Honey, you look a mess.SummaryIn this episode of Fats on Film, host Hannah Ogilvie and guest Dr. Vincent M. Gain delve into the 1958 film Touch of Evil, exploring its themes of fat representation, corruption, and cinematic techniques. They analyze the character of Hank Quinlan, portrayed by Orson Welles, as a symbol of excess and moral ambiguity within the film noir genre. The conversation highlights the cultural implications of fatness, the subversion of stereotypes, and the film's commentary on law enforcement and morality. Through a critical lens, they discuss the use of fat suits in cinema and the broader societal perceptions of fatness. In this conversation, Vincent and Hannah delve into the themes of Orson Welles' 'Touch of Evil', exploring the menacing atmosphere created by Quinlan's character, the representation of innocence through Suzie, and the moral complexities faced by Vargas. They discuss the film's commentary on power dynamics, the anticlimactic end of Quinlan, and the evolution of corrupt cop characters in media. The conversation also touches on the impact of media on public perception and imagines a modern remake of the film, highlighting the ongoing relevance of its themes.Links to Vincent's content;@drgaine https://vincentmgaine.wordpress.com/ https://open.spotify.com/show/2Bii5oZWSs9NHw2XZeK5p3?si=53a216a5aea344e4&nd=1 The Podcast's socials;IGHannah's stuff;IGTikTokYou can also email the pod at fatsonfilm@outlook.comTakeawaysTouch of Evil is a significant film in the noir genre.The opening scene features a groundbreaking long take.Hank Quinlan's character embodies excess and corruption.Fatness is used as a cultural concept in the film.The film subverts traditional hero-villain roles.Corruption in law enforcement is a central theme.The film explores liminal spaces between cultures.Quinlan's character is a representation of self-medication.Tanya's character offers a unique perspective on Quinlan.The use of fat suits in cinema carries cultural implications. Quinlan's influence creates a menacing atmosphere throughout the film.Suzie's naivety represents the corruption of innocence.The film explores the moral complexities of its characters, particularly Vargas.Quinlan's character serves as a critique of power dynamics in society.The anticlimactic end of Quinlan reflects the film's themes of corruption.Body size is used to represent power and influence in the film.The portrayal of corrupt cops has evolved in modern cinema.Media plays a significant role in shaping public perception of law enforcement.The film's themes remain relevant nearly 70 years later.Imagining a modern remake opens discussions about contemporary issues.Keywordsfat representation, Touch of Evil, Orson Welles, film noir, Hank Quinlan, cinematic techniques, cultural concepts, stereotypes, morality, fat suits, Touch of Evil, Quinlan, film analysis, corruption, innocence, power dynamics, Orson Welles, body representation, media influence, remake
Hey baby, I hear the blues a calling, tossed salads and a brand new episode of Fats on Film!Hannah was joined by TV Columnist at New Scientist, Bethan Ackerley, to talk about 90s sitcom staple Frasier. We both absolutely adore this show, however it does have some problematic moments when it comes to fatness mainly with the Daphne weight gain storyline. But then surprisingly has very fair, even positive, representation with other fat characters like Daphne's fiance Donny. It is a mixed bag and we do have to remember this is a show in the 90s!We explore the cultural impact of Fraiser, our favorite characters and our go to lines which still make us laugh 30 years on. You can find Bethan at;InstagramBlueSkyLetterboxdThe Podcast's socials;TwitterIGHannah's stuff;TwitterIGTikTokLetterboxdYou can also email the pod at fatsonfilm@outlook.comfat representation, Frasier, sitcoms, body image, media critique, character analysis, Daphne, Niles, Donnie, Kenny, Frasier, relationships, race, body image, Maris, eating disorders, Niles, heart attack, side characters, rebootTakeawaysFrasier is a significant sitcom that explores various themes, including fat representation.Sci-fi often lacks positive fat representation, with characters like Jabba and Baron Harkonnen being negative examples.Daphne's character development and fashion choices reflect societal standards of beauty.The show critiques fat representation through various character arcs, particularly Daphne's weight gain storyline.Fat jokes in Frasier often lack sensitivity and depth, reflecting societal attitudes towards body image.Daphne's relationship with food becomes a focal point in her storyline, highlighting disordered eating patterns.Supporting characters like Kenny and Donnie provide a contrast to the main cast's dynamics.The portrayal of fat characters in Frasier often leans towards stereotypes rather than nuanced representation.The show navigates complex relationships, particularly between Niles and Daphne, showcasing emotional depth.Frasier's handling of fat representation reflects broader societal issues and attitudes towards body image. Frasier's relationships are complex and layered.The impact of race in Frasier's dating life is significant.Frasier has a type: model-like women.Maris is the prototype for the unseen character trope.Eating disorders are often used as humor in Frasier.Niles' heart attack challenges stereotypes about health and weight.Bebe Glazer is a standout side character in the series.The Frasier reboot feels stilted and lacks the original's charm.Frasier's legacy is complicated by its representation of fat characters.The show receives a two out of five for fat representation.
Learn about emotions and bring your tissues - we are talking Inside Out!I was joined by singer-songwriter Kate Yeager to dive deep into the emotional well of this film. We speak about the character of Sadness and the decision to portray her as round. We theorise what could have been if Riley was portrayed in a plus size body and we pour one out for the King - Bing Bong.This may be the most tangential episode yet covering the need for plus size baths, medieval themed restaurants and our experiences existing online. Follow Kate at the below;IGTikTokThe Podcast's socials;TwitterIGHannah's stuff;TwitterIGTikTokYou can also email the pod at fatsonfilm@outlook.comDo hashtags work on show notes? Lets find out!#InsideOut #Pixar #EmotionalIntelligence #FatRepresentation #Podcast
Time didn't heal anything, especially not the patriarchy!We had to talk about one of the most anticipated horror releases of the year, 28 Years Later, directed by Danny Boyle and written by Alex Garland, returning to the world they created with 28 Days Later from 2002.I was joined by film critic, editor at whatascreampodcast.com and co-host of Gore Things Pod Ygraine Hackett-Cantabrana to dive deep into this seemingly divisive film.We talk fat representation, female representation, are placentas magical? What our thoughts on the evolved (or devolved) infected. The themes of the film around patriarchy, family dynamics and our old favourite toxic masculinity.There is so much to discuss in this episode, we had a lot to get off our chest!Links to Ygraine's work below;IGGore Things Pod IGFats on Film's socials;IGHannah's stuff;IGTikTokYou can also email the pod at fatsonfilm@outlook.com
It took 2 years, countless intermissions and a lot of pushed back schedules, but we made it to 50 episodes of Fats on Film!I asked across my social media's for your questions and you came in with a variety of topics. From fat representation, my own taste in film, plus size fashion, improving body image and how to deal with the plus size experience.I want to thank you all for your support over the past 2 years. I know i have been lacking in consistency and I will try to make it better - but please get in touch if you have any ideas via the links below.The Podcast's socials;IGHannah at Queenbeastsays;IGTikTokYou can also email the pod at fatsonfilm@outlook.com
Hey you guys! We have the greatest treasure of all, a brand new episode of Fats on Film!I was joined by host of the Big,Blonde and Beautiful Podcast, Karolina Howie and we discussed;-Chunk and his contribution to fat representation especially in children's roles- The characterisation and treatment of Sloth- The villainous Ma Fratelli- Women's roles in male centric-action romps- A big tangent on the politics of todayThis was recorded in February 2025.The Podcast's socials;TwitterIGHannah's stuff;TwitterIGTikTokYou can also email the pod at fatsonfilm@outlook.com
"This is just how we talk in Tuscon, Arizonia."🎙️ Episode SummaryIn this episode of Fats on Film, we sink our teeth into the FX series What We Do in the Shadows and its refreshingly positive fat representation. From the effortlessly suave Lazlo to Guillermo’s evolving arc, we explore how these characters defy fatphobic stereotypes and bring nuance to fat storytelling on screen.Joining me is the brilliant Jeanette Thompson-Wessen, an anti-diet, fat-positive, and ADHD specialist nutritionist. Together, we discuss the intersections of fatness, media, and identity, breaking down why representation like this matters and how it shapes perceptions of fat bodies in entertainment.🦇 What We Cover in This Episode:✨ How What We Do in the Shadows embraces fat characters without making their weight the punchline✨ Lazlo and Guillermo: Complex, confident, and compelling fat characters✨ The importance of diverse body representation in genre TV and film✨ Jeanette’s insights on fat positivity, anti-diet culture, and how ADHD can impact one's approach to nutrition and body image. 🔗 Connect with Jeanette Thompson-WessenInstagram: @antidietworldWebsite: antidietworld.co.uk💬 Find the me and the podcast atFats on Film IGHannah's IGHannah's TikTok
What's occurrin'?This episode, we are diving deep into the ordinary world of Gavin & Stacey; created, written and starring Ruth Jones and James Corden.Joined by Holly Lowne, the creator behind the fantastic Instagram@the.fat.museum where she showcases depictions of fatness in art spanning centuries and her passion behind showing others how we have always been here.We talk about how awesome it is to see a tv show created by fat people and showcasing fat characters and ultimately fat love - while also sometimes being problematic in its reliance on tropes. We discuss the appeal of Gavin & Stacey, the intriguing family dyanmics and the authenticity lens it brings to british life.Also - this is the first time you can watch this podcast too! We are getting modern.The Podcast's socials;IGHannah's stuff;IGTikTokYou can also email the pod at fatsonfilm@outlook.com
Fats on Film was called the podcast of dreams, and it was. It really was. This week I was joined by content creator and Titanic enthusiast Alice Mary Tate to talk about one of the biggest films ever made, Titanic (1997) written and directed by James Cameron. We speak about the character of Molly Brown portrayed by Kathy Bates as well as her real life counter part the unsinkable Molly Brown. We discuss the press's treatment of Kate Winslet in her younger years as well as her treatment from Director Jimmy C. And we indulge in our love for this film, what it means to us and how it has made its way in to our personalities. Molly:Hey, uh, who thought of the name "Titanic?" Was it you, Bruce? Bruce:Yes, actually. I want to convey sheer size; and size means stability, luxury, and, above all, strength. You can find Alice at; IG TikTok The Podcast's socials; IG Hannah's stuff; IG TikTok
The biggest show on the planet and featured a "mixed-weight" relationship - we had to discuss it on the podcast! My guest, Cara Seeley; Tattoo artist, content creator and Bridgerton Lover joined me to deep dive into the Pollin relationship of season 3, we discuss if it was saucy enough compared to other Bridgerton relationships and what this means for wider plus size representation. Also - Cara being featured on Nicola's IG is truly a highlight of life we can all aspire too! You can find Cara at the below; Cara's IG Cara's TikTok The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
The Nutty Professor (1996) is a film you have been requesting for some time now and I finally had the perfect guests to deep dive into it with, Nikita & Sim from Fat Lib London! We talk about the hypocrisy of the film's central message of loving yourself how you are while simultaneously mocking and ridiculing fat people, we talk about how race plays a big role in this film but fatphobia as a whole and how we feel about Sherman's transformation into the former fat Buddy Love. We mention 2 books which are worth a read to further your understanding on fat liberation; Fearing the Black Body: The Racial Origins of Fat Phobia by Sabrina Strings Belly of the Beast: The Politics of Anti-Fatness as Anti-Blackness by Da’Shaun Harrison You can find Fat Lib London at the following links; IG Events The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com. Please remember to rate and subscribe!
"How's that for a slice of fried gold?!" It has been 20 years since we were introduced to the Rom-Zom-Com genre in Edgar Wright and Simon Pegg's Shaun of the Dead and this film is still very much in the zeitgeist - is this a perfect movie? I was joined by Caitlyn Downs, the writer behind the Scared Sheepless blog, to discuss this monumental film in British comedy and horror and of course with the lens of the fat representation on display - mainly in Nick Frost's Ed. You can follow Caitlyn at the below; BlueSky Twitter IG The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
*I am talking spoilers from the very beginning* I came out of watching Coralie Fargeat's The Substance (2024) very much in my feelings. A grotesque and gnarly film discussing the beauty standard is 100% my cup of tea. Starring a career best turn by Demi Moore, we follow Elisabeth Sparkle as she tries to remain relevant in an industry which tells her she has "past it". I wanted to spend a bit of time processing why this film hit me the way it had, and perhaps more than other audiences and of course its all down to our own perspective and experiences. I am someone is very aware of the beauty standard, and very aware of how fatphobic society is, topics this film hits hard (notably with zero fat people to help tell the story). So here is a 30 minute stream of consciousness as I deep dive into The Substance. The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
Put on your lingerie, bleach your hair blonde and get ready to do a series of songs and dances in prison, we are talking Chicago (2002). I was joined by Holly Richards, the founder of Amplefolk and we talk about Queen Latifah as Mama Morton, we discuss John C Reilly's sad take on Amos. And we talk about if fat people actually exist in 1920s Chicago. You can find Ample folk at the below; IG The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
The Whale (2022) follows Brendan Fraser as Charlie, a 600 pound English Teacher as he navigates his way through his final days of his life while trying to atone for his sins and ensure he has "done one good thing in my life!". I was joined by Abby from The Tracy Turnblad podcast to discuss this film, its potential fatphobic representation of fat people, the use of fat suits in Hollywood and how The Whale is just Concern Trolling: The Movie! You can find Abby at; IG Twitter Tiktok Abby's IG Abby's Website The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
You know what makes a girl feel super gorgeous and confident while facing the oppression of today's strict beauty standard? A serious concussion! This episode I was joined by comedian and author Sofie Hagen to discuss 2018's Rom Com I Feel Pretty. We discuss the absurdity of the premise, how media likes to present normal people as ugly, the lack of fat people represented and how they made Busy Philipps look literally grey for her scenes. Sofie is currently on tour which you can find dates and tickets for here and their new book Will I Ever Have Sex Again? can be found here. Make sure you sign up to Sofie's newsletter to keep up to date with their latest projects! The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
Calling all the Aca-Pitches! Do you like female groups of misfits who come together with the power of music only made by their mouths while they mash up some top 40 hits of the day? Do you like watching a plot B romance unfold where one is clearly not interested in the other? Do you want to watch a plus size character refer to themselves as Fat Amy therefore for the whole rest of the 2 hour run time all the characters refer to her as Fat Amy? Well Pitch Perfect from 2012 is for you. Lindsay Drysdale from Ghoulfriends Podcast stopped by by aca-cast to talk all things acapella and fat representation in this fun if not now problematic film. The less said about the sequels the better! You can find Lindsay at; IG Ghoulfriend IG Ghoulfriend Twitter The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
Baby Reindeer dropped on Netflix in April 2024 and its all anyone is talking about. Written and starring Richard Gadd as we follow Donny try to stop their stalker while also coming to terms with their own victimhood is a hard watch. Jessica Gunning plays Martha, Donny's stalker, and I know for me my heart sank when I saw yet another plus size person be the perpetrator of obsession - but in watching it we see this is a much more nuanced take on a complex villain, played phenomenally by Gunning. Returning guest Jess Rolland comes back to help me navigate my own feelings on this very interesting example of fat representation and a deep discussion on our relationship with true crime. You can find Jessica at the below; IG Better Than Bad podcast IG Heat Short Film Twitter Better Than Bad Twitter Heat Short Film Twitter The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
Join us in this electrifying episode of Fats on Film as we embark on a thrilling journey through the apocalyptic pub crawl of Edgar Wright's 'The World's End.' We delve into the intricate web of friendship, nostalgia, and societal critique woven by Wright's masterful storytelling. From pint to pint, we dissect the film's ingenious blend of comedy, sci-fi, and heartfelt introspection, uncovering its layers of humor and poignancy. So grab a drink, buckle up, and tune in as we explore the final installment of the Cornetto Trilogy in all its riotous glory! I was joined by contributor by Val Pullin (joining me again from Hot Fuzz!) contributor for Ghouls Magazine, history buff and a fan of all things Spooky and Halloween. You can find Val at; IG Twitter The Podcast's socials; Twitter IG Hannah's stuff; Twitter IG TikTok You can also email the pod at fatsonfilm@outlook.com
I know I have been MIA and I just wanted to tell you that I am still here. And I will be back so soon with Fats on Film episodes for you!