2025. She is a proud recipient of a Golden Telly Award for Social Change, honoring her work in the arts and beyond.An advocate for embracing authentic creative voices, Justine believes that the power of art lies in ourability to connect with our true selves and express that uniqueness in everything we do.BioThe “extraordinarily mundane” Jamie B. Cline (as no one calls him) likes to liven up life through art, so he decided to get an MFA from USC for (performing) and then stick around Los Angeles because why not. Portraying the role of Patrick Walsh has been an amazing journey amongst some amazingly talented creative artists and hopefully this is just the beginning of everyone’s journey with Spilled Paint. Other recent credits include performing in an online short play by Douglas Stark with Playzoomers, as the Jackalope in Easter Bloody Easter, and as Charles Goodnight in the documentary short Freedom on the Range.  Whether he’s acting, writing, improvising, doing creature work or stunts, Jamie holds to the belief that art should be an experiential journey for everyone and the best part of the collaboration is sharing it with an audience.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.