Claim OwnershipEdward Seckerson
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Writer and broadcaster, Edward Seckerson was the chief classical music critic of The Independent newspaper and a founder member of The ArtsDesk.com.
He wrote and presented the long-running BBC Radio3 show Stage and Screen where he interviewed many of the biggest names in the business – among them Julie Andrews, Angela Lansbury, Liza Minnelli, Stephen Sondheim, Andrew Lloyd Webber and Sting.
During his journalistic career he has written for most major music publications and is on the review panel of Gramophone magazine.
Edward conducted one of the last major interviews with Leonard Bernstein and his audio podcast Sondheim – In Good Company has proved a significant contribution to Sondheim’s 80th birthday year.
He wrote and presented the long-running BBC Radio3 show Stage and Screen where he interviewed many of the biggest names in the business – among them Julie Andrews, Angela Lansbury, Liza Minnelli, Stephen Sondheim, Andrew Lloyd Webber and Sting.
During his journalistic career he has written for most major music publications and is on the review panel of Gramophone magazine.
Edward conducted one of the last major interviews with Leonard Bernstein and his audio podcast Sondheim – In Good Company has proved a significant contribution to Sondheim’s 80th birthday year.
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Dame Patricia Routledge trained not only as an actress but also as a singer and had considerable experience and success in musical theatre, both in this country and in the United States of America.
Her many awards include a Tony for her Broadway performance in the Styne-Harburg musical “Darling of the Day” and a Laurence … [Read More]
Early in the development of Adam Guettel and Craig Lucas’ extraordinary The Light in the Piazza it was thought that Chicago Lyric Opera might be tendering a commission for the piece. It wasn’t to be. Broadway beckoned. But this most sophisticated of hybrids has a foot in both worlds and the presence of RENÉE FLEMING … [Read More]
In 2007 Gramophone magazine uncovered an extraordinary fraud that rocked the classical music industry. Concert pianist Joyce Hatto – a little-known artist of moderate talent – was suddenly the name on everyone’s lips when a series of recordings (some 100 of them) flooded the market winning plaudits in the press and on BBC Radio 3 … [Read More]
TIME is the overriding motto for the 2016 DRESDEN FESTIVAL. Music can play with time in so many interesting ways, music can even suspend time creating frozen moments, moments of stasis where time ceases to exist – and in the words of festival director Jan Vogler “A good concert always provides us with a magical … [Read More]
Simon Stephens’ Carmen Disruption upends the expectations of anyone entering the Almeida Theatre. It’s a kind of living poetry, taking its cue from Bizet’s ever-popular opera but taking it into ever darker territory. When does an artist’s assumption of a role end and real life take over?
This is the Carmen we know and love, … [Read More]
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