Design Your Life with Vince Frost

In the 80s, Stiff Records, the British independent Punk Rock and New Wave record label, had an open-door policy. You could walk in and pick up posters, stickers and pin badges most days of the week. Jeremy Leslie was one of the kids doing just that. He’d catch the bus over to Notting Hill from the London College of Design to visit the shop. Originally, he was there for the music, but it was the storytelling in the design that made a lasting impression. Leslie is an internationally recognised creative who’s been making magazines for over four decades. He’s also the founder of magCulture, the iconic London magazine shop. After having his eyes opened to the world of design by a thoughtful art teacher, he’s gone on to art direct quarterlies, monthlies and weeklies, and spent the noughties developing award-winning magazines at John Brown Publishing. He’s written four books about editorial design, and in 2018 was awarded the Mark Boxer Award by the British Society of Magazine Editors for services to the magazine industry. Listen in as Vince and Jeremy discuss the legendary English graphic artist Barney Bubbles, their favourite magazines of the 90s (The Face and i-D), and how the independent print scene has been empowered by digital and the internet.  https://magculture.com/ See omnystudio.com/listener for privacy information.

You could argue a lot of kids grow up with a love of drawing. This one knew he wanted to be an architect in high school. When his older brother brought home some Rotring pens, it all clicked. Domenic Alvaro is the Director and Global Design Leader at Woods Bagot, one of the world’s leading architecture firms. Drawing is a huge part of his professional practice to this day. He’s a long-term collaborator of Frost*collective and someone the studio is immensely proud to have worked with over the years. Dedicated to agitating traditional typologies, he is an architect who breaks from convention to unlock spatial potential. He’s led projects all over the world, ranging from mixed use developments that redefine the way nature can be woven into a city, experiential large-scale transportation links, landmark commercial precincts, holistic masterplans and residential that defines the way we will live tomorrow.  Listen in as Vince and Domenic discuss why micro projects like his globally award-winning Small House have relevance at the larger scale, bringing back laneway culture for Sydney with the massive Ivy project, and the singular beauty of Peter Zumthors The Therme Vals in Switzerland.  https://www.woodsbagot.com/ See omnystudio.com/listener for privacy information.

Having a knock-out creative career five decades long is one thing. Setting up a charity to inspire the same creativity in the next generations is another. But the iconic British design duo, who are also husband and wife - Sir John Sorrell CBE and Lady Frances Sorrell CBE - have done just that. Frances and John started their lives in design both aged of 14 when, in different parts of London, they attended free Saturday morning classes at their local colleges of art and design. Neither were from well-off families. John had never been to an art gallery and most of his peers were dropping out of school aged 15 to get jobs. The experience was a revelation that paved the way for full-time study and their careers in design. It was also the prime motivation for the formation of the Sorrell Foundation in 1999 with the aim of inspiring creativity in young people to change their lives and make the world a better place. After meeting through work, the Sorrell’s launched their now legendary design studio, Newell and Sorrell, in 1976. They’ve redesigned some of the UKs most high-profile organisations, including British Airways, The BBC and the Royal Mail. After 25 years in business, they sold to Omnicom, and have spent the past 25 working to give young people pathways to higher education in the creative industries. Their achievements and accolades are too long to list. John is co-founder and chairman of London Design Festival and co-founder of London Design Biennale and is a UK Business Ambassador, appointed by successive prime ministers to help promote Britain’s creative industries abroad. John was appointed CBE in 1996, was awarded the Royal Society of Arts Bicentenary Medal in 1998 and holds numerous honorary fellowships and degrees. John was awarded a knighthood in the 2008 New Year Honours List for services to the creative industries. Frances is a tour de force in her own right. She is Chancellor of the University of Westminster, London, has Honorary Fellowships from the Royal Institute of British Architects, Falmouth University, Hereford College of Arts and Plymouth College of Art. She holds Honorary Doctorates from the Open University, Coventry University and University for the Creative Arts, and has been a visiting Professor at University of the Arts London. As Creative Director at Newell and Sorrell she won over a hundred awards for creativity and effectiveness. Listen in as Vince, Sir John and Lady Frances Sorrell discuss; cold calling BP fresh out of art school and designing their exhibition stand at the Paris Air Show six weeks later, growing up on the same working-class council estate as Rod Stewart, and why you have to put your money where your mouth is if you really believe in something. See omnystudio.com/listener for privacy information.

People are considered lucky when they find something they’re skilled at and love, then make it their vocation. Growing up with a parent they’ve inherited that skill and passion from helps, especially when they’re exceptionally talented. Both Louise Olsen and Stephen Ormandy have parents who helped them on their path to a life shaped by creativity. Olsen’s father, John Olsen, who passed away aged 95 in 2023, is arguably Australia’s most famous artist. Her mother was a painter, too. Ormandy’s mother was a sculptor, who tirelessly championed his creative pursuits. He knew he wanted to be an artist from age five. After meeting on the first day of art school in Sydney — it was love at first sight, depending on who you ask — the two became best friends. After graduation, they set about creating a tangible product people would want to buy. By the late 80s they were making jewellery for Kylie Minogue and INXS and opening a tiny shop in Sydney’s Strand Arcade. Dinosaur Designs, their jewellery and homewares business, is 40 years old next year. They have seven stores in Australia and one each in New York and London, with stockists globally.  They’re also both successful artists in their own right. Not to mention their daughter Camille. The trio are preparing a group show to be held in Paris later this year.  Listen in as Vince, Louise and Stephen discuss; being born into the art world, how they’ve made their marriage and business work and how children have a natural ability to get inside a subject when it comes to art.  https://www.dinosaurdesigns.com.au/ See omnystudio.com/listener for privacy information.

Being driven is one thing. But being driven by trauma is another. It’s a special kind of motivation, and when combined with a competitive nature and natural feel for what an audience wants, great things can be achieved. Aidan Anderson is the Founder and CEO of The Local Project — the fastest growing design platform in the Asia-Pacific region. The platform is followed by design and architecture lovers worldwide, and champions authentic design, showcasing and supporting architects, designers, makers and suppliers. Incredibly, he started it by profiling his friends and local makers on an Instagram account run from his dusty furniture workshop. The Local Project now has an audience of over 4 million across print, video, digital and social media. Anderson has no formal training, and has always just made the content he wants to see. He first fell in love with design and architecture working on building sites to make extra money in the summers of his teenage years. The furniture workshop opened when he dropped out of an architecture degree at university just three months in. He credits the agility that comes with youth as one of the keys to his success — he was 21 when he started the business in 2016. Listen in as Vince and Aidan discuss; how Australian architecture is perceived internationally, the powerfully addictive nature of social media, and how the hand you’re dealt defines you.  https://thelocalproject.com.au/ See omnystudio.com/listener for privacy information.

There’s an art to bringing history into modern creativity as more than a reference.  Sibella Court is adept at it. The creative director, author and interior and product designer has made a career out of creating with her love of history at the forefront. When you learn she grew up with two incredibly creative parents — a builder father skilled in transforming spaces and a mother who specialised in Central Asian textiles — her multifaceted creative career comes as no surprise.  After studying history at university in Sydney, and getting a start at Australian Vogue, she spent a decade shooting editorial in New York. Since returning to Australia in 2006, she’s written and published six books, hosted a TV series, and designed the interiors for some of Sydney’s best-known restaurants and bars, including Mr Wong's and Palmer & Co.  Listen in as Vince and Sibella Court discuss her lifelong love of history, working at Australian Vogue in the early 90s and the seismic impact the death of a parent can have.  https://thesocietyinc.com.au/  See omnystudio.com/listener for privacy information.

For a small country with a small population, the Danes are incredibly well-known on the global stage as highly skilled when it comes to design. In Viggo Haremst’s case, he knew he wanted to be an architect, like his father, very early in life. But he credits his Swedish mother for his commitment to process and detail. As a Design Director and Partner at the prominent Danish architecture firm Henning Larsen he steered the winning proposal for the Canberra Theatre Centre and is leading the city-shaping Lighthouse at Darling Park in Sydney. The practice believes good design begins with curiosity, and is leading the world when it comes to evidence-based building design with a focus on investigating and prototyping innovation in sustainability. Viggo is a sought-after keynote speaker who delivers insights into Henning Larsen’s design method and projects, and the future of workspaces.  Listen in as Vince and Viggo discuss learning about limits from Zaha Hadid, how to create a longer life cycle for a building and why Danes are so good at design.  https://henninglarsen.com/en See omnystudio.com/listener for privacy information.

How much do the environments we inhabit impact our health and wellbeing? And does our emotional state impact our physical health? Dr. Esther Sternberg is internationally recognised for her discoveries in the science of the mind-body interaction in illness and healing, and the role of place in wellbeing. She is a pioneer and major force in collaborative initiatives on mind-body-stress-wellness and environment interrelationships.  Her inspirational and popular books — there are three, the latest ‘WELL at WORK: Creating Wellbeing in Any Workspace’ has just been released — are backed by science and are changing the way we design public and private places for people. Dr. Sternberg’s list of achievements is extensive. She’s advised the World Health Organization and the Vatican, and briefed high level U.S. Federal Government officials. She’s also moderated a panel with the Dalai Lama and been recognized by the National Library of Medicine as one of the women who ‘Changed the Face of Medicine’. She has authored over 240 scholarly articles and edited 10 technical books on the topic of brain-immune connections and design and health.  Her two decades-long research with the U.S. General Services Administration, using wearable devices to track health and wellbeing in the built office environment, is informing healthy design standards for workplaces in the public and private sectors around the world.  Listen in as Vince and Dr. Sternberg discuss immersive reality nature recharge rooms, being one of only ten girls in a class of 110 at medical school and the best prescription for a healthy building. See omnystudio.com/listener for privacy information.

When we think of life on earth in the context of the universe, being human can seem absurd. That’s what British artist and illustrator Paul Davis thinks. When he was 17, growing up in Somerset in England, his father died suddenly. But he’d already taught him everything he needed to know about space, time and human existence.  Davis’ sometimes controversial work has been widely published and exhibited. He’s regularly commissioned by international broadsheets and magazines, has created animated idents for BBC Radio 4, and his handwriting has been used in animated adverts for American Express.  The artist’s craft is born from a deep curiosity about the idiocy and beauty of being alive. And a compulsion to make art as a form of therapy. He doesn’t just want to make art. He has to. And he’s not shy about being satirical. Despite a long battle with alcoholism (he’s been sober for over six years), his work has made him a London icon.  Listen in as Vince and Paul discuss his experience of alcoholism and thoughts on AA, drawing Trump giving himself a blow job, and how to know when you’ve pushed it too far.  https://www.instagram.com/paulcopyrightdavis/ See omnystudio.com/listener for privacy information.

The craft of graphic design has changed dramatically since the 80s. Computers. The popularisation of branding. Over the past four plus decades John Rushworth, the design behemoth Pentagram’s longest serving partner, has seen it all. Despite these seismic shifts, he believes the thinking and innate human ability it takes to do truly impactful work hasn’t changed.  Rushworth has had a huge impact on the world of design. He’s delivered graphic solutions to clients across almost every industry from Polaroid to Great Western Railway with his in-dept approach to design. Working closely with his clients, he works to draw out what it is that truly makes them who they are. Then turns them into strategically focused and visually compelling brands. He’s also had a huge impact on Vince Frost – he was his boss at Pentagram and the person who has influenced his career and design philosophy more than any other creative.  Growing up in working class Yorkshire, he’d never heard the word design. It was a student teacher at his, “if I’m honest, pretty bad school,” who’d studied the craft that set a task to design an album cover that his eyes were opened. At age 14, he was good. At his Preston College of Art graduation show he was picked up by Conran Design Group. A year later he moved to Pentagram, just in time for their 10th birthday party. In 1987 he became the studio’s first associate and two years later was the first employee to be invited to become a partner.  The creative has been member of the Alliance Graphique Internationale (AGI) since 1994 and a Director of the Outset Contemporary Art Fund since 2012. His work has been exhibited worldwide and has received many international awards including a gold medal at the Lahti Poster Biennale and multiple D&AD silver pencils.   Listen in as Vince and John discuss the business of design, the impact of computers and AI on the design process, and what Vince learned working under him at Pentagram in the 90s.    https://www.pentagram.com/ See omnystudio.com/listener for privacy information.

In the past decade, the debate about the role of books in our increasingly digital world has been a hot one. This devotee of the printed form is unequivocal. She believes content online has simply pushed publishers to make better books.   Emilia Terragni is Associate Publisher at Phaidon Press, the world’s leading publisher of books on art, design and culture. Phaidon turns 100 this year. Terragni has been there for 22, specialising in books on architecture, design, food, fashion and art, and is considered one of the most influential editors working in the field today.  Born and raised in Como, Italy, by a creative family where books were incredibly important, she ran away aged 19 to study in Venice. A PHD in fine art set her on the path to a career as a curator or art critic. But it was during her time in the archives of the Vitra Design Museum cataloguing the work of architect Mexican architect and engineer Luis Barragán that she met with Phaidon, and the rest is history.  Listen in as Vince and Emilia discuss working together on Nan Goldin’s iconic photography book The Devil’s Playground in 2003, the privilege of working with the prolific British graphic designer Alan Fletcher to his dying day, and being named The Queen of Cookbooks by the Wall Street Journal.  https://www.phaidon.com/ See omnystudio.com/listener for privacy information.

Which parts of our heritage and childhood form who we are and impact what we do in later life? If you spend your childhood wallpapering your bedroom walls with drawings of Europe’s great buildings, are you desisted for a career in built environments? Does being a self-confessed neat freak make you better at simplifying complex problems? In this case, the answer is resoundingly, “yes!”.  Carlo Giannasca is a multi-award-winning graphic and three-dimensional environmental designer who is a sough-after thought-leader and speaker at universities and design conferences worldwide. For almost four decades, he’s been engaged in helping people and their communities reimagine and implement new possibilities for work, learning and life.   He’s also Partner and Managing Director of Frost*collective. During his 20-year professional partnership with Vince, he’s transitioned from Creative Director to Managing Director, and led major environmental graphics and wayfinding schemes for Qantas’ terminals and headquarters, the International Towers at Barangaroo and Sequis Tower Jakarta.  Listen in as Vince and Carlo discuss; getting his start in the 80s with Australia's first iconic designer Garry Emery, how sneaking out of a hotel in Venice aged 10 on a family holiday and having to find his way back alone impacted him, and what it means to earn a 4th dan black belt in karate. See omnystudio.com/listener for privacy information.

Buckminster Fuller and Cedric Price were mentors when Peter Murray OBE was studying architecture in the 1960s. Peter Cook and the Archigram Group were idols, “they were the Beatles of architecture at the time”. Not a bad selection of teachers for someone interested in the craft from the age of ten.  Since then, Murray has had a huge impact on shaping the city of London. Although he qualified as an architect, he didn’t become one. His calling was to carve out a huge career writing about and promoting it. He founded the design and architecture magazine Blueprint and the global communications company Wordsearch. And curated major exhibitions at the Royal Academy in London. He also started the London Festival of Architecture - now a significant annual event in the cultural life of the capital.  Murray has written and published books about architecture, been a Mayor's Design Advocate, Chairman of the London Society and a Visiting Professor at the IE Business School in Madrid. He is Chairman of the Temple Bar Trust and has gathered a huge list of accolades through his career. Including the OBE he received for leadership in the arts, architecture, city planning, design, publication and charity in 2021. He’s also a keen cyclist, raising money for charity each year through cycling, and advocate for active cities.   Today, his time is focused on the New London Architecture centre, which he founded in 2005 as a centre for debate and discussion about the changing face of the capital. Some might say London is a better place to live thanks to him.  Listen in as Vince and Peter discuss working in design media in swinging 60s London, how his wildly successful studio Wordsearch came to be, and why, when you see an opportunity, you have to take it.  https://nla.london/ See omnystudio.com/listener for privacy information.

The media landscape has changed dramatically over the past decade. One person who has lived through the changes with her dream job intact is Katrina Strickland. The journalist and author is editor of one of Australia’s most widely-read magazines, Good Weekend, which appears in print and online every Saturday in The Sydney Morning Herald and The Age. After realising that the law career she’d studied for didn't float her boat, Strickland secured a cadetship in the business section of Melbourne's Herald Sun. Later, she transitioned to covering and editing the arts before moving into magazines, first at The Australian Financial Review, where she edited its monthly glossy magazine for three years, and then, six and a half years ago, to Good Weekend. For someone whose father warned her, when she said she wanted to be a journalist, that, “many journalists are alcoholic no-hopers”, her determination and consistency has paid off. In 2013 her book, Affairs of the Art, about the role those left behind play in burnishing a late artist's reputation, was published by Melbourne University Publishing. Today, her gratitude for and commitment to a career she considers a huge privilege show no signs of slowing down.  Listen in as Vince and Katrina discuss why human stories make for the most-loved content, the brutal pace of working on a weekly publication, and what can happen in the black window between when you go to print and when your publication comes out in the world. https://www.smh.com.au/good-weekend See omnystudio.com/listener for privacy information.

Landing a job at the London architecture firm you idolise right out of college is a good sign for any young architect, particularly one from another country. Landing the Great Court at the British Museum as your first project is another. Any architect starting out with these two achievements under their belt would wonder, ‘Where to from here?’ Daniel Goldberg is known for his progressive approach to designing from the inside out, with a focus on spatial theory and anthropology. His childhood interests of art and the technical aspects of how things are built have evolved into a wildly successful architectural career focused on the psychology of the way people want to live.  As Founder and Principal at State of Craft – the multi-disciplinary global design studio famous for their integrated approach to architecture and interiors – he’s worked on some incredible projects including The Shard residences in London and One Sydney Harbour. He’s won the John Barrett Award, was nominated Young Engineer of the Year in 1999 and has had his work published in leading design magazines around the world including Wallpaper, Detail and Architectural Digest.  Listen in as Vince and Daniel discuss what he learnt in his formative years working for Sir Norman Foster, why designing a yacht is akin to designing a small world, and Edward Hall’s 1960s science of proxemics spatial psychology theory.  https://www.stateofcraft.co.uk/ See omnystudio.com/listener for privacy information.

After inheriting a Nikon F3 camera from his photographer uncle in his teens, Andrew Quilty set about casually documenting life. Later, when he was studying photography in the day, and working in a bottle shop at night, a regular took an interest in his work. He turned out to be a photo editor at the Fairfax media company; this was a time when Australia newspapers were punching above their weight on a global stage. Fate had set the wheels in motion for a life and career Quilty never could have imagined. Today, Quilty is a multi-award-winning photojournalist whose work has been published by The New York Times, BBC News and TIME Magazine - and garnered accolades worldwide. He’s won a World Press Photo Contest award, a Pictures of the Year International award, a Sony World Photography award and six Walkley Awards, including the Gold Walkley, the highest honour in Australian journalism.  On a two-week assignment in 2013 to shoot the Afghani cricket team he fell in love with Afghanistan and spent the next eight years living in and documenting the wartime country and its people. He’s travelled to two thirds of the country’s 34 provinces and produced two books on his time there. The first ‘August in Kabul’ is a novel about America’s last days of occupation, and the second ‘This is Afghanistan’ is a visual record designed in by Vince Frost with Wing Lau. Both books are published by The University of Melbourne - ‘This is Afghanistan’ will be released this month.  Listen in as Vince and Andrew discuss; the ethics of beautifying death and tragedy, how recently media have become fair game in war zones, and the story behind his harrowing Walkely Award Winning photograph and article ‘The Man on the Operating Table’.  Buy 'This is Afghanistan' - https://www.mup.com.au/books/this-is-afghanistan-hardback See omnystudio.com/listener for privacy information.

Not many kids dream of designing a billboard one day. It was at age 11, when he picked up his first commission from the printer (business cards for his equally entrepreneurial teenage brother), that he realised he was hooked on design. Soon after, a school careers night opened his eyes to commercial art, and his future was set. Some would call it a singular talent for designing original ideas. If you ask him, it’s down to hard work and luck.  Ant Donovan is a multi-award-winning creative who has attracted widespread attention throughout his career. As Partner & Group Creative Director at Frost*collective, he’s helped some of the world’s biggest brands find people-centred solutions to difficult problems. Ant has had a huge impact in the design space over the past two-plus decades globally. And if you're Australian, there’s a very slim chance you haven’t been impacted by his work.  Ant's career in design has taken him on an amazing journey, from flying in a helicopter above the most populated city in the world to riding a hovercraft in the remote wilderness of Australia’s outback. His first ‘real’ job was as Art Director at the critically acclaimed photography and culture bible, Black+White magazine. Since then, he’s worked with a diverse range of organisations and industries; from large-scale corporations, tourism bodies and retail giants, to iconic cultural institutions, not for profits and one-person start-ups. His passion and relentless drive to make work that matters is what gets him out of bed.  Listen in as Vince and Ant discuss designing layouts for David Bailey, Rankin and Testino aged 22, what drawing an entire typeface by hand with a Rotring pen can teach you about design, and how to find original ideas in today’s oversaturated world.  https://www.frostcollective.com.au/ See omnystudio.com/listener for privacy information.

The Australian art scene has dramatically evolved over the past decade. A place that was once seen as belonging to wealthy collectors has opened up to absolutely anyone who is interested and inspired. ‘Front page news’, once dedicated to sport, has recognised the important place of art in our everyday lives.  Kym Elphinstone is the Founder and CEO of Articulate, Australia’s leading communications consultancy for culture and the arts. She’s represented many of Australia’s biggest cultural institutions including the National Gallery of Australia, Carriageworks and the Powerhouse Museum through to more than 12 temporary public art projects for John Kaldor as well as grass-roots festivals and art fairs platforming emerging artists. She’s had a major impact on the profile of the arts in this country.  She cites her background in law as a formative experience but one that didn’t offer the creativity she yearned for. In London in the early 2000s, she realised she needed to pursue her first love: the arts. After moving to Sydney, she soon took up a role at the MCA, and a few years later found herself starting her own business with the Biennale of Sydney as her first client.  Listen in as Vince and Kym discuss the difference between art and design, why it’s important to only work with people and on projects you believe in, and public art as placemaking.  https://articulatepr.com.au/ See omnystudio.com/listener for privacy information.

Architects are often drawn to designing buildings that are iconic because they’re incredibly sculptural or different. But it’s designing what he calls ‘Everyday Buildings’, and making them better, that makes this one tick. His firm believes it’s these background buildings that often make cities special.  Paul Monaghan, who co-founded the incredibly successful architecture practice Allford Hall Monaghan Morris in 1989, is an internationally acclaimed architect whose work is focused on redefining the built environment. He’s the Liverpool City Region’s first Design Champion, advises government on how to promote high-quality design for cities and is a generous educator and speaker. He’s also committed to helping young and disadvantaged architects get a foot in the door.  Listen in as Vince and Paul discuss; growing up in 60s Liverpool with his dad’s set squares in the living room when The Beatles were still around, the power of being able to sketch an architectural idea by hand, and the incredible task of working on the UKs House of Commons.  https://www.ahmm.co.uk/ See omnystudio.com/listener for privacy information.

Warehouse living gained popularity in the 60s and 70s in major urban centres, particularly New York. Industrial buildings were empty, and artists loved their affordability and vast open layouts. But it wasn’t until the 80s that Australia caught on.  Jeff Provan co-founded Neometro, Melbourne’s long-standing design-focused and socially led development group in 1985. He is an active and integral figure in Melbourne’s design community with a raft of accolades for his approach to design, construction and sustainable development.  Jeff’s ongoing commitment to creating homes that make people happy, connect them with their local community, and improve health and wellbeing has a huge ongoing impact on how people live in the city. And his philosophy for creating places that will stand the test of time and be loved by the people who live in them is summarised in The Framework For Healthy Buildings, which will be published in October.  Listen in as Vince and Jeff discuss the eternal appeal of warehouse living, designing buildings for people to love, and the elements needed to create a truly healthy place to live.  https://neometro.com.au/ See omnystudio.com/listener for privacy information.