Claim OwnershipGramophone Classical Music Podcast
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Weekly conversations about classical music with leading musicians and writers
526 Episodes
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Soprano Rowan Pierce joins Jonathan Whiting to reflect on the intimacy of making chamber-scale Baroque music without a conductor, the challenges of Bach’s expansive recitatives, and the almost operatic drama of Handel’s 'Tra le fiamme'. She also speaks about her long collaboration with Ashley Solomon, the ensemble’s director, and about finding new colours and meaning in these works – music that, though written three centuries ago, resonates with striking relevance today. We were also incredibly honoured to recently learn that the Gramophone Magazine Podcast will now be included in The British Library Sound Archive, catalogued and preserved for future generations as part of the nation’s audio and cultural heritage. To hear other Gramophone podcasts, or to subscribe for free to new editions, search for 'Gramophone' in your Podcast App of choice, or visit Gramophone's page on Apple or Spotify.
Composer jake Heggie joins Hattie Butterworth to speak about the recording release of ‘Intelligence’, an opera premiered at Houston Grand Opera in 2023 and out now on the LSO Live label. They also look back on 25 years since Heggie’s first opera ‘Dead Man Walking’ was premiered and ahead to a new production of the work at English National Opera in November
During the 2024-25 season, Alisa Weilerstein premiered three new cello concertos – Richard Blackford’s The Recovery of Paradise (which she has recorded for Pentatone with the Czech Philharmonic conducted by Tomáš Netopil), Gabriela Ortiz’s Dzonot (recorded for Platoon with the Los Angeles Philharmonic and Gustavo Dudamel) and Thomas Larcher’s Returning into Darkness (premiered with the New York Philharmonic). James Jolly caught up with Alisa to talk about the two new recordings and also hear about her Fragments project that she’s bringing to London as part of a South Bank Centre residency later this year. The Gramophone Podcast will now be included in The British Library Sound Archive, catalogued and preserved for future generations as part of the nation's audio and cultural heritage.
Joel and Camden from the Dover Quartet meet Hattie Butterworth in Philadelphia to discuss their latest album, Woodland Songs, which places the music of Jerod Impichchaachaaha' Tate and Pura Fé alongside the Dvorak 'American' String Quartet in F Major. Though vastly different works in style, expression, and historical context, they share the common influence of music native to North America.
The mandolin player Avi Avital, with his ensemble Between Worlds, has just released a new DG album ‘Song of the Birds’ which crosses boundaries to explore the musics of three geographical regions – Iberia, southern Italy (Puglia) and the Black Sea – with vivid results. For this week’s Gramophone Podcast, James Jolly caught up Avi Avital while he was on tour in Northern Germany to talk about the new album.
Join Hattie at the 2025 Three Choirs Festival in Hereford as she speaks to performers, composers, clergy and audience members to discover what makes the festival such a place of pilgrimage 300 years since its foundation
Guy Johnston joins Hattie Butterworth to discuss his latest recording of the Arthur Bliss Cello Concerto with Andrew Manze and the Royal Liverpool Philharmonic Orchestra. A technical mine field, the concerto was written for the great cellist Rostropovich and premiered with Benjamin Britten conducting at the 1970 Aldeburgh Festival. Guy also speaks about his dedication to pedagogy and gives details of more upcoming English cello recordings he has in the pipeline.
As the 2025 BBC Proms season gets underway, Martin Cullingford is joined by Tim Parry and Hattie Butterworth select their top picks. From Rachmaninov with Yunchan Lim and the UK premiere of Anna Thorvaldsdottir’s Cello Concerto to a late-night tribute to Arvo Pärt and a rare performance of Delius’s A Mass of Life, the team reflects on the Proms’s cultural significance, its breadth of programming, and the enduring tradition of live music at the Royal Albert Hall.
We're today continuing the theme set by last week's edition, in which we marked the 500th episode of the Gramophone Classical Music podcast by looking back over some of our most memorable interviews and episodes. The interview Editor Martin Cullingford chose to reflect on was a conversation he had with the guitarist Julian Bream all the way back in 2013, to mark his 80th birthday and also the fact that Gramophone had honoured him with our Lifetime Achievement Award. So here, for this week's podcast, we offer a retrospective edition - and a chance to hear at full length that earlier episode.
Earlier this year the Gramophone Podcast passed 1 million downloads. Now we’ve reached another milestone: our 500th episode. Launched before podcasting’s current popularity, the series steadily built a following, which grew substantially once we adopted a weekly schedule and set formats. Those formats include: interviews with major artists on new albums; in-depth composer discussions; reflections with senior musical figures; and conversations with a new generation of musicians rethinking the artist’s role today. In a special celebratory edition, James Jolly, Martin Cullingford, Tim Parry and Hattie Butterworth each choose a standout: Julian Bream on a life in music; William Christie on Mondonville; Richard Wigmore on the enduring brilliance of Schubert and Fatma Said on collaboration.
Gramophone's Editor Martin Cullingford speaks to James Jolly about the 2025 Orchestra of the Year nominated orchestras, discussing the impact each of them has made to recordings and the wider musical landscape To vote for Gramophone's Orchestra of the Year 2025, head to gramophone.co.uk/vote25
Conductor John Andrews joins Hattie Butterworth to speak about the debut recording of Sir Granville Bantock and Marjory Kennedy-Fraser’s folk opera, The Seal Woman. They explore the folk song collecting of Marjory Kennedy-Fraser, as well as Andrews’s commitment to uncovering lesser-known repertoire
Kitty Whately joins Hattie Butterworth to discuss her new album on Chandos with pianist Edwige Herchenroder titled Horizons: French Melodies. They also explore the historic erasure of women composers, as well as Kitty's ongoing advocacy and research
The vocal ensemble VOCES8 are marking their 20th anniversay with a new release – out today – celebrating the full breadth of their creativity, and an exciting season of concerts. Editor Martin Cullingford sat down with three of the key figures behind this most innovative of ensembles – the co-founders Barnaby Smith, Artistic Director, and Paul Smith, CEO, and soprano and long-standing member of the group Andrea Haines – to look back over 20 years of creativity and achievement, and forward to the future.
This week’s Gramophone podcast is a special focus on one of the most significant of 20th century composers, Dimitri Shostakovich, the 50th anniversary of whose death we mark this year. As our guide to his music we’re privileged to have conductor Andris Nelsons, who, together with the Boston Symphony Orchestra, has just reached the end of a journey through all his symphonies, plus the concertos for cello, piano and violin, all recently released by Deutsch Grammophon. Across half an hour of fascinating insight, he tells Editor Martin Cullingford about how he responds to Shostakovich’s music and life, and about what makes the composer’s music so distinct, and so remarkable.
1The German baritone Dietrich Fischer-Dieskau's 100th birthday falls on May 28. One of the most versatile singers of the last century – his operatic repertoire alone ranged from Gluck, Handel and Mozart via Verdi, Wagner and Richard Strauss to Berg, Busoni and Reimann – it's his devotion to song that remains his lasting legacy. To mark the anniversary of Fischer-Dieskau's birth, Gramophone's James Jolly spoke to song specialist and author of Schubert: The Complete Song Texts (Schirmer: 1988), Richard Wigmore. They focused on Fischer-Dieskau's audio recordings of Schubert's greatest song-cycle Winterreise (1828) which include three with Gerald Moore, as well as versions with Klaus Billing, Hermann Reuter, Daniel Barenboim, Jörg Demus, Alfred Brendel, Murray Perahia and Maurizio Pollini.
In this week's episode, Editor Martin Cullingford met with the founder and Music Director of Bach Collegium Japan Masaaki Suzuki, along with the group's Principal Conductor Masato Suzuki, to talk about their new recording of Brahms's Ein deutsches Requiem, available now on BIS – as well as discussing Bach's St John Passion, which they had performed the day prior to the interview. The interview took place last year in, appropriately enough, London's Japan House.
In 2007, Yevgeny Sudbin released an album of music by Alexander Scriabin. Reviewing it in Gramophone, Bryce Morrison described it as a 'disc in a million'. Now, Sudbin has returned to the composer for his 25th recording for BIS, and offers a wide-ranging survey of music that includes two more of the piano sonatas. James Jolly caught up with Yevgeny Sudbin recently to talk about his relationship with the composer and his unique musical world.
In this week's episode of the Gramophone Classical Music Podcast, Editor Martin Cullingford is joined by the Principal Conductor of the Hallé Orchestra, Kahchun Wong, to talk about the orchestra's relationship with its home city, Manchester, and their new recording of Bruckner's Symphony No 9.
Zlatomir Fung won the Cello category of the 2019 International Tchaikovsky Competition, and also has an enviable collection of other cello awards and prizes to his name. He was a Borletti-Buitoni Trust Fellowship Winner in 2022 and was awarded an Avery Fisher Career Grant in 2020. His debut recording, ‘Fantasies’, is just out from Signum and on it he explores, with his pianist Richard Fu, a very specific genre, the virtuoso fantasy based on popular operas of the day. And Zlatomir has contributed his own fantasy based on Janáček's Jenůfa. James Jolly went to talk to him at Henry Wood Hall in London earlier this year just before a rehearsal with the London Philharmonic with whom he was performing a couple of concerts.
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