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Chris Klimek convenes a showdown between arguably the two most influential slasher films ever made: John Carpenter's "Halloween" and Wes Craven's "A Nightmare on Elm Street." One helped define the modern slasher, introducing audiences to the silent, implacable force of Michael Myers and transforming suburban streets into sites of terror. The other revitalized the genre six years later with Freddy Krueger, a wisecracking dream stalker who turned sleep itself into a death sentence. Arguing for "Halloween" is Jason Zinoman (Shock Value, The New York Times), who contends that Carpenter's film remains the genre's most influential and enduring achievement. Defending "Nightmare" is Deirdre Barrett, a Harvard dream researcher, psychologist, and author, who makes the case that Freddy Krueger taps into some of our deepest and most universal fears. Choose your winner at moviedeathmatch.com. (Times will not be precise with ads.)Intro / Meet the Advocates (00:00:00-00:16:41)Rd. 1 – The Movies in Their Time (00:16:42-00:41:49)Rd. 2 – The Movies in Our Time (00:41:50-01:06:16)Rd. 3 – The Movies for All Time (01:06:17-01:37:03)The Verdict / Credits (01:37:05-01:45:23) More From Jason: -‘Halloween’ 1978: The Times Finally Reviews a Horror Classic https://www.nytimes.com/2018/10/17/movies/halloween-1978-review.html -Book: Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror https://www.amazon.com/dp/0143121367 -Instagram @zinomanj More From Deidre: -deirdrebarrett.com http://www.deirdrebarrett.com/ -Book: Pandemic Dreams https://www.amazon.com/dp/0982869533 -Instagram @deirdre_barrett_dreams Follow Chris: -Instagram | Bluesky | XSee omnystudio.com/listener for privacy information.
For the debut episode of their new sport and film podcast, Adam Kempenaar and University of Iowa Journalism and Mass Communication colleague Travis Vogan, PhD, are joined by scholar Seán Crosson, PhD, to discuss Harold Lloyd’s 1925 silent comedy The Freshman. Together, they explore the massive box-office hit’s treatment of masculinity and football, and how the film helped shape the underdog and American Dream narratives that remain central to the genre a century later. Next Episode: –Hoop Dreams with Samantha Noelle Sheppard, PhD, Cornell University Links: –Email the show at [email protected]. –Learn more about Seán Crosson –Sport in European Cinema –Sport and Film (2nd Edition) Theme Music: –King of the Corpse Flowers by Oxykitten | SpotifySee omnystudio.com/listener for privacy information.
Two weeks after their Pantheon Project review of David Lynch’s Blue Velvet, Adam and Josh take on the director’s 2001 mind-bender, Mulholland Drive, to celebrate its 25th anniversary. For a film with a reputation for being impenetrable, they find it surprisingly rich with clues while retaining all of its singular power. Plus, a Golden Brick nomination for If I Go Will They Miss Me, and thoughts on the new doc You Had To Be There: How the Toronto Godspell Ignited the Comedy Revolution.This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.(Timecodes will not be precise with ads.)Intro (00:00:00-00:02:28)Mulholland Drive (00:02:29-0:30:28)Filmspotting Family (0:30:29-00:32:31)Mulholland Drive, cont. (00:32:32-0:58:43)If I Go Will They Miss Me (0:58:44-01:03:44)You Had To Be There (01:03:45-01:13:54)Notes (01:13:55-01:24:52)Massacre Theatre (01:24:53-01:30:51)Credits / New Releases (01:30:52-01:34:58) Notes: -David Lynch Ranked | Adam https://boxd.it/Xk5q6$rM7TfIkSmbYwC11L -David Lynch Ranked | Josh https://letterboxd.com/larsenonfilm/list/david-lynch-ranked/ -Golden Bricks https://www.filmspotting.net/bricks -New Podcast! Field of Scenes https://www.filmspotting.net/fieldofscenes Feedback: -Email us at [email protected] -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. https://www.filmspotting.net/shop Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.
There’s a lot to enjoy about The Weight: the tactile 1930s Oregon setting, strong performances from Ethan Hawke and Russell Crowe, a premise that allows for multiple suspense sequences. But Padraic McKinley’s directorial debut is arguably lacking in thematic heft and visceral grit, particularly when compared to the other film in this pairing. So after considering how The Weight succeeds and struggles on its own terms, we bring William Friedkin’s 1977 cult classic Sorcerer back in to consider how these two films about desperate men given a deadly opportunity differ in their approach to flawed protagonists, bridge-based action scenes, and lone female characters of consequence, and the one plot hole they have in common. Then our returning guest, Vulture critic Roxana Hadadi, offers a Your Next Picture Show recommendation for another 2026 film involving the transportation of dangerous cargo, The Rivals of Amziah King. Please share your thoughts about Sorcerer, The Weight, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730. Next Pairing: Lance Oppenheim’s Primetime and Alexander Mackendrick’s Sweet Smell of Success This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.
Ahead of December's Doomsday, Avengers: Endgame is back in theaters. Here's Adam and Josh with their original 2019 review—including spoilers. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you join the Filmspotting Family. See omnystudio.com/listener for privacy information.










