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Go behind-the-scenes to learn more about the story-telling process as producers, directors, writers and actors discuss their craft.
312 Episodes
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Director Don Hertzfeldt joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a discussion of his films ME and It’s Such a Beautiful Day. They discuss his time as a UCSB student and his early interest in animation, as well as the development of his new film. Hertzfeldt also shares insights into his influences from silent cinema, and his thematic interests in deep time and memory across his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40070]
Composer Christopher Willis joins moderator Tyler Morgenstern (Assistant Director, Carsey-Wolf Center) for a discussion of his work on Schmigadoon! They discuss how theatrical and movie musical history, as well as Willis’ musicology background, informs the music of the show. They explore the challenge of composing an underscore, and incorporating the stylistic variation of decades of musicals, from the Golden Age musical tradition to the darker themes of 1960s and 1970s productions. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39993]
Director Lynn Hershman Leeson joins moderator Letícia Cobra Lima (History of Art & Architecture, UCSB and curator of A Box of One’s Own) for a discussion of her film !Women Art Revolution. They discuss her history as an artist, and the difficult process of piecing together a narrative from hundreds of hours of footage, interviews, and extensive archival research. They also examine the institutional issues faced by women in the art world and make connections between past and present artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39975]
Writer/director Sam Kadi and actors William Atherton and Rizwan Manji join moderator Juan Campo (Religious Studies, UCSB) for a discussion of their film The Citizen. They share their experiences making the film and drawing inspiration from real Arab-American stories. They also discuss the continued relevance of the film’s themes, including issues of citizenship, the immigrant experience, racial prejudice, and the right to protest, as well as the representation of Arab-Americans on-screen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39978]
Filmmaker Sreemoyee Singh joins moderator Shiva Balaghi (Area Global Initiative, UCSB) for a discussion of her film And, Towards Happy Alleys. They discuss the impetus for the film and Singh’s research into the cinema of Iran, as well as her travels to the country. Singh reflects on her experiences documenting Iranian filmmakers like Jafar Panahi and meeting those close to and following in the footsteps of the late Forugh Farrokhzad. She also discusses lessons learned as a documentary filmmaker. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39779]
Producer Angela Laprete and actor Lindsay Watson join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of their film The Wind and the Reckoning. They discuss the film’s origins and telling the story in the ʻŌlelo Hawaiʻi language. They also speak on the development of the script, its approach to genres like the Western and historical drama, working with cultural consultants, and the importance of authentic and thoughtful cultural representation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39977]
Director Sam Pollard joins moderator Wendy Eley Jackson (Film and Media Studies, UCSB) for a discussion of his film Max Roach: The Drum Also Waltzes. They discuss his long and remarkable career as a documentary filmmaker and the life of jazz musician Max Roach. They also reflect on Pollard’s varied documentary subject matter throughout the decades, from dressage to graffiti to the civil rights movement, and working closely with director Spike Lee. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39974]
Director and co-writer Erica Tremblay joins moderator Lisa Parks (Film and Media Studies, UCSB) for a discussion of her film, Fancy Dance. They discuss the development of the film and Tremblay’s three-year-long journey to study the Cayuga language in preparation. They also discuss Lily Gladstone’s central performance, the role of dance as a central motif, and the foregrounding of queer identity and culture in the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39971]
Director Kemp Powers joins moderator Mireille Miller-Young (Feminist Studies, UCSB) for a discussion of his film Spider-Man: Across the Spider-Verse. They discuss the development of the film, the origins of characters like Spider-Punk, and various artistic influences. Powers also shares his experiences working with a large, diverse animation team and thoughtfully addressing issues of representation and authenticity. They also discuss the storytelling and expressive possibilities of animation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39976]
Director Nicole Newnham joins moderator Kyna McClenaghan (Film and Media Studies, UCSB) for a discussion of her film The Disappearance of Shere Hite. They discuss the origin of the film and her interest in Shere Hite, as well as the archival research undertaken in making the documentary. Together, they also detail the work of Shere Hite in the context of the feminist movement of the time, the sexist backlash she received, and the enduring impact of The Hite Report and other studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39973]
Filmmaker Jess X. Snow joins UCSB's Heidi Amin-Hong to discuss a selection of Snow’s films and their broader artistic journey. As a multidisciplinary artist, Snow's work encompasses poetry, visual art, and film, often addressing themes like the model minority myth, community care, mutual aid, and the Asian-American immigrant experience. They also explore how their films depict queer intimacy and the romantic and erotic agency of Asian-Americans. The conversation provides a deep dive into Snow’s creative process and how their diverse body of work challenges stereotypes and offers empowering narratives for marginalized communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39972]
Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]
Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes’ continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]
Actor Meg Ryan joins moderator Brad Silberling for a discussion of the romantic comedy classic When Harry Met Sally. They share behind-the-scenes stories of the film’s late screenwriter Nora Ephron and the enduring legacy of the film. They also reflect on the development of the film’s script and iconic characters, the process of shooting scenes and bringing Harry and Sally to life onscreen, and Meg Ryan’s work both in front of and behind the camera over the course of her career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39638]
Associate producer Steve Starkey and screenwriter Peter S. Seaman join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of the film Who Framed Roger Rabbit. They discuss the early development and complex visual effects of the film. They also discuss the state of Walt Disney Studios in the 1980s and the industrial contexts surrounding the film, as well as allegories of segregation and urban sprawl in Los Angeles worked into the narrative. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39737]
Director Deborah Stratman joins moderator Alex Lilburn (Film and Media Studies, UCSB) for a discussion of her film, Last Things. Stratman discusses the varied ecological, geological, literary, and cinematic inspirations of the film and thinking beyond anthropic time scales. Together, they also discuss the structure of the documentary, the use of voiceover and outside excerpts, the scientific concepts explored throughout, and the research undertaken in the development process for the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39639]
Kashif Shaikh, co-founder and president of Pillars Fund, joins moderator Mona Damluji (Film and Media Studies, UCSB) for a discussion of the film Polite Society. Shaikh discusses working closely with director Nida Manzoor and themes of sisterhood, class hierarchy, and patriarchal power in the film. Together, they also discuss ways of subverting cliches and stereotypes in South Asian and Muslim representation onscreen and share perspectives on authenticity and a new generation of filmmakers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39736]
Filmmakers Valerio Ciriaci and Isaak Liptzin join UC Santa Barbara moderator Stephanie Malia Hom to discuss their film, Stonebreakers. They detail the origins of the project and their interest in monuments as a trigger for political action and historical discourse. They also discuss their experiences filming protests and broader political action against police brutality and systemic racism, and share perspectives on documentary film’s delicate tension between history and memory. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39636]
Filmmaker James N. Kienitz Wilkins joins moderator Tyler Morgenstern, Assistant Director of the Carsey-Wolf Center, for a discussion of Still Film. They discuss its narrative and formal structure, as well as its thematic interests in the problems plaguing contemporary Hollywood. They also reflect on the film’s use of language and larger questions of cinema, memory, and nostalgia. Moreover, Wilkins discusses his use of 35mm press kit photos in the film and multiple meanings behind the term “stillness.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39637]
Lucas Hilderbrand of UC Irvine joins UC Santa Barbara moderator Graham Feyl to discuss the film Paris is Burning. They review the history of its exhibition and the film’s enduring legacy as a powerful portrait of queer life, resistance, beauty, and art. They also discuss the unique structure of the documentary, the cultural contexts of drag balls for trans communities of color, and Paris is Burning’s significance in the history of trans representation onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39635]
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