Eurovision Song Context

Yep. The writing block formatting is coming along when you copy it. I’ll give you the same material as genuinely plain text: no markdown headings, no bold, no hidden hyperlinks, no hashtags. Just text and full URLs. JOSH RIVERS / BUSY BEING BLACK Josh Rivers / Busy Being Black Joshua Rivers is a writer, poet, broadcaster and self-described “professional enchantress.” He is the creator and host of the award-winning podcast Busy Being Black, where conversations with artists, thinkers and activists explore Black queer life, art, identity, imagination and the possibilities of living beyond the labels imposed upon us. https://busybeingblack.com/ Viral Intimacies Created with support from the European Cultural Foundation during the COVID-19 pandemic, Viral Intimacies explored Blackness, queerness, borders and belonging across Europe. Josh discusses the project in this episode while considering the gap between Europe’s stated ideals of inclusion and the experiences of Black and queer people living within European institutions and borders. https://www.busybeingblack.com/viral-intimacies The Black Marvellous Josh’s work on Black art, imagination and the role of artists in expanding our civic imagination. https://www.busybeingblack.com/black-marvellous EUROVISION PERFORMANCES Milly Scott, “Fernando en Filippo” Netherlands, 1966 Born Marion Henriëtte Louise Molly in the Netherlands in 1933, Milly Scott is a Dutch singer and actress of Surinamese heritage. In 1966 she became the first Black artist to compete in the Eurovision Song Contest. Josh and Bradley use Scott’s performance as a starting point for discussing what it costs to be “the first,” who gets to belong within ideas of European identity, and how we read a Black performer appearing on the Eurovision stage in 1966. Watch: https://www.youtube.com/watch?v=2TvG-AWdk-g Jeangu Macrooy, “Birth of a New Age” Netherlands, 2021 Jeangu Macrooy is a singer-songwriter and actor born in Paramaribo, Suriname, in 1993. He moved to the Netherlands in 2014 and was originally chosen to represent the country at Eurovision 2020 before the contest was cancelled. He returned in 2021 with “Birth of a New Age.” The song combines English with Sranan Tongo, a language of Suriname, and incorporates elements of Surinamese musical tradition. Its refrain includes “Yu no man broko mi,” an assertion that “you cannot break me.” Macrooy finished 23rd, receiving 11 jury points and no televote points. His performance becomes an important counterpoint to Milly Scott in our conversation: two Black artists representing the Netherlands, separated by 55 years, and the questions their experiences raise about representation, Blackness and European belonging. Watch: https://www.youtube.com/watch?v=o3Da5cr2fTs Jeangu Macrooy: https://www.jeangumacrooy.com/ Conchita Wurst, “Rise Like a Phoenix” Austria, 2014 Conchita Wurst is the stage character created by Austrian singer Tom Neuwirth. After first appearing as Conchita in 2011, Neuwirth represented Austria at Eurovision 2014 and won the contest with “Rise Like a Phoenix.” Conchita subsequently became an internationally recognized figure associated with LGBTQ visibility and equality. For Josh, this performance also represents something intensely personal: a moment when he still believed strongly in the promise of a progressive, increasingly inclusive Europe. Looking back from the other side of the political events that followed, he describes Conchita as almost a marker of the end of that period of optimism. Watch: https://www.youtube.com/watch?v=8fvLtTRzdHw Conchita Wurst: https://conchitawurst.com/ Mahmood & BLANCO, “Brividi” Italy, 2022 Mahmood, born Alessandro Mahmoud in Milan, is an Italian singer-songwriter who previously represented Italy at Eurovision 2019, finishing second with “Soldi.” BLANCO is the stage name of Riccardo Fabbriconi, an Italian singer-songwriter who emerged as one of the country’s most successful young artists in the early 2020s. Together they won the 2022 Sanremo Music Festival with “Brividi” and represented host nation Italy at Eurovision in Turin, where they finished sixth. We originally selected the performance as a way into questions of masculinity, intimacy, race and who gets to embody contemporary Italian identity. Watch: https://www.youtube.com/watch?v=blEy4xHuMbY Tusse, “Voices” Sweden, 2021 Tousin “Tusse” Chiza is a Congolese-Swedish singer born in the Democratic Republic of the Congo. After fleeing conflict, he spent time in a refugee camp in Uganda before receiving asylum in Sweden. He later won Swedish Idol and then Melodifestivalen 2021, earning the right to represent Sweden at Eurovision with “Voices.” We selected Tusse as a way of thinking about migration, Blackness, national belonging and what it means to represent the country that became your home. Watch: https://www.youtube.com/watch?v=NyJRyif6_kk JOSH’S REFERENCES: FURTHER READING, WATCHING & LISTENING Marquis Bey, Black Trans Feminism Josh discusses Marquis Bey’s argument that identities we may value deeply, including Blackness, queerness and gender categories, have nevertheless been shaped under conditions of duress. The idea becomes part of our conversation about what identities we might carry into the future and what it could mean to imagine ourselves beyond inherited categories. https://www.dukeupress.edu/black-trans-feminism Roderick A. Ferguson, One-Dimensional Queer One of Josh’s strongest recommendations in the episode. Ferguson examines the multidimensional origins of queer liberation and what was lost as mainstream gay politics increasingly separated sexuality from struggles involving race, class, gender, capitalism and the state. Josh describes the book as important to his own political awakening. https://www.wiley-vch.de/en/areas-interest/humanities-social-sciences/sociology-12so/social-identity-12so5/gender-sexuality-12so53/one-dimensional-queer-978-1-5095-2355-9 Édouard Glissant and the “Right to Opacity” Josh talks about Martinican writer and philosopher Édouard Glissant’s concept of a “right to opacity”: the possibility of refusing the demand to be completely understood, explained, translated or made permanently visible to others. Josh connects the idea to his own work with Busy Being Black, including questions about what it means to give guests the ability to withdraw work, remove photographs or otherwise choose not to remain permanently available for public consumption. https://www.ed.ac.uk/literatures-languages-cultures/delc/research-projects/glissant Wangechi Mutu Josh calls Kenyan-American artist Wangechi Mutu “the artist of my life.” Mutu’s collage, sculpture, film and other work frequently combines human, animal, organic and mechanical forms. Her work enters our conversation as Josh considers what becomes possible when we loosen our allegiance not merely to racial or gender categories, but even to conventional ideas of the human form. https://www.wangechimutu.com/ Liz Fekete, Europe’s Fault Lines: Racism and the Rise of the Right Josh discusses Liz Fekete’s work while explaining the thinking behind Viral Intimacies. Fekete examines racism, nationalism and the development of far-right politics across contemporary Europe. https://www.versobooks.com/products/1780-europe-s-fault-lines Cherríe Moraga and Gloria Anzaldúa, eds., This Bridge Called My Back The landmark anthology This Bridge Called My Back: Writings by Radical Women of Color brings together writing by women of color on race, gender, sexuality, culture and political solidarity. Josh specifically talks about encountering the idea of “theory in the flesh” through the work of Moraga and Anzaldúa and describes its impact on his thinking. https://www.sunypress.edu/p-6278-this-bridge-called-my-back-fourth.aspx Dana Gioia, “Poetry as Enchantment” Toward the end of the episode, our conversation turns to poetry, reading and Josh’s idea of himself as an “enchantress.” Josh recommends poet and critic Dana Gioia’s essay “Poetry as Enchantment,” which considers poetry as an ancient oral art closely related to music, rhythm, ritual and our capacity to become enchanted by language. https://danagioia.com/essays/american-poetry/poetry-as-enchantment/ Alice Correia, ed., What Is Black Art? One of the books Josh has on his desk during our conversation. Edited by art historian Alice Correia, What Is Black Art? collects artists’ statements, interviews, essays and criticism from Black and South Asian artists working in and against British art institutions during the 1980s. https://www.penguin.co.uk/books/444972/what-is-black-art/9780141998220 Travis Alabanza Performance artist, writer and poet Travis Alabanza appears in our conversation as someone whose work and way of moving through the world has helped Josh think about identity, art and the possibility of refusing expectations about who we are supposed to be. https://travisalabanza.co.uk/ Kevin Quashie Josh references scholar Kevin Quashie’s idea of our “wild and voluptuous interior lives” while discussing the multidimensionality that exists beneath the identities and roles through which other people encounter us. https://www.brown.edu/academics/english/people/kevin-quashie James Baldwin Baldwin comes into the conversation as Josh considers the necessity of imagining liberation as something that transforms everyone, rather than simply changing conditions for one marginalized group. https://www.poetryfoundation.org/poets/james-baldwin Bayard Rustin Josh discusses civil-rights organizer Bayard Rustin and the idea of bringing “people of goodwill” into movements for change, connecting this to the larger question running through our conversation: how do people learn to see one another in greater complexity? https://www.nps.gov/people/bayard-rustin.htm Arthur Rimbaud Josh closes part of our conversation about enchantment by reading from French poet Arthur Rimbaud, bringing us ba

Suzie and Russ from EuroRiffs join Bradley for an off-season wander through the stranger corners of the Eurovision universe. In this episode: Eurovision 2027 is going to Burgas: First reactions to Bulgaria's Black Sea host city and what a smaller, seaside Eurovision might look like. Eurogull vs. Kapi: Burgas hasn't even hosted yet and local institutions are already proposing unofficial mascots. We consider the merits of an enormous puppet seagull versus a remarkably chill capybara. Eurovision Asia is underway: The inaugural contest heads to Bangkok in November, national selections have begun, and we listen to what's emerging from the new competition. Where are Japan, China and India? Three of Asia's biggest music and entertainment markets are absent. We talk about why—and whether Eurovision Asia can export the Eurovision format without simply copying European Eurovision culture. The missing Eurovisions: The EBU is asking fans around the world for help locating complete recordings of the 1956 and 1964 contests. Queen Elizabeth, Dancing Queen: According to longtime aide Angela Kelly, Queen Elizabeth II loved ABBA's Dancing Queen—and would sing and dance along while listening to Terry Wogan in the morning. Plus: Eurovision merch, royal Eurovision tastes, giant British seagulls, Mongolian throat singing and quite a few tangents. Links from the Episode: Eurogull vs. Kapi the Capybara: The competing unofficial mascot proposals for Eurovision 2027 in Burgas https://lupa.bg/news/kapibara-stava-talisman-na-quotevroviziyaquot-2027_421466news.html Rhythm of Bhutan: Watch the songs from Bhutan's Eurovision Asia national selection https://www.youtube.com/watch?v=pwyxG81Z5TU&list=PLXrGYJTh9QYk Eurovision Asia: Official site, selection schedule and updates https://www.eurovision.com/asia/**

Tony's book, Don't Mention the Wars: A Journey Through European Stereotypes: https://www.amazon.com/Dont-Mention-Wars-European-Stereotypes-ebook/dp/B01J1V6MA0/ref=sr_1_1?crid=2OZSBBZPEO9DP&dib=eyJ2IjoiMSJ9.ylJpxyYqI-6yeIhARMV5VQ.PQTfpkOPpFZdalf2bk-bd6Tg9khWRZ1fYIkeZXN15_g&dib_tag=se&keywords=don%27t+mention+the+wars+connelly&qid=1783960502&sprefix=don%27t+mention+the+wars+connel%2Caps%2C820&sr=8-1 Songs discussed: Dana – "All Kinds of Everything" (Ireland, 1970): https://www.youtube.com/watch?v=sZ8W9oOgjM4 Tommy Cash – "Espresso Macchiato" (Estonia, 2025): https://www.youtube.com/watch?v=F3wsy8bywXQ Let 3 – "Mama ŠČ!" (Croatia, 2023): https://www.youtube.com/watch?v=hGuGfdEJ5Pw Bonus: Riverdance interval act (Ireland, 1994): http://www.youtube.com/watch?v=VJ920cN2HmA Also mentioned: Father Ted, "A Song for Europe" — the "My Lovely Horse" Eurosong performance: https://www.youtube.com/watch?v=q-eXcazOhHk&t=50s Fawlty Towers, "The Germans" — the "Don't mention the war" scene: https://www.youtube.com/watch?v=RyPj21jBl_0

See the 2026 Grand Final here! https://www.youtube.com/watch?v=wYEIv2qhYAI

Eurovision 2026 Semifinal 1: https://www.youtube.com/watch?v=Yy510SZZDw4 Eurovision 2026 Semifinal 2: https://www.youtube.com/watch?v=VeLS4psFNqQ The Eurovision semi-final bloodbath has concluded and morale is low. In this emergency reaction episode, we immediately unpack the chaos of Semi-Final 2: the shock non-qualifiers, the songs we think Europe got catastrophically wrong, and whether this year’s Grand Final is shaping up to be iconic… or weirdly mid. Topics include: The entries we’re genuinely devastated to lose Why some performances connected instantly while others felt strangely airless Poland’s staging and vocals Whether Finland is now inevitable The “cargo shorts” epidemic Eurovision production, presenters, and the return of deeply questionable disco tailoring Moldova as chaos candidate The songs we think people will still remember in three years Why Eurovision fans may actually be masochists Featuring strong opinions on: Eurovision Song Contest 2026, Poland, Finland, Moldova, Ukraine, Greece, Australia, and several songs we’re still actively grieving. If your favourite got flattened in the semis: condolences. We’re suffering together.