Figgis Unfiltered

Filmmaker Mike Figgis on desire: the disruptive force behind every great story, why we’re drawn to the forbidden, and learning to enjoy it without acting on it. Figgis Unfiltered S2 E4.Season 2 of Figgis Unfiltered examines the human emotions, one at a time. In Episode 4, director Mike Figgis (Leaving Las Vegas) takes on his favourite subject for drama — desire. Starting with Buñuel’s That Obscure Object of Desire, he argues that desire is fundamentally disruptive: the thing that arrives from left field and threatens all the stability we’ve built, from marriage to the modern dream of controlling even death. Drawing on the philosopher Georges Bataille, he explores why desire feeds on prohibition, why we’re pulled toward the forbidden, and how possession and destruction are never far apart.He tells the story of casting Richard Gere in Internal Affairs — the complex Hollywood outsider nobody wanted — then takes your questions: on desire left deliberately unresolved, how to tell a desire that’s truly yours from one shaped by others, and how desire becomes the engine of great drama. He closes on how desire changes with age — not as something to act on, but as a creative wellspring that “happens between your two ears.”⏱️ Chapters00:00 Desire — Figgis’s favourite subject for drama00:19 Buñuel’s That Obscure Object of Desire01:13 Why desire is a disruptive force01:55 Marriage, and the vow no one can really make02:59 Bataille: desire needs a taboo to break04:42 The fear of death and the urge to control everything06:35 Internal Affairs — desire, power & Richard Gere07:57 Casting Richard Gere, Hollywood’s outsider10:37 Temptation, and the signal that someone’s “up for it”12:19 The lure of the forbidden14:09 Possession, and “if I can’t have it, no one can”15:18 Listener questions — Dave (Toronto): desire left unresolved19:56 Jada (Toronto): is a desire truly your own?23:53 Eric (Seattle): desire as the engine of drama26:17 Desire tempered by age — a creative wellspring28:46 “You don’t have to act on it” — a final word🎬 Mentioned in this episodeFilms — That Obscure Object of Desire (Luis Buñuel) · Internal Affairs · Fatal Attraction · Looking for Mr. Goodbar · Days of Heaven · and Mike’s own Leaving Las VegasPeople — Richard Gere · Andy Garcia · Laurie Metcalf · writer Henry Bean · Georges Bataille · Jerry BruckheimerBook — Diary of a Mad Old Man by Jun’ichirō Tanizaki📸 Daniel Raczynski🎙️ Got a question for Mike? Send it as a voice note and it could feature in a future episode — DM us on Instagram: @figgisunfiltered🔔 Subscribe and hit the bell for new Season 2 episodes across all podcast platforms and here on YouTube.Follow: Instagram → https://instagram.com/figgisunfiltered#MikeFiggis #FiggisUnfiltered #Desire Hosted on Acast. See acast.com/privacy for more information.

Filmmaker Mike Figgis on love: why it never quite works, what makes true love closer to friendship, and the films and songs that get it right. Figgis Unfiltered S2 E3.Season 2 of Figgis Unfiltered examines the human emotions, one at a time. In Episode 3, director Mike Figgis (Leaving Las Vegas) takes on the most complex subject of all — love. He begins with the love songs of the American songbook and asks why love has all but vanished from modern music, then turns to Einstein and the philosopher Georges Bataille to ask why desire so often curdles into disappointment, and why the truest love might look more like deep friendship than romance.Along the way: a year-long love affair sustained entirely through perfumed letters he couldn't actually read, why the suffering of love has always drawn him more than happy endings, the films that define love for him — from Elvira Madigan to Bonnie and Clyde — and what a single look on Billie Holiday's face reveals about the whole thing. Then he takes your questions: on inviting your exes to your wedding, whether love is worth the pain, and how love shifts across a lifelong marriage.⏱️ Chapters00:00 Love — the most complex subject of all00:37 A roll-call of love songs — and what vanished from them03:23 Einstein on marriage, desire and disappointment04:20 Why his films are all about broken love05:05 Georges Bataille: desire, and why marriage palls07:51 "True love is deep friendship"09:04 A fool for love — chasing the unattainable09:51 The perfumed letters he couldn't read for a year12:36 Why the suffering of love appeals to him14:00 "I like you": how language fails love14:47 Saying "I love you" — the point of no return16:06 When a friendship turns into love16:52 True love stories — Leaving Las Vegas & One Night Stand17:36 Elvira Madigan — his favourite love film20:04 Love as a clash of two forces21:01 Listener questions — Nithya (Hong Kong): exes at your wedding?25:28 Mark (Toronto): is love worth the pain?31:11 Carol (Ottawa): love across a lifelong marriage38:04 The most profound love on film — Billie Holiday & Lester Young🎬 Mentioned in this episodeFilms — Elvira Madigan · Bonnie and Clyde · My Girlfriend's Boyfriend (Éric Rohmer) · One Night Stand · and Mike's own Leaving Las VegasThinkers — Albert Einstein · Georges Bataille (Story of the Eye) · Albert Camus · Michael OndaatjeMusic — the American love-song standards · Mozart's Piano Concerto No. 21 · Billie Holiday & Lester Young, "Fine and Mellow" (from the 1957 TV special The Sound of Jazz, on YouTube)📸 Daniel Raczynski 🎙️ Got a question for Mike? Send it as a voice note on Instagram: https://instagram.com/figgisunfiltered🔔 Subscribe and hit the bell for new Season 2 episodes across all podcast platforms and here on YouTube.Follow: Instagram → https://instagram.com/figgisunfiltered Hosted on Acast. See acast.com/privacy for more information.

Filmmaker Mike Figgis on rage: the violence that shaped him, the fury he learned to turn into film, and why anger still needs an outlet. Figgis Unfiltered S2 E2.Season 2 of Figgis Unfiltered examines the human emotions, one at a time. In Episode 2, director Mike Figgis (Leaving Las Vegas) takes on anger and rage — beginning with a man who insists he isn't angry, then tracing where that belief cracks. From a childhood thrown from colonial East Africa into a violent Newcastle school, to the friend who taught him to stand his ground, to the "psychedelic rage" of an out-of-body fantasy in a Hollywood studio meeting, he examines how a lifetime of watching for danger became both a survival instinct and a filmmaker's eye.He tells the story behind his near-fight with Ridley Scott in an edit suite — and how that exact moment became a scene in Leaving Las Vegas — then opens out into rage on screen (Taxi Driver, Network), the difference between anger and rage, and how punk turned fury into something a whole generation could use. Then he takes your questions: what he does with his own rage, when we shouldn't trust our instincts, and what Muhammad Ali might have made of the age of outrage.⏱️ Chapters00:00 "I don't think of myself as an angry man"00:20 From colonial Africa to a brutal Newcastle school02:53 Reg Easton, and learning to fight back04:07 A radar for violence — "always watch the room"04:52 Hollywood, and a fantasy of "psychedelic rage"08:02 Ridley Scott, The Browning Version & a near-fight12:09 Turning that rage into a scene in Leaving Las Vegas13:56 Repressed rage on screen — Taxi Driver & Network14:54 Rage vs anger — and "creative anger"16:35 Bad rage vs productive rage — punk and "mad as hell"18:02 A digression: Network and Faye Dunaway20:31 Listener questions — Mark (Ontario): what do you do with rage?24:24 Annie (Mumbai): when should we not trust our instincts?26:37 Bob (London): Muhammad Ali, Trump & the age of outrage29:43 "Bring on the rage" — a closing note🎬 Mentioned in this episodeFilms — Taxi Driver · Network · The Browning Version · Internal Affairs · Thelma & Louise · and Mike's own Leaving Las VegasPeople — Ridley Scott · Albert Finney · Anthony Hopkins · Julian Sands · Elisabeth Shue · Faye Dunaway · David Lynch · Muhammad Ali · the Coen brothers · Powell & PressburgerMusic — the rage of punk: the Sex Pistols and The Clash📸 Daniel Raczynski 🎙️ Got a question for Mike? Send it as a voice note and it could feature in a future episode — DM us on Instagram: @figgisunfiltered🔔 Subscribe and hit the bell for new Season 2 episodes across all podcast platforms and here on YouTube.Follow: Instagram → https://instagram.com/figgisunfilteredNote: this episode includes frank discussion of childhood violence and abuse.#MikeFiggis #FiggisUnfiltered #Rage Hosted on Acast. See acast.com/privacy for more information.

Filmmaker Mike Figgis on happiness: why it's dangerous, the childhood moment that defined it, and why he distrusts happy endings. Figgis Unfiltered S2 E1.Season 2 of Figgis Unfiltered examines the human emotions, one at a time. In Episode 1, director Mike Figgis (Leaving Las Vegas) begins with happiness — a kitchen table stripped at 3am, a boyhood night hearing Louis Armstrong's trumpet cut through the red velvet curtains of the Newcastle Odeon beside his father, and a lifetime spent watching people to understand what a genuine smile really is.He explores why happiness can only be measured against sadness (by way of John Berger's Ways of Seeing), the actor's exercise that exposes sadness as our default setting, the "mask of happiness" he strips away when taking portraits, and the newspaper photograph of a rescued Australian family that moved him to tears. Then he answers your questions — on what gets him out of bed, the spirituality running through his films, why he casts actors who've stepped away from the mainstream (Kim Novak, Nastassja Kinski, Richard Gere), and whether Leaving Las Vegas could be made in 2026.He closes with his own recommendations on happiness: two books, two live jazz recordings, and one perfect Hitchcock film.⏱️ Chapters00:00 Welcome to Season 2 — what happiness really is01:14 A boy, his father & Louis Armstrong at the Odeon04:04 Edinburgh: a failed comedian and his father's cough05:18 Why happiness is dangerous — John Berger06:13 "Show me happiness": the actor's exercise07:33 Portraits and the mask of happiness08:36 The Australian beach rescue that moved him12:10 Listener questions — Clarissa (Toronto): what gets you out of bed?14:16 Happiness is meant to be shared17:14 A people-watcher's joy: stations & airports19:06 Sasha (Ukraine): spirituality in his films23:01 Doug (Boston): casting actors who stepped away26:28 Jay (Amsterdam): could Leaving Las Vegas be made today?29:22 Recommendations — books, live jazz & a Hitchcock film33:22 Final thoughts: don't plan happiness📚 Mentioned in this episodeBooks — A Fan's Notes (Fred Exley) · Something Happened (Joseph Heller) · Ways of Seeing (John Berger) · Diary of a Mad Old Man (Tanizaki)Music — Louis Armstrong's 1948 live all-star concert · Duke Ellington at Newport '56, "Diminuendo and Crescendo in Blue" (Paul Gonsalves)Films — Notorious (Hitchcock) · Festen · and Mike's own Leaving Las Vegas📸 Daniel Raczynski 🎙️ Got a question for Mike? Send it as a voice note and it could feature in a future episode — DM us on Instagram: @figgisunfiltered🔔 Subscribe and hit the bell for new Season 2 episodes across all podcast platforms and here on YouTube.Follow: Instagram → https://instagram.com/figgisunfiltered#MikeFiggis #FiggisUnfiltered #Happiness Hosted on Acast. See acast.com/privacy for more information.

In his new book, Stay Alive: Berlin, 1939-1945, Ian Buruma explores the complexities of survival and daily life under Nazi rule. He talks to Mike about the book, his longtime interest in China and Japan, and their shared experiences with a legendary Dutch avant-garde theatre. Hosted on Acast. See acast.com/privacy for more information.