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EVERYTHING ALOUD

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We vision the outlook, we live and breathe creativity.
We are highly impelled and contemplative about cutting edge concepts; film & music, as well as maintaining a clear visual of the conventional perspectives of art & entertainment.
We believe in development, consistency and excellent work ethic! We like to look like no other. We greatly believe that sublime text, imagery and design effects a persons state of mind. We apply an immense quality and expense in marketing and strategic thinking in getting the peoples messages beyond the traditional vision as we know today in the most effective way. The question is, where is your vision and how far are you looking to go?
Our professional team are dependable, authentic and creative, and we work with our clients vision not just ours.
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MARCH NINTH NOT FORGETTING THESE BANGERS  is the followup from the first BIG mix. This is also a weighty, melodic memorial  tribute to the late great Biggie Smalls. Unlike preceding festivity celebrations of the late great Christopher 'Notorious BIG' Wallace this mix showcases the full length, more straight forward mix with some playful abstract, slapstick style mixing of some of the great and lyrically skilful, storytelling, impactful hiphop Biggie tracks from 'Ready To Die' album to 'Life After Death'.  With both Biggie's parents being from Jamaica, this specific mix has a Jamaican atmospheric 'Sting' festival vibe to it. Always Playing With The Music.  
MARCH NINTH

MARCH NINTH

2020-03-1142:01

MARCH NINTH is a weighty, melodic memorial  tribute to the late great Biggie Smalls. Unlike preceding festivity celebrations of the late great Christopher 'Notorious BIG' Wallace this mix showcases the full length, more straight forward mix with some playful abstract, slapstick style mixing of some of the great and lyrically skilful, storytelling, impactful hiphop Biggie tracks from 'Ready To Die' album to 'Life After Death'.  With both Biggie's parents being from Jamaica, this specific mix has a Jamaican atmospheric 'Sting' festival vibe to it. Always Playng With The Music. The murder of Christopher Wallace, better known by his stage names "the Notorious B.I.G." and "Biggie Smalls", occurred in the early hours of March 9, 1997. The hip hop artist was shot four times in a drive by shooting in Los Angeles, California. Only one shot, upon examination, was fatal.
PARTY AND BULLSH#T HIPHOP ROOM is a wild ‘Live’ mix with a sprinkle of that HIPHOP Flavour. Random, abstract playing and bullying the music outside its melodic circumference.  What 'BOX'? Trying to find new ways!  
PARTY AND BULLSH#T DANCE ROOM is a wild ‘Live’ mix with a sprinkle of that House vibe. Random, abstract playing and bullying the music outside its melodic circumference.  What 'BOX'? Trying to find new ways!  
ST VALENTINES MASSACRE ESCAPE ROOM B is a loveable marriage of heavy bangers for the 30+. WARNING: PLEASE PRACTICE SAFE SEX WHEN LISTENING...UNLESS YOU'RE SOLO OR BOTH PLANNING A FAMILY!  
ST VALENTINES MASSACRE ESCAPE ROOM A is a loveable marriage of heavy bangers for the 30+. WARNING: PLEASE PRACTICE SAFE SEX WHEN LISTENING...UNLESS YOU'RE SOLO OR BOTH PLANNING A FAMILY!    
WARNING ONLY FOR THE BOOMBAP 35+ LISTENERS is a fun mini freestyle cut and screwed with a selection of some of HIPHOP's classics. Boom Bap is a style/sub-genre of hip hop characterized by hard-hitting drums, usually containing the kick drum/snare drum/hi-hat combination rather than claps, snaps, TR-808 bass drums, cowbells, shakers, and various other percussion sounds used for rhythm. KOBE BRYANT COMMENTARY TRIBUTE AT THE END  
BREATHE BOASTY

BREATHE BOASTY

2020-01-1203:20

BREATHE BOASTY is a raw freestyle one take of the 'Boasty' Acapella and 'Breathe' Instrumental. Artist: Wiley Song: ‘Boasty’ Acapella  Producer: Mucky Toddla T   Artist: The Prodigy Song: ‘Breathe’ Instrumental Producer: Liam Howlett  
STORMZY OR WILEY 'ROUND II' FUN CLASH is a raw freestyle mix of Stormzy's 'Still Disappointed' and Wiley's ' Eediyat Skengman 2'.   The spat, which began on Twitter , has however taken a more personal turn in recent days with both performers releasing diss tracks about the other. Wiley, 40, was first on the draw with Eediyat Skengman - which essentially means 'idiot Stormzy' - a track which accused Stormzy of having "watered down music" and being "worse than Ed." The 26-year-old, who headlined Glastonbury last year, then dropped Disappointed, in which he called his rival a "crackhead c***" and threatened to "bust [his] lip." Of course this only prompted retaliation from Wiley, in the form of Eediyat Skengman 2, which included the lyric: "If I see your mum at Croydon market, I'm going to rip that weave off her head." In his latest response though, Still Disappointed, Stormzy claims that Wiley was forced to move his mum abroad to Cyprus because he "put her life in danger." The feud has inevitably gripped music fans across the UK and those on social music, with many speculating on who has won the battle so far.
BROWN & SWEET JUST LIKE THE CHOCOLATE WITH A SPRINKLE OF POISON is a raw freestyle. Artist: Wiley Song: Boasty 'Acapella' Producer: Mucky Toddla T   Artist: Bell Biv Devoe  Song: Poison Producer: Elliot Straite   
SPICY DUMPLINGS

SPICY DUMPLINGS

2020-01-0803:27

SPICY DUMPLINGS is a raw freestyle.  Artist: Spice Girls  Song: Wannabe 'Acapella' Producer: Matt Rowe & Richard Stannard     Artist: Stylo G  Song: Dumpling 'Instrumental' Producer: 365 Records Limited    
I KNOW HOW IT FEELS 'NOTORIOUS & BOASTY' Raw freestyle.  Artist: Notorious B.I.G Song: Everyday Struggle 'Acapella' Producer: The Bluez Brothers    Artist: Wiley Song: Boasty 'Instrumental' Producer: Mucky Toddla T  
B.I.G BOP

B.I.G BOP

2020-01-0803:18

B.I.G BOP is a raw freestyle. Artist: Notorious BIG Song: Mo Money, Mo Problems Acapella  Producer: Stevie J   VOSSI BOP Instrumental Artist: Stormzy  Producer: Chris Andoh  
READY & BOASTY

READY & BOASTY

2020-01-0302:51

READY & BOASTY Raw freestyle. 'BOASTY INSTRUMENTAL' Artist: Wiley Producers: Mucky; Toddla T 'FUGEES ACAPELLA' Artist: Fugees Producers: Nelust Wyclef Jean, Samuel Prakazrel Michel, Lauryn Hill, Jerry Duplessis
MY FAVOURITE POET 'THE LOST MIX' East Coast rapper Nas made it big with albums such as Illmatic, It Was Written and Stillmatic.  Hailing from Queensbridge, New York, Nas made a huge impact in the early 1990s with Illmatic, widely regarded as one of the greatest rap albums of all time. While he has arguably never hit such heights again, he has nevertheless sold 25 million records, received worldwide critical acclaim, engaged in a notorious beef with Jay Z, and married — and divorced — the R&B star Kelis. His place in hip-hop's pantheon is secure. From Nasir to Nasty to Nas Born Nasir Jones, in Queens, New York, on September 14, 1973, Nas is the son of jazz musician Olu Dara. He was raised in Queensbridge Houses — the largest public-housing project in America — where he wrote stories about his life growing up there. Despite his talent for writing, Nas dropped out of school in eighth grade, and his life on the streets would fuel a new style of writing: rap lyrics. His first mentor was Willy "Ill Will" Graham, who would play him hip-hop records and DJ as Nas rapped. In 1991, rapping as Nasty Nas, he made a stunning debut with a guest verse on "Live at the Barbecue" by Main Source. Nas’ verse was a seamless melding of his writing skills and his street knowledge. The track was produced by Large Professor, who subsequently produced many of Nas’ early demos and continued to work with him throughout his career. In the wake of "Barbecue," Nas was asked to contribute to the soundtrack for the film Zebrahead — a sort of hip-hop Romeo and Juliet set in Detroit — and the resulting song, "Halftime," another collaboration with Large Professor, became his debut single in 1992, and would also appear on his debut album, Illmatic, two years later.   This was the big break Nas needed, and he was signed to Columbia records by Faith Newman and MC Serch, who also invited him to guest on his "Back to the Grill" single. Newman would later recall hearing Nas for the first time: “I lost it and I went down the hall to my boss, the head of the A&R department, David Kahne, and I said, 'Look.' I said, 'You don't ever have to let me sign anything else while I'm here, but you've gotta let me sign this kid.'" 'Illmatic' Makes Nas a Legend Illmatic was released in April 1994, and it landed at No. 12 on the Billboard pop chart and No. 2 on the R&B chart. Featuring production from the cream of the East Coast — DJ Premier, Large Professor, Q-Tip, Pete Rock and LES — it was a piece of perfection that was acknowledged as a classic far and wide. Its vivid depiction of inner-city New York, its multi-syllabic wordplay and its stellar beats ensured the album didn’t flag from beginning to end. The hip-hop bible The Source magazine gave it a rare 5 mics rating. Illmatic’s follow-up, It Was Written, was released in 1996, and debuted at No. 1 on both the pop and R&B charts. Full of high-profile collaborators — among them Dr. Dre, Lauryn Hill and Foxy Brown — the album went double-platinum on the strength of such singles as "Street Dreams," "Head Over Heels" and "If I Ruled the World (Imagine That)." The success, propelled in part by Nas’ solid MTV presence, opened him up to a new audience. He also joined the short-lived supergroup The Firm, teaming up with Dr. Dre, Foxy Brown, Nature and AZ to release the somewhat disappointing The Firm: The Album in 1997.   'Nastradamus' Release, Feud with Jay Z In 1999, Nas’s output continued to combine commercial singles with more experimental and street fare. He also created the persona of Nas Escobar for his more gangster and crime-rhyme influenced verses. First up was "I Am…," which hit No. 1 on both the pop and R&B charts, fueled by singles including "Nas Is Like" and "Hate Me Now," featuring Sean “Puffy” Combs. Later that year, Nas released Nastradamus, which peaked at No. 7 on the pop chart and No. 2 on the R&B chart. With success came conflict. He became embroiled in a feud with Jay Z, each claiming the throne in the New York rap scene following the death of Biggie Smalls in 1997. In 2001, Nas came out with Stillmatic, and the album addressed the roiling rivalry head-on by attacking Jay Z’s The Blueprint. Nas’ "Ether" and Jay Z’s "Takeover" were the two main salvos in this battle. “It wasn’t just about being the top guy in rap,” Nas later told Zane Lowe in an interview, “it felt like we were leaders of nations.” The feud was eventually resolved, but along the way Nas would tangle with the likes of 50 Cent and G-Unit. Fortunately none of the beefs escalated to the levels of the East Coast/West Coast war that claimed the lives of Tupac Shakur and Biggie Smalls. Keeping Hip Hop Alive Through 'Hip Hop Is Dead' All the while, Nas kept the albums coming, God's Son (2002) was hailed as his one of his best yet. The Salaam Remi-produced single "Made You Look" became a hardcore hip hop smash that still packs club dancefloors today. This was followed by the double album Street Disciple(2004) and Hip Hop Is Dead (2006), both of which underscored Nas’ status as one of his generation’s top rappers. Hip Hop Is Dead is notable for being Nas’ first release on Def Jam Records, whose president at the time was his former rival Jay Z. The two even collaborated on the track "Black Republican." Untitled in 2008 was originally going to be called Nigger, until protests persuaded Nas to change it. In 2005, Nas married the R&B singer Kelis, but the union officially ended in 2010. He addressed the breakup on the album he made with Damian Marley, Distant Relatives in 2010 and again in 2012 on his album Life Is Good, the cover of which featured an image of the rapper holding his ex-wife’s wedding dress. Life Is Good earned Nas a Grammy nod in 2013, an award he has never won despite numerous nominations. He hasn’t released an album since, although rumors persist of a collaboration LP with DJ Premier. In addition to a son, Knight, from his marriage to Kelis, he has a daughter called Destiny from a previous relationship. He maintains numerous business interests, including restaurants and a sneaker store. Whatever the future holds for the teenager who debuted as Nasty Nas and put the world on notice with Illmatic, he has matured into a fascinating, complex artist.
MY FAVOURITE POET 'NAS MINI MIXATIC' East Coast rapper Nas made it big with albums such as Illmatic, It Was Written and Stillmatic.  Hailing from Queensbridge, New York, Nas made a huge impact in the early 1990s with Illmatic, widely regarded as one of the greatest rap albums of all time. While he has arguably never hit such heights again, he has nevertheless sold 25 million records, received worldwide critical acclaim, engaged in a notorious beef with Jay Z, and married — and divorced — the R&B star Kelis. His place in hip-hop's pantheon is secure. From Nasir to Nasty to Nas Born Nasir Jones, in Queens, New York, on September 14, 1973, Nas is the son of jazz musician Olu Dara. He was raised in Queensbridge Houses — the largest public-housing project in America — where he wrote stories about his life growing up there. Despite his talent for writing, Nas dropped out of school in eighth grade, and his life on the streets would fuel a new style of writing: rap lyrics. His first mentor was Willy "Ill Will" Graham, who would play him hip-hop records and DJ as Nas rapped. In 1991, rapping as Nasty Nas, he made a stunning debut with a guest verse on "Live at the Barbecue" by Main Source. Nas’ verse was a seamless melding of his writing skills and his street knowledge. The track was produced by Large Professor, who subsequently produced many of Nas’ early demos and continued to work with him throughout his career. In the wake of "Barbecue," Nas was asked to contribute to the soundtrack for the film Zebrahead — a sort of hip-hop Romeo and Juliet set in Detroit — and the resulting song, "Halftime," another collaboration with Large Professor, became his debut single in 1992, and would also appear on his debut album, Illmatic, two years later.   This was the big break Nas needed, and he was signed to Columbia records by Faith Newman and MC Serch, who also invited him to guest on his "Back to the Grill" single. Newman would later recall hearing Nas for the first time: “I lost it and I went down the hall to my boss, the head of the A&R department, David Kahne, and I said, 'Look.' I said, 'You don't ever have to let me sign anything else while I'm here, but you've gotta let me sign this kid.'" 'Illmatic' Makes Nas a Legend Illmatic was released in April 1994, and it landed at No. 12 on the Billboard pop chart and No. 2 on the R&B chart. Featuring production from the cream of the East Coast — DJ Premier, Large Professor, Q-Tip, Pete Rock and LES — it was a piece of perfection that was acknowledged as a classic far and wide. Its vivid depiction of inner-city New York, its multi-syllabic wordplay and its stellar beats ensured the album didn’t flag from beginning to end. The hip-hop bible The Source magazine gave it a rare 5 mics rating. Illmatic’s follow-up, It Was Written, was released in 1996, and debuted at No. 1 on both the pop and R&B charts. Full of high-profile collaborators — among them Dr. Dre, Lauryn Hill and Foxy Brown — the album went double-platinum on the strength of such singles as "Street Dreams," "Head Over Heels" and "If I Ruled the World (Imagine That)." The success, propelled in part by Nas’ solid MTV presence, opened him up to a new audience. He also joined the short-lived supergroup The Firm, teaming up with Dr. Dre, Foxy Brown, Nature and AZ to release the somewhat disappointing The Firm: The Album in 1997.   'Nastradamus' Release, Feud with Jay Z In 1999, Nas’s output continued to combine commercial singles with more experimental and street fare. He also created the persona of Nas Escobar for his more gangster and crime-rhyme influenced verses. First up was "I Am…," which hit No. 1 on both the pop and R&B charts, fueled by singles including "Nas Is Like" and "Hate Me Now," featuring Sean “Puffy” Combs. Later that year, Nas released Nastradamus, which peaked at No. 7 on the pop chart and No. 2 on the R&B chart. With success came conflict. He became embroiled in a feud with Jay Z, each claiming the throne in the New York rap scene following the death of Biggie Smalls in 1997. In 2001, Nas came out with Stillmatic, and the album addressed the roiling rivalry head-on by attacking Jay Z’s The Blueprint. Nas’ "Ether" and Jay Z’s "Takeover" were the two main salvos in this battle. “It wasn’t just about being the top guy in rap,” Nas later told Zane Lowe in an interview, “it felt like we were leaders of nations.” The feud was eventually resolved, but along the way Nas would tangle with the likes of 50 Cent and G-Unit. Fortunately none of the beefs escalated to the levels of the East Coast/West Coast war that claimed the lives of Tupac Shakur and Biggie Smalls. Keeping Hip Hop Alive Through 'Hip Hop Is Dead' All the while, Nas kept the albums coming, God's Son (2002) was hailed as his one of his best yet. The Salaam Remi-produced single "Made You Look" became a hardcore hip hop smash that still packs club dancefloors today. This was followed by the double album Street Disciple(2004) and Hip Hop Is Dead (2006), both of which underscored Nas’ status as one of his generation’s top rappers. Hip Hop Is Dead is notable for being Nas’ first release on Def Jam Records, whose president at the time was his former rival Jay Z. The two even collaborated on the track "Black Republican." Untitled in 2008 was originally going to be called Nigger, until protests persuaded Nas to change it. In 2005, Nas married the R&B singer Kelis, but the union officially ended in 2010. He addressed the breakup on the album he made with Damian Marley, Distant Relatives in 2010 and again in 2012 on his album Life Is Good, the cover of which featured an image of the rapper holding his ex-wife’s wedding dress. Life Is Good earned Nas a Grammy nod in 2013, an award he has never won despite numerous nominations. He hasn’t released an album since, although rumors persist of a collaboration LP with DJ Premier. In addition to a son, Knight, from his marriage to Kelis, he has a daughter called Destiny from a previous relationship. He maintains numerous business interests, including restaurants and a sneaker store. Whatever the future holds for the teenager who debuted as Nasty Nas and put the world on notice with Illmatic, he has matured into a fascinating, complex artist.
MY FIRST GIRL GROUP CRUSH is a crazy fun mesh of TLC's Ooooooohhh... On the TLC Tip, Crazy, Sexy, Cool and the Fanmmail  albums. T-Boz the cool hot friend, Left Eye the crazy cute hottie that  liked to chill with the guys and Chilli the sexy one. TLC is an American girl group whose original line-up consisted of Tionne "T-Boz" Watkins, Lisa "Left Eye" Lopes, and Rozonda "Chilli" Thomas. Formed in Atlanta, Georgia in 1990, the group was very successful during the 1990s. They scored nine top-ten hits on the Billboard Hot 100, including four number-one singles "Creep", "Waterfalls", "No Scrubs", and "Unpretty". The group also recorded four multi-platinum albums, including CrazySexyCool (1994), which received a diamond certification from the Recording Industry Association of America (RIAA). TLC also became the first R&B group in history to receive the Million certification from the Recording Industry Association of Japan (RIAJ) for FanMail (1999). Having sold over 65 million records worldwide, TLC is the best-selling American girl group. VH1 ranked TLC as the greatest female group, placing them at number 12 on the list of 100 Greatest Women in Music. Billboard magazine ranked TLC as one of the greatest musical trios,as well as the seventh most successful act of the 1990s. The group's accolades include four career Grammy Awards, five MTV Video Music Awards, and five Soul Train Music Awards. Twenty years after their debut, TLC was honored with Outstanding Contribution to Music at the 17th MOBO Awards and Legend Award at the 2013 MTV Video Music Awards Japan. All three members of TLC are considered irreplaceable by the other members, and each of them has contributed equally to the group. Following Lopes' death in 2002, instead of replacing her, the remaining members chose to continue as a duo. On June 30, 2017, they released their fifth eponymous self-titled album TLC.
A BLOODY LOVELY NEW JACK 'THE RIPPER' SWING NINETIES HALLOWEEN HOUSE PARTY  IS A LIVE MINI MIX OF HITS FROM THE LATE 80'S EARLY 90'S WITH CHANNER SPIN. FEAT. JODECI, JOE, BOBBY BROWN AND MORE   New jack swing or swingbeat is a fusion genre spearheaded by Teddy Riley and Bernard Belle that was popular from the mid-1980s into the early 1990s. The style originated from Janet Jackson's third studio album, Control from 1986. Its influence, along with hip hop, seeped into pop culture and was the definitive sound of the inventive New York club scene. It fuses the rhythms, samples, and production techniques of hip hop and dance-pop with the urban contemporary sound of R&B. The new jack swing style developed as many previous music styles did, by combining elements of older styles with newer sensibilities. It used R&B style vocals sung over hip hop and dance-pop style influenced instrumentation. The sound of new jack swing comes from the hip hop "swing" beats created by drum machine, and hardware samplers, which were popular during the Golden Age of Hip Hop, with contemporary R&B style singing. Merriam-Webster's online dictionary defines new jack swing as "pop music usually performed by black musicians that combines elements of jazz, funk, rap, and rhythm and blues". New jack swing did take up the trend of using sampled beats and tunes, and also created beats using the then-new SP-1200 sampler and the Roland TR-808 drum machine to lay an "insistent beat under light melody lines and clearly enunciated vocals. The Roland TR-808 was sampled to create distinctive, syncopated, swung rhythms, with its snare sound being especially prominent. Two examples would be "Groove Me" by Guy which samples "Funky President (People It's Bad)", "My Thang" and "The Champ" as well as its own swing drums and "Right or Wrong" by Mind which fuses sharp drum reverb effects and a hidden looped sample of the Funky Drummer. The key producers were Timmy Gatling, Babyface & L.A. Reid, Bernard Belle, Jimmy Jam and Terry Lewis, and Teddy Riley.
EUROPE TO USA TERMINAL 2 is HIP HOP, ELECTRO CLUB mesh of a few hits from Europe and America. 'YES' by Fat Joe, Cardi B and Puerto Rican rapper Anuel AA get the Brexit Deal Deferred/ Undecided Reload at the end of Terminal 2. "Yes" is a song by American rappers Fat Joe, Cardi B and Puerto Rican rapper Anuel AA. The song was released on September 6, 2019, as the sixth single from his upcoming eleventh studio album, Family Ties (2019). It was produced by Cool & Dre. About the creation of "Yes", Fat Joe said that "this one is special, you know what I'm sayin? Puff Daddy told me and Coolway back in the day that every hit record has a story, and geeze ... let's just put it this way: This one was months in the making, but it was worth the wait ... I think y'all really gonna mess with it". "Yes" is a bilingual hip hop song, with Anuel AA's verse being entirely in Spanish. Cardi B rebrands herself as La Cardi on the song. "Yes" uses a sample of the 1972 hit song "Aguanilé", by salsa musicians Héctor Lavoe and Willie Colón, throughout the song.
EUROPE TO USA TERMINAL 1 EUROPE TO USA TERMINAL 1 is HIP HOP, ELECTRO CLUB mesh of a few hits from Europe and America. 'YES' by Fat Joe, Cardi B and Puerto Rican rapper Anuel AA get the Brexit Deal Deferred/ Undecided Reload at the end of Terminal 2. "Yes" is a song by American rappers Fat Joe, Cardi B and Puerto Rican rapper Anuel AA. The song was released on September 6, 2019, as the sixth single from his upcoming eleventh studio album, Family Ties (2019). It was produced by Cool & Dre. About the creation of "Yes", Fat Joe said that "this one is special, you know what I'm sayin? Puff Daddy told me and Coolway back in the day that every hit record has a story, and geeze ... let's just put it this way: This one was months in the making, but it was worth the wait ... I think y'all really gonna mess with it". "Yes" is a bilingual hip hop song, with Anuel AA's verse being entirely in Spanish. Cardi B rebrands herself as La Cardi on the song. "Yes" uses a sample of the 1972 hit song "Aguanilé", by salsa musicians Héctor Lavoe and Willie Colón, throughout the song.
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