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Drama of the Week
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Franz Kafka’s dark comic fantasy about an innocent’s misadventures in early 20th century America.After a mysterious family scandal, the young immigrant Karl Rossman is expelled from his Bohemian home and dispatched to America by his parents. Adrift in this strange new world, Karl is soon swept up in an America that is by turns a land of endless promise and monstrous brutality.The Man Who Disappeared (also known as Amerika) was Franz Kafka’s first attempt at a novel but remained unfinished at the time of his death and only published posthumously. Kafka had never visited America and the fantastical world of his novel is clearly inspired by the myths and fears wrapped up in the country’s great economic boom of the early 20th century, particularly the rapid rise of big business and industrialisation.A new adaptation by Ed Harris.Karl . . . . . Divian Ladwa
Narrator . . . . . Fenella Woolgar
Jacob . . . . . Karl Johnson
Mr Green . . . . . Ed Gaughan
Delamarche . . . . . Charlie Anson
Robinson . . . . . Ian Dunnett Jnr
Head Cook . . . . . Jessica Turner
Klara . . . . . Anna SpearpointProduction co-ordinator: Ben Hollands
Sound design: Peter Ringrose
Director: Sasha YevtushenkoA BBC Studios Audio productionEd Harris is an award-winning dramatist and comedy writer. He has had over 20 audio plays broadcast on BBC Radio 3 and 4, as well as three series of his popular wartime sitcom, Dot. His work has won numerous awards including two Writers’ Guild Awards, a BBC Audio Drama Award and a Sony Gold/Radio Academy Award. His stage plays include Strangers Like Me (National Theatre Connections), Mongrel Island (Soho Theatre), Never Ever After (shortlisted for the Meyer-Whitworth Award) and What The Thunder Said (Theatre Centre). He is a current Royal Literary Fellow at Brighton University and Writer-in-Residence for the Oxford Kafka 2024 programme at Oxford University.
By Ed HarrisAn intimate and mischievously punk telling of Franz Kafka’s most significant romantic relationship. Franz and Felice follows the twists and turns of the writer’s relationship with Felice Bauer, how events in their relationship burst violently into Kafka’s stories and imagination, and how his stories responded. And how everything, real and invented, played out in the shadow of his father, the dark presence always ready to enter from the room next door.Narrator . . . . . Anton Lesser
Franz . . . . . Ashley Margolis
Felice . . . . . Abigail Weinstock
Ottla . . . . . Anna Spearpoint
Guide . . . . . Clare Corbett
Max . . . . . Ian Dunnett Jnr
Grete . . . . . Lily Anne LefkowProduction co-ordinator: Ben Hollands
Sound design: Peter Ringrose
Director: Sasha YevtushenkoA BBC Studios Audio productionEd Harris is an award-winning dramatist and comedy writer. He has had over 20 audio plays broadcast on BBC Radio 3 and 4, as well as three series of his popular wartime sitcom, Dot. His work has won numerous awards including two Writers’ Guild Awards, a BBC Audio Drama Award and a Sony Gold/Radio Academy Award. His stage plays include Strangers Like Me (National Theatre Connections), Mongrel Island (Soho Theatre), Never Ever After (shortlisted for the Meyer-Whitworth Award) and What The Thunder Said (Theatre Centre). He is a current Royal Literary Fellow at Brighton University and Writer-in-Residence for the Oxford Kafka 2024 programme at Oxford University.This drama was originally broadcast on BBC Radio 4.
By Helen Cross.Rose has made a fresh start in the City of Angels and life feels good. But she can't ignore the past, and now it's starting to bite.Her ex-boss Maya is loving never getting older and has Rose to thank for that. Maya has big plans for a 'rejuvenation' spa in the California hills, but Rose suspects all is not what it seems. On top of that she's worried that someone, or something, is trying to send her telepathic messages. But are they to warn her, or frighten her?Stylish and surprising fantasy horror with a comic twist, starring Alexandra Mardell (Coronation Street) and Demetri Goritsas (Ten Percent). With music by Dana Margolin and Sam Yardley of Mercury-nominated band, Porridge Radio.Helen Cross wrote ‘My Summer of Love’ which won a Betty Trask award and was made into a Bafta-winning film with Emily Blunt (recently rated her best film in The Guardian top ten Emily Blunt films). Mary Ward-Lowery won Best Director in 2020 Audio Drama Awards.Rose ... Alexandra Mardell
Maya ... Miranda Braun
Austin ... Demetri Goritsas
Siobhan ... Deirdre Mullins
Delphine ... Yasemin Özdemir
Mam ... Jane Thornton
Jack ... Tyler Cameron
Gym owner ... Don Gilet
Dakota ... Rhiannon Neads
Alina ... Kitty O'Sullivan
Englishman ... Martin Bonger
Angry Man ... Douglas Hodgson
Gully ... Bruce CasswellOriginal music written and performed by Dana Margolin and Sam Yardley of Porridge Radio.Sound design by Ilse Lademann and Mary Ward-Lowery
Assistant Producer ... Alison Crawford
Director ... Mary Ward-Lowery
By Samantha Harvey. Mum drives through the Dark Hedges, crossing a threshold into a different world. Read by Deirdre Mullins.Topical fiction inspired by the story, in this week's news, that some of the beech trees that line the Bregagh Road in Armoy, County Antrim, have been felled amid concern for public safety. The trees, a landmark in their own right, were made more famous after featuring in the fantasy drama Game of Thrones.Samantha won the Betty Trask Prize for her first novel The Wilderness, which was longlisted for the Man Booker, and shortlisted for the Orange Prize and the Guardian First Book Award. Her work has been described by critics as 'spectacular', 'beautiful' and 'profound', and her latest novel, 'Orbital', an 'awe-inspiring and humbling love letter to Earth', has been selected by The Guardian as one of the most important books of 2023.Producer: Mary Ward-Lowery
Atmospheric drama from BBC Radio 4 with bonus scenes for BBC Sounds, featuring original music by Imelda May.Have you ever wondered where the term 'gaslighting' comes from? Find out in episode 1 of this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton. To hear the series in full, just search for Gaslight in BBC Sounds.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.Jack Manningham has used his wife’s recently inherited money to buy a huge period property - a former bell foundry - which they will renovate. They occupy a small habitable part of the ground floor and basement. This previously neglected ramshackle building is lit by gas, as it was in Victorian times.In this first episode, Jack and Bella find a house that suits them and there's a lot riding on the screening of their latest film.Cast in order of appearance:Tippi Griffiths ..... Lacey Turner
Jack Manningham ..... James Purefoy
Bella Harding ..... Rebecca Night
Ishani Rawe / Izzy ..... Macadie Amoroso
DCI Nina Rawe ..... Cathy Tyson
DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy
Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds
Dan's life is in danger. To what lengths will Jess go to save him?Jess now knows the truth about Ronnie Vaz's relationship to Dan. But she's sucked even deeper into the violent world of his drug gang. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks).Jess.....Holli Dempsey
Dan.....Josef Altin
Melissa......Alexandria Riley
Petal.....Rina Mahoney
Mother.....Christine Kavanagh
Ronnie.....Alun Raglan
Gallery Director....Jasmine Hyde
Magnar.....Neil McCaulSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Jess now knows the truth about Ronnie Vaz's relationship to Dan. But she's sucked even deeper into the violent world of his drug gang. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks).Jess.....Holli Dempsey
Dan.....Josef Altin
Melissa......Alexandria Riley
Petal.....Rina Mahoney
Mother.....Christine Kavanagh
Ronnie.....Alun Raglan
Gallery Director....Jasmine Hyde
Magner.....Neil McCaulSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Jess has returned to Dan, despite her misgivings. In revenge for his secretive behaviour, she snorts a line of DMT. And experiences a terrifying trip. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks).Jess.....Holli Dempsey
Dan.....Josef Altin
Henry.....Brendan Charleson
Janey.....Jasmine Hyde
Ronnie.....Alun Raglan
Petal.....Rina MahoneySound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Jess has left Dan, the dockside studio and the grimy, violent world of Ronnie Vaz behind. But something is pulling her back. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks).Jess.....Holli Dempsey
Dan.....Josef Altin
Henry.....Brendan Charleson
Janey.....Jasmine Hyde
Ronnie.....Alun Raglan
Petal.....Rina Mahoney
News Reader.....Chris JackSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Jess starts her first paid commission as an artist, painting a work for Dan's employer Ronnie Vaz. But she also discovers the true nature of Vaz's business empire. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Written by Faebian Averies.Jess.....Holli Dempsey
Dan.....Josef Altin
Clem…..Francois Pandolfo
Melissa.....Alexandria Riley
Petal.....Rina Mahoney
Security Guard.....Chris JackSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Jess discovers more about the shadowy world Dan moves in, but she's also increasingly aware of its benefits. She's moved into the dockside studio owned by Dan's employers - the gangster-run Tactical Security. And though Dan himself remains something of a mystery, the studio is starting to inspire Jess’s art. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks). Written by Faebian Averies.Jess.....Holli Dempsey
Dan.....Josef Altin
Clem…..Francois Pandolfo
Melissa.....Alexandria Riley
Ryan.....Justice Ritchie
Petal.....Rina Mahoney
Security Guard.....Chris JackSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Dan has reappeared just as mysteriously as when he vanished. Can Jess trust him.? And is he boyfriend or predator? Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks).Jess.....Holli Dempsey
Dan.....Josef Altin
Melissa.....Alexandria Riley
Daisy....Grace Cooper MiltonSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
When aspiring artist, Jess, is injured during an environmental protest, she’s taken to hospital by a kind stranger. And then the stranger becomes her boyfriend. And then he disappears. Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of Tracks).Jess.....Holli Dempsey
Dan.....Josef Altin
Melissa.....Alexandria Riley
Desk Sergeant.....Chris Jack
Security Guard.....Jasmine Hyde
Mark.....Neil McCaulSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Jess is an aspiring artist with synaesthesia, which means that she sees colours and patterns when she hears certain sounds. When Jess collapses and hits her head during an environmental protest, she meets the engimatic Dan. This meeting will change both of their lives.Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of podcast drama Tracks).Jess.....Holli Dempsey
Dan.....Josef Altin
Johnny.....Tom Byrne
Melissa.....Alexandria Riley
Petal.....Rina Mahoney
Daisy.....Grace Cooper MiltonSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Jess is an aspiring artist with synaesthesia, which means that she sees colours and patterns when she hears certain sounds. When Jess collapses and hits her head during an environmental protest, she meets Dan and falls in love. This relationship changes both of their lives. But Dan has a shadowy career, working for a criminal gang who are running drugs. He’d like to escape from this way of life, but Jess is increasingly pulled towards it.Holli Dempsey and Josef Altin star in a new thriller of conflicting perception from Matthew Broughton (the creator of podcast drama Tracks).Jess.....Holli Dempsey
Dan.....Josef Altin
Johnny.....Tom Byrne
Melissa.....Alexandria Riley
Petal.....Rina Mahoney
Daisy.....Grace Cooper MiltonSound design by Catherine Robinson and Nigel Lewis
A BBC Cymru Wales production for BBC Radio 4, directed by John Norton and Emma Harding
Exercise your imagination with some of the best writers and actors on radio.
Presented by Paul French
Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain
Zaichek . . . . . Leo Wan
Roy . . . . . Daniel York Loh
Leopard . . . . . Chris Lew Kum Hoi
Tatiana . . . . . Charlotte East
Anton . . . . . Luke Nunn
Marie . . . . . Cecilia Appiah
Saxsen . . . . . Ian Dunnett Jnr
The MC . . . . . Roger Ringrose
Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.
Presented by Paul French
Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain
Zaichek . . . . . Leo Wan
Roy . . . . . Daniel York Loh
Leopard . . . . . Chris Lew Kum Hoi
Tatiana . . . . . Charlotte East
Anton . . . . . Luke Nunn
Marie . . . . . Cecilia Appiah
Saxsen . . . . . Ian Dunnett Jnr
The MC . . . . . Roger Ringrose
Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.
Presented by Paul French
Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain
Zaichek . . . . . Leo Wan
Roy . . . . . Daniel York Loh
Leopard . . . . . Chris Lew Kum Hoi
Tatiana . . . . . Charlotte East
Anton . . . . . Luke Nunn
Marie . . . . . Cecilia Appiah
Saxsen . . . . . Ian Dunnett Jnr
The MC . . . . . Roger Ringrose
Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.
Presented by Paul French
Drama written by Sarah WooleyWhatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.Shura saw it all; Shura lived through it all; Shura, in part, explains it all.Shura . . . . . Maggie Bain
Zaichek . . . . . Leo Wan
Roy . . . . . Daniel York Loh
Leopard . . . . . Chris Lew Kum Hoi
Tatiana . . . . . Charlotte East
Anton . . . . . Luke Nunn
Marie . . . . . Cecilia Appiah
Saxsen . . . . . Ian Dunnett Jnr
The MC . . . . . Roger Ringrose
Anna . . . . . Jane WhittenshawEditing and sound design by Peter Ringrose.Directed by Sasha Yevtushenko.
when's part 2
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Loved it
Is it American English?
who wrote this?
Thank you to all you everyday humans, who do heroic deeds everyday! What a well told, heart-achingly beautiful story.
I didn't want this story to end. Thank you.
❤❤❤
loved this, cleverly done . keep the good work up. more please.
What a brilliant absolutely brilliant representation. This is a heart-breakingly moving story. Thank you.
they should really seperate the audio drama SERIES from the anthologies
beautiful and relatable story i feel like its natural for br0thers to have this competitive nature when they are young but move on. the parents favoritism can be a harmful trait that can often discourage those who still listen to their parents or look at them for guidance. what matters is not the parents regressive view but how we relate and share our experiences with our siblings. i think, any sibling should take a listen
mary has the most sporadic emotionally anxious personality. i love you one minute, i dont want to leave u, i belong to my daughter walter, i dont want you to leave, i approve of your trip to africa >hey lets go swimming tf??
had me THE whole time! well done!
Lol
Intriguing stuff! It reminds me of one of those children's mysteries I used to watch. You know, kids investigate something and get far more than they bargained for. I'd call this "an extended trailer" though, to make you download BBC Sounds for the rest of it.
This is a superb drama. The quality of the production is excellent and the story line is full of tension from start to finish. ⭐⭐⭐⭐⭐
I loved this story! well told well done!
okay, I'm unsubscribing because BBC requires me to install yet another app. on my phone and only proved partial dramas here. It is a gamble for the BBC but lets see if it pays off.
so entertaining i was expecting her mom to say that she regrets not loving her child