Uncommon training, odd rehearsals, unusual style, unfamiliar beauty: today, we explore Anima Eterna’s musicians feelings and thoughts about this rare project!Hosted by Ausha. See ausha.co/privacy-policy for more information.
Who was Anton Bruckner and why are his personality and work so fascinating? At the start of Anima’ Eterna's Bruckner year, a little revision is in order!Hosted by Ausha. See ausha.co/privacy-policy for more information.
A dive into the main characteristics of the living and free romantic playing style at the time of Clara Schumann. Hosted by Ausha. See ausha.co/privacy-policy for more information.
A historically informed encounter with early 20th century recordings by Midori Seiler & Kai Köpp (co-artistic leaders), Laura Granero (pianist) & Hilary Metzger (cellist).Hosted by Ausha. See ausha.co/privacy-policy for more information.
Together with Anima Eterna, pianist Joseph Moog embraces Piano Concerto No. 2 by Franz Liszt. Which secrets did the historical Bechstein piano (1870) reveal to him? Hosted by Ausha. See ausha.co/privacy-policy for more information.
Three musicians of Anima Eterna reveal their thought process when choosing an historical instrument. No less important are the playing techniques associated with these instruments. Hosted by Ausha. See ausha.co/privacy-policy for more information.
Quel est le lien entre la rhétorique et la musique ? Dans une conversation pleine d'exemples musicaux, Jos van Immerseel répond à tout ce que vous avez toujours voulu savoir sans jamais oser le demander !Hosted by Ausha. See ausha.co/privacy-policy for more information.
What has rhetoric to do with music? In a conversation full of musical examples, Jos van Immerseel answers everything that you always wanted to know but couldn’t ask before. Hosted by Ausha. See ausha.co/privacy-policy for more information.