Dig Me Out: 80s Metal

Iron Maiden fans, get ready for a deep dive into five decades of heavy metal legend. This week, Dig Me Out welcomes celebrated author Daniel Bukszpan—the mind behind Iron Maiden at 50—a passionate and visually stunning tribute chronicling the band's journey from East London pubs to global stadiums. Bukszpan’s new book, released September 16th, pays homage to Maiden’s 50th anniversary by exploring fifty pivotal moments: classic albums, lineup shakeups, infamous tours, and milestone performances. Packed with revealing anecdotes, candid photography, and rare memorabilia, Iron Maiden at 50 isn’t just a celebration—it’s an essential resource for anyone who wants to understand how Steve Harris, Bruce Dickinson, and their bandmates earned their place as one of the most influential forces in rock. Whether you’re a seasoned fan or a Maiden newbie, Daniel’s insightful storytelling sparks appreciation for the band’s legacy.Prepare to rediscover Iron Maiden’s explosive 80s legacy in this detailed episode of Dig Me Out 80s Metal. We open the vault with Daniel Bukszpan, author of Iron Maiden at 50—a stunning new book that captures five decades of metal mastery with rich visuals, rare memorabilia, and stories that connect generations. This episode dives deep into Maiden’s cult classic albums, seismic lineup shifts, and the global phenomenon that Eddie and company became, blending behind-the-scenes stories with fan perspectives. Explore what made albums like Number of the Beast, Powerslave, and Live After Death more than just records—they’re milestones that shaped metal’s history.Discover how Maiden’s sound, attitude, and iconic artwork set the blueprint for the genre, why fans remain fiercely loyal, and how these records still anchor new listeners today. If you love the trailblazing spirit of bands like Judas Priest, Metallica, or Rainbow—this episode is your gateway to Maiden’s world. Daniel illuminates the true heart of the band as chronicled in Iron Maiden at 50, offering insights rarely found in liner notes.Episode Highlights:- 0:00 – [Intro riff] – Iron Maiden at 50: Celebrating legends, myth and metal- 3:14 – [Band Origins] – The birth and rise of Maiden’s 80s sound- 17:23 – [Lineup Changes] – How Bruce Dickinson transformed Maiden’s ambition- 31:09 – [Number of the Beast] – The album that made Maiden a household name- 49:42 – [Powerslave & Stage Spectacle] – Maiden’s golden run and live mastery- 75:20 – [Legacy, Influence, and Design] – Eddie, artwork, and impact on metal culture- 92:15 – [Fan Stories] – Maiden’s enduring ability to inspire across generationsAmp up your playlist and join the conversation—subscribe, leave a review, and explore our episode archive at digmeoutpodcast.com and connect with fellow fans at dmounion.com. Don’t miss this essential episode for fans of classic metal, 80s rock, and the living legacy of Iron Maiden. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

When Capitol Records’ Next Quiet Riot Vanished Into Thin AirEver wonder what happens when a dream team of rock royalty assembles to create the perfect 80s metal album—only to watch it disappear during the mastering process? Icon’s Night of the Crime is the Phoenix-born tragedy that sits at the very top of the “could have, should have been huge” list, featuring Eddie Kramer behind the boards, Ron Nevison on the mix, and Bob Halligan Jr. crafting radio-ready hooks that Kerrang! Magazine would later rank as the third greatest AOR album of all time.In this deep dive, the Dig Me Out crew unpacks one of metal’s most fascinating “what if” stories—a Capitol Records release that had everything: sophisticated songwriting with clever half-time dynamics, dual guitar harmonies that rivaled the best AOR bands, and a powerhouse vocalist in Stephen Clifford who could hit impossible octaves while maintaining that essential metal grit. But just as the album was ready for its 1985 MTV conquest, Clifford walked away during mastering, taking Icon’s shot at stardom with him and leaving behind a perfectly crafted 40-minute mystery.If you’re fascinated by the intersection of professional songcraft and metal authenticity—think Def Leppard’s Pyromania meets Journey’s sophistication with the edge of early Quiet Riot—this episode reveals why geography, timing, and band chemistry matter as much as talent in the unforgiving world of 80s rock radio.Episode Highlights:0:00 – Tournament Results – How Icon beat Ozzy in a listener poll tie-breaker9:53 – The Eddie Kramer Factor – Why Jimi Hendrix’s producer took on a Phoenix metal band12:17 – The Vanishing Singer – Stephen Clifford’s mysterious exit during mastering18:05 – Sophisticated Metal Dynamics – Breaking down Icon’s clever use of half-time and strategic pauses25:33 – AOR Meets Metal – How Icon straddled the line between commercial appeal and hard rock edge29:10 – Bob Halligan Jr.‘s Hooks – The song doctor’s six co-writes that should have been hits38:00 – Perfect Timing Gone Wrong – Why 1985 was Icon’s window between Pyromania and Hysteria52:00 – Phoenix Geography Problem – How being 400 miles from the Sunset Strip hurt Icon’s chances1:00:34 – Final Ratings – Two “Worthy Albums” and one “Better EP” verdict on this lost classicReady to discover your next obsession in overlooked 80s metal perfection? Subscribe to Dig Me Out for more deep dives into the albums that deserved better, and join the Metal Union at digmeoutpodcast.com to vote on future episodes. Want bonus content and access to our Discord community? Check out dmounion.com for exclusive 70s, 80s, and 2000s rock episodes that keep the discovery going strong. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Death’s Scream Bloody Gore: The Album That Birthed Death MetalWhat happens when a 19-year-old horror movie fanatic from Florida decides to create the heaviest music imaginable? You get Scream Bloody Gore, the 1987 debut that didn’t just launch Death’s career—it created an entire genre. This is the album that made death metal official, complete with the perfect band name to match.In this episode, hosts Jay, Tim, and Chip dive deep into Chuck Schuldiner’s groundbreaking vision that transformed from rejected Florida demos to a Billboard-charting phenomenon. They explore how Combat Records took a massive gamble on this unknown teenager, the recording disasters that led to the album being tracked twice, and why Florida became the unlikely epicenter of extreme metal. The discussion reveals surprising musicality beneath the brutality, from melodic guitar solos to dynamic drumming that defies the “wall of noise” stereotype.The hosts candidly share their first impressions as death metal newcomers, debating everything from Chuck’s surprisingly varied vocal approach to the album’s timeless production quality. They unpack the horror movie-inspired lyrics, the influence of Black Sabbath and Kiss, and how this 37-minute assault influenced countless bands while spawning an entire ecosystem of subgenres.If you’re fascinated by metal history, the origins of extreme music, or how teenage vision can reshape entire genres, this deep dive into death metal’s ground zero is essential listening. Fans of early Metallica, Slayer, Possessed, and the broader Combat Records roster will find plenty to sink their teeth into.Episode Highlights:0:00 – Introduction – Poll results and first impressions of death metal’s founding album5:18 – Album Background – Chuck Schuldiner’s journey from demos to Combat Records deal6:32 – Recording Chaos – The Florida studio disaster and California re-recording10:39 – Listener Comments – Community insights on death metal’s Florida origins14:45 – Death Metal Subgenres – From brutal death to porno grind (seriously)17:21 – What Works – Surprising musicality, guitar solos, and vocal range25:04 – Timeless Influence – How the album sounds as relevant today as in 198735:24 – What Doesn’t Work – Double-time limitations and production challenges41:53 – Lyrical Analysis – Horror movie themes and teenage songwriting50:16 – Chart Success – How death metal hit Billboard #174 without radio play54:38 – Final Verdicts – Worthy album or essential EP?Ready to explore the brutal brilliance that started it all? Subscribe to Dig Me Out for more deep dives into the albums that changed music history. Join the Metal Union at digmeoutpodcast.com for bonus episodes, exclusive content, and access to our private Discord community. Visit dmounion.com to vote on future episodes and suggest your favorite underground classics. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Ready for a cosmic discovery? Imagine if members of Deep Purple, Iron Butterfly, and Johnny Winter’s bands joined forces for one brief, blazing psychedelic trip—left behind in the dusty bins of 1970s rock. That’s Captain Beyond: a cult supergroup whose self-titled debut LP isn’t just underrated, but a secret handshake among true riff obsessives, stoner rock aficionados, and prog heads alike.In this episode, the Dig Me Out crew dives deep into Captain Beyond’s 1972 debut, unpacking how a band with pedigree and ambition—yet dogged by legal drama and label confusion—could create an album both seamless and strange, with songs flowing together in widescreen, time-shifting suites. Hear wild stories about Rod Evans’ post-Purple exile, the musical chemistry born in a Sunset Boulevard rehearsal room, and the band’s mind-melting blend of proto-metal, jazz fusion, and space rock.The talk turns to why Captain Beyond has influenced bands from Kyuss to Monster Magnet without ever grabbing mainstream fame. The panel debates whether the record’s genre-melting ambition is a blessing or a hidden barrier, calls out riffs and grooves that predate entire subgenres, and explores which tracks land hardest five decades later. If you love the restless invention of early Yes, the cosmic attack of Monster Magnet, or the boundary-pushing jams of Sabbath and Santana, don’t skip this one.Episode Highlights0:00 – “Dancing Madly Backwards (On a Sea of Air)” intro – Meet the unsung supergroup and hear how their debut warped the hard rock rulebook.6:38 – Backstory & Band Drama – Lost contracts, missing songwriting credits, and the 48-hour recording sprint that captured lightning.15:24 – Genre-Bending Sound – Jazz, prog, heavy grooves, and psychedelia swirl in tracks like “Mesmerization Eclipse” and “Raging River of Fear.”30:05 – Rod Evans: Rock’s Mystery Man – How the Deep Purple frontman vanished from music after giving this band their haunting voice.39:52 – Suite-Like Structure – Why this album flows more like a trip than a collection of songs.47:20 – Legacy & Influence – From stoner rock to modern prog, Captain Beyond’s fingerprints are everywhere—if you know where to listen.55:13 – “I Can’t Feel Nothin’” – The finale of the album: relentless, relentless, relentless.Ready to blast off? Hit play, subscribe, and join our community for passionate discussion and wild album picks at digmeoutpodcast.com and dmounion.com. Rediscover lost classics, debate the classics, and help shape the next rock deep dive. Don’t let this cult gem slip beyond—your ears deserve the trip This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

What happens when Poison’s fire-brand drummer trades stadium pyrotechnics for scrappy club gigs, hand-picks BulletBoys shredder Mick Sweda, and dares to mash up Duran Duran with T. Rex? Meet Rikki Rockett’s Rocket Mafia—the “anti-cover-band” cover band that’s rewriting the rules of ’80s metal nostalgia while plotting its own originals.Rikki Rockett—fresh off the Stadium Tour and revved up by motorcycle charity gigs—drops in to reveal how Rocket Mafia started as a one-off set for the Distinguished Gentleman’s Ride and snowballed into a high-octane passion project.- Origin story: from Taylor Hawkins’ Chevy Metal fill-in to a permanent lineup with vocalist Brandon Gibbs and bassist Brian B.- Set-list philosophy: ditch “War Pigs” for Billy Squier’s “Everybody Wants You” and a bang-up “Hungry Like the Wolf/Bang a Gong” mash-up.- Inside the drummer’s mind: the magic (and headaches) of fly-in dates, building an erector-set drum kit nightly, and why ghost notes were banned on early Poison records.- Family, books & the paranormal: taxi-dad life, upcoming memoir Ghost Notes, and chasing spirits between tour runs.- The great “original-lineup” debate: Rockett’s candid take on legacy bands, Foreigner’s rotating cast, and keeping Poison intact.If you crave the swagger of Motley Crüe but dig the left-field song choices of Chevy Metal—or if you’ve ever argued over whether replacement players can capture a band’s soul—this conversation hits your sweet spot. Think glam-metal bravado meets garage-band curiosity; fans of Def Leppard, Cheap Trick, or even Duran Duran will feel right at home.⏰ Episode Highlights0:00 – Theme riff & Welcome – How Dig Me Out keeps ’80s metal alive, plus Patreon shout-outs5:12 – The SmartLess-style guest tease – Chip nearly pulls off a Ricky Rockett surprise11:45 – Interview starts – Late-start school runs and why soundchecks are secret weapons22:10 – From charity gig to Rocket Mafia – The birth of an “anti-cover” philosophy28:55 – Mick Sweda joins – Tone over whammy bars and the art of serving the song34:08 – Taxi-dad confessions – Balancing teenage schedules with tour life36:28 – “Ghost Notes” preview – Banned drum licks, paranormal rabbit holes, true-crime obsessions39:54 – Legendary tour manager Bob Dates – Tour-bus rescues & backstage chaos42:10 – Poison in-store brawl flashback – Chasing hecklers through record shops53:30 – Outro jam – How Rocket Mafia plans to weaponize deep-cut Poison tracksLoved the peek behind the spandex curtain?Subscribe now on your favorite pod-player so you never miss an episode.Dig deeper into every season of alternative & hard-rock history at digmeoutpodcast.com.Rate, review, and share—because the riff revolution needs you. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Ever wonder why 80s glam metal still packs out tribute nights and sparks passionate debates decades later? This week on Dig Me Out, we’re throwing on the leather, cranking the Aquanet, and diving into the wild, hook-filled world of 80s Glam Metal—the scene that turned the Sunset Strip into rock’s most outrageous runway and gave us anthems for every party, heartbreak, and hair-flip in between.From the genre’s glitter-soaked roots to its neon-tinted MTV heyday and eventual fall from grace, our roundtable takes on the big questions: What truly defines glam metal? Why did it explode—and then burn out—in such spectacular fashion? And which albums still deserve a spot in your rotation, even if you’ve sworn off spandex for good? With special guests James Barber (curator of the definitive “Young & Wild: A Decade of American Glam Metal” box set) and Alex Williams (outlaw country artist reimagining 80s metal classics), we dig deep into the music, the image, and the legacy of a genre that’s as much about attitude as it is about riffs.If you love the infectious hooks of Poison, the streetwise grit of Cinderella, or the genre-bending spirit of bands like Mother Love Bone and Faster Pussycat—or if you’ve ever debated whether “hair metal” is a badge of honor or a press-invented slur—this episode is for you. We connect the dots from glam’s 70s origins to its 80s explosion, and even trace its DNA into modern pop country and arena rock. Think of it as a crash course in everything that made—and unmade—one of rock’s most colorful eras.Episode Highlights0:00 – [Intro] – The glam metal mission statement: why this scene still matters5:12 – [Meet the Guests] – James Barber on assembling the “Young & Wild” box set; Alex Williams on turning glam anthems into outlaw country21:00 – [Defining the Sound] – What separates glam metal from hard rock and thrash? Big hooks, big hair, and even bigger choruses40:39 – [Essential Albums] – Panel picks: Cinderella’s Night Songs, Faster Pussycat’s debut, Poison’s Open Up and Say… Ahh!, and more51:05 – [Party Rock Vibes] – Why glam metal shows felt like the ultimate communal party—and how that vanished in the 90s57:02 – [The Downfall] – Power ballads, industry formulas, and the grunge wave: what really killed glam metal?1:06:10 – [Deep Cuts & Hidden Gems] – The records and songs that still surprise, from Electric Angels to Junkyard1:20:00 – [Modern Legacy] – Where does glam metal live on today? From Ghost’s arena theatrics to pop country’s party anthems1:35:11 – [Outro & Plugs] – James and Alex share their latest projects, and the hosts reflect on glam’s enduring influenceReady to relive the excess, the anthems, and the eyeliner?Subscribe to Dig Me Out for more deep-dive episodes, bonus content, and a community of fellow rock obsessives. Drop your hot takes, suggest your favorite under-the-radar glam album, and join the conversation at digmeoutpodcast.com and dmounion.com.Let’s settle the debate—was glam metal ever just about the hair, or was there always something deeper under all that glitter? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

The Riffs, the Ruin, and the Rise of ThrashWhat do you get when two broke metalheads with a single bass and guitar channel their chaos into one of thrash metal’s most iconic records? In 1986, Peace Sells... but Who’s Buying? marked Megadeth’s leap from Combat Records obscurity to Capitol-backed cult status. This episode of Dig Me Out unpacks how a band teetering on collapse crafted a cornerstone of ‘80s metal.We dig into the album’s razor-sharp riffs, jazz-influenced drumming, and Dave Mustaine’s snarky lyrical persona. From iconic MTV News basslines to heroin-fueled studio disappearances, this conversation covers the weird, wild, and weirdly disciplined story behind Peace Sells. We also explore how this record stood apart from Metallica’s Master of Puppets and Slayer’s Reign in Blood in the golden year of thrash.If you ever wore out your cassette copy on a Walkman, argued over Vic Rattlehead art, or caught the Peace Sells video on Headbanger’s Ball—this one’s for you.Episode Highlights• 0:00 – Wake Up Dead – Setting the tone: MTV, couch-surfing, and one guitar• 5:12 – Peace Sells – The bassline heard round the world and Mustaine’s sarcastic snarl• 11:25 – Devil’s Island – How Megadeth twisted groove and speed into something new• 17:45 – The album’s strange second half – Covers, filler, and why “My Last Words” redeems it• 22:30 – Black Friday lore – occult inspiration, lost drummers, and high school memories• 29:00 – Mustaine’s voice and vision – divisive, theatrical, and always unpredictable• 34:20 – How this fits into 1986 – Megadeth vs Metallica vs Slayer, and what made Peace Sells distinct• 42:00 – Final verdict – Is Peace Sells... but Who’s Buying? essential? Listen in and find outSubscribe to Dig Me Out and be part of the Metal Union—where deep cuts, spirited debates, and forgotten classics are always on the table.🎧 digmeoutpodcast.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

The Glam Album That’s Actually Power Pop Gold: Enuff Z’Nuff’s Dazzling 1989 DebutYou’ve seen the neon. You’ve heard the name. But have you listened? Enuff Z’Nuff’s self-titled 1989 debut is a glittering paradox: glam on the outside, power pop on the inside. Packed with lush harmonies, Beatlesque melodies, and MTV-ready swagger, it was a record caught between worlds—and in this episode, we unpack every hook, story, and squealing solo.We dig into why this record, released in the chaos of late-’80s rock, still feels so timeless. From the genre-defying sound to the band’s rollercoaster history, we explore what makes Enuff Z’Nuff an underdog classic that not only beat Iron Maiden in a fan vote, but continues to inspire debate decades later.If you’re into Cheap Trick, Jellyfish, The Posies, or even early Oasis, this one’s for you. It’s glam with heart. Pop with punch. And a whole lot of sequins.🕰 Episode Highlights:0:00 – Intro song – Setting the scene: 1989’s crowded rock landscape5:12 – Flash and feel – Why the band’s look distracted from their sound12:45 – “New Thing” – The opener that blends Beatles melodies with Sunset Strip flash21:33 – “Fly High Michelle” – A ballad that’s more tender than its glam peers32:50 – Genre mismatch – Is this glam, power pop, or something else entirely?44:10 – Legacy and lore – The Madonna story, lineup chaos, and the band’s Midwest loyalty58:20 – Final verdicts – How the record holds up and why it still resonates💬 Liked the episode? Want more deep dives into underrated rock gems?Subscribe and share the podcast, and visit our community at digmeoutpodcast.com to support the show, explore archives, and join fellow music obsessives. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Before grunge wiped off the makeup and mainstream critics dismissed theatrical metal as style over substance, Lizzy Borden dropped one of the most ambitious—and overlooked—albums of the 1980s. Released in 1989, Master of Disguiseblended glam metal, power ballads, orchestral flourishes, and horror-movie aesthetics into a concept record that was equal parts rock opera and emotional purge.In this episode, we dig deep into how Master of Disguise pushed past genre expectations and created a space where the freaks, misfits, and dreamers could feel seen. From its reported inspiration from The Lost Boys to its cinematic flourishes (yes, there’s a harp solo), this is more than a metal album—it’s an outsider anthem dressed in velvet and menace.We talk about the band’s theatrical evolution, the emotional undercurrents buried beneath the makeup, and how this album fits into the lineage of concept records by artists like Alice Cooper, Queensrÿche, and Iron Maiden. If you’re into Operation: Mindcrime, Welcome to My Nightmare, or The Crimson Idol, you’ll want to listen all the way through.🎧 Episode Highlights:• 0:00 – [Intro] – A dramatic beginning: setting the stage for Lizzy Borden’s forgotten epic• 5:12 – Theatrical Metal as Catharsis – What glam and concept albums gave us that grunge never could• 12:34 – “Be One of Us” – How this eerie anthem channels The Lost Boys and vampire glam mythology• 18:50 – Production & Personnel – Horns, strings, and harp: the unexpected elements that elevate the album• 25:47 – Lizzy’s Vocal Personas – The shapeshifting voice that channels Dickinson, Rose, and Bowie• 33:02 – “Waiting in the Wings” – Vulnerability behind the mask in one of the album’s emotional standouts• 39:15 – Legacy & Influence – Why Master of Disguise deserves a seat at the concept album table• 45:20 – Final Verdicts – Is this a cult classic, a theatrical misfire, or something more complex?💥 Subscribe and Support:Love diving deep into underappreciated and iconic rock albums? Subscribe now on your favorite podcast platform and never miss an episode.🖥️ Visit digmeoutpodcast.com for our full archive and reviews This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Before “Close My Eyes Forever” lit up the charts, before Headbanger’s Ball turned her into a fixture, Lita Ford was already a rock warrior—grinding through the scene, guitar in hand, defying expectations. In this episode, we dig into Lita(1988), the album that wasn’t just a comeback—it was a recalibration of what a woman in hard rock could sound like, look like, and fight for.We explore how Ford’s solo career almost stalled out before a four-year gap led to her biggest moment yet. With Ozzy Osbourne on the mic, Lemmy and Nikki Sixx in the writing credits, and Sharon Osbourne pulling the strings, Lita fused glam metal polish with raw attitude. From cassette-era mall culture to late-night studio accidents that became iconic power ballads, this record is equal parts glitter and grit.If you love Joan Jett, Pat Benatar, Vixen, or the hard-edged side of 80s metal, this episode will hit all the sweet spots.🎙 Episode Highlights• 0:00 – "Back to the Cave" – How the album’s opener signals Ford’s return and reinvention• 6:45 – Lita's four-year gap – What stalled her momentum and how Lita flipped the script• 13:20 – "Close My Eyes Forever" – From Ozzy jam session to iconic duet• 21:05 – Production polish vs. hard rock grit – The album’s sonic tension and pop-metal crossover• 30:10 – Nikki Sixx and the untapped pop side – A glimpse into the album that could’ve been• 37:55 – Legacy check – Why Lita still matters in the history of glam, metal, and MTV-era rockSubscribe now and revisit the album that gave the glam metal boys a run for their Aquanet. 🎧🎸 Explore more at digmeoutpodcast.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

What happens when a band ditches thrash just as it goes mainstream… and dives headfirst into French poetry, industrial noise, and orchestral arrangements? You get Into the Pandemonium by Celtic Frost, a boundary-shattering 1987 album that still divides, bewilders, and inspires.In this episode, we dig deep into this genre-defying masterpiece that blurred the lines between black metal, gothic atmospheres, and avant-garde experimentation. Was it ahead of its time or just too weird to work? Either way, it’s unforgettable.We explore the album’s fascinating backstory—from label resistance and chart failure to its underground cult status and lasting influence on extreme music. Along the way, we unpack everything from Baudelaire lyrics and Bosch album art to dive-bomb guitar solos and operatic vocals. If you’re into the darker corners of 80s metal or love when bands break all the rules, this one’s for you.If you’re a fan of Ministry, Bauhaus, Slayer, or the experimental side of Metallica, hit play.🔍 Episode Highlights• 0:00 – Intro music – Why Into the Pandemonium is unlike any metal album from the 1980s• 5:57 – From Zurich to the underground – Celtic Frost’s chaotic path to cult legend status• 10:06 – Label friction – How Noise Records hated the record and refused to promote it• 14:36 – “Mexican Radio” – The controversial cover that opens the album on a strange note• 16:15 – Strings, chanting & French vocals – The bold sonic turns that confused fans• 20:01 – Thrash roots meet goth experimentation – Influences from Slayer to Baudelaire• 26:30 – What’s working: track highlights, including “Babylon Fell” and “I Won’t Dance”• 35:00 – What didn’t work: sequencing issues, divisive vocals, and industrial missteps• 44:00 – Legacy check – Why Celtic Frost influenced everyone from Napalm Death to Dave Grohl• 50:33 – Final verdicts: Is it a better EP, a classic album, or just a chaotic curiosity?📢 Subscribe, rate, and share this episode if you love uncovering the strange, daring, and totally unforgettable corners of rock and metal history.🎧 Dive deeper and support the show at digmeoutpodcast.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

What if one of punk rock’s most essential records wasn’t born in London or New York—but in a repressive corner of 1970s Australia? In this episode, we dive into I’m Stranded, the ferocious, lo-fi debut from Brisbane’s own The Saints—a band that burned bright before punk even knew what it was supposed to sound like.Recorded in just two days with cranked amps, no overdubs, and a heavy dose of youth rebellion, I’m Stranded delivers raw power with surprising musical depth. The Saints weren’t copying anyone—they couldn’t. Isolated from punk’s UK and US scenes, they built something unique: a mix of garage rock swing, proto-punk energy, and rock 'n' roll heart that would go on to influence everyone from Kurt Cobain to Mark Lanegan.This episode unpacks the album’s explosive origins, its unexpected impact overseas, and how the band’s refusal to conform—musically or stylistically—helped set a new standard for underground music. We also explore its enduring influence on punk, garage, grunge, and beyond.If you dig bands like The Stooges, The Damned, Radio Birdman, Nirvana, or The Hives, you’ll want to hear this one.🎧 Episode Highlights:• 0:00 – Intro track – Setting the scene: Brisbane in the 1970s and the birth of I’m Stranded• 2:30 – Police vans, DIY labels, and “Pig City” – The political tension that fueled The Saints' sound• 6:18 – The Saints vs. punk fashion – Why the band rejected industry makeovers and stayed true to themselves• 10:44 – "(I’m) Stranded" – Dissecting the title track's sneer, groove, and timeless rage• 15:00 – “Messin’ with the Kid” – Stones vibes meet Aussie grit in a proto-grunge ballad• 20:35 – Covers and deep cuts – From Elvis to New Zealand garage rock: the Saints' unlikely influences• 25:50 – Ahead of their time – How this 1977 album sounds like it could’ve dropped in 1998• 30:45 – The Saints’ legacy – From Bob Geldof’s praise to their influence on Nirvana and Seattle’s sceneCrank it up and join us as we rediscover I’m Stranded—a chaotic, soulful, and essential artifact in punk rock history.👂 Listen, subscribe, and explore more at digmeoutpodcast.com💬 Join the community and help pick future episodes at dmounion.comDon’t forget to rate and review—your support helps us keep digging up the lost classics that deserve your ears. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Before glam exploded and metal ruled MTV, one album tried to bridge the shred-heavy brilliance of Europe with the big-hook ambitions of American rock radio—only to be lost in the chaos of lineup changes and flashing lights. Literally.In this episode, we rediscover Assault Attack by the Michael Schenker Group—a cult classic released in 1982 that had everything going for it: a legendary guitarist, a powerhouse vocalist, and production by Martin Birch. So why didn’t it break through?We dig into the story behind the album’s creation, from the fallout after One Night at Budokan to the last-minute firing of Graham Bonnet before the band could tour. Along the way, we explore what makes Assault Attack stand out musically—from Schenker’s melodic riffing to the underrated grooves laid down by bassist Chris Glen and drummer Ted McKenna.This episode is for fans of underappreciated hard rock, for those who love when bands sound like bands (not just guitar showcases), and for anyone who’s ever found a hidden gem in the cassette bin and wondered how it got there. If you’re into Rainbow, UFO, or even Iron Maiden’s deeper cuts, this one’s got something for you.Episode Highlights• 0:00 – [Intro: “Assault Attack”] – The mystery of a great album no one saw live• 5:12 – [Band History] – How MSG went from Budokan to Bonnet• 12:45 – [Album Overview] – Birch’s production magic and the shift in sound• 21:30 – [“Desert Song”] – A haunting riff and vocal synergy• 29:00 – [“Broken Promises”] – The secret star: Chris Glen’s bass lines• 34:20 – [“Dancer”] – Big hooks, goofy lyrics, and Bonnet’s vocal drama• 42:00 – [Legacy & What-Ifs] – What could’ve been with Coverdale or a proper tour• 48:10 – [Community Pick] – How one vote brought this album into the spotlightDon’t Miss OutDig deeper into forgotten albums and the stories that shaped them. Listen to the full episode now, and if you want to have a say in what we cover next:👉 Subscribe at digmeoutpodcast.com👉 Join the Union and vote on future picks at dmounion.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

High and Dry: Def Leppard’s Gateway from NWOBHM to Arena Rock KingsBefore Hysteria took over MTV and Pyromania lit up the charts, Def Leppard were loud, raw, and hungry. Their 1981 album, High and Dry, was the crucial turning point—bridging the grit of the New Wave of British Heavy Metal (NWOBHM) with the polished, hook-laden sound that would dominate ‘80s rock radio. But does it get the recognition it deserves?This week, we go deep into Def Leppard’s unsung classic—breaking down the ferocious dual-guitar attack, the emergence of the power ballad, and why this album is the missing link between underground metal and stadium rock dominance.If you love AC/DC, Scorpions, Van Halen, or Judas Priest, this episode is for you.🔥 Episode Highlights:0:00 – “Lady Strange” (Intro) – Setting the stage: High and Dry as the transition between NWOBHM and mainstream rock5:12 – The sound of young, hungry Def Leppard – Raw energy, Mutt Lange’s production, and how the band sharpened their hooks12:45 – Pete Willis & Steve Clark: The ultimate riff duo? – How their partnership shaped High and Dry’saggressive yet melodic sound18:49 – “You Got Me Running” – The underrated gem hiding in High and Dry’s deep cuts21:02 – “Switch 625” – Steve Clark’s defining instrumental moment and its lasting impact on rock guitarists23:44 – “On Through the Night” – The overlooked link between Def Leppard’s NWOBHM roots and their stadium-filling ambitions28:12 – “Bringing on the Heartbreak” – The song that rewrote the rules of hard rock ballads (and set the stage for ‘80s power ballads)29:58 – “High ‘N’ Dry (Saturday Night)” – Def Leppard’s most unapologetic party anthem—was this their Highway to Hell moment?32:17 – “Bringing on the Heartbreak” (Mariah Carey Cover) – From Sheffield to pop royalty: How this song found an unexpected second life35:10 – The High and Dry legacy – Where does this album rank among Def Leppard’s best? Did it get overshadowed by Pyromania and Hysteria?Outro – “Let It Go” – Closing thoughts: Why this album still deserves a front-row seat in hard rock history🔊 Join the Discussion & Support the Podcast!💬 What’s your take on High and Dry? Underrated classic or just a stepping stone? Let us know in the comments!📢 Subscribe & Review! Help us keep rediscovering lost rock gems by rating the show on your favorite podcast app.🤘 Support us & get exclusive content at digmeoutpodcast.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

From Grand Prix to McAuley Schenker Group (MSG), Survivor, and the hard-hitting supergroup Black Swan, Robin McAuley has spent decades proving why he’s one of the most underrated vocalists in rock. Now, at 72 years old, he’s not slowing down—in fact, he’s getting heavier.In this episode, we sit down with Robin to discuss his brand-new solo album Soulbound (out Feb 28), his surprise detour into graphic design, and the odds of a Black Swan tour finally happening. We also take a deep dive into his MSG years, the pressure to write radio hits, and what it was like to have The Black Crowes open for him in 1990—before they blew up.If you’re a fan of Foreigner, Scorpions, Whitesnake, or classic hard rock with killer vocals, this episode is for you.🔥 Episode Highlights:0:00 – Intro: “Gimme Your Love” 5:12 – Supergroup that works? – How Black Swan became more than just a label project.9:51 – “Love Is Not a Game” 10:53 – Soulbound and the sound of 2024 – Why Robin’s newest album is his heaviest yet.18:50 – The truth about vocal longevity – Robin’s strict regimen that keeps his voice in top shape.23:05 – That Perfect Timing album cover… – Why Robin never wanted MSG’s name change.29:18 – The Black Crowes opened for MSG?! – Robin’s reaction when he saw their future coming.34:26 – The MSG Unplugged Tour – The risk of going acoustic in the early ‘90s.39:20 – Will Black Swan ever tour? – Reb Beach’s future might hold the answer.1:05:27 – “Soulbound” – The title track from Robin’s new solo album.1:10:00 – Outro: “Anytime” – Closing the show with MSG’s biggest hit.🔗 Stay Connected: Enjoyed the episode? Subscribe and leave us a review!🎧 More at digmeoutpodcast.com🚀 Join the DMO Union: dmounion.com📲 Follow us on social media for exclusive content and episode drops! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Our panel of metal experts to break down 1985—the year before metal's big explosion. Was it a golden age or just a transition? Our hosts Tim and Jason are joined by special guests Paul Lefevre (Bang Your Head Substack) and Tom Beaujour (Nothing But a Good Time, Axe Lords Podcast) to explore the records that still rip, the ones that fizzled, and the underground sounds that changed metal forever.💥 What made 1985 a turning point?💥 Which albums stood the test of time—and which ones haven’t?💥 Why did thrash explode while some hair metal flopped?💥 Who really owned 1985—Dokken, Anthrax, or W.A.S.P.?🚨 Subscribe & Support the Podcast 🚨🔥 Join the Dig Me Out Union and help shape future episodes → digmeoutpodcast.com🎧 Episode Highlights & Timestamps[00:00] 🎙 Intro & Setting the Stage[05:00] 🤘 Meet the Guests[10:30] ⚡ What Made 1985 a Weird Metal Year?[15:45] 🔥 Albums That Stood the Test of Time[30:20] 💀 The Albums That Haven’t Aged Well[45:10] 🎭 The Strange Divide: Hair Metal vs. Thrash[57:30] 🏴‍☠️ The Underground Awakens[1:05:00] 🤯 Did 1985 Kill Classic Metal?[1:15:00] 🤔 Final Picks: What Album Defines 1985?[1:30:00] 🔗 Where to Find Our Guests & Closing Thoughts📌 Follow Our Guests & Check Out Their WorkPaul Lefevre📖 Bang Your Head (Metal Writing) → bangyourhead.substack.com🎮 Go to 10 Retro (Gaming & Tech Nostalgia) → go-to-10-retro.comTom Beaujour📚 Pre-Order Lollapalooza: 1991-1997 → Buy Here🎸 Axelords Podcast (Guitars & Rock Culture) → YouTube Channel🌎 More from Tom → TomBeaujour.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Ready to uncover a hidden treasure of late 80s metal? In this episode, we take a deep dive into Vain's debut album No Respect—an overlooked gem from the glam metal scene’s final years. Hear how the San Francisco band crafted a raw, dark take on glam with thrash and punk influences, setting them apart from the Sunset Strip's neon excess. We’ll explore the album’s dynamic guitar work, Davey Vain’s emotionally charged vocals, and the industry challenges that kept them under the radar. Discover why No Respect still holds up decades later. Don’t miss it—listen now, share with a friend, and subscribe for more stories from rock’s hidden history. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

In this special crossover episode, we’re spotlighting Buffalo’s 1973 Volcanic Rock—a raw, proto-metal gem that helped shape the sound of 80s Metal and 90s Rock. With primal riffs and fearless energy, Buffalo laid the groundwork for the heaviness embraced by bands like Metallica and Soundgarden. Picture it: the airwaves dominated by Dark Side of the Moon, Zeppelin’s Houses of the Holy, and Sabbath’s Sabbath Bloody Sabbath. Rock was entering its teenage years, shedding its innocence for something darker, more primal. Halfway around the world, Australia was a raw, untamed frontier where danger lurked in every shadow. Venomous creatures, desolate outback stretches, and a wild, unrelenting spirit shaped the people and their art. It was here, in this harsh and unpredictable landscape, that Buffalo unleashed their sophomore album, Volcanic Rock, on Vertigo Records. Like the searing sun, it scorched a path for heavy music, standing defiantly alongside its better-known contemporaries.Buffalo was no Zeppelin or Sabbath knockoff. This Brisbane-to-Sydney transplant created their own blend of bluesy grit and proto-metal menace. Formed initially as “Head,” their pivot to Buffalo was guided by a manager who believed that bands starting with “B” (Beatles, Beach Boys) were bound for success. A dart on a map landed on Buffalo, and thus began a name and sound etched in volcanic fury.Heavy as Hell, Raw as the OutbackVolcanic Rock lived up to its name—primitive, thunderous, and unpredictable. With Dave Tice’s raw vocal delivery leading the charge, and guitarist John Baxter’s primal riffage painting sonic landscapes, the album combined blues-rock roots with a proto-doom intensity that felt otherworldly. Songs like “Freedom” deliver nine-minute odysseys, meandering through psychedelic jam territory before crashing back into riff-laden crescendos.Yet, the record wasn’t just music—it was spectacle. Its controversial cover art—a volcano shaped like a female torso spewing lava—reflected the wild creativity and raw edge of the band’s ethos. It was shocking then and remains iconic now, an image as bold as the sound within.Misfits in a Golden AgeDespite their innovative sound, Buffalo never quite broke through. Opening for heavyweights like Black Sabbath and Rainbow, they faced the mischief of tour mates like Ritchie Blackmore, who infamously sabotaged their set. Still, they soldiered on, creating an album that influenced generations of grunge, stoner rock, and doom metal—long before the labels existed.But Buffalo’s story is also one of commercial failure and creative frustration. Pushed by their label to pivot toward radio-friendly fare, they resisted, choosing instead to blaze their own trail. By the time their final album, Average Rock ’n’ Roller, hit shelves in 1977, the band was running on fumes. Yet, Volcanic Rock remains their defining statement, a timeless blueprint for heavy rock adventurers.The Legacy: Why Volcanic Rock Still MattersSo why revisit Volcanic Rock in 2025? Because it’s an artifact of pure, unadulterated rock energy—a raw, imperfect gem that prefigures everything from Kyuss to Queens of the Stone Age. Its primal simplicity, coupled with its audacious ambition, captures the essence of a time when rock was still dangerous.Want to know more? Dive into the latest episode of the Dig Me Out podcast, where we explore Buffalo’s story in greater detail. From the album’s creation to its lasting influence, it’s an in-depth discussion you won’t want to miss. Stream Volcanic Rock, then tune in to our episode to join the conversation and rediscover the molten core of 70s hard rock.Songs in this Episode:* Intro - Intro: Pound of Flesh* 22:21 - The Prophet* 28:28 - Freedom* 32:01 - Shylock* 52:44 - Sunrise (Come My Way) - Dave Tice's Buffalo Revisited* Outro - 'Til My DeathMake Your Voice Heard!In our quest to explore the depths of 80s metal we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time.Rescue an Album → | Support the Mission → This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Picture this: It’s a crisp January morning in 1980. The new decade is fresh, brimming with possibility, and you’re flipping through the racks at your favorite record store. Disco is slipping out of fashion, punk’s rebellious roar still echoes, and the New Wave is gathering momentum. Amidst all this change, Rush—a band known for their sprawling progressive rock epics—is about to redefine themselves.The moment you unwrap Permanent Waves and place the needle down, something shifts. The opening notes of “The Spirit of Radio”cut through the speakers like a beacon for the new era. You’re swept into a world where Rush balances complexity with accessibility, progressive rock with mainstream ambition. The album was a turning point for a band about to define their legacy.A Balancing Act Between Complexity and AccessibilityPermanent Waves, recorded at the now-legendary Le Studio in Morin Heights, Quebec, marked the beginning of Rush’s iconic 80s run. With Terry Brown returning as producer, the album showcased a deliberate pivot. Gone were the sprawling epics of Hemispheres (1978). In their place were tightly constructed, thematically sharp tracks that leaned into shorter runtimes while still showcasing the band’s virtuosity .This album reached number four on the U.S. Billboard 200 and number three in Canada, earning gold and platinum certifications. Not only was it a commercial success, but it also marked the first time the band broke even on a tour, thanks to nine months on the road supporting the record .A Showcase of Rush’s EvolutionThe album opens with “The Spirit of Radio”, an anthem to music’s transformative power. Lifeson’s shimmering guitar riff, Peart’s intricate drumming, and Lee’s powerful vocals meld into a track that bridges progressive rock and radio-friendly melodies. Its unexpected reggae breakdown was a bold experiment, cementing the song’s status as a classic.“Free Will”, the second single, explores existentialism with blistering technical interplay between guitar and bass. Meanwhile, deeper cuts like “Jacob’s Ladder” unfold like a storm—a dark, atmospheric journey that builds into an otherworldly crescendo.A surprising inclusion as a single was “Entre Nous”, released in April 1980. Despite its relatively low profile in Rush’s live sets, it encapsulates the album’s lyrical intimacy, proving that even Rush’s quieter moments pack a punch .Is Rush Metal?The Permanent Waves episode of Dig Me Out reignited the perennial debate: Is Rush a metal band? While their technical prowess and influence on the genre are undisputed, Rush has always been more at home in progressive rock. However, their heavier tracks, like those from 2112 and even moments on Permanent Waves, ensured they earned respect among metal fans and artists alike .Why Permanent Waves Still ResonatesWith its release, Permanent Waves wasn’t just another Rush album; it was a declaration of intent. The band embraced the future while honoring their past, delivering an album that remains a cornerstone of progressive rock. Decades later, it’s still finding new fans and delighting old ones. As a Dig Me Out listener said: “This album has grown with me. I’ve owned it on every format, and it never gets old” .Dust off your vinyl or pull it up on your favorite streaming platform—Rush’s Permanent Waves deserves a fresh listen. If this record still gives you chills or you’re discovering it for the first time, let us know. Songs in this Episode * Intro - The Spirit of the Radio * 27:20 - Jacob's Ladder * 35:33 - Natural Science * 41:17 - Freewill * Outro - The Spirit of the RadioMake Your Voice Heard!Rush fans, prog rock enthusiasts, and curious listeners, this one’s for you! Your input drives our journey into the music that defined eras. From underrated classics to monumental masterpieces like Permanent Waves, we rely on you to shape the episodes we bring to life.By joining the DMO Union on Patreon, you help keep us independent and ad-free while gaining the power to vote on and choose the albums we dive into each year. Together, we’ll continue celebrating the art, the stories, and the magic of progressive rock and beyond—one listener-powered episode at a time.Dig Me Out is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

In 1987, the world of rock and metal was ruled by flamboyant frontmen and larger-than-life bands. But with Surfing with the Alien, Joe Satriani flipped the script. An instrumental album led not by a voice but by six strings, it captured the imaginations of rock fans and musicians alike, proving that the guitar itself could sing.Joe Satriani’s Surfing with the Alien is often hailed as a milestone in instrumental rock, but its legacy isn’t without debate. While many view it as a masterful fusion of melody and virtuosity, others see it as emblematic of a niche genre that struggles to connect emotionally with a wider audience. Released in 1987, the album showcased Satriani’s technical brilliance and melodic instincts, but its reception reflects a mix of awe, skepticism, and nostalgia.The Story Behind the AlbumSatriani’s journey to guitar stardom began modestly, teaching guitarists like Steve Vai and Kirk Hammett while scraping by in California’s music scene. After a lukewarm reception to his 1986 debut, Not of This Earth, Satriani poured everything he had—financially and creatively—into his follow-up, Surfing with the Alien. The result was a lean, melody-focused album recorded on a modest $13,000 budget that sought to balance technical guitar work with a broader emotional appeal.The album’s comic book-inspired cover, featuring Marvel’s Silver Surfer, hinted at the larger-than-life ambitions within. Tracks like the title song and “Satch Boogie” delivered on that promise with dizzying technicality, while the ballad “Always With Me, Always With You” showed a more tender, melodic side. These contrasts earned Satriani critical acclaim and a Grammy nomination, yet the album’s broader appeal has remained divisive.A High-Water Mark for Some, Overindulgent for OthersFor fans of instrumental rock, Surfing with the Alien is a triumph. Its melodic hooks and memorable themes make it stand out in a genre often criticized for prioritizing flash over substance. Songs like “Ice 9” and “Crushing Day” blend technical mastery with accessibility, offering riffs and melodies that resonate well beyond the confines of the guitar-obsessed. It’s an album that has moments of brilliance, where the guitar takes on the role of a vocalist, singing stories through its strings.But not everyone is moved by its charms. For some, the album represents the limitations of instrumental guitar music—tracks that, while impressive, can feel like exercises in technique rather than fully realized emotional experiences. The lack of lyrics and a frontman, which are often strengths for Satriani’s fans, are viewed as barriers for those who find the album’s tone more clinical than heartfelt. Surfing with the Alien’s success in breaking into the mainstream is undeniable, yet its staying power with broader audiences remains a topic of contention.A Snapshot of a Moment in Rock HistoryReleased at a time when guitar gods like Eddie Van Halen and Yngwie Malmsteen were dominating rock, Surfing with the Alien carved out its own niche. Unlike the baroque complexity of Malmsteen or the blues-rock swagger of Van Halen, Satriani’s approach was focused on melody and structure. While technically dazzling, his songs were crafted to stick in the listener’s mind, often resembling vocal melodies translated to the guitar.Yet, the album’s groundbreaking status also reflects a specific era. Its mix of virtuosic playing and synthesized production feels firmly rooted in the 1980s, which can be both an asset and a drawback depending on the listener. For those nostalgic for that era, Surfing with the Alien is a time capsule of innovation and possibility. For others, it may feel dated or too polished compared to the raw energy of vocal-driven rock bands of the same time.The Legacy of Surfing with the AlienSurfing with the Alien undeniably shaped the trajectory of instrumental rock. It reached number 29 on the Billboard 200, stayed there for 75 weeks, and went platinum—an astonishing feat for an instrumental album. Tracks like “Always With Me, Always With You” remain staples of Satriani’s live performances, while “Satch Boogie” showcases his ability to blend technical prowess with funk-inspired grooves.Satriani’s influence extends beyond his own discography. His teaching career helped shape the sounds of rock icons like Steve Vai and Kirk Hammett, and his innovations—like pitch axis theory—continue to inspire guitarists across genres. However, the debates surrounding the emotional impact and relatability of his music highlight the challenges instrumental albums face in achieving universal acclaim.Surfing with the Alien remains a touchstone for guitar enthusiasts and a divisive topic for others. It’s an album that sparks both admiration and critique—praised for its melodic ingenuity and technical mastery, but also questioned for its ability to connect on a deeper emotional level. Whether it’s a groundbreaking classic or a niche curiosity depends on where you stand in the conversation about instrumental rock.For those willing to dive in, Surfing with the Alien offers a ride through the outer reaches of what the guitar can achieve. Whether it leaves you awestruck or searching for something more, one thing is certain—it’s a journey you won’t forget.Songs in this Episode* Intro - Crushing Day * 18:44 -Right Thru Me - Nicki Minaj * 23:29 - Ice 9 * 25:03 - Surfing with the Alien * 26:18 - Echo * 27:28 - Satch Boogie * 29:27 - Hill of the Skull * Outro - Lords of KarmaMake Your Metal Voice Heard!In our quest to explore the depths of 80s metal, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time.Suggest an Album → Dig Me Out is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe