DC Rock History

In this episode, we explore 13-Point Program to Destroy America, the 1991 debut album from Nation of Ulysses that turned DC’s post-hardcore scene on its head. Released by Dischord Records and recorded at Inner Ear Studios with Ian MacKaye and Don Zientara, the album fused punk, free jazz, and radical politics into a chaotic and satirical critique of American conformity.   Formed in 1988 by Ian Svenonius, James Canty, Steve Kroner, Steve Gamboa, and Tim Green, Nation of Ulysses presented themselves not just as a band, but as a “political party” advocating for youth liberation and creative revolution. With their sharp suits, manifesto-style lyrics, and explosive performances, they pushed the boundaries of what DC punk could sound and look like.   In this conversation, we’re joined by John R. Davis, musician, curator, and author of Keep Your Ear to the Ground: A History of Punk Fanzines in Washington, D.C. (Georgetown University Press). We discuss how Nation of Ulysses reflected and redefined the DC underground at the dawn of the 1990s bridging music, politics, and performance in a way that continues to influence artists today.   Go Further: Dischord Records – 13-Point Program to Destroy America Georgetown University Press – "Keep Your Ear To The Ground" Wikipedia – Nation of Ulysees Dance of Days by Mark Andersen and Mark Jenkins – Akashic Books   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com   Hosts: Philip Basnight – Broke Royals Alex Vidales – Pilot Waves   Podcast Artwork by Rebecca Basnight

In this episode, we explore 13 Songs, the seminal compilation that introduced Fugazi’s raw urgency and experimental edge to a wider audience. Originally released in 1989 by Dischord Records, 13 Songs combines the band’s first two EPs Fugazi (1988) and Margin Walker (1989) and stands as a defining document of the post–Revolution Summer era in Washington, D.C.   Formed by Ian MacKaye, Joe Lally, Brendan Canty, and later joined by Guy Picciotto, Fugazi built on the intensity of their hardcore roots while incorporating dub, minimalism, and socio-political critique into their sound. Recorded at Inner Ear Studios in Virginia and Southern Studios in London, the two EPs captured a band coming into their power, forging a sound that was at once confrontational and disciplined, spacious and relentless.   In this conversation, we’re joined by Jim Saah, the D.C.-based photographer and filmmaker whose iconic live shots helped define DC hardcore's visual legacy. We talk about the band’s early shows, the scene that gave rise to their sound, and how 13 Songs became a blueprint for the future of independent music.   Go Further: Dischord Records – 13 Songs Wikipedia – 13 Songs Fugazi Live Series Dance of Days by Mark Andersen and Mark Jenkins – Akashic Books   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com   Hosts: Philip Basnight – Broke Royals Alex Vidales – Pilot Waves   Podcast Artwork by Rebecca Basnight

In this episode, we explore Fire Party, the self-titled debut from one of the most groundbreaking bands to emerge from Washington, D.C.’s post–Revolution Summer punk scene. Formed in 1986 by Amy Pickering (vocals), Natalie Avery (guitar), Kate Samworth (bass), and Nicky Thomas (drums), Fire Party brought a new perspective to D.C. punk — politically charged, emotionally direct, and unapologetically their own.   Recorded at Inner Ear Studios with Don Zientara engineering and Ian MacKaye producing, the album captures the raw energy of late ’80s Dischord Records while pushing its sound into more melodic and introspective territory. The band’s 1988 European tour with Scream marked one of the first international tours for a Dischord act and solidified Fire Party’s reputation as both trailblazers and torchbearers of a more inclusive punk movement.   In this conversation, all four founding members reflect on the scene that shaped them, their first shows at D.C. Space, and how their music helped open the door for future generations of feminist and alternative punk artists.   Go Further: Dischord Records – Fire Party Wikipedia – Fire Party (band) Dance of Days by Mark Andersen and Mark Jenkins – Akashic Books   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com   Hosts: Philip Basnight – Broke Royals Alex Vidales – Pilot Waves   Podcast Artwork by Rebecca Basnight

In this episode, we dive into Embrace, the posthumously released self-titled album from one of the most pivotal bands of Washington, D.C.’s Revolution Summer movement. Though only active from 1985 to 1986, Embrace brought together vocalist Ian MacKaye (Minor Threat) with three former members of the Faith, guitarist Michael Hampton, bassist Chris Bald, and drummer Ivor Hanson, to create a record that helped redefine punk’s emotional and musical boundaries.   Our guest is Mark Jenkins, longtime D.C. writer and co-author of Dance of Days. Together, we explore how Embrace captured a moment of transition in the D.C. hardcore scene, why the album was released a year after the band broke up, and how it reflects the shift toward personal introspection, community-minded values, and experimentation during the mid-1980s.   We also look at Embrace’s role within the broader context of Revolution Summer, the media’s early attempts to label this new sound as “emocore,” and how the album connects the dots between Minor Threat’s raw energy and Fugazi’s expansive post-hardcore vision.   Go Further: Dischord Records – Embrace Wikipedia – Embrace (American band) Dance of Days by Mark Andersen and Mark Jenkins – Akashic Books     Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com   Hosts: Philip Basnight – Broke Royals Alex Vidales – Pilot Waves   Podcast Artwork by Rebecca Basnight

In this episode, we dive into Can I Say, the 1986 debut album from Dag Nasty - a record that helped define melodic hardcore and mark a turning point in Washington, D.C.’s punk history. Formed in 1985 by guitarist Brian Baker after the breakup of Minor Threat, Dag Nasty united veterans of the D.C. scene including Colin Sears, Roger Marbury, and vocalist Dave Smalley. Together, they bridged the aggression of hardcore with melody and introspection, creating a sound that would influence punk and emo for decades to come.   Our guests are Broke Royals, aka Philip's own band! Together, we explore how Can I Say balanced speed and precision with emotional depth, how it was recorded at Inner Ear Studios with Ian MacKaye producing and Don Zientara engineering, and why this album continues to resonate nearly forty years later.   We also look at Dag Nasty’s role within the second wave of Dischord Records bands, their connection to the evolving D.C. scene of the mid-1980s, and how Can I Say laid the groundwork for future generations of melodic punk and post-hardcore.   Go Further: Dischord Records – Can I Say AllMusic – Dag Nasty "Dance of Days" by Mark Andersen and Mark Jenkins - Akashic Books   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com   Follow Us: Philip Basnight – Broke Royals Alex Vidales – Pilot Waves   Podcast Artwork by Rebecca Basnight

In this episode, we explore Rites of Spring, the 1985 self-titled release that intertwined with Revolution Summer and reshaped the direction of punk in Washington, D.C. and beyond. Rites of Spring formed in 1984 with Guy Picciotto (vocals, guitar), Eddie Janney (guitar), Mike Fellows (bass), and Brendan Canty (drums). The band built on the foundation of hardcore but infused their songs with personal and emotional intensity, creating a record that is often cited as a cornerstone of post-hardcore and what would later be labeled “emo.”   Our guest is Mark Andersen, co-founder of Positive Force DC and co-author of Dance of Days: Two Decades of Punk in the Nation’s Capital. Mark shares his first-hand experiences of seeing Rites of Spring live, the atmosphere of the D.C. punk community in 1985, and the ways in which the band’s performances helped spark a new sense of purpose in the scene. Together, we discuss how Rites of Spring’s music reflected a moment of transition, carrying forward the urgency of hardcore while opening space for vulnerability and connection.   We also examine the album’s recording at Inner Ear Studios with Don Zientara and Ian MacKaye, the relationship of the band to contemporaries like Embrace and Beefeater, and the enduring influence of Rites of Spring as a defining work in D.C.’s underground history.   Go Further: Dischord Records – Rites of Spring AllMusic – Rites of Spring   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – Pilot Waves Mark Andersen – Dance of Days, Positive Force DC   Podcast Artwork by Rebecca Basnight

In this episode, we explore No Policy, the 1981 EP by SOA, and Damaged, the legendary debut LP from Black Flag. Formed in Washington, D.C. by Henry Garfield (later Henry Rollins), Michael Hampton, Wendel Blow, and Simon Jacobsen, SOA delivered ten tracks in just over eight minutes, capturing the urgency and fury of the early D.C. hardcore scene. Released as Dischord Records’ second-ever release, No Policy marks Rollins’ first recorded appearance—raw, unrelenting, and full of promise.   We then follow Rollins’ transformation from a Georgetown ice cream shop worker to frontman of Black Flag. After jumping on stage at a New York City show in 1981, he was recruited to join the West Coast hardcore pioneers. The result, Damaged, is a cornerstone of American punk and a brutal, poetic chronicle of alienation, rage, and inner turmoil.   Our guest is Jackson Sinnenberg, who helps us unpack the rapid evolution of Rollins’ voice, stage presence, and creative philosophy. Together, we explore the shared DNA of No Policy and Damaged, and how one D.C. kid’s journey helped fuse two punk scenes into a national hardcore movement.     Go Further: Dischord Records – SOA – No Policy Wikipedia – Black Flag (band) Henry Rollins – Wikipedia "Dance of Days" - Akoshic Books Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – Pilot Waves Jackson Sinnenberg – WAMU || Capitol Bop Podcast Artwork by Rebecca Basnight

In this episode, we explore Too Many Humans and Teen Love, the 1983 release from No Trend that challenged both punk and mainstream sensibilities in DC’s underground scene. No Trend was from from Ashton, Maryland consisting of Jeff Mentges (vocals), Frank Price (guitar), Bob Strasser (bass), and Michael Salkind (drums). They took a confrontational approach to music, combining minimal, abrasive instrumentation with lyrics that satirized social norms and punk culture alike.   Our guest is Chris Richards, pop music critic for The Washington Post and founding member of Q and Not U. Chris shares his perspective on No Trend’s impact and the broader context of the DC scene in the early 1980s. Together, we discuss how No Trend’s approach to music and performance reflected a unique moment in DC’s hardcore history, bridging experimental sounds and an anti-conformist ethos.   We also examine the band’s recording process at Inner Ear Studios, their relationship to the wider DC scene, and the legacy of Too Many Humans and Teen Love as defining works in the city’s underground music history.   Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS   Go Further: AllMusic – No Trend Touch and Go Records – No Trend   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight - Broke Royals Alex Vidales - Pilot Waves Chris Richards - Washington Post   Podcast Artwork by Rebecca Basnight

In this episode, we explore Cybernetic Dreams of Pi, the 1983 release from The Slickee Boys that blends garage rock revivalism with punk attitude and sci-fi themes. The Slickee Boys had been a fixture in the DC music scene since the mid-1970s, building a dedicated following with their irreverent stage shows and DIY approach to recording. With a lineup featuring Mark Noone on vocals, Kim Kane and Marshall Keith on guitars, Dan Palenski on drums, and John Chumbris on bass, the band delivered an album that balanced catchy hooks with an adventurous spirit.   Our guest is Don Zientara, founder of Inner Ear Studios and one of DC’s most influential recording engineers. Don shares insights on working with The Slickee Boys and the recording of Cybernetic Dreams of Pi, as well as the role of Inner Ear Studios in shaping the sound of DC’s music scene. Together, we discuss how The Slickee Boys’ album fits within the broader story of DC rock, from their early DIY singles to their lasting influence on the city’s underground music community.   We also examine the album’s production process, the impact of Inner Ear Studios on the DC scene, and how The Slickee Boys helped expand the boundaries of what punk rock could be in the nation’s capital.   Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS   Go Further: Don Zientara – Inner Ear Studios Dance of Days by Mark Andersen and Mark Jenkins Trouser Press – The Slickee Boys   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight - Broke Royals Alex Vidales - Pilot Waves Don Zientara - Inner Ear Studios   Podcast Artwork by Rebecca Basnight

In this episode, we explore the Faith/Void Split, the legendary 1982 release from Dischord Records that captures the duality of the early D.C. hardcore scene. Released as Dischord Records #8, the album pairs Faith’s tight, melodic hardcore with Void’s chaotic, genre-defying intensity. Both bands, formed by teenagers, contributed to the diverse evolution of hardcore punk in the nation’s capital.   Our guest is Thurston Moore, guitarist of Sonic Youth and author of Sonic Life, whose exploration of punk’s formative years and D.C.’s unique underground scene offers insights into the album’s enduring impact. Together, we discuss how the Faith/Void Split influenced not only the local punk landscape but also laid the groundwork for the post-hardcore and noise rock movements that followed.   We also examine the album’s production at Inner Ear Studios, the role of Dischord Records, and the cultural significance of the split LP format in fostering a sense of community and creative experimentation in the early 1980s. Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS Go Further: Sonic Life by Thurston Moore Dance of Days by Mark Andersen & Mark Jenkins Dischord Records – Faith/Void Split Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight - Broke Royals Alex Vidales - Pilot Waves Thurston Moore - Sonic Life   Podcast Artwork by Rebecca Basnight

In this episode, we dive into Bad Brains’ self-titled 1982 classic, which still stands as one of the most explosive albums in punk history. Recorded at 171-A Studios in New York, the album blends elements of hardcore punk and reggae, and is widely regarded as a foundational release in the development of American hardcore. Known for its speed, technical proficiency, and incorporation of Rastafarian themes and the philosophy of Positive Mental Attitude (PMA), the album helped establish Bad Brains as a central figure in the early 1980s punk scene. Our guest is Bartees Strange, a musician whose work spans punk, indie rock, and experimental pop. In this episode, we discuss the origins of Bad Brains, their early performances in Washington, D.C., and how their fusion of genres and high-energy shows contributed to their influence on punk scenes nationwide. We also explore the circumstances surrounding the “Banned in D.C.” narrative, the production and distribution of their debut cassette, and the lasting legacy of the band across punk, hardcore, reggae, and alternative music communities. Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS   Go Further: PMA: Positive Mental Attitude by Napoleon Hill Dance of Days by Mark Andersen & Mark Jenkins Bartees Strange – Official Site   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – Pilot Waves Bartees Strange – Official Site Podcast Artwork by Rebecca Basnight

In this episode, we dig into Minor Threat and In My Eyes, the two EPs that make up First Two 7”s. Across twelve blistering tracks, Minor Threat laid down the foundation for DC hardcore with a sound that was fast, focused, and unapologetically direct. Our guests are Eduardo Nunes of Discologist and Scott Crawford, the filmmaker behind Salad Days and Creem: America’s Only Rock ’n’ Roll Magazine. Together, we explore the band’s early impact, the emergence of Straight Edge, and the lasting power of a group that never stuck around long but still changed everything. This episode centers around records produced by Skip Groff and engineered by Don Zientara at Inner Ear Studios. From the birth of Straight Edge to the tension behind “Out of Step,” we explore how these two short records created a lifelong blueprint for punk communities around the world. Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS Go Further: Minor Threat – First Two 7”s on Dischord Salad Days (dir. Scott Crawford) Our Band Could Be Your Life by Michael Azerrad Dance of Days by Mark Andersen & Mark Jenkins Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – StageCraft Eduardo Nunes – Discologist | Wammies Scott Crawford – IMDb

In this episode, we dive into the early days of Government Issue and their blistering 1981 debut EP Legless Bull. As the fourth release on Dischord Records, this 10-song, 9-minute blast helped define the label’s emerging sound and captured the chaotic energy of a scene in formation.   We’re joined by Paul Vodra of Hometown Sounds to unpack how Government Issue fit into the fast-shifting DC hardcore landscape. From their unpracticed live debut to their confrontational lyrics, we explore how John Stabb and company became unlikely architects of a movement. Paul also shares the story behind Hometown Sounds, his enduring love for mashups, and the challenges of keeping your ears fresh as a longtime DC music tastemaker.   This episode centers around a record produced by Ian MacKaye and engineered by Don Zientara, recorded in the earliest days of Inner Ear Studios. Tune in as we explore the impact of Legless Bull, the rise of Straight Edge, and the enduring legacy of a band that never fit the mold. Go Further: Government Issue – Legless Bull on Dischord Dance of Days by Mark Andersen & Mark Jenkins Hometown Sounds Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – StageCraft Paul Vodra – Hometown Sounds | DJ Paul Vodra on Instagram Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS

In this episode, we dive into the story of the Urban Verbs and their 1980 self-titled debut. One of the earliest bands to bridge punk and art rock in Washington, D.C., Urban Verbs helped set the stage for the city’s evolving underground scene. With sharp guitars, moody synths, and a theatrical presence, they brought a new wave sensibility to a city still finding its sound.   We’re joined by Andrew Grossman of The North Country to explore how Urban Verbs shaped early D.C. rock history both as a band and as key players behind the founding of the Atlantis, the precursor to the legendary 9:30 Club. Together, we unpack the band’s connections to Talking Heads, their role in the Atlantis boycott divide, and why their Warner debut captured a moment when D.C. rock could have gone in many different directions.   This episode centers around the 1980 album that caught Brian Eno’s attention, seeded the rise of Inner Ear Studios, and marked a turning point between the city’s punk roots and its more experimental future. Tune in as we trace the ambition, artistry, and legacy of the Urban Verbs. Go Further: Wikipedia – Urban Verbs Washington City Paper – “Backstage with Urban Verbs” Dance of Days by Mark Andersen and Mark Jenkins   Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – StageCraft Andrew Grossman – The North Country   Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS

In this episode, we dive into the beginnings of D.C. hardcore with the Minor Disturbance EP by Teen Idles. This is the very first release on Dischord Records and a flashpoint for a new musical movement. Clocking in at just over ten minutes, this ferocious debut from four D.C. high schoolers helped launch an entire scene, complete with fast riffs, hand-drawn Xs, and a new ethos of DIY independence.   We’re joined by music writer and podcast host Rob Harvilla (60 Songs That Explain the 90s and the 2000s) to explore how Minor Disturbance laid the groundwork for what would become one of the most influential punk communities in the world. Together, we unpack the band’s Bad Brains-fueled inspiration, their role in the rise of straight edge, and how this short, sharp record managed to say so much with so little.   This episode centers around the 1980 EP that started it all... from the Wilson High School hallways to Inner Ear Studios and eventually into punk history. Tune in as we trace the energy, ideology, and legacy of the Teen Idles. Go Further: Dischord Records – Teen Idles Dischord Records – Minor Disturbance EP 60 Songs That Explain the 90s & the 2000s Dance of Days by Mark Andersen and Mark Jenkins Follow Us: Social Media: @dcrockpod Email: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – StageCraft Rob Harvilla – The Ringer Artwork by Rebecca Basnight Sponsor: Get 10% off New Columbia Record Club with checkout code DCROCKS

In this episode (our season 2 premiere!!), we explore the boundary-pushing story of Tiny Desk Unit, one of Washington, D.C.’s most innovative and genre-defying bands. Formed in 1979 by a group of downtown artists and music obsessives, the band fused analog synths, angular guitar work, and poetic vocals into something entirely new. Long before NPR’s Tiny Desk Concerts, there was Tiny Desk Unit- an art-rock force that helped open up space for original music in the heart of the city.   We’re joined by founding members Bob Boilen and Michael Barron as we trace the band’s early days at DC Space, their connection to the art world, and their legendary role as the very first band to perform at the 9:30 Club, opening for the Lounge Lizards in 1980. The episode centers around their self-titled live album, recorded during a sweltering summer night opening for Pere Ubu-capturing a raw, inventive sound that still resonates today. Tune in as we discuss their roots, the collaborative spirit behind the music, and why Tiny Desk Unit remains a singular voice in DC’s musical history.   Go Further: • Tiny Desk Unit – Bandcamp • Bob Boilen’s Tiny Desk Unit History • Dance of Days by Mark Andersen and Mark Jenkins   Sponsor: • Get 10% off New Columbia Record Club with checkout code DCROCKS Follow Us: • Social Media: @dcrockpod • Email us your thoughts or questions: dcrockpod@gmail.com • Philip Basnight – Broke Royals • Alex Vidales – StageCraft • Bob Boilen – Bob Boilen   Artwork by Rebecca Basnight

In this episode (our first-ever live taping!!), we dig into the untold story of Washington, D.C.’s pre-hardcore rock era- from 1950 to 1979—with special guest and legendary D.C. music historian Mark Opsasnick. Recorded live at the DC History Conference, this bonus episode serves as the grand finale of Season 1 and a perfect primer for what’s to come in Season 2.   Mark- author of Capitol Rock and Rock the Potomac- takes us on a whirlwind tour of the clubs, characters, and cornerstones that shaped the early D.C. rock scene. From Link Wray’s groundbreaking power chords to the glam theatrics of Angel, we explore how local acts like The Chartbusters, The British Walkers, The Cherry People, Grin, and The Razz helped carve out the city’s rock identity before the explosion of punk in the ‘80s.   This episode also features an extended listening session curated by Mark himself, featuring 10 essential tracks that trace the arc of D.C. rock across three decades. Plus, a lively mailbag segment, a peek behind the scenes of the podcast, and a live Q&A with the conference crowd.   If you’re new to the podcast, this is the perfect place to jump in. If you’ve been rocking with us through Season 1, this is our love letter to you—and to the forgotten legends of D.C. rock.   Go Further:   • Books by Mark Opsasnick   Follow Us:   • Social Media: @dcrockpod • Email us your thoughts or questions: dcrockpod@gmail.com • Philip Basnight – Broke Royals • Alex Vidales – StageCraft     Artwork by Rebecca Basnight

In this episode (our season 1 finale!!), we dive into the electrifying story of The Nighthawks, one of Washington, D.C.’s most iconic blues-rock bands. Formed in 1972 by harmonica maestro Mark Wenner, the band quickly became a cornerstone of the local music scene, playing legendary venues like The Far Inn, Graffiti, and The Cellar Door. With a lineup solidified in the mid-70s—featuring Jimmy Thackery on guitar, Jan Zukowski on bass, and Pete Ragusa on drums—The Nighthawks crafted a sound that was equal parts gritty blues and high-energy rock & roll.   We explore their journey leading up to the release of their 1976 album, Open All Nite, recorded at Track Recorders in Silver Spring, Maryland, with a standout live track captured at The Cellar Door. This record, a fiery mix of blues covers and rock interpretations, captures the raw essence of The Nighthawks’ live performances and their deep reverence for blues traditions. Tune in as we discuss the band’s roots, their impact on the D.C. music scene, and why Open All Nite remains a must-hear album for blues-rock fans everywhere. Go Further:   •The Nighthawks – Official Website •Track Recorders – History and Legacy •Rock the Potomac by Mark Opsasnick •The Nighthawks – AllMusic   Follow Us:   •Social Media: @dcrockpod •Email us your thoughts or questions: dcrockpod@gmail.com •Philip Basnight – Broke Royals •Alex Vidales – StageCraft •David Goodfriend - @goodfrienddavid   Artwork by Rebecca Basnight

In this episode of the DC Rock History Podcast, we dive into Angel, the debut album from Washington, D.C.’s first glam rock band. Formed in 1975, Angel brought theatrical flair, symphonic rock, and arena-sized ambition to the local scene, blending it with the burgeoning glam rock movement. Their music carved a unique niche, earning them the nickname “the anti-KISS” and establishing a loyal fanbase. The story begins in the vibrant clubs of Georgetown, where guitarist Punky Meadows made his name in bands like The Cherry People. Alongside keyboardist Gregg Giuffria, bassist Mickie Jones, vocalist Frank DiMino, and drummer Barry Brandt, Meadows formed Angel at Bogie’s nightclub on Connecticut Avenue. Signed to Casablanca Records, Angel’s self-titled debut features standout tracks like “Tower” and “Rock & Rollers,” showcasing their tight musicianship and dramatic flair. Join hosts Philip Basnight and Alex Vidales as they sit down with special guests Dave and Abby from Mystery Friends, who bring their fresh perspective as synth-driven rock artists in the modern DC scene. Together, they explore Angel’s rise, their influence on glam rock, and their lasting connection to Washington, D.C.’s music history. Whether you’re discovering Angel for the first time or revisiting their groundbreaking debut, this episode celebrates a band that dared to soar and left an indelible mark on DC’s musical legacy. Go Further: Angel (American Band) – Wikipedia Angel - Discogs Mark Opsasnick – Rock the Potomac Punky Meadows – Guitar World Interview Follow Us: Social Media: @dcrockpod Email us your thoughts or questions: dcrockpod@gmail.com Philip Basnight – Broke Royals Alex Vidales – StageCraft Dave Mohl and Abby Sevcik – Mystery Friends Artwork by Rebecca Basnight

In this episode of the DC Rock History Podcast, we dive into City Life, the career-defining third album from The Blackbyrds, one of Washington, D.C.’s most iconic jazz-funk groups. Formed in 1973 at Howard University under the mentorship of jazz legend Dr. Donald Byrd, The Blackbyrds crafted a sound that fused jazz, funk, and soul into a timeless musical legacy. City Life features some of their most enduring tracks, including the anthem “Rock Creek Park,” capturing the vibrancy of 1970s D.C.   Recorded at Fantasy Studios in Berkeley, California, and released in 1975, the album blends sophisticated musicianship with infectious grooves. Join hosts Philip Basnight and Alex Vidales as they sit down with two distinguished guests: •Dr. Yanick Rice Lamb, professor at Howard University and award-winning journalist, who provides a deep dive into the cultural significance of The Blackbyrds and their connection to Howard University. •John Daise, a talented musician with Oh He Dead and Bartees Strange, who shares his perspective on the album’s lasting influence and its unique place in D.C.’s musical history.   Together, they explore standout tracks like “Rock Creek Park” and “Happy Music,” the innovative production techniques of Dr. Donald Byrd, and the role City Life played in cementing The Blackbyrds’ legacy in jazz and funk. They also delve into the broader D.C. music scene of the time, touching on contemporaries like Chuck Brown and Gil Scott-Heron.   Whether you’re revisiting the sounds of 1970s D.C. or discovering The Blackbyrds for the first time, this episode celebrates an album that stands as a cornerstone of the city’s rich musical heritage.   Go Further: •The Blackbyrds - AllMusic •Washingtonian - Kevin Toney Interview •WETA - Rock Creek Park   Follow Us: •Social Media: @dcrockpod •Email us your thoughts or questions: dcrockpod@gmail.com •Philip Basnight – Broke Royals •Alex Vidales – StageCraft •Dr. Yanick Rice Lamb – Howard University Profile •John Daise – Instagram Artwork by Rebecca Basnight