Michelle emerged from the Uruguayan underground back in 2018. Since then, she's explored the sort of sounds that have made her homeland such a creative hotbed: stripped-back techno, electro and early tech house all collide in her tracks on the likes of My Own Jupiter, CABARET Recordings and, most recently, Element Of Impact. Though designed purely for dancing, they're rich with intriguing textural contrasts between steely metal surfaces, wonky acid lines and sultry synths. Michelle only plays live, so this week’s mix is a raw, unfiltered one-hour transmission pulled straight from her machines. It’s a rugged ride that grinds through industrial tech, shadowy broken beats and deeper techno. The energy is relentless and the tension is palpable, as if intergalactic warfare lurks just out of sight. The pounding rhythms, strobe-lit grit and sweat-soaked intensity make this a masterclass in pressure and release that's alive, dangerous and keeps you right on the edge.
London-based Oblig's (@djoblig) sound is closely intertwined with the rich DNA of UK club culture. Bass, garage, grime and techno all influence his robust rhythms, whether he's going dark at 140 bpm or hypnotising with sleek techno. His label Obligated Records and regular shows on Rinse FM are extensions of that, as are his razor-sharp DJ sets across the world. Hot on the heels of Volume 2 of his label's latest compilation, he's put together an hour mix that smudges the lines between his go-to genres. The selections are punchy and uptempo while twisting through mysterious late-night grime, kinetic club cuts and pneumatic bass workouts, all with a constant low-end pressure that keeps lips curled and heads nodding.
@philippapacho is like a musical Swiss knife: she has exactly the right tool for every occasion, from warm-ups to peak time to wonky afters. It was a long residency at Under Bron in her native Stockholm that equipped her with those skills, and since moving to Berlin, she's gone on to make her mark across Europe playing all forms of techno. Late last year, Pacho launched her own label Phorum Records as a further extension of her sound, and she also curates tracks and parties under the Positive Source banner. This August, Pacho joins us at Amsterdamse Bos for Dekmantel 2025 but first serves up this deeply cerebral trip into Millsian techno. It's a high-speed selection of sleek and synth-laced sounds rich in narrative, be that mind-melting urgency, more dark and moody undercurrents or a sense of cosmic unknown. Utterly timeless and effortless classic, this is techno in its most futuristic form.
Brooklyn's evilgiane (@aloevine) is one of alt-rap's most respected figures. The sometime beatmaker for stars like Kendrick Lamar and ASAP Rocky is also the founder of the Surf Gang label and party collective whose experimental style collides drill, footwork, trance and trap into something new. He is a master collaborator whose lauded 2024 mixtape #HEAVENSGATE VOL. 1 saw him work with a range of next-gen talents while serving up an array of the sounds that have influenced him in recent years. Whether happy, sad, or something in between, evilgiane always knows how to best express himself in sound. And he proves that once more with an hour selection for our series that lands just ahead of him playing a rare DJ set for us at Dekmantel '25. The mix taps into every nuance of his style, with swirling r&b vocals floating over crisp beats, psychedelic melodies smudged into ice-cold rhythms and distorted low ends landing heavy under mumble rap musings. It's a kaleidoscopic window into evilgiane's mercurial musical world, which is a place you will want to keep on returning to all summer long.
@fadimohem is right at the heart of contemporary techno. He brings his own twist on the classic sound - deep, rhythmic and atmospheric. He's a Berghain resident whose first contact with the genre came at the hallowed club, and since then, he has blazed his own trail on the most influential labels in the scene, including his own Mohem imprint. This year, he plays twice at Dekmantel Festival, once as part of WSNWG Live and once on the Radar stage. Ahead of that, he has put together an exclusive one-hour live set comprised only of unreleased music. It's a masterclass in control that embodies just what you get from Fadi in the club: deep techno planted firmly on the floor but always going somewhere. As dubbed out low ends, glitchy textures and more tripped out melodies come and go, the tension ramps up while both body and mind stay locked.
NIKS (@niksbad) is as dedicated as anyone to furthering dance music culture. Hailing from south-east London via Bath, NIKS has long proven her curatorial skills with radio shows on BBC Radio 1, Rinse, and NTS. Her idiosyncratic blends of ‘90s groovy, rhythmic sounds and forward-thinking, underground-leaning soundscapes have brought her to some of the world’s most revered clubs. After contributing music to various compilations, last year she explored bass-heavy sounds with her first solo EP on Or:la’s Céad label. Beyond her work as a musician, NIKS also co-founded the Black Artist Database, a crowd-sourced list of Black-owned labels, artists, and producers designed to amplify and uplift talent. Ahead of her debut at the Dekmantel Festival this year, NIKS serves up a 90-minute window into her current musical world, including her own forthcoming productions in a deep, dub-infused journey into hypnotic techno and house rhythms that intertwine to create a warm, supple soundscape. Its seamless flow takes in sounds from the past, present, and future, and they all encourage you to move and meditate in equal measure."
South London's @angeldlite is a musical thrill-seeker. Her colourful take on rave is all about big moments, big energy, and big love. The newly installed High Hoops resident effortlessly straddles genres. From piano house to emotive trance, always delivering uplifting moods and euphoric drops that turn her dance floors into spaces of pure joy. This June, she’ll be closing down the Poppy area at Lentekabinet. Ahead of that, she serves up one of her signature sessions for our series: a jam-packed ride through every corner of rave culture. Expect strobe-lit synths, rapturous vocals, thumping bass, and playful twists. It’s the perfect soundtrack for the road to Het Twiske—and a summer full of fun.
@oscarmulero is one of those artists whose sound is immediately identifiable. It has had an unwavering depth, headiness and atmospheric richness to it for more than 30 years, which is a remarkable achievement few can match. A famous non-conformist, the Spaniard's top-tier three-deck mixing skills and ability to distil techno to its most hypnotic form have also long stood him apart, as have his Polegroup and Warm Up labels. Mulero's consistency of sound means you know what you're going to get with this mix: spaced-out, layered and deep techno brilliance. Whether more dubby and roomy or glitchy and intense, it's music for both mind and body from one of the scene's most low-key but high-class veterans. Turn it up loud and look forward to more of the same when he plays at Dekmantel Festival later this year.
Bristol-based @k_means operates at the fringes of electronic music. It's not tempo and genre that unites their sound, but more an exploration of mood and texture underpinned by bass-heavy low ends and hypnotic rhythms. The Noods, Rinse FM and Kiosk Radio regular is also resident at Bristol's Psychotherapy Sessions and will debut at Dekmantel Festival where you should fully expect to be taken into plenty of unknown musical territory. It is the same with their mix for us this week - a wild trip into futuristic drum patterns and interplanetary sounds that melt the mind and contort the body. There is a constant push and pull between the organic and the synthetic with tribal percussion and warped vocals brushing up with bleeping synth modulations and experimental minimalism. It's a magnetic selection that's as much an imaginary movie soundtrack as it is a dance floor escape.
The next Dekmantel mix is a wild melting pot of dark, murky techno grooves by @mattikk. A pillar of the Amsterdam underground, the Garage Noord resident has a long history of DJing in the city and is closely connected to your favorite techno labels. He’s the mind behind Delsin Records' Mantis series, collaborating with artists like Forest Drive West, Konduku, Lemna, and Dino Sabatini. Drawing on UK sound system culture, his selections always carry an experimental edge, whether diving into deep Italian techno or ambient. Usually, he crafts mixes for immersive listening pleasure, but here he makes a rare turn to the dance floor, inspired by his closing set on the UFO2 stage at last year's Dekmantel Festival. Over an hour of powerful, driving grooves and subtle details, sprinkled with new tunes and some personal favorites that span low-end-heavy electro and broken beats. Tracklist/ Dasha Rush - 100 Hearts O.utlier - Evoparation Tammo Hesselink - Harbour Launch R-010 - Exhaust Pipes (Absis Remix) Amotik - Iktalis Kon Janson - Unbound Perspective Saku Niamh - Unreleased Roseen - Separation Stenny - Hazy Grove CAIV - Shimmer Broken English Club - Ghost Konduku - Unreleased Remix Agonis - Unreleased James Ruskin - Lahaine (O/V/R Remix) Konduku - Unreleased Firn - Rakaposhi Vand - Futureshock Gez Varley - Purgę DJ Slip - Spice VC-118A - Unreleased Carrier - 2 Slow Kellen303 - Pinehearse Fret - Stuck
@noizar's sound goes far beyond conventional house or techno. The Ukrainian DJ, who is now based in Amsterdam, has long since proven this with countless closing sets as resident at Kyiv’s legendary Closer club. It was there where he stood out for unearthing minimal techno treasures in places no one else looks. As such, you can always be sure that wherever Noizar mixes crop up online, they will be flooded with cheeky "ID?" requests, and quite often you will find they come on his vinyl-only Wicked Bass label. For his Dekmantel Mix he offers a perfect snapshot of what he does in the booth: carefully dug out delights that don't really fit in usual categories. But they do tap into a specific deepness and groove that is rooted in Kyiv's minimal scene and the dance floor of Closer club. It results in a tight, taught hour of body music that perfectly balances function and form.
@eli-verveine is a musical chameleon who can do it all from banging peak time sets to pensive warm-ups via weird and wonderful hour hours sessions. She has proven that over the years in many of the scene's most cultured clubs whether playing solo, B2B as Among Trees with Andrey Pushkarev or live with Gwenan as Gin & Tonic. On top of all this, she has a well-formed discography that delves further into her versatile sounds. This week's mix reflects her musical malleability as she draws on plenty of diverse tempos and textures to craft a lively trip. There are moments of blissful deepness next to more nuanced rhythms, futuristic bass explorations and cosmic electro sojourns that keep things moving at pace, but always with great control and expert selections.
Milan-based Piezo (@piezopz) sits at the heart of the current club sounds. He has long had an obsession with sound system music and that defines what he does today: mutant and beguiling club tracks with meticulous sound design and thrilling energy, heavy low ends and a real dose of UK influence from d&b to garage, grime and techno. He kicked off the year by dropping his genre-busting Ecstatic Nostalgia EP on our Dekmantel-UFO sub-label and now returns with a podcast that is just as fresh. It's a futuristic mix of bleeping machines and lurching rhythms with bright synth designs and deep space ambience. Over the course of 90 minutes, the pace picks up and you're whisked along a variety of rhythms from broken to dubby, head spinning to minimal. It feels utterly spontaneous but is also a fully coherent mix from this restless innovator.
@sunjuhargun is based in Thailand and has been bringing all new energy to the Asian scene for more than 20 years. He has Indian heritage and Japanese roots which inform his mystic sound and the music he releases via the the label he co-founded, Siamese Twins Records. As he proved when he played our festival back in summer, he transcends musical and cultural borders to bring everything from, warm and percussive tribal grooves to more psychedelic sounds, acid textures and mind altering techno. Sunju explains his approach to this week's mix. "I wanted to capture a special memory using records picked up during my trips between Amsterdam and Japan over the past few years. The result is a selection that blends the past, present, and future. As with every mix, I approach things naturally, with spontaneity. Live recordings have a unique energy that you can only feel in person, but sometimes that feeling can get lost when making a mix at home. This here is 60 mins of a raw, spontaneous reflection of friends in my living room, just hitting record and going for it. No filter, no perfection—just creativity with a limited selection.”
Laksa's (@laksauk) contribution to techno is as vital as it is hard to define. The London-based Bristolian never sits still in one stylistic niche and is as likely to ramp up the techno as he is slow then down. His meticulously designed grooves have come on tasteful labels like Hessle Audio, Timedance and Ilian Tape, always with a focus on dance floor dynamics. Further creative outlets come in the form of the re:lax label, club night and NTS show he runs with with re:ni. Most recently he has cooked up the WONDA EP which includes a vocal collaboration with Nyege Nyege-affiliated Phelimuncasi The podcast he serves up for us is, in his own words, "a mix of hype and hypnotism" and it includes some tasty unreleased music from the man himself as well as the likes of Ma Sha, Siu Mata, Erik Luebs and Crespi Drum Syndicate. The 90 minutes are as wide-ranging as you might expect with bass-heavy grooves, trance-inducing synths, broken techno workouts and tribal rhythmic explorations all making sure both head and body are catered for in style.
Whatever Jennifer Loveless (@jenniferloveless) turns her attention to, she always looks to find real human emotion. The Berlin-based, Australian-born multidisciplinary artist works across a wide musical realm as a DJ, producer and top-line writer who also scores for the screen. In the club, she is all about big energy, warmth and colour as she flits between future sounds and euphoric nostalgia all while dropping plenty of big tunes on labels like Sex Tags UFO, Planet Euphorique and Future Classic. Over the last decade-plus, she has proven herself adaptable in the DJ booth and just as able to lock in a heady crowd at Panorama Bar as she is making her mark on festival stages like Horst. Across 90 minutes in this week's mix, Loveless draws on all of that experience to lay down a silky smooth trip that touches on deep techno and lush electronic minimalism before delving into more menacing atmospheres, jacked-up house and feel-good sunrise sounds.
London's Moxie (@djmoxie) has always embodied a fearless approach to DJing. Her sets are driven by her famously eclectic taste and can go from deep Detroit techno to face-melting bass via loved-up disco in an instant. She made her name as one of the earliest hosts on NTS Radio but is now a favourite of the global underground who has often impressed at our own events. Her "Moxie Presents" compilations have shown her dedication to championing forward-thinking artists and have helped make her a genuine new school tastemaker. This week Moxie has put together a breezy jaunt through many different facets of her sound. There are balmy summer pads and carefree house beats to start with then things head indoors for deeper, darker sounds but always saved up with plenty of warmth and emotion. This mix is a perfect encapsulation of how Moxie can take you from the early evening to late into the night without you even noticing.
FAUZIA (@djfauzia) is an artist who is always evolving. The UK DJ, producer and live act first broke through as a DJ who played fast music be it techno, electro, IDM or bass-heavy breaks. Her famous NTS show has always shown a different side, where anything from soul to jazz can be called upon to tell a story. As a producer since 2020, she has tended to mine a more emotive side with releases that explore dub, ambient and jungle. She has also done pop collabs with Kelela and sings ever more on her own material. Basically, she is anything but easy to categorise, and instead works in many different worlds with equal style and skill. For this week's mix, FAUZIA focuses on the dance floor with a thrilling 90-minute selection. The scene is first set with some escapist ambience, deep and beatless jungle and spine-tingling vocals but then some serious breakbeats arrive. They come thick and fast and take on many forms from heavy and apocalyptic to blissed out and astra. FAUZIA's own voice occasionally arrives to lend them a personal, intimate quality while the mix grows faster and more futuristic. It's a showcase that's as brilliant in taste as it is in technique.
Sound Metaphors (@sound-metaphors) is Nemo Ripoll and Castro Moore, but it is also the name of their famously well-curated label and record shop in Berlin. As such the pair has been helping to define the sound of the underground on many different fronts - electric DJ sets, cult events and even through the custom-made sound systems built for customers worldwide. With a vast musical knowledge between them and a never-ending supply of their own unreleased edits and DJ tools, they are able to tell musical stories that draw from all across all genres and many different eras. That plays out in the superb mix they have put together for us this week. It's a full-bodied selection that shows off their love of contrasting styles - loose, percussive house music brushes up with deep and dubby cuts, dark acid grooves sit next to '80s synth sounds before a disco finish goes from stomping to funky. The exuberance of it all is infectious and leaves you wanting more.
MCMLXXXV (@thetruemcmlxxxv) is a co-founder and resident at Berlin's celebrated queer party Herrensauna. Though it has gone from being a local underground favourite to a globe-travelling brand, it always remains true to its mission of empowering people though music and community. The soundtrack is hard and dark and comes from across the electro, techno, EBM and industrial spectrum but for every bit of grit, there is always a hint of seduction. MCMLXXXV was a real highlight when he closed down Dekmantel Festival '22 at the UFO stage with his fellow residents so we're delighted to welcome him back to the podcast series. And he doesn't disappoint across a high-octane hour. The slick selections are in a rush to get you moving and once you start you won't be able to stop. The rhythms are elastic but bumping with earth-quaking bass down low and everything from tribal percussion to liquid synths via sleazy vocals up top. It's a perfect display of MCMLXXXV's ability to blend the physical with the sensual into colourful and contemporary soundtracks that really bang.
Richard Middleton
HEAVY!!!!!